In an era where images flood our screens daily, capturing something truly human within a frame is an art form that few photographers can achieve. For this featured portrait and fashion photographer, this art is a journey—a winding path that began with an inspiration found between the pages of Rogue magazine and took shape through small, formative assignments in college. Today, he’s made it his mission to bring life and depth to every shot, finding beauty in both posed fashion scenes and the genuine spontaneity of everyday life. Background & Inspiration How did your journey into portrait and fashion photography begin? Were there any early experiences that shaped your creative path? I’d say that it was in college that I made the conscious decision to pursue taking photos of people as a career, or at least had the realization of what was possible. Back then, I was part of various university organizations as a photographer and, though I was photographing people, it was more in the context of event coverage versus portraiture or something editorial. I have a clear memory though of how something shifted in me when I first flipped through an issue of the now defunct Rogue  magazine, and I saw what photos could be and how they could be used as part of stories. Plus, in maybe my sophomore or junior year, I somehow landed small assignments from Young Star Philippines  that challenged me to take portraits. My path kind of opened up from there. Your work spans diverse themes—what inspires you when capturing different subjects, from fashion to lifestyle? I think at the heart of it I just want a person to feel like a person, or, when there isn’t a person in a photo, that there’s still the sense of humanity in there somehow. And I want the sense that something is happening or has happened. Whether it’s portraiture or documentary work, I’m always drawn to the living aspect. When it’s a person, I like to see the subject interacting naturally with their surroundings, with what they’re wearing, and even with me or the team surrounding us at the shoot. When it’s photos that aren’t of people, I’m drawn to objects with traces of life or spaces that look lived in, which are like portraits in themselves. Creative Process How do you approach conceptualizing a visual story? Are there certain elements or narratives you always aim to incorporate? My ‘upbringing’ as a photographer was in the school of thought that the visual aspect of the story has to be grounded on  the story, so I guess my first considerations are questions like: “What is this about, and what are we trying to say about it?” Those follow whatever the subject of the photos is, whether it’s a person, an event, an object, or even a feeling. From this a lot of the visual parts of the story can take shape, from where you point your camera, to how you frame certain things. And then the personal aspect of photographing comes in: “How do I feel about this? What is my experience of it? How do my personal biases and capabilities inform the way I take these photos?” I think this is always important to think about because it grounds the work and also speaks to its uniqueness. And then lastly, “Who are we telling this story to? What is the experience that we want them to have?” I ask these to help me decide my approach, my composition, my treatment, down to the selection for and sequencing of a photo set.  With all of that said, I am also trying to push against how I’ve come to know making visual stories this way, which, while founded on intentions, might be too analytical and rigid in some ways. Over the last few years, I’ve learned that there’s also space in visual storytelling to simply create out of feeling, with results that are even more interesting. Meaning can be found in the unintentional and the unexpected, too. When photographing a person or a community, how do you capture the essence of the subject authentically? It’s not easy and it’s not something I can say I always successfully do. But I always want to try. When photographing people, I try to get the subject (and, when it’s a highly produced shoot, everyone in the team) to understand that the photos aren’t only created by me, but by us together. I do this by talking to them, trying to get to know them, and also by opening up to them about myself and what I imagine for the photographs. In many words and actions and vibes, I think I just try to express something like, “Hey, I know this shoot may be for so and so, and I understand how awkward shoots or being photographed can be, but I’m here to capture you as you. Please let me know how we can achieve that together.” Technique & Style What role do lighting and location play in your portraits? Do you have a favorite setup or environment? I actually prefer shooting with daylight or at least light that’s already available in a space, so this also decides my preference with locations. I especially like it when natural light does something interesting, like when there’s a small shaft of light passing through an opening somewhere, or when the light filters through foliage and makes nice shapes and shadows on a wall. I like these conditions especially when it comes to portraits — sometimes I feel like the studio spaces and the big lights and the equipment emphasize the “photoshoot-ness” of a shoot, which can be intimidating or overwhelming for the subject, versus settings where the light is just silently there, so the person may not be as distracted from just being themselves. Over the years, though, I have been trying to learn to light set-ups artificially also. This has actually benefited how I shoot with natural light, too, because I’ve learned to pay closer attention to how light behaves and how to manipulate it. When lighting spaces I wouldn’t consider myself so technical and fussy; as much as possible, I just try to recreate what I’d like in a naturally lit setting. Other than that, I’ve also been experimenting with straight-on hard flash. I like how this relatively uncomplicated setup can produce jarring, otherworldly photographs. Can you share any techniques that help bring out both intimacy and artistry in your images? Like I said, it’s difficult sometimes to foster intimacy at a shoot, and it really involves working to get everyone (myself included) to a place of ease and openness. Other than conversation, one small, simple thing that has helped me get there is playing music. Music can immediately set the tone. And then I ask the subject what they would like to play or what they’ve been listening to, so that we can listen to it together.  I think in any project, there’s the opportunity for artistry, to incorporate yourself more or attempt new, different things — in shooting, treatment, or editing. In any shoot, even the ones that are meant to fulfill a premade brief, I try to walk away with something for myself and the feeling that I did something that was ‘me.’ What is your editing philosophy? How do you balance enhancement with maintaining the integrity of a shot? I’m sort of in an interesting place when it comes to treatment. Lately I’ve been experimenting and taking more creative liberties with my photos in post, in terms of cropping and coloring, whereas before I used to be afraid of straying too far from how a photo looks as shot. But if anything, I still want any of my adjustments to feel real and organic somehow. I don’t want it to get in the way of what’s in the photo and what the photo is trying to say. Career Highlights & Insights What have been some of your most meaningful or memorable projects, and why did they stand out? I’m incredibly lucky to have had a lot of very meaningful portrait and documentary projects just this past year alone that really pushed my work in different ways. The ones that stand out especially for me are projects where I felt that I could apply myself more, or where I was challenged to go outside how I’m used to taking photographs. I’ve also been slowly working on a personal, more artistic project about my family and my identity over the last two or three years. In this project, I feel like I’m applying the things I’ve learned about photography while also unlearning them and looking at new ways to approach imagemaking. How do you balance client expectations with your creative vision during a project? For client work, it’s vital to be on the same page on the get-go. I’m getting into the practice where at the start something, after getting to know what the story is and what the client imagines for the project, I make my own board jumping off of their references and assembling my own, based on what I have in mind for the photos. I show this to them and see what they think. At the shoot, I try to accommodate the client’s approach first and work to get the kinds of images they need. Once we’re happy with what we’ve got, that’s when I move towards my spin on things. Down to post-processing and editing, I always express my recommendations or preferences so we can maybe meet halfway and make the process more collaborative. I think it took me a while in my career to develop the confidence to assert my own creative vision more, maybe because I also needed the time to figure out what that is and how to negotiate it. But also there’s nothing better than finding the right clients or collaborators who simply trust you and create generous spaces for your work. Perspective on Photography How do you see the evolution of fashion and portrait photography in an age dominated by social media? I can’t say for sure where it’s going from here. The digital age has made images in general more accessible than ever, which in itself might be a good thing, but I worry about the effects that constant image consumption and production have for photographers. I’ve certainly felt myself at times getting bogged down by how I think my work might appear and be received on social media, and by whether it can keep up. The digital age has kind of homogenized the form in which photos are experienced, but photos have lives outside being someone’s post or just figures on a screen. There are even other media like publications or exhibits where images can be taken in less rapid and more deliberate ways. Whether it’s portraiture or any other form of photography we’re engaging with, I hope we don’t lose sight of the life that a photo can contain.  