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For nicolò, fashion has always been a study in balance: between form and function, ambition and restraint, experimentation and purpose. At MNL Fashion Week 2026, the designer presents flow state, a collection that turns inward to examine the pressures that come with creativity, growth, and the constant pursuit of achievement. Every collection begins with a story. What personal experience, emotion, or cultural reference became the starting point for the collection you’re presenting at Manila Fashion Week? flow state is a reflection on my relationship with work, ambition, and creativity. Over the past few years, I’ve been fortunate to experience a lot of growth as a designer, but with that also came the pressure to constantly achieve more. I found myself asking where the line is between healthy ambition and obsession. The collection explores that question through three mythological figures: Sisyphus, Narcissus, and Icarus. Sisyphus represents the repetitive discipline of creative work, Narcissus explores self-reflection and the tension between confidence and ego, while Icarus speaks to the beauty and danger of relentless ambition. Although inspired by mythology, the collection is deeply personal. It’s about learning to enjoy the process instead of constantly chasing the next milestone. Your work contributes to the evolving narrative of Filipino fashion. How do you define your creative identity today, and how has it transformed since you first started designing? Today, I describe my work as subtle experimentation. I’m interested in creating clothes that feel approachable at first glance but reveal thoughtful construction, unexpected proportions, and functional details the longer you engage with them. My philosophy has always been “form, function, emotion”: every design should either solve a problem, create visual intrigue, or make the wearer feel something. When I first started designing, I was more focused on making statement pieces. Over time, I’ve become more interested in restraint and longevity. I now believe that good design isn’t about adding more, but about refining an idea until every detail has a purpose. That shift has made my work quieter, but hopefully more confident. Fashion is more than clothing—it’s a reflection of culture, community, and individuality. What conversation or feeling do you hope your collection sparks once it leaves the runway? I hope the collection encourages people to rethink what success looks like. We live in a culture that celebrates constant productivity and bigger achievements, but flow state asks whether fulfillment can also come from simply being present in the work itself. Beyond that, I want people to leave feeling optimistic. Even though the collection touches on ambition and pressure, it’s ultimately about finding joy in creating, moving forward with intention, and allowing yourself to enjoy the journey rather than always chasing the destination. Can you share a moment from the creation process that challenged or surprised you? Whether it was a material, silhouette, collaboration, or unexpected breakthrough, we’d love to hear the story behind it. One of the biggest breakthroughs came from learning to simplify. Early in the design process, I kept adding details because I thought every look needed to become more elaborate. Eventually I realized that the strongest ideas were often the simplest ones. That realization influenced everything, from the silhouettes to the graphic motifs and fabric choices. Instead of overwhelming the garments with decoration, I focused on clarity, proportion, texture, and construction. Ironically, stripping things back made the collection feel much stronger and much more aligned with my brand. Looking beyond this season, what do you hope your work contributes to the future of Philippine fashion, and what legacy do you want your brand to leave for the next generation of creatives? I hope my work contributes to a vision of Filipino fashion that is globally relevant while remaining authentically ours. We don’t need to imitate what already exists elsewhere. We can participate in the international conversation through strong ideas, thoughtful craftsmanship, and a distinct point of view. If people remember nicolò years from now, I hope it’s as a brand that proved thoughtful design and consistency matter. More than individual collections, I want to leave behind a body of work that encourages young Filipino designers to trust their own voice, stay curious, and understand that lasting success comes from continuously refining your craft rather than chasing trends.

MEMO redefines modern workwear for the desk-to-drinks generation, spotlighting real professionals across different industries across the Philippines. MEMO, the modern workwear brand under the Golden ABC portfolio, today launches GOT THE MEMO, its latest campaign built around a simple idea: style shouldn't clock out when the workday does. Running through the end of September, the campaign champions corpcore that doesn't time out, workwear sharp enough for the boardroom and easy enough to carry straight into after-work hours plans. Featuring individuals from diverse careers and passions, GOT THE MEMO redefines what it means to dress for work, proving that style isn't tied to a job title, but to the way people move through their day. The campaign is amplified by real professionals, creators, and taste makers from different industries highlighting the inclusivity of the line. Corpcore That Doesn't Time Out Corpcore, the internet-born aesthetic that turns office staples like blazer tailored trousers into everyday style, has moved off the clock and into how a generation actually gets dressed. Through GOT THE MEMO, MEMO leans into that shift, positioning its desk-to-drinks essentials as the modern work uniform: pieces built to move from boardrooms to restaurants without a costume change in between. The modern workwear is for everyone, at almost any time. Great everyday workwear isn't defined by a profession but by the confidence, versatility, and purpose it brings to the people who wear it. GOT THE MEMO celebrates individuals from different industries and lifestyles, reinforcing that wherever work takes you, MEMO moves with you. “Got the MEMO brings a fresh take on modern office wear, with a polished and preppy feel that fits the way we work, move, and live today. It reflects MEMO’s vision of becoming the go-to wardrobe for every professional, making workwear feel relevant and effortless whatever your path may be,” shared Lynett Carlyn Ong, Senior Merchandise Manager for Ladies of MEMO. Real Careers, Preppy Inspiration Today's professionals work across boardrooms, studios, and cafes, often juggling more than one title. GOT THE MEMO meets that reality by featuring real people from different industries and lifestyles, reinforcing that MEMO's workwear is designed to adapt to every setting, making it the everyday uniform for modern, work-life-fluid living with the “Preppy” look as the inspiration for the collection. About MEMO MEMO is a modern workwear brand under the Golden ABC portfolio, aiming to be the go-to destination for comfortable, functional, and stylish essentials that seamlessly transition from desk to drinks. Guided by its brand pillars: Simple, Modern, Functional, and Work-Life Fluid. MEMO designs for young professionals and early-career executives who value comfort, versatility, quality, and style.