What, to you, defines a photograph that resonates universally? Are there specific qualities that make an image timeless? There’s something unique and new for each of us to take away from any image at the point where we encounter them, and maybe in that way all photographs can be regarded as universal or timeless. The two of us can be looking at the same photo but appreciate it or parts of it for different reasons, and those will be decided by our respective contexts. While that’s true, I do think a photograph should be taken with its own context in mind, too: its subject, its author, maybe even its intended audience, and of course the time and place of its creation. Advice & Vision For aspiring photographers, what’s one piece of advice you would offer to develop a unique style? It’s a little funny for me to dispense advice about this because I go through a debilitating identity crisis every few months about my own ‘style’, but here’s something I try to tell myself: It’s very easy to reduce your photographic style to how your photos look, when it’s so much more than that. It’s about what you decide to point your camera at and shoot. It’s about how you decide between a successful image and an unsuccessful image. It’s about where you’re coming from and what your photos have to say. If you know what you have to say, it will transcend your photos’ appearance. It could even transcend the medium! That’s what will help you figure out your ‘style’. Do you have any upcoming projects or dream collaborations that excite you? I put a bunch of personal projects and ideas on the back burner but I think I’ve finally found the energy and courage to get them going again. We’ll see! Instragram: https://www.instagram.com/jljavier/ https://www.jljavier.com

“To mark its fifth year of purposeful art engagement and collaboration, SearchMindscape Foundation will mount a first-of-its-kind, multi-sensorial art event, aptly dubbed, IMMERSIVE ART. Anchored on the theme, Of Echoes and Currents, the creative festival will bring together live painting, music, performance art, underwater photography, large-scale digital art projections as well as interactive art installations for one day only–all under one expansive roof.” Since it was launched in 2019, the SearchMindscape Foundation has always dedicated its efforts towards creating spaces and opportunities that inspire interaction, collaboration, and engagement within the Philippine art space. Led by Founder and Project Director Ayni Nuyda, the non-profit organization has continually endeavored to build an inclusive, nurturing creative culture that supports the career growth of emerging contemporary artists. “The foundation has made it its mission to constantly search for visual artists and partners who value storytelling as a catalyst for connection, community building, and engagement,” Ayni shares. “It envisions itself as a gateway into the contemporary art world for artists and art enthusiasts alike, as well as a pathfinder for emerging visual artists to turn to for mentorship and support.” To mark its fifth year of purposeful art engagement and collaboration, Search Mindscape Foundation will mount a first-of-its-kind, multi-sensorial art event, aptly dubbed, IMMERSIVE ART . Anchored on the theme, Of Echoes and Currents , the creative festival will bring together live painting, music, performance art, underwater photography, large-scale digital art projections as well as interactive art installations for one day only–all under one expansive roof. On October 26, 2004, from 5:00PM onwards, the Green Sun Hotel along Chino Roces Avenue in Makati, will be transformed into an underwater universe brought to life by brush strokes, musical scores, movement, shadows, light, and palpable creative camaraderie. “We wanted to create an immersive art experience that would serve as a playground for both artists, enthusiasts, and audiences. Since day one, our work at SearchMindscape is about inspiring artists to thrive and empowering audiences to build a relationship with the art and the artists. Through the IMMERSIVE ART experience, we hope to blur the boundaries between collector and artist, building bridges that will reshape the audiences’ experience of art.” This audience journey at IMMERSIVE ART touches on the five senses. “This is how you create a memorable experience,” shares Ayni. The event was also designed with the intention of highlighting the ephemeral nature of art in all its forms and iteration. “It’s witnessing art at the moment, comparable to watching a live concert versus seeing it on television,” she describes. Several creative limbs will make up the event, opening avenues for artists to explore, discover, and collaborate. “Inspired by my dad’s (pillar of Philippine modern art, Justin Nuyda) experience as an artist, IMMERSIVE ART was intended as a space for collaboration and dialogue.” BATTLE OF THE BRUSH: A Closer Look Into The Creative Process Of Artists A pioneering concept born out of a collaboration between Kevan Seng (Capulet Art) and renowned Canadian artist Raymond Chow, BATTLE OF THE BRUSH is a live painting competition that allows audiences to witness the creative process of artists. It has brought some of Vancouver's most exciting artists together through a shared passion for collaboration and artistic excellence. This year, the competition, which culminates with the audience voting for their favorite artworks, will shed new light on the creative process that’s distinct to the Philippine art scene. Co-founders Kevan Seng and Jwon Suh will be gracing the Philippines with their presence to show their support, marking a significant moment for the competition's international journey. As one of the key features of IMMERSIVE ART by Search Mindscape Foundation, the first edition of BATTLE OF THE BRUSH in the Philippines will unveil best-in-class pairings of contemporary artists. Each pair will create a work of art based on the theme, Of Echoes and Currents. Artists participating in Battle of the Brush include: Ayni recalls, “I came across BATTLE OF THE BRUSH in Vancouver in 2013. It was such a fun experience set in a winery. I wanted to bring that experience to the Philippines. Our roster of artists for the inaugural competition in the country will set the bar for future iterations.” In Vancouver, BATTLE OF THE BRUSH has extended its presence beyond the competition’s stage, adding a creative layer to events like weddings, corporate team-building exercises, and other milestone celebrations. The brand has also etched its place in Beijing’s dynamic art scene. DIGITAL ART PROJECTIONS: Portals To The Underwater Universe Digital art projections will envelope the entire events hall of Green Sun, transporting guests into realms that underscore the message behind Of Echoes and Currents. Ayni adds, “The digital art display pushes perceptual boundaries, blending technology with nature to create immersive experiences. These works prompt viewers to reconsider their relationship with our waters, using various techniques to depict elements in ways that are both conceptual and evocative.” In bringing together a diverse, dynamic and well rounded roster of digital artists, SearchMindscape enlisted the expertise of Ren Aguila. Digital artists whose works will be showcased during IMMERSIVE ART by Search Mindscape Foundation include: LIVE MUSICAL PERFORMANCES: Sounds of the Sea and Tidal Waves Curated by Nick Lazaro, aural scoring and live music will accompany the various digital art projections surrounding the venue. Through the evening, local artists across musical genres will take center stage as a creative response to the various digital artworks on display. “Live music performances introduce an auditory dimension to the exhibit, drawing inspiration from the rhythmic patterns and sounds of the seas,” Ayni elaborates. “Compositions are inspired by the gentle lapping of the waves, the distant calls of marine creatures, and the powerful surge of tides, creating an acoustic landscape that deepens the emotional impact of the visual art.” Musical artists featured during IMMERSIVE ART by Search Mindscape Foundation include: SCULPTURE AND MOVEMENT: Intuitive Art In Motion IMMERSIVE ART by Search Mindscape Foundation will also feature the intricate crochet work of contemporary artist, Aze Ong. Best known as Queen , her wearable sculptures were first worn by her around the time of quarantine in the midst of COVID-19. Every morning, Aze would perform atop the roof of her home wearing the Queen. The performance was recorded and published on social media. This convergence between sculpture and performance art inspires audiences to reconsider the permanent and immovable qualities of monuments typically done using metals or stone. “There are four Queens in total, and for the first time in IMMERSIVE ART these moving sculptures will be stationary and shown together in one space,” details Ayni. Somatic therapist, movement artist and embodiment facilitator, Chloe Chotrani will animate the crochet sculptures during the one-night only creative festival. “Intuitive movements and meditative sufi dance will bring the sculpture to life.” UNDERWATER PHOTOGRAPHY: Echoes of Life Beneath The Waves In her work with the Search Mindscape Foundation and as a curator, Ayni has always been predisposed to exploring the less traveled paths of fine art. She observes, “Photography has a limited platform in the gallery space. There are only a handful of galleries that place photography as fine art.” During IMMERSIVE ART by SearchMindscape Foundation, an exhibit of photographs taken underwater and on the surface will be mounted on the lobby of the Green Sun Hotel, nearby the registration area. “Usually, we only see the work of underwater photographers in Nat Geo type of platforms,” she points out. In curating this collection of photographs, Ayni was keen on creating an audience journey that would prompt the senses and set the tone for IMMERSIVE ART. “It’s a prelude to all the experiences that await on the main floor,” the curator, project director and founder says. Photographers on exhibit at IMMERSIVE ART by Search Mindscape Foundation are: A resonant message that honors the beauty, boundless power and fragility of our oceans tie together the various limbs that make up IMMERSIVE ART by Search Mindscape Foundation. From the live painting to music, digital projections, and photography, Ayni emphasizes, “Everything is related to the ocean or water. In all aspects of the event we bring together the emerging and seasoned artists. It’s all about curation.” Of Echoes and Currents , the event’s theme, brings to the surface the complex relationship of the marine world and humankind, as told through the lens of visual arts, performance arts, photography, digital art, and installation art. Ayni closes: “It weaves together stories that highlight both the strength and vulnerability of our oceans. It takes the audience on a journey through diverse artistic mediums, which transforms the space into a metaphor for fluidity and chaos, illustrating how water–and in this case, art–binds us together...In this exhibit, the echoes of the past and the currents of the present converge, fostering a dialogue that celebrates the ocean and encourages the viewers to reflect on society’s integral role in both the eco system and the arts. ” IMMERSIVE ART: Of Echoes and Currents by SearchMindscape Foundation will happen on October 26, Saturday at the Green Sun Hotel, Chino Roces Ave., Makati. Gates open at 4PM. For more information and tickets, visit < https://immersiveart.helixpay.ph/ >

Filipino indie band One Click Straight is back with their latest single, "Siga," a lively track that offers a fresh take on themes of resilience and camaraderie. The song is accompanied by fast-paced visuals and high-energy performances. Following their 2023 self-titled album, the band shows no signs of slowing down, and "Siga" is just the beginning of what's in store for fans as they prepare to release even more new music. Reflecting on the band's journey, drummer Tim Marquez shared his thoughts on putting out new music: "After putting out the album last year, we knew our writing juices didn’t run out and we still had a lot to say. ‘Siga’ was one of those songs, and I’m glad we finally released it. It is always fulfilling to put out new music." While "Siga" is portrayed as lively, its message runs deeper, inspired by everyday life struggles. Tim explains, “Sometimes you feel like the world is against you. Everything’s falling apart, and nothing’s going your way, but all you can do is laugh. I just wanted to write something funny, vibrant, and quirky—like being stuck in classic Manila traffic and needing to pee. It’s the perfect soundtrack for that.” He added a message of hope: “I hope anyone who listens can just vibe out and feel like they’re not alone. Life may be hard, but it gets easier when you’re with your friends.” Fan Reactions and Live Performances of “Siga” The band recently played "Siga" live during their tour stops at "Dining Hall, Q.C." and "Calle Uno, Baguio" on September 13–14, 2024, receiving an overwhelmingly positive fan response. Sam Marquez, the band's lead vocalist, describes the energy of performing the song live: “The response for ‘Siga’ live has been crazy. Seeing the crowd go nuts during the extended outro will never get old, and the sound of all the voices singing the chorus together is infectious.” Tim adds, "There's nothing better than being in a place where everyone understands each other. Shows have this amazing communal energy, and 'Siga' amplifies it to another level." Behind-the-Scenes of the "Siga" Music Video The production of the "Siga" music video came with its challenges. Tim recalls one particularly intense scene during filming. "The funny thing about the 'Siga' music video shoot is that we didn't anticipate the level of physicality and intensity required," he explains. "I remember a scene where I was upside down—it looked easy and harmless on paper, but it turned out to be one of the scariest things I've ever done for a shoot. Most of the scenes seemed fun in concept, but once we started filming, the fatigue and muscle pain were intense," he adds with a laugh. What’s Next for One Click Straight? With the release of "Siga," One Click Straight is gearing up for more new music and more live shows. Although there is no set date for future releases, Sam teases that the band has been hard at work. “We’ve been cooking, and a lot of new tunes are on the way. We have no concrete plan on when the next releases will be, but we’re excited.” Fans can expect the band to continue delivering relatable, energetic tracks that capture the essence of everyday struggles and joys. The excitement surrounding their next steps is building, and fans won’t have to wait long for more exciting updates from the band. Listen to “Siga”, out now on all music streaming platforms: https://OneClickStraight.lnk. to/SIGA Watch the official music video of “Siga”, out now on YouTube: https://www.youtube.com/watch? v=HbourCXZT0U Follow One Click Straight on his social media accounts to stay updated on his future releases: https://OneClickStraight.lnk. to/SocialMediaChannels

To celebrate the milestone 80th year of Maritess M. Pineda, ART HOUSE  will mount a retrospective show that captures eight decades of patronage for Philippine art and design. From October 24 to 27 at the Southcourt  of the Power Plant Mall, Terno: Celebrating a Legacy Forged from Design and Art will bring together 8 contemporary artists as they reflect and respond to 8 masterful designs that have marked milestones in the life of a patron. “It felt more meaningful and purposeful to come up with an exhibit than to throw another party,” reflects the patron, co-founder for ArteFino and Friends of Manansala Foundation. Maritess is also a Board of Director of ART HOUSE, “It was important to have an activity that would tell the story of Philippine art, heritage, and design,” she says. “We were also thinking of something that could evolve in the coming years, maybe into a book or a larger exhibit.” TERNO: A Pairing, A Symbol of Philippine Identity The concept of Terno  was hatched after poring over Maritess’s extensive archive of gowns by masters of Philippine fashion. Couture creations by Ramon Valera, Steve de Leon, and Patis Tesoro served as key inspiration for mounting an art show, showcasing the use of heritage fabrics. Contemporary reimaginings of the national dress by BAYO Atelier, Len Cabili, Jor-El Espina, Rajo Laurel, and Cora Manimbo were also chosen to represent a creative revolution in everyday Philippine wear. “These gowns or dresses were also chosen because they were a part of my life’s milestones,” adds Maritess.  Design pieces were then paired with contemporary artists from ART HOUSE’s roster.These include 0270501, Enon de Belen, Alvaro Jimenez, Ronna Manansala, Anina Rubio, and Melissa Yeung-Yap. Patis Tesoro and Jo Ann Bitagcol were also invited to partake of the creative exercise. Their works as both artist and designer are renowned for their distinctive use of heritage fabrics. For Terno , Patis will showcase never-before-seen studies of her artwork, all done on local fabrics. Jo Ann will apply her signature photoprints on fabrics as a response to Len Cabili’s intricately embroidered dresses Ramon Valera gown that Maritess Pineda wore on her debut by Ronna Manansala and a photography piece by Jo Ann Bitagcol Steve de Leon archival piece  ART HOUSE Founder Carlo Pineda explains, “My mom has always been a supporter of Philippine fashion and art. Her journey as a patron of both presented us with a beautiful proposition to blend fashion and art in one space.” Terno  honors the national dress as a fundamental part of Philippine identity. But more than that, it also endeavors to tell the story of Philippine creativity and its ecosystem through a new lens.  Carlo details that: “The concept aligns with ART HOUSE’s  ethos for showcasing local talent, culture and heritage. It also zooms in on materiality, which is the use of heritage fabric.” In Terno , indigenous weaves like abaca, Sinamay, upcycled fabrics, cajas, T’nalak, Inabel, Binakol, pina, and banana fibers serve as the canvas for both the designer and artist. “The show inspires the audience to regard our very own heritage fabrics through the eyes of two different disciplines, and in different eras,” says Carlo. On of the differentiating attributes of the show is that it  presents Philippine weaves as the canvas for enduring fashion creations and contemporary art works.  