For Nina Eiisa , fashion is more than following what is trending. It is a language of individuality, a reflection of personality, and a response to the world around us. At 25, the Manila-based photographer has already carved out her own creative space, bringing together fashion, portraiture, and entrepreneurship through a distinctly understated visual style. A graduate of Enderun Colleges with a degree in Entrepreneurship, Villanueva pursued her passion for photography further in 2016, studying at Instituto Marangoni in Milan and Paris. Her work has since been featured in publications including Style Weekend and Elegant Magazine, while her entrepreneurial journey led her to establish her own studio in Makati. A Different Take on High Fashion Looking at fashion in 2017, Villanueva saw a shift away from simply chasing trends. “I feel like high fashion in 2017 isn’t just about trends and fads but more of an expression of personal style and individuality as well as our response to our surrounding environment,” she shares. That perspective is particularly relevant to the Filipino fashion scene, where creativity often meets practicality. With the Philippines’ tropical climate, summer staples such as flip-flops, swimsuits, and shorts naturally become part of everyday style. During the monsoon season, light layering, sweaters, and jackets offer both function and fashion. For Villanueva, Filipino style is also deeply influenced by street and urban culture, particularly within the city. It is a scene where personal expression continues to evolve through the way people dress. Her own fashion references come from a mix of digital and print sources, including Vogue, Harper’s Bazaar, and Elle. From Portraits to Fashion Villanueva’s relationship with photography began during college, when she started shooting portraits before eventually moving into fashion photography. Her approach is rooted in restraint. When photographing fashion, she gravitates toward simplicity and understated elegance. With portraits, however, her focus becomes more personal. “I believe that each person is fearfully and wonderfully made, so I aim to bring out the best in my subjects and make them feel and look their best,” she explains. That balance between simplicity and individuality is also visible in the way she approaches creative concepts. The Freedom of Streetwear For her latest shoot, Villanueva wanted to step outside the expected visual language of street fashion. Instead of relying on familiar urban and hip-hop references, she explored a more elevated interpretation of streetwear, mixing high-end pieces with a sense of freedom and movement. “The inspiration behind this shoot is freedom in style in street wear,” she says. “I wanted to show street fashion is liberating as it can be used to freely express not only one’s style but also personality and even mood.” The concept also gave her an opportunity to experiment. She played with unconventional angles and backgrounds, deliberately moving away from approaches she might normally use for a different kind of fashion story. The change in perspective became part of the story itself, allowing the photographs to feel spontaneous, open, and unrestricted. Building Something of Her Own One of Villanueva’s proudest achievements so far is opening her own studio in Makati, combining her creative practice with her entrepreneurial background. Still, she sees it less as a final destination and more as another chapter. “The ‘greatest’ achievement yet still has to come,” she says. Her plans moving forward are simple but purposeful: continue providing meaningful experiences for clients, keep shooting and learning, grow as an artist, and share what she has learned with young and aspiring creatives. Rather than defining success through a single milestone, Villanueva measures her progress through continuous growth. “I wouldn’t really say I have any specific goals except to keep learning and growing as an artist and photographer and succeeding as an entrepreneur.” Keeping Faith, Staying Grounded At the center of Villanueva’s creative and personal journey is her faith. “Keep God first,” she says of her life motto. For her, faith provides the strength to face challenges while keeping her grounded and focused on what matters. It is perhaps this combination of ambition and groundedness that best defines her creative path. From studying photography across Milan and Paris to building a studio in Makati, Villanueva continues to explore what fashion and photography can become when they are approached not simply as aesthetics, but as forms of expression. For Nina Eiisa Villanueva, the future remains open. There is no single image of success, no fixed definition of fashion, and no final destination in sight. There is simply the work, the learning, and the freedom to keep creating. Follow Nina Eiisa Villanueva: @itsninaeilisaEnvy Studio: @envy.creatives