Sincere advocacy also underscores the narrative behind Terno . In her eight decades of patronage, Maritess has forged lasting friendships with artists and designers alike. “Every piece of art or gown in my collection has a personal story to tell,” says the patroness. “Collecting was never about just acquiring pieces or investing. It was always something very personal and meaningful. Something that was part of everyday life, something that I also share and impart with family.” By highlighting the patron’s journey in Philippine and art,  Terno endeavors to bring forth the heartwarming stories behind pieces, reshaping the considerations that make a work of art truly valuable. Carlo emphasizes, Alvaro Jimenez, Carlo Pineda, Cora Manimbo, Patis Tesoro, Peching Gomez, Maritess Pineda, Anna Lagoon, Patty Pineda, Steve de Leon In her curatorial notes for Terno , Marika Constantino writes:  “When the term terno  is used, it can loosely refer to a formal attire or by definition: a pairing, matching of items, to make suitable, or to fit. These are the underpinnings of this exhibition. This effort also takes into account Ms. Marites Pineda’s significant role in advocating for our local culture, with a focus on textiles, fabrics,and crafts; a cause that has fueled her eight decades of spirited and purposeful engagement. Len Cabili; Cora Manimbo; Alvaro Jimenez; Patis Tesoro; Ronna Manansala with Maritess Pineda; Steve de Leon with Maritess Pineda Terno is an exhibition that presents various renditions of weaves and materials. Taking inspiration and motivation from the garments from Ms. Pineda’s collection, each artist will respond and reflect on a specific piece of clothing. Whether it’s the color, pattern, flow, drapery or construction, these gowns will be sources of stimulation to induce meditative or contemplative contemporary art works. As this group of intergenerational artists showcase their mixed-media works, we are also able to forward our fertile, creative, and resilient past. More importantly, the collection gives light and contributes to a diverse and highly sustainable legacy for future generations of Filipinos to build upon.” Carlo emphasizes that a spirit for collaboration between artists, designers, patron, and audience make up the unique ecosystem that ARTHOUSE  celebrates. For Terno , more specifically, “We explored new ways of bringing fashion and the arts together under one platform. We would like to start engaging artists and designers in an exchange and creative interaction.” He discloses that eventually, the exhibit could serve as a take off point for future shows or programs that merge fashion with fine arts.  Maritess M. Pineda, patron, arts and culture advocate, and co-founder of ArteFino concludes: “Terno is inspiration for ARTHOUSE  to now look into showing how art and fashion can evolve hand in hand. Both can adapt to the direction and the needs of the times. They can adapt while taking into consideration the need to address the climate change crisis. They can do all of this while keeping in mind that perservation of heritage is key.”  Terno: Celebrating a Legacy Forged from Design and Art will happen from October 24 to 27 at the Southcourt, Powerplant Mall. The exhibit will move to the ART HOUSE Gallery at JMP Bldg Jose Cruz Street Brgy Ugong Pasig City. For more information, follow ART HOUSE @thearthouse_

Cebu’s premier thrift community, "Ukay Ta Bai!" traces its roots back to a group of vintage shirt sellers around 2018–2019. At the time, they had a vision to organize thrift events but hesitated, sensing Cebu might not yet be ready for such a venture. "We didn’t want to get bashed!" they recall with a laugh. The pandemic soon followed, and they found relief in having postponed their plans. During that period, thrift events in Manila were also gaining attention, but not quite reaching their full potential. Flash forward, and Manila now boasts over 20 regular thrift event organizers drawing thousands of attendees weekly. This explosive growth inspired the founders of "Ukay Ta Bai!" to take action. For them, thrifting was life-changing. One founder, Gerard Cosicol of Vintageyubec.com , started selling clothes and caps on Instagram for just Php 50–Php 500. Today, some of his vintage band tees range from Php200 to Php2,000, gaining international recognition in the U.S., Japan, Thailand, and Indonesia. Fellow co-founder Rizzan Murillo similarly rose from selling thrifted clothes to opening the only vintage clothing shop in Cebu, Y2kvintage. Driven by their passion and the sense of a fragmented thrift scene in Cebu, the founders launched "Ukay Ta Bai!" Now, thrift sellers in Cebu have direct access to buyers, and the community has grown stronger and more connected. Building a Community Since its inception, the Cebuano community has warmly embraced "Ukay Ta Bai!" One of the most memorable moments for the founders came during their first event at Unity Coffee and Vinyl. Expecting a modest turnout of 150–300 people, they were shocked to see lines stretching out the door all day long. This overwhelming response pushed them to dream bigger, and just months later, they hosted a massive event at IT Park, attracting 27,000 attendees. Their most recent triumph was hosting Cebu’s first-ever flea market at an SM Mall, marking a historic moment for both the community and the venue. The success of these events has been so profound that even venues have continued hosting their own markets after Ukay Ta Bai’s events, solidifying thrifting as more than just a revolutionary practice—it’s now a trend. The Resurgence of Thrift Culture Thrift culture has made a huge comeback, especially among younger generations. The team behind "Ukay Ta Bai!" attributes this renewed interest to people becoming more educated about thrift fashion and its sustainability benefits. "Gone are the days when ukay was seen as low or 'pangit,'" they explain. Today’s consumers are smarter, seeking unique, high-quality pieces at affordable prices. With international luxury brands like Louis Vuitton, Prada, and Gucci entering Cebu’s market, it’s clear that the city’s purchasing power is on the rise. However, "Ukay Ta Bai!" offers an alternative for those looking to score these high-end brands for less at their curated thrift events—items that are authenticated and in great condition. Sustainability and Thrifting "Ukay Ta Bai!" takes its responsibility toward sustainability seriously. As a flea market organization, they advocate for mindful consumption and raise awareness about the environmental impacts of fast fashion. To stay true to their mission, they have strict guidelines for their vendors—no fast fashion, no overruns, and no fake or counterfeit products. They also regularly post content encouraging people to shift to thrift shopping, driving home the importance of sustainability in fashion. Curating Thrift Events Planning a successful thrift event takes dedication, and for "Ukay Ta Bai!", it all starts with the vendors. Many of their vendors have decades of experience in the thrift industry, making them some of the best in Cebu and the Visayas region. The founders themselves are experts in vintage fashion, ensuring that only the highest-quality pieces are featured at their events. “Quality over location” is their mantra, as they continue to build a community based on trust and authenticity. Challenges in the Thrift Business As with any business, "Ukay Ta Bai!" has faced challenges along the way. One of their biggest hurdles has been balancing inclusivity with authenticity. With over 700 vendor applications in their database, they’ve had to be selective, approving just over 100 vendors to maintain the integrity of their events. "Flea market" is often confused with "bazaar" these days, but the founders are committed to preserving the authenticity of their market by ensuring that 80%–90% of the items sold are truly thrifted. Despite the challenges, the founders remain focused on community over profit. Ukay Ta Bai has become an outlet for their creativity and a way to give back to the local thrift scene. Collaborating with Local Creatives "Ukay Ta Bai!" isn’t just about clothes; it’s about fostering local creativity. Their events often feature live DJs, upcycling workshops, and even quiz nights where attendees can win shopping credits. These activations have helped them expand their reach and merge different creative communities in Cebu. Cebu's Unique Thrift Culture Cebuano thrift culture is distinct from other regions in the Philippines. Cebuanos aren’t brand-conscious—they care more about how a piece fits their personal style, regardless of its label. This mindset has helped shape the identity of "Ukay Ta Bai!" and set it apart from other flea markets popping up around the city. Their careful branding and months of planning have created a recognizable identity that resonates with both vendors and shoppers. To engage Gen Z and Millennials, "Ukay Ta Bai!" tailors its branding and marketing strategies to appeal to these demographics. From curated content calendars to seasonal themes and event posters, every detail undergoes a rigorous creative process. The result is a vibrant, fun brand that connects with young thrift enthusiasts. Looking ahead, "Ukay Ta Bai!" has exciting plans for the future. Bigger events are on the horizon, with special gatherings in Cebu set for November and December. The team is also expanding to other parts of the Vis-Min region, including Iloilo and Mindanao. The goal? Spread good finds and good vibes across the Philippines. "Ukay Ta Bai!" continues to revolutionize Cebu’s thrift scene, one event at a time, while staying true to their mission of sustainability, authenticity, and community. https://www.instagram.com/ukaytabai.official/

Cebu Young Designers Competition 2025 Officially Launched at SM Seaside Cebu in Partnership with Orochina Jewelry, Clothes for Life Foundation, and Cebu’s Top Designers Cebu City, Philippines - September 22, 2024 – The highly anticipated Cebu Young Designers Competition (CYDC) 2025 was officially launched today at a grand event held at SM Seaside Cebu, marking the beginning of a new chapter in Cebu’s dynamic fashion scene. In collaboration with Orochina Jewelry, the Clothes for Life Foundation, and Cebu’s top fashion designers, the CYDC 2025 aims to showcase the immense talent of Cebu’s emerging designers and provide them with platforms to launch their creative careers. The CYDC 2025 competition seeks to discover and nurture the next generation of fashion designers in Cebu, a city known for its rich cultural heritage and vibrant design community. The competition will challenge young, aspiring designers to push the boundaries of innovation, style, and sustainability in fashion, offering them the opportunity to gain exposure, mentorship, and career advancement. Orochina Jewelry, renowned for its exquisite craftsmanship, has partnered with the competition to add a sparkle of luxury to the event. As a key supporter, Orochina will provide contestants support and encourage them to incorporate their fashion creations highlighting Cebuano artistry in both fashion and accessories. Clothes for Life Foundation, a non-profit dedicated to empowering communities through charitable initiatives, will bring its influence to the competition by supporting contestants from underprivileged backgrounds, ensuring equal opportunities for all aspiring designers. The foundation’s participation emphasizes the competition’s goal to blend creativity with social responsibility. Adding further prestige to the event is the involvement of Cebu’s top designers, who will not only serve as mentors and judges for the competition but also play a pivotal role in fostering new talent. Esteemed designers from Cebu’s fashion industry, will guide the participants through the process of designing, creating, and presenting their collection. Event Highlights: -A glamorous fashion showcase featuring the latest designs from Cebu’s top fashion icons and past winners of Cebu Young Designers Competition in previous years. -The announcement of the CYDC 2025 competition format, which includes several stages of mentorship, design challenges, and a grand finale runway show. -An interactive panel discussion with industry leaders on the future of fashion in Cebu and how initiatives like CYDC 2025 are integral to nurturing homegrown talent. Clothes for Life President Philipp Piezas Tampus, Advisory Board  Cary Santiago , Project Chairperson Mrs. Hope Villoria and the organizer of the competition, expressed excitement about this year’s launch: “Cebu has always been at the heart of Filipino fashion, and with the CYDC 2025, we aim to provide young designers with a unique platform to showcase their talents. By collaborating with Orochina Jewelry, Clothes for Life Foundation, and Cebu’s top designers, we are creating an environment where creativity, sustainability, and social impact thrive.” The Cebu Young Designers Competition 2025 promises to be an inspiring journey for participants, offering the chance to gain mentorship from the industry’s best, showcase their designs on a major platform, and potentially make their mark on the global fashion scene. For more details on the CYDC 2025 competition, including how to participate, follow us on Facebook: Cebu Young Designers Competition and Instagram: @cebuydc or submit your application here https://forms.gle/3m6VxCbQNiw9yman6 And be trained by the incredible mentors who will guide the contestants’ every step of the way in the Cebu Young Designers Competition. Their expertise and passion will help the contestants unlock their creative potential and elevate their designs. Facebook: https://www.facebook.com/profile.php?id=61565034940384

Tattoo artistry is a unique blend of creativity and precision, and few understand this as deeply as Cebu-born artist Sebastian Salvador Valenzuela. From a background in graphics and design to becoming a rising name in the local tattoo scene, Sebastian's journey is one of passion, perseverance, and personal growth. In this exclusive BLNC Magazine interview, we dive into his world of ink, exploring the intricacies of his craft, his artistic inspirations, and how he’s shaping the future of tattoo culture in Cebu. Sebastian, can you tell us about your journey into the world of tattooing? What inspired you to become a tattoo artist?    Hi! My Name is Sebastian Salvador J. Valenzuela, I was born in Cebu and spent my whole life here in Cebu. I studied Graphics and Design, I love to make illustrations, make portraits and I also paint using acrylics. My uncle gave me a tattoo machine and he told me I should try it and ever since I got my hand on that machine, I fell in love with it. I started to tattoo my lower left arm just to practise and yeah, it’s fun and it’s something I wanna do as my career.   How would you describe your signature style? Are there any particular themes or symbols that often recur in your work?  My style is black and grey, I love how simple and clean it is. I love this style because for me its lasts longer and it ages like fine wine. As of now, Im still building up my style but I really like skulls, medieval and animals. Cebu has a rich cultural heritage. How does the local culture influence your tattoo designs, if at all? My tattoos lean more on the modern style and I also like to do some mediaeval stuff. Cebuano tattoos have certain patterns, it is quite similar to Polynesian tattoos. I did some tribal tattoos but it is not really my style, I respect the cultural heritage and I’m proud that our ancestors have tattoos. Now, it evolved as a form of art to express and to be true to ourselves. Tattooing is both an art and a craft. How do you balance creativity with technical precision in your work?    Ever since, I practised sketching and painting and it really helped me get better in tattooing. I always listen to my client’s requests and I always suggest better designs but still keeping intact the whole idea they have. Everything I learned from graphics and design really gave me a jumpstart for my career in tattooing, it gave me confidence to do better. Every tattoo artist has a memorable experience with a client. Could you share one of your most meaningful or unique experiences?  There’s this one client we talked a lot on our session, we shared similar interests in arts and games. She came back for more tattoos with her friends. We talked and chatted a lot. I took her out on a date, we shared same feelings. She supports me 100% and helped me grow in my career. She made me better in what I do and I will always be grateful to her. Without her I will never have all this. She gave me reason to be better and to work hard. Her presence gave me inspiration in my career and life.   Tattoo trends come and go. How do you stay true to your artistic vision while adapting to evolving trends in the industry?   To be honest there are some cool trends in tattooing and some that are not. I always suggest better ideas to my clients, the pros and cons to every trend. If they show me this design and I suggest to add my own kind of shading and highlights, this is how I stay true to my vision and to my style in tattooing. I persuade them to have something that will really look good for the long run not just for the sake of hopping on to the latest trend.  What's the most challenging design you've ever worked on, and how did you approach it?  For me the most challenging tattoos I’ve done are portraits. One single mistake can change the whole personality of the face. It is easy to draw portraits on paper but in tattooing you have to be very careful in every move, not to add shade too much and also keeping the whole proportion intact. My approach is to work slowly and build slowly the values while keeping eye on the proportions. Many people view tattoos as deeply personal expressions. How do you approach the process of understanding and translating your clients' ideas into artwork?   I talk to my clients and listen to everything they say. Some clients have designs that hold much story and life experience. We discuss our designs and edit them on the spot. I ask for their feedback and adjust to whatever they want. I also give my artistic suggestions. It is always a collaborative experience for me and my client. In terms  of skill-building, how do you continue to grow as an artist? Are there any specific techniques or styles you're currently exploring? I always watch videos about tattooing and asking tips and tricks from my mentor. He taught me a lot through the years and was always grateful. I always analyse and study the tattoos I’ve done, looking for the good parts and the parts that need improvement. Every session is a lesson for me to my strengths and weaknesses.   Cebu is known for its artistic community. How do you see the tattoo culture evolving in the city, and what role do you hope to play in its future? The Tattoo culture is going very well, more people are accepting tattoos and being open minded about it. Also a lot of aspiring artists nowadays. It feels good that more people are into arts and some people want to learn it. It is a slow process but it is very satisfying once you get the hang of it. In this field of career, I know I'm too young to the industry and I'm just a “new gen” but if ever some artists are inspired to do more and be better because of my videos, I think that is enough for me. What advice would you give to aspiring tattoo artists who want to break into the industry?   My best advice is to be true to yourself, surround yourself with people who will truly support you. Once you have that, everything will go along, you will have more reasons to focus on your goal. Learn the basic fundamentals of Art. One step at a time, this is not a race. Make each experience a lesson to ponder, look for your mistakes and where you did good. Finally, what's next for you? Any upcoming projects or collaborations that you're excited about?  More bigger pieces, more lessons to learn. To appreciate art in all forms. I know I have a long way to go but I'm looking forward to being better at tattooing, hopefully becoming one of the legends someday.