This season, PENSHOPPE opens the doors to Club PENSHOPPE: All Access, introducing the newest members of Club PENSHOPPE alongside a collection inspired by the carefree spirit of '90s youth culture. Since its launch, Club PENSHOPPE has brought together some of the most recognizable local and international personalities, creating a community that celebrates individuality, creativity, and effortless style. More than ambassadors, they embody the spirit of PENSHOPPE, each bringing their own perspective to fashion while inspiring a new generation to wear every look with confidence. The doors to Club PENSHOPPE open even wider this season as Belle Mariano, Maki, and Elijah Canlas officially join Darren Espanto, Cassy Legaspi, Vince Maristela, and Charlie Flemming. Belle brings her signature effortless femininity and timeless charm, Maki infuses the club with his expressive artistry and genre-defining creativity as a singer songwriter, while Elijah offers a quiet confidence shaped by his acclaimed work as an actor. Together, they embody the individuality, creativity, and authenticity that define Club Penshoppe, proving that personal style is an extension of who you are and what you create. Launching alongside the newest members of Club PENSHOPPE is PENSHOPPE's latest men's and women's collection, a vibrant homage to the coming-of-age films that defined '90s youth culture. Rooted in nostalgia yet designed for today, the collection captures the optimism, freedom, and individuality of a generation through modern silhouettes and effortless styling. Fresh denim, bold graphic tees, collegiate-inspired details, and easy layering come together to create a wardrobe that feels both nostalgic and contemporary. From everyday essentials to statement pieces, the collection is designed to be mixed, styled, and made personal. With prices as low as ₱699, PENSHOPPE continues to make fashion-forward dressing accessible without compromising on style. With Club PENSHOPPE: All Access, PENSHOPPE celebrates fashion as a form of self expression. Through a collective of personalities with distinct aesthetics and perspectives, the campaign highlights the versatility of the collection and encourages everyone to interpret it in their own way. The result is a fresh take on familiar wardrobe staples that feels relevant, expressive, and unmistakably current. As Club PENSHOPPE continues to grow, it remains a reflection of PENSHOPPE's evolving vision of style. One that embraces individuality, celebrates creativity, and proves that great fashion is never defined by one look, but by the confidence to make it your own. Different personalities. Different style worlds. One club. The Club PENSHOPPE: All Access campaign and the latest men's and women's collection, with styles starting at just ₱699, are now available on the PENSHOPPE App and at PENSHOPPE stores nationwide.

J. LLOREN EDITIONS is a retail concept developed by designer Jojie Lloren that explores the limitless possibilities at the crossroads of art, fashion, culture, and craft. True to his DNA of nurturing emerging talent, the brand is guided by one clear purpose: to elevate Filipino creativity by transforming original artistic expression and Philippine cultural narratives into collectible, limited edition, ready-to-wear pieces that honor both the maker and wearer. Under the LLOREN EDITIONS platform, designers, artists, artisans, and collectors are bonded by a shared passion for preserving and advancing Filipino creative excellence. The designer, fashion mentor, and founder shares: “LLOREN EDITIONS was built on the belief that fashion can be more than clothing. It can preserve culture, champion artists, celebrate craftsmanship, and become part of a collector’s legacy.” The first edition of LLOREN EDITIONS will launch at the MaArte Fair, happening from August 13 to 16 at The Peninsula Manila in Makati City. Its 25-piece pilot collection will feature block prints by Joey Cobcobo, photographs by Kim Montes, as well as woven craft by SC Vizcarra. Jojie details, “Rather than following season trends or mass productions, LLOREN EDITIONS creates collectible garments that embody artistic excellence, cultural resonance, and enduring craftsmanship Only 12 pieces will be made for each style. In following tenets of responsible luxury, everything will be made upon order. However, the space at the MaArte Fair will showcase sample and archival pieces produced in advance. “We produce three to six pieces initially for a launch or exhibition. The rest are made only when there are orders. This approach minimizes overproduction and unnecessary waste. It encourages mindful consumption, and ensures that every garment is created with intention, purpose and enduring value.” explains Jojie. It is ready-to-wear, but presented and crafted through the lens of couture. The coming together of fashion and art under the platform is not merely a transfer from canvas to fabric. It is instead an unfolding of creative collaboration, where collectively and intuitively the designer, artist and maker tell a story. Jojie’s choice of artists, artisans, and makers are based on real connection. “I’m more interested in hearing a unique voice and a genuine passion for craft than fame,” he iterates. “Every collaboration should feel natural where we talk about placement and everything is created together from start to finish.” As it is with art, every piece from J. LLOREN EDITIONS is documented and authenticated. He furthers: “Every edition is conceived as a collectible body of work, celebrating exceptional craftsmanship, artistic integrity, and the rich diversity of Filipino culture. I think art is not limited to the things we see. It can also be experienced. It moves, travels, creates conversations, and carries