LLAMANZARES BARONGS , a menswear label showcasing the fine needlepoint work of Lumban’s artisans, recently made its global premiere at the FILIPINXT FASHION SHOW during New York Fashion Week. Last September 7, the artisanal brand showcased its first capsule collection of contemporary barongs at the Annex 417 on Fifth Avenue in New York City. LLMANZARES BARONGS presented the Classic Luna and Bonifacio barong tagalogs from its inaugural collection, along with two runway pieces crafted exclusively for New York Fashion Week. The runway pieces reimagined the classic Safari jacket, utilizing the finest piña fabrics from Aklan and the brand’s signature callado details. These special designs were testaments to the brand’s commitment to bringing time-honored traditions of craft to modern wardrobes. "We're thrilled to have debuted LLAMANZARES BARONGS on a global stage at this year’s New York Fashion Week,” enthused founder Brian Poe Llamanzares. “ FILIPINXT has done an outstanding job of highlighting Filipino talent, and we are honored to have been part of this incredible showcase. Being included alongside other remarkable Philippine homegrown brands is inspiration for our team. This global debut is our homage to Lumban and the artisans who have poured their hearts into every piece. Every barong that was sent down the runway of New York Fashion Week is a celebration of their craft and artistry.” About Llamanzares Barongs LLAMANZARES BARONGS is an emerging Filipino menswear label dedicated to creating elevated barong tagalogs. Every piece created by the brand is a celebration of the rich traditions of Lumban, Laguna, also known as the “Embroidery Capital of the Philippines.” Meticulously embroidered barongs from the brand honor the storied past and promising future of the region, bringing its intricate needlepoint work to the forefront of contemporary fashion. Founder Brian Poe Llamanzares envisioned LLAMANZARES BARONGS as a retail menswear brand dedicated to bringing traditions of craft to the contemporary art of dressing. Inspired by his deep roots in Lumban, the brand is a personal tribute to his paternal lineage and the storied past of his hometown. LLAMANZARES BARONGS is intentional about collaborating with local artisans, ensuring that Lumban’s embroidery techniques are celebrated, preserved, and passed down to future generations. Generations of Artisans The brand's principal embroiderer, Miss Rose, is a third-generation artisan from Lumban. Her dedication to the craft is unwavering, having learned the fine art of embroidery at a young age under her mother’s expert guidance. Today, she continues to pass down her skills and knowledge to the next generation, including her son Alex. He works closely with LLAMANZARES BARONGS as the designer for embroidery patterns. Handwoven piña fabrics, all ethically sourced from Aklan, serve as the canvas for Miss Rose’s intricate needlework or callado . These embroidered fabrics are then brought to our expert tailors in Manila. It can take up to 30 days for a barong to be made, from sourcing down to tailoring. This commitment to craft and uncompromising attention to detail elevates and distinguishes LLAMANZARES BARONGS . In The Company Of Global Filipino Brands Founded in 2023 in New York City by fashion designer Bessie Besana and Filipino-American entrepreneur Rob Mallari-D’Auria, FILIPINXT has swiftly emerged as a trailblazing platform that elevates the artistry and craftsmanship of Filipino designers on the international stage. On September 7, 2024, at the Annex 417 on 5th Avenue, FILIPINXT presented its second show during New York Fashion Week, marking a milestone in its journey of celebrating Filipino talent. The runway featured stunning collections from acclaimed Philippine designers Chynna Mamawal, Andrea Tetangco, and Adrienne Charuel of Maison Métisse. Further enriching the showcase was FILIPINXT’s Capsule Collection show, which featured standout pieces from LLAMANZARES BARONGS , Gabby Garcia of Tagpi, Wilson Limon of NiñoFranco, and Besana Basina himself. Guests were treated to an exclusive trunk show before and after the runway, oaering a rare opportunity to acquire select garments from the featured designers. The event attracted notable Filipino figures, including Miss Universe 2015 Pia Wurtzbach Jauncey, R’Bonney Nola, and Marizza Delgado, adding a touch of star power to an already illustrious evening. This year’s show held deeper significance due to FILIPINXT’s partnership with FPJ PANDAY BAYANIHAN , a foundation chaired by LLAMANZARES BARONGS founder Brian Poe Llamanzares. As an oaicial partner, the foundation reinforced the shared mission of uplifting Filipino talent, promoting local craftsmanship, and creating sustainable opportunities for artisans. The collaboration underscored an inspiring message: Filipino creativity, culture, and tradition not only deserve global recognition but are integral to shaping the future of fashion. Brian Poe Llamanzares reflects, “We couldn’t have come up with a better way to launch the brand, during New York Fashion Week and alongside global Filipino brands. As a young retail label specializing in menswear, LLAMANZARES BARONGS was established as a platform for our artisans, weavers, and tailors to explore how they can take the barong tagalog forward.”

At Soli & Sun, every accessory tells a story—one of heritage, empowerment, and artful craftsmanship. More than just style, each piece carries the weight of a deeper mission: to uplift your wardrobe while empowering the talented female artisans of the Philippines who bring our designs to life. When you choose a Soli & Sun accessory, you’re not only adding a touch of tropical elegance to your collection, but you’re also supporting a sustainable initiative that keeps traditional crafts alive for future generations. A Blend of Tradition and Innovation Founded in 2020 by British designer Clare Hynes, Soli & Sun is an independent statement accessories brand that draws inspiration from the vibrant spirit of tropical getaways. Clare’s journey began when she called the Philippines home for three years, a period that sparked a profound connection with the local communities. It was here that she met the artisans who would become the heart of Soli & Sun. Today, Clare collaborates closely with these skilled women, incorporating their traditional weaving techniques into every artfully handcrafted bag and piece of jewelry. From the intricate rattan Solihiya weave to the rich textures of T’nalak fabric, each accessory is a testament to the artisans’ dedication and skill. By working hand-in-hand with these women, Soli & Sun not only creates unique, eye-catching designs but also provides these artisans with a sustainable income, helping to preserve their crafts for future generations. Making an Impact, One Accessory at a Time The women behind Soli & Sun are more than just artisans—they are the soul of the brand. Without their artistry, Soli & Sun wouldn’t exist. Since our launch, we have expanded our partnerships to include more female artisans, introducing new traditional weaving techniques like Buntal straw made from palm tree fibers. Each year, as we continue to grow, we are incredibly proud to support such a skilled and dedicated group of women. And with every bag sold, you, too, are contributing to this meaningful initiative. Your choice helps sustain their livelihoods and ensures that these beautiful, time-honored crafts are passed down to the next generation of women artisans. Artfully Handcrafted, Sustainably Made Soli & Sun’s philosophy is simple: create style with soul. By merging traditional craftsmanship with contemporary design, we offer accessories that are not only beautiful but also meaningful. Every piece is a celebration of the artisans' skills and a testament to the rich cultural heritage of the Philippines. With each purchase, you’re not just acquiring a fashion statement—you’re becoming part of a larger story, one that champions sustainability, empowerment, and the preservation of indigenous crafts. At Soli & Sun, we believe that style should do more than just look good—it should make a difference. So, when you carry one of our bags, know that you’re carrying a piece of that story with you. https://www.instagram.com/soliandsun/ https://www.soliandsun.com