stories. When someone wears a piece from J. LLOREN EDITIONS, they wear the vision of an artist, the craft of makers, and a piece of Filipino culture.” This new retail concept endeavors to forge meaningful partnerships with visual artists, artisans, makers, and other creative minds. “There is really no limit to where we can take this,” says Jojie. “One of our key missions is to provide fair recognition, equitable compensation, and opportunities for professional growth.” As such, a portion of the proceeds from sales are dedicated to the J. LLOREN EDITIONS Artist Fund which will spearhead initiatives like: artist royalties, creative grants, mentorship programs, residency opportunities, exhibition support, publication projects, documentation of Philippine craft as well as educational collaborations. Jojie concludes: “Lloren Editions exists to prove that luxury can be purposeful, that fashion can preserve culture, that collaboration creates greater beauty than authorship alone, and that every carefully made garment can become a lasting testament to Filipino creativity. We create fewer pieces so that each piece matters more.” J.LLOREN EDITIONS will launch the MaArte Fair happening from August 13 to 16 at the Peninsula Manila. For more information and updates, follow @j.lloreneditions on Instagram. Jojie-Lloren Joey-Cobcobo Riz Kim Montes

Eleven Filipino designers, visiting international celebrities and personalities, and press and content creators from across Southeast Asia converge on the SMX Convention Center at SM Aura Premier for four days built on one founding belief, that fashion belongs to everyone. MANILA, PHILIPPINES — August 5, 2026 — MNL Fashion Week (MNLFW) returns for its second edition this September 3 to 6, 2026, at the SMX Convention Center, SM Aura Premier, McKinley Parkway, Taguig, Metro Manila (Bonifacio Global City), four days of back-to-back runway shows, pop up galleries, and cultural programming positioning Filipino fashion to “stand alongside the great fashion weeks of Asia and the world.” For founder and executive director John Lozano, the platform is the culmination of a career that began in a way that was destined, in front of a television. “My mom made me watch a video of my sisters in a school fashion show,” Lozano recalls of the show that first “sparked my curiosity in the world of fashion.” That curiosity carried him through 20 years as a stylist, then through Manila X, where he fused music and fashion; BYS Fashion Week, where he used a beauty brand’s reach to bring fashion to more people; and Flique, a street-style magazine built so that “people could see themselves in the magazines.” MNL Fashion Week, he says, is the next chapter of the same mission: “fashion should be consumed, it should be enjoyed, it should be for everybody. It’s not just for people who can af ord it, or for people who have time to embrace it.” That belief shapes who MNLFW is built for. “We’re focusing more on designers that are brands themselves,” Lozano explains, “because fashion is meant to be enjoyed and consumed by as many people as possible.” For 2026, he’s promising the same rigor as last year, pushed further: “We’re still going to highlight the best of the best in terms of Filipino brands and designers, and at the same time, it’s always a constant pursuit to push the boundaries and to see where we can bring the quality of shows here in the Philippines.” And he’s quick to redirect credit away from himself: “MNL Fashion Week is not just me, it’s not just the team mounting it, it’s everybody — the directors, the designers, the production designers… all I know is that everybody’s going to push it further than ever before, and that’s always the goal every year.” He is just as direct about rivalry with the country’s other fashion events. “I don’t see it as competition, because we’re all aiming for one goal,” he says. “There’s a lot of fashion events in the Philippines, which is very promising — it just goes to show that there’s a lot of interest in fashion.” Lozano traces the country’s fragmentation to geography itself: “The Philippines is an archipelago — we’re a collection of islands, more than 7,000, almost 8,000 islands. We’re so used to being divided. There’s always that division, and I feel like that’s the biggest thing that’s holding us back.” His answer is to keep the door open rather than draw a line: “It’s not to prove something, it’s not to show the world that we can do this better than everybody else. It’s really to bring everybody together — whoever wants to help push Filipino fashion forward globally is welcome to join MNL Fashion Week.” Asked what MNLFW needs to become over the next three years, Lozano’s answer is almost anti-ambitious: “It doesn’t really need to become anything. I feel like where it is now is where it’s supposed to be — if anything, it needs to be consistent. If we stay consistent and true to what we stand for, then good things are bound to happen.” The legacy he’s after is measured in community, not scale: “If there’s a legacy that I want MNL Fashion Week to have in the next three, five, maybe ten years, it’s really the fact that we were uniting the Filipino fashion community. I want it to be a celebration of Filipino fashion, not a showcase… whether it stays as it is and doesn’t get bigger, I don’t mind, as long as Filipinos know that once, maybe twice a year, there’s a celebration waiting for them.” THE 2026 ROSTER Eleven Filipino labels headline this year’s runway, spanning modern minimalism, anti-fashion maximalism, heritage craft, and streetwear: Antonina, HA.MÜ, Yong Studio, Charlotte Folk, Randolf, nicolò, Proudrace, Lorico, Lilah Roché, Yana Kalaw Studios, and Killjoy Studios. GLOBAL EYES ON MANILA Building on last year’s momentum, when MNLFW hosted five to six international titles for the first time, this year’s edition welcomes confirmed press from L’Officiel (Vietnam, Malaysia), Harper’s Bazaar (Indonesia), GQ (Singapore, Hong Kong), Esquire (Malaysia), Grazia (Singapore), and Elle (Malaysia), alongside regional content creators from Vietnam namely Bá Tùng “Tyler” and Nguyen Ngoc Linh Chau, as well as Cissy Lia and Helen Hiuu from Indonesia. The runway will also welcome visiting Thai celebrities namely Chaikamon Sermsong Wittaya (“Boss”), Anupart Luangsodsai (“Ngern”), Tharathon Phumphothingam (“Oat”), Siwaj Sawatmaneekul (“New”), Thanakorn Wichanukhor (“Min”), and Jarukit Kaewmoonrueang (“Toptap”). “It only makes sense for us to double or triple that effort to make sure our local designers get the international recognition they deserve,” says PR Director Vani Altomonte. Asked what a successful 2026 looks like, Lozano ties it back to the people who build it: “A successful run for MNL Fashion Week for me is when the people working behind it have the best time of their lives — and I think in the past years that we’ve been doing this, it has always been that. That’s why our partners keep coming back. Staging this may be stressful at times, but ultimately it’s fulfilling, it’s worthwhile, and it’s fun. So for me, the success of 2026 is for everybody — not just the people working behind it, but even the audience will bring home with them a sense of fun and a sense of pride for Filipino fashion. That’s all I need.” WHAT MNL Fashion Week 2026 WHEN September 3 – 6, 2026 WHERE SMX Convention Center, SM Aura Premier — McKinley Pkwy, Taguig, Metro Manila (BGC)

OXGN’s new campaign anchors a new SGAMO x Jarreau Vandal fusion track and a three-part collection drop in tribute to budots pioneer DJ Love and the sound's roots in Davao MANILA, Philippines — August 5, 2026 — OXGN, the iconic Philippine streetwear brand launches THE FINAL ROUND, its latest 2026 campaign celebrating the meeting point of music, movement, and streetwear. Anchored by a reimagined budots x hip-hop fusion track created with international DJs SGAMO and Jarreau Vandal, the campaign pays tribute to budots pioneer DJ Love and the grassroots sound rooted in Davao, transforming a culturally significant genre into a platform for style, movement, and community participation. Rolled out under the banner “Local Sound. Global Recognition. Streetwear Expression.,” THE FINAL ROUND hooks audiences through music and movement before introducing OXGN's clothing line, unfolding through a performance-driven campaign film and a three-part collection drop across August, September, and October. THE FINAL ROUND spotlights street culture and builds on the idea that the Filipino sound can keep evolving and gain recognition on a global stage, while inviting the community that evolved the concept to what is today to be part of the story. "We wanted to show that Filipino streetwear can stand confidently beside global style movements while still staying close to the people it was made for. The collection takes AMEKAJI inspiration and translates it through OXGN’s local lens. Creating fashion and merchandise that feel elevated, relevant, and competitive on a global scale, but still reachable for young Filipinos,” shared Cathleen Cotioco Brand Director of OXGN. A Sound Rooted in Davao, Reimagined for the Streets Budots, the electronic dance sound pioneered by DJ Love and born out of Davao's grassroots community, has long been a defining thread of Filipino street and party culture. For THE FINAL ROUND, OXGN worked with SGAMO and Jarreau Vandal to reimagine that energy through a new budots x hip-hop fusion track, using it as the emotional and cultural anchor for the campaign's performance-driven film and rollout. Three-Part Collection Drop THE FINAL ROUND will unfold across three collection drops in August, September, and October, each building on the campaign's music-and-movement narrative before centering OXGN's streetwear line, designed for the modern urbanite and rooted in street culture, music, and grassroots community. The collection draws on Amekaji (アメカジ), the Japanese take on American casual style that reworks vintage Western workwear and military staples through a refined Japanese design sensibility, coming through in relaxed silhouettes, camo prints, and textured fabrics across the men's and women's lines. Prices start at PHP 899.00. Experience The Final Round THE FINAL ROUND has been unveiled to the public through social media as soon as August rolled in continuing through the month and leading into the September and October collection drops. About OXGN OXGN is a Philippine streetwear brand under the Golden ABC portfolio, built for the modern urbanite. Rooted in street culture, music, movement, and grassroots community, OXGN creates accessible style for audiences drawn to underground music and street culture over corporate or high-brow spaces.

There are moments that define a career, and then there are moments that define a person. For Maureen Wroblewitz, winning Asia's Next Top Model Cycle 5 was never just about becoming the first Filipina champion. It was about discovering the confidence she had spent years searching for. Born in Riyadh, Saudi Arabia, to a Filipino mother and a German father, Maureen's childhood was anything but conventional. After losing her mother at a young age, her family relocated to Germany, where she spent six years adapting to a new culture while learning to find her place in the world. Later, she moved to the Philippines after being discovered on Instagram, beginning a journey that would transform her life forever. Although modeling eventually became her career, it wasn't always part of the plan. As a child, she dreamed of becoming an actress, and even considered becoming a veterinarian before realizing that path wasn't for her. Modeling only became a possibility after being scouted online at the age of 15. Even then, she waited until finishing high school before fully committing to the industry, honoring her family's wishes while quietly preparing for the opportunity ahead. Behind the effortless beauty and striking editorials was someone who constantly questioned herself. Growing up shy and reserved, Maureen found social situations intimidating. She admits that joining Asia's Next Top Model was one of the most frightening decisions she had ever made. Cameras, competition, and the pressure of representing the Philippines challenged every insecurity she carried. Yet it became the experience that changed everything. "That's all what I really wanted; it was to be more confident, believe in myself and know that I can do it." That realization became the true prize of the competition. Winning the title opened doors to international opportunities, including a cover for Nylon Singapore and representation through Storm Model Management in London, but perhaps more importantly, it gave Maureen the belief that she belonged on the world's biggest stages. Away from fashion, she embraces a quieter rhythm. She enjoys cooking, baking, and spending time with family and close friends, finding balance in the ordinary moments that often get lost behind the glamour of modeling. She also remains clear about the future she wants to build. Rather than being remembered solely as a commercial model, Maureen hopes to establish herself in luxury fashion and high-end editorial work while exploring opportunities abroad. Acting remains an aspiration, but for now, her focus continues to be evolving as a model whose work reflects both strength and authenticity. Perhaps that's what makes Maureen Wroblewitz resonate with so many young creatives. Her journey isn't simply about beauty or success. It's about overcoming fear, embracing vulnerability, and understanding that confidence isn't something you're born with. It's something you earn through every challenge you're brave enough to face. For BLNC, Maureen represents more than a model. She represents a generation learning that growth begins the moment we stop letting fear define who we can become. Photography: Miguel Alomajan Stylist: Ica Villanueva and Aaron Mangsat Hair and Makeup: Theresa Padin Video: Jear Velasquez Photo Assist: Jet Soliman Style Asst: Joey Buenaobra Special Thanks: Chinie Go Prima Stella Mgmt Mark Bumgarner

The new collection launches Armor Tech, Cool Tech and Cloud Tech. Purpose-built denim engineered for the way today's consumers live, move and work. MANILA, Philippines — Long recognized as one of the country's defining names in denim, JAG enters its next chapter with the launch of Denim Technology—a collection engineered to meet the evolving lifestyles of today's consumers through innovation in performance, comfort and durability. Fronted by award-winning actor Daniel Padilla, whose effortless and practical approach to personal style continues to resonate with millions of Filipinos, the campaign brings to life a collection built for everyday performance without compromising style. Introducing Armor Tech, Cool Tech and Cloud Tech, the collection reimagines denim through purpose-driven fabric technologies that balance functionality with timeless design. Built around the belief that denim should perform as confidently as it looks, DenimTechnology reflects JAG's continued evolution as it responds to the changing needs of today's consumer. Armor Tech is engineered for demanding, heavy-duty wear. Constructed from ultra-durable 12oz denim that is up to two times more resistant to abrasion, it delivers exceptional strength while maintaining everyday wearability. Cool Tech features breathable, moisture-wicking 11oz denim designed to keep wearers cool and comfortable throughout the day. Cloud Tech is a lightweight 9–10oz denim that prioritizes ease of movement and all-day comfort while maintaining the durability expected from premium denim. Cool Tech features breathable, moisture-wicking 11oz denim designed to keep wearers cool and comfortable throughout the day. Cloud Tech is a lightweight 9–10oz denim that prioritizes ease of movement and all-day comfort while maintaining the durability expected from premium denim. Rather than simply introducing new fabrics, Denim Technology represents JAG's commitment to creating products that respond to how people live today—where functionality and fashion exist in equal measure. "A brand only stays relevant if it continues to evolve. Denim Technology is the first expression of where we're taking JAG—not only through innovation in product, but in how people experience the brand. Today's consumer expects more from what they wear. It has to look good, but it also has to work harder. That's the standard we're trying to build across every part of JAG—from design and product development to cultural collaborations, retail experiences and the stories we tell. This particular release is only the beginning." — Donnie Manaloto, Marketing Director, JAG Group "I've been with JAG for three years now, and it's been exciting to see the brand continue to evolve. Ang gusto ko sa Denim Technology, hindi lang siya tungkol sa bagong fabric. It's about creating something na babagay talaga sa lifestyle ng tao ngayon—comfortable, functional, and easy to wear without sacrificing style." - Daniel Padilla, JAG Ambassador JAG @ 50, More than just an Anniversary The launch of Denim Technology marks the first of several milestones that will define JAG's next chapter. Throughout the coming months, the brand will introduce new product developments and extensions through immersive brand experiences that will continue to strengthen its position as one of the country's defining names in denim. As the celebration unfolds, JAG will be participating in MNLFW this September through a partnership that reflects the brand's enduring commitment to the Philippine fashion industry and its next generation of creative talent. On the runway, JAG will present a collection that revisits the iconic denim silhouettes that helped define the brand through the decades—reimagined through today's lens while remaining unmistakably JAG. The presentation will culminate in the unveiling of the brand's newest face, who will join JAG's roster of influential ambassadors in ushering the brand into its next era. The Denim Technology collection, featuring Armor Tech, Cool Tech and Cloud Tech, will be available beginning August 1, 2026, across selected JAG stores and official retail channels. The campaign starring Daniel Padilla launches simultaneously across digital platforms, social media and key media partners nationwide. About JAG Jeans Founded in 1976, JAG has grown into one of the Philippines' most enduring names in denim, recognized for its commitment to craftsmanship, innovation and timeless design. For decades, the brand has shaped generations of Filipino style while collaborating with some of the country's most recognizable names across entertainment, fashion and popular culture. As JAG enters its next chapter, the brand continues to build on five decades of heritage by creating denim that moves with culture, responds to modern lifestyles, and remains true to the confidence that has defined it from the very beginning.

From July 30 to August 2, ArteFino’s “Isang Dekada” will unveil a trade fair experience that is worldclass, future-forward yet deeply rooted on Filipino heritage Dekada is a theme that captures the ArteFino journey from the time the movement first spread its wings in 2017 to the present day. It is an idea that mirrors heritage in continuous motion–always evolving, innovating, finding new forms and voices. To mark 10 years of sparking meaningful conversations, uplifting local artisanal communities, growing a community of conscious consumers, and ultimately, reshaping the retail landscape, ArteFino in partnership with Rockwell and Security Bank presents Isang Dekada from July 30 to August 2 at the Power Plant Mall. (L-R) Cedie Vargas, Maritess Pineda, Susan Quiros, Marimel Francisco, Armita Rufino It took vision, conversations anchored on purpose, and a community determined to get their messages across to impact change. A decade ago, the retail landscape and consumer behavior in the Philippines was largely shaped by Western influences. Brands and products available in the market were mostly imported. Filipino consumers were guided by a misinformed perception that locally-made products were inferior to those brought in from the US or Europe. Philippine handicrafts were often relegated to souvenir shops or small Filipiniana corners in department stores. Similarly, local fabrics, weaves, and garments made by Filipino artisans were only ever brought out during Linggo ng Wika or local fiestas. Messages That Define A Decade When Maritess Pineda, Armita Rufino, Susie Quiros, Cedie Vargas, and Marimel Francisco mounted the first ArteFino fair, they were clear about their purpose and vision. “We knew from the beginning that we needed to promote locally-made products and in the process help our artisan communities,” the founders begin. “When we realized that we had a following, we knew that we couldn’t just keep selling. Rather, we needed to convey a message that would create impact.” The message was simple, straight-forward, yet purposeful: “Every handcrafted piece represents a livelihood; every tradition deserves a future; and every artisan deserves the opportunity to thrive.” Not Just A Bazaar, A Cultural Movement From the onset, the team behind ArteFino understood that they were not just mounting an annual trade fair or bazaar. “We envisioned more than a fair” they affirm. “We wanted to build a movement that celebrates the finest of Filipino craftsmanship while creating meaningful opportunities for the people behind it.” That vision brought ArteFino’s reason for being to life: HeArteFino Development Program Grant. The founders articulate: “When communities thrive, our culture lives on. And when heritage continues to evolve, we inspire future generations to become responsible stewards of our craft and nation. That purpose has grown into meaningful action.” Today, ArteFino’s message and mission ripples through and well beyond the four walls of the trade fair. “There is now pride in supporting or consuming products that are made locally. It’s become something that people like to share and talk about,” they observe. It is most evident in the local retail landscape. Consumers’ preferences have shifted significantly in favor of Philippine designers, brands, and makers, driving demand for products that are made in the country. As a result, shopping destinations have now dedicated more prominent spaces for locally-made products. Dressing in the Filipiniana style and adding distinctly Filipino elements in one’s home have also become de rigeur. The same can be said in other categories like gifting, beauty, wellness, and even flavors. Heritage, Purpose, and Meaning The team agrees that the work is far from over. The challenge, 10 years in, is not so much about releasing something “new” at every fair. They are instead focused on sparking conversations and creating experiences that are future-forward yet rooted in heritage, purpose, and meaning. Before the pandemic, for instance, ArteFino began highlighting the importance of integrating more sustainable practices in the creative process. The team recalls: “No one was listening back then. But soon enough, it began to resonate with consumers who sought meaning. These are the buyers who wanted to know where products come from, how they are made and the artisans who made them.” Throughout the years, ArteFino has added layers and new dimensions to the important, and sometimes hard conversations, making every trade fair experience more relevant and resonant to the times. “Everyone in the community is immersed in the movement, making it possible for us to champion our message. This has also allowed the movement to espouse these values, which help to reshape how products are designed, crafted, presented, and consumed.” Apart from brands, makers, artisanal communities, designers, and patrons, ArteFino has also forged deep partnerships with like-minded industry leaders like Rockwell and Security Bank. Tanya Deakin, FVP, Corporate Communications Head introspect: “BetterBanking has always been about understanding our customers and finding better ways to serve them. That's why our partnership with ArteFino is a natural fit. It allows us to create experiences our clients value while supporting Filipino craftsmanship and entrepreneurship. As we celebrate 75 years of BetterBanking under our anniversary theme, which is ‘With you then, with you now, and with you always,’ we remain committed to making banking simpler, faster, and more personal, while