Filipino musician Zild reinvents himself yet again with his latest album, Superpower . His fourth solo outing following Homework Machine (2020), Huminga (2021), and Medisina (2022), Superpower is a loved-up snapshot of Zild’s life since the release of his last album. “Snapshot ‘to ng mga experience ko , from pain to kasiyahan, hanggang sa kalokohan, hanggang malasing with friends, lahat ‘yan nasa album,” shares Zild.  Since embarking on his solo musical journey, Zild has established himself as an artist who isn’t afraid of trying out new genres, making himself at home with whatever sound he’s currently exploring.  His debut album, Homework Machine, was rooted in pop; Huminga had a more traditional acoustic sound; and Medisina was Zild’s take on emo and indie rock. Throughout his evolving musical and visual styles, Zild’s music was always held by a common thread: tackling stories about youth, nostalgia, frustrations, and love.  With Superpower , Zild goes back into the 90s, specifically to that decade’s wave of Pinoy alternative rock, complete with simple yet cheeky lyrics, playful instrumentals, and a visual direction reminiscent of songbooks and variety shows. Thematically, Superpower is Zild at his softest: most songs talk about love; we see him pining, waiting for the right time, trying to move on, and promising commitment. The fuzz and distortion that Zild uses provide a lush background to the straightforward yet heartfelt feelings conveyed in the album. Superpower is unassuming, but it provides a cohesive narrative that cements Zild as one of the most exciting artists of his generation. Superpower opens with its eponymous song, a fast-paced track that starts the album with high energy. As Zild sings the lines, “superpower, super girlfriend,” he sets the theme of the rest of the album: this is Zild in love, and he’s embracing its highs and lows. After all, he credits his loved ones as his source of power.  Lia , released as a single ahead of the album, is a guitar-heavy song that’s reminiscent of Brit pop and love songs from the 90s OPM rock scene. It’s one of the sweetest songs in the album, as Zild admits his devotion to his lover and thanks the circumstances that brought them together, singing, “salamat nga sa musika, nakilala ka bigla.”  Zild describes Lia as a straightforward love song, following the writing style of Kyusi from his Huminga album.  “The childlike direct storytelling of the lyrics is a breath of fresh air for me for straying away from hiding in metaphors,” he explains. “It’s a writing style that I unlocked when I wrote Kyusi in 2022. The song talks about a person being reminded of someone during his vacation in Japan. The person believed in feeling something special again, after a long time of resenting love.” Ewan kO !!! talks about that infatuated stage when you’re in disbelief at your feelings, especially when you haven’t felt love in a while, as Zild sings “Ayoko ngang nagpapa-halata, gustong-gusto na kasama kita.” Zild shares that the track is heavily influenced by ‘90s bands like Blur, Rivermaya, and Eraserheads.  “The track is only two minutes short, and it starts energetic right away,” he expounds. “Lyrically, it’s just about how you miss a person, written in the most non-poetic and mundane way. As the line “mula Katip hanggang sa Cubao, palaging hanap ko ay ikaw” says, the song is an example that longing for someone can be dealt with with humor. We don’t have to take everything too seriously.” Matalino Street is about the stage when you’re sure of your feelings, but timing isn’t on your side.  “The song is about a person waiting for someone to be single— someone who is trapped in an abusive relationship,” Zild details. “It’s another straightforward track in the album that narrates a specific story. It’s slapstick-ish and cheeky.” In I.N.A.S. ( or I’m Not A Superman) , Zild experiments with a rap-like delivery. The backing beat is earworm material, sounding like a 90s video game that you can’t get out of your head.  “ I.N.A.S. is about a person saying that he can’t save his object of affection since he himself is not yet fully healed,” Zild explains. The track is an exercise in self-awareness: Zild knows that he’s already fallen, but he’s trying to set boundaries since he knows that he’s not ready for a relationship yet.  Segurista , another single released prior to the album, is a fun and cheeky song backed by fuzz, distortion, and lush backbeat drums.  “It’s about ‘almost’ relationships. It’s about when you meet a certain person that checks your list of things that you look for in a partner, but you still end up wrong,” Zild describes the track. “It’s about an expectation-free dynamic that always doesn’t go right.” Huwag Nang Ipilit is one of the more mellow songs on the album, a guitar-forward ballad that captures the bittersweet topic of the song: a relationship that isn’t meant to be.  “ Huwag Nang Ipilit talks about not wanting to see a person that you deeply loved from the past,” reveals Zild. “It’s about the frustration of not wanting to see this person again, which made him realize that it is time to look for someone new. The lyrics also means acceptance—accepting that you shouldn’t force things and just let things be.” Dilim , which Zild described as an “exaggerated confession of love,” is rooted in the emo-rock genre. It employs guitar riffs to amplify its declaration of love and promise of complete devotion, as Zild belts: “Kung sakali nga na gumuho ang mundo, sana malaman mo, ikaw nasa puso ko.” Kahit Saan, with its alternative rock sound, is one of Superpower ’s more subdued tracks. The song tackles the pain of remembering, when everything reminds you of a lost loved one. No matter how hard you try to forget, the places around you always remind you of this person, which makes moving on even harder.   While most of Superpower talks about romantic love, the album takes an unexpected yet welcomed direction with its closer, Kaibigan 2023 .  An anthem to his friends and platonic relationships, the track perfectly encapsulates how Zild’s Superpower is borne out of his loved ones. Throughout his tumultuous journey with romantic love, his friends have supported him. Kaibigan 2023 is his rightful ode to them, his own declaration of love for the times they picked him up.  “My friends rescued me during the deepest and darkest time of my life. It narrates different things that friends do together to help another friend move on. For example, drinking serbesa (beer) helps us to just laugh about our problems for a while,” Zild expounds.  “The line, ‘Di ko kailangan magmadali sa pag-ibig, pag may kaibigan,’ says that romantic relationships shouldn’t be rushed if you have genuine friends that fill up the void of loneliness. The track also talks about the reality of friendships: some of it won’t last forever, but you will make the most of it with the time you have left together.” Ahead of Superpower 's official release, Zild and UMG Philippines hosted an exclusive listening party on August 7 at the UMG office. Fans and media were given the first chance to listen to the full Superpower album, with special acoustic performances of "Lia" and "Huwag Nang Ipilit," followed by a live Q&A session with Zild. Ten days later, over 1,000 fans gathered for the Superpower album launch party on August 17 at the Paco Arena Events and Sports Center. The atmosphere was electric, with photo booths and merchandise for superfans available throughout the night. The crowd—young and old—danced and rocked out to Zild's new tracks as well as fan favorites like "Kyusi," "CRAB," "Medisina," and "Isang Anghel." The celebration wasn’t just about music; it became a night of unforgettable moments and new connections as fans bonded over their love for Zild's artistry. Familiar faces in the crowd included Zild’s family, friends, and notable celebrity guests such as Gian Bernardino and CJ Fernandez of Cup of Joe, along with Blaster Silonga, Badjao De Castro, and Unique from IV of Spades. The night culminated in a touching finale as Zild closed with a solo performance of "Huminga," playing just his guitar and captivating the entire arena. The event was a powerful reminder of the deep connection Zild shares with his fans. With Superpower ’s release, Zild shares a simple message to his listeners: “Pahalagahan niyo yung friends niyo, yung mga tao sa paligid niyo na nagbibigay sa inyo ng superpower.” Superpower Album Launch Party photos and videos (photo credits: sefutography)

Words by: Mariel Abanes Glorious Dias, very much like its current home Manila, carries a treasure trove of one-of-kind-gems waiting to be discovered. It must be fate, really, that led the shop's creative genius Jodinand Aguillon to settle in its humble home in HUB: Make Lab in First United Building in Escolta, Manila—a place that altogether gathers and celebrates artistic and local pursuits. "We're contextualized within an almost-100 year old building, within old Manila’s commercial district that celebrates independent makers and businesses now, I think it's very much in line with the things that we also champion in Glorious Dias," the entrepreneur emphasizes. "We really found 'the home' in Escolta." And it's here that the founder further spreads the love for all things vintage—and Filipino. What started out as a standalone store in Poblacion eventually had to close and find a temporary retail space online when the pandemic hit. Fast forward to signing a six-month pop-up agreement in its present homebase to finally taking up a bigger space inside the Hub, more and more individuals seeking unique finds have found a home in Glorious Dias. Of course, unearthing great pieces from heaps and piles of garments and knickknacks isn't exactly a foreign concept to many, but through his years of experience in working with vintage, Jodinand knows exactly how to update their racks and shelves.  "You gotta keep it fresh for yourself," he says when asked about how he keeps things interesting around the shop. "So I'm always on the look out for stuff. I guess it's because I'm always curious and always looking. I don’t really get bored—I don’t really give myself a chance to get bored. That’s how I kind of make it a little bit fresh for myself." Thus, the surprise in every nook and cranny is a wonderful gift for every visitor stepping inside this treasure hunt paradise. "I think vintage shopping is inherently a hit and miss at the end of the day," Jodinand muses. "There's a sense of gamble of how you can just spend a whole day looking and maybe coming home with nothing. And that's okay, because there will also be times when you'd hit jackpot and score some amazing finds. And we love sharing that with people." Elevating the business further are their reworked threads that make use of local textiles, reinventing very Pinoy pieces into wearable art. Case in point: Jodinand's favorite mesh jerseys crafted from old curtains, as well as their bestselling pinafore tops made out of the barong. The creative tells BLNC how the idea stemmed from reimagining the surplus of vintage clothing lying around his abode during the pandemic, which were tailored as something that one can easily throw on—whether you're actually going out or simply attending meetings on Zoom. But beyond its practicially, the pieces also hold more meaning.  "We took such an iconic Filipino staple like this basketball jersey and imbibed what inherently is a feminine textile, which is lace, with it," he explains. This merge in textiles created a fashion statement that bends heteronormative rules that each of these textiles traditionally represent. "There's so much more to it [when I create a piece]. There's always a thought process of why," Jodinand adds. Embodying not just sense but also purpose, the Glorious Dias owner highlights the connections he makes on the job as the best part of running the business. "The community is probably the best part about this process. A lot of times, we're not really trying to sell anything. We’re just trying to share and connect," he shares. When asked about Glorious Dias' next move, the creative says they only have one direction to go: the path to getting better. "I think the initial reflex is to sustain focus, but part of the reason we stay who we are is we love everything. We want to embrace as much as we can, share as much as we can, stay curious, and continue to experiment. And wherever that leads us, we'll be exactly where we need to be," Jodinand thoughtfully ends. Bts Video: Jan dendiego (@dendiegojan) Editorial Video: Isaiah Omaña (wzykid) Art director: Jobo Nacpil (@jobonacpil Photo: Meinard Navato (@mpnavato) with Joshua Navato (@joshnavato)

Art is often said to be a reflection of the soul, and for Arce, it is a spiritual journey that transcends mere expression. From the earliest days of doodling on notebook pages in school, Arce has transformed their creative instincts into a powerful force within the contemporary art world. With a unique blend of deconstruction, experimentation, and deep spirituality, their work captivates the viewer, challenging perceptions and inviting introspection. Born with an innate passion for art, Arce was introduced to fine art at a young age by their uncle. This early exposure to Filipino and foreign masters sparked a lifelong fascination with how art can shape and improve humanity. It was the beginning of a journey that would see Arce develop their own distinctive style, one that defies norms and continually seeks new perspectives. Can you share with us your journey as a painter and a sculptor? I started in first grade, doodling at the back pages of my notebook during class, and I kept at it. As far as I can remember, I’ve always told my stories through drawings. What or who were your biggest influences , and how did they shape your artistic approach? I was exposed to fine art by my uncle at an early age. I was inspired by how Filipino and foreign masters think, paint, and create. I grew up appreciating new inventions, records and visual art. I saw how it contributed to the improvement of humanity. I was always challenged to breathe new life into things which I believe can still be improved upon. Your work is known for its unconventional use of media and experimental techniques. Can you describe your creative process and how you developed these unique methods?  I am not particularly conscious of the techniques, uniqueness and methodology. However, I consider my style as an impressionist. I do what I feel like doing, without care, simply caught up in the moment and outside the norms imposed upon me. Having the courage to deconstruct tangible things that are of high value or what others deem as precious is a distinct characteristic of mine. I am always in the pursuit of seeking a different kind of beauty and peace. I see boundaries as an infinite, limitless and borderless horizon. How do you decide which materials to use for a particular piece, and how do they contribute to the overall message of your work? I am not particular about the materials that I use. Oil paint and canvas are a given, though I utilize whatever’s on hand. What I am certain of is making use of the Gift that I was given, and how I can improve upon that gift, which makes me distinct and authentic. Akin to a flight, my plane to creativity takes off through prayer and meditation. These fuel me. I always anchor my pieces towards my faith in Him. My pieces shall be lifeless and soulless without His divine intervention, for the only reference that I follow when painting is His divine guidance. From there, I live for the moment and just go with flow, responding to that frequency and my current state of mind. You mentioned that you work with what occupies your present state of mind. Can you elaborate on how your emotions and current state influence your art?  I deem myself unpredictable in every sense. My mind runs in different trajectories. And as I’ve said earlier, I always find calm through prayer and meditation. It gives me a moment to pause, and I take advantage of this stillness of time and translate it through my pieces. How do you approach the concept of distortion in your art, and what does it symbolize for you? I have always viewed deconstruction as building and distortion as aligning. It is the essence which I want to capture in every piece that I design. Your art often involves deconstructing, twisting, and melting elements. What are you trying to convey through these techniques?   Deconstructing, twisting and melting has never been my intention as they are all unplanned. It merely comes out in my process, similar to how life experiences come our way. And regardless of how prepared you are to face them, one begins to realize that you are still not ready and you simply let God lead the way. How important is it for you to explore different perspectives in your work, and how do you achieve this? I explore things that are new to me, mostly those that are not related to what I do. They become avenues for me to experience a state of shock, to be amazed, to entertain a new way of thinking, and establish a different perspective. You listen to your inner force and know when to stop and pause for prayer. How does spirituality influence your artistic process and the final outcome of your pieces?  Pause, prayer, paint—these are the norms of my artistic process. I need spiritual guidance and connection to transform my state of mind into creative pieces. Can you share a moment when pausing for prayer led to a significant breakthrough or transformation in your work? I cannot pinpoint an exact moment. If I hear a prayer spoken in silence or words of meditation that captivate my mind, I will gather the courage and run with it. What I can say is that I sketch anywhere and anytime, relentlessly. Looking back at your body of work, is there a particular piece that stands out to you as a pivotal moment in your career? Why?   It would be my Now Testament piece. It is a timeless representation of my life’s journey. It reminds me of where I have been, where I am now, and what is yet to come. My life is a continuous work in progress. My piece delivers a very clear message of hope, resiliency and love. What message or feeling do you hope viewers take away from your art, and how do you envision your legacy in the art world? My art should establish a deep connection with its viewer and to help one find the answers they seek. Each piece bears a fragment of my existence. I intend for my works to speak at a higher plane of consciousness, as each one is anchored on my faith in Him. Are there any upcoming projects or exhibitions that you’re excited about and would like to share with our readers?  You may look out for my works at the Fukuoka Art Fair, Leon Gallery auction, and my 2025 solo show at Art Underground. How do you see your work evolving in the next few years, and what new directions or challenges are you looking forward to exploring? I would love for my art to be exhibited in other continents. Because I find art as part of my healing process, I wish to inspire more up and coming artists towards honing their craft. As I evolve as an artist, I will never stop listening and doing things according to His will.