growing alongside the customers and communities we serve.” Ushering In An Era of Responsible Retailing Many elements that make up ArteFino: Isang Dekada find common ground in the concept of responsible retailing. “This was top of mind in our curation process for ArteFino’s “Isang Dekada”. This idea also influenced the direction of our featured HeArteFino grantees like Project Nova, Zarah Juan, ANTHILL Fabric Gallery whose collections will be featured in the South Court this year,” they share. Many of the participating brands this year are also innovating their designs by exploring natural fibers and upcycling techniques. For example, a collaborative collection between HeArteFino and Isla Tek will be unveiled in this year’s fair. The capsule wardrobe will showcase the use of the maker's specialized yarns made from pineapple, banana, and abaca. “We are going down the value chain in reverse, deepening that mission and looking closer into the conversation. We started with the products, then touched on the makers, the community. Now, we are looking into the materials or the fibers.” By opening channels for new ways, materials and methods, brands and makers are empowered to create and continuously evolve in their crafts. Dekada Collections: A Design Journey To commemorate the movement’s milestone, partner brands across categories were invited to create exclusive Dekada Collections. The ArteFino team expounds, “We asked them to create pieces that reflect how far they’ve come, how their craft has evolved, and where they hope to take Filipino design next.” More than 100 Filipino brands will be on showcase at ArteFino: Isang Dekada, which will cover various areas of the Power Plant Mall including The Fifth, North Court, South Court, and the R1 Lifestyle Hallway. They disclose, “We were intentional about how we wanted to present the brands and their products. We reconfigured the grounds so that there is more room for brands to showcase their work and share their design journey.” Visual Storytelling Through Space ArteFino enlisted Philippine Institute of Interior Designers President Cecil Ravelas to design and curate the North and South Courts. Spaces in these areas were reimagined as visual anchors that tell the narratives of brands and makers in a manner that truly sparks curiosity. “It’s the event’s showcase. It's an invitation, drawing visitors into the ArteFino story,” Ravelas elaborates. Gino Gonzales, who has worked with ArteFino in previous years, has also been engaged to create the Central Display area at The Fifth. This feature of the event has always been a trademark that sets the tone for every ArteFino trade fair. “We’ve always had a Central Display as a space where we could inspire our brand partners to look beyond the bazaar set up. It’s a continuous exploration of visual merchandising, which is very important especially for young or emerging brands.” Over the course of 10 years, the Central Display has also welcomed the visual imaginings of Wynn Wynn Ong, Ito Kish, Leeroy New, Pat Pastelero of SPRUCE, Miguel Rosales, and Indy Ycasiano. Spaces For Collaboration Collaboration is a key attribute that distinguishes the ArteFino experience. Throughout the years, the movement has birthed several design-led product collaborations and co-created product lines. Studio ArteFino, which will be launched during ArteFino Isang Dekada at the South Court, was envisioned as the movement’s retail extension. The team explains: “It will serve as the space in the fair that showcases products developed, designed, handpicked, or directly invested in by ArteFino.” Eats by ArteFino, created in partnership with The Seven Pantry will also debut during ArteFino: Isang Dekada. It was built around the idea that food is at the heart of gatherings, celebrations, and everyday life. “More than a food hall, it is a thoughtfully curated destination where food takes center stage, while home, pantry, and entertaining come together to enrich the experience of gathering around the table.” Apart from well-loved, familiar flavors, Eats by ArteFino will also feature a curated lifestyle store carrying pantry staples, snacks as well as home, dining, and entertaining wares. The team reflects, “ArteFino has always been more than just the shopping. We are excited about introducing reimagined sections that add meaningful layers to this year’s fair.” Always Evolving The last 10 years for ArteFino have been an experience, exploration, and discovery of heritage in motion. The decade that was also tells the story of a cultural movement that is in a constant state of evolution. While rooted in tradition, identity, and community, ArteFino is always finding new forms, voices, and dialogues to impact change. Maritess Pineda, Armita Rufino, Susie Quiros, Cedie Lopez-Vargas, and Marimel Francisco conclude: “We honor the artisans, traditions, and communities that laid our foundation. Today, we celebrate the movement we have built together. Looking ahead, we set our gaze on creating opportunities, driving innovation, and ensuring that our heritage continues to flourish for generations to come.” ARTEFINO: ISANG DEKADA is presented by Rockwell and Security Bank. The milestone celebration happens from July 30 to August 2 at the North and South Court, R1 Lifestyle Hall and The Fifth at Power Plant Mall. For more information and updates, follow @artefinoph or visit www.artefinoph.com

For years, P-Pop has been measured against international standards. The comparisons were inevitable. The synchronized choreography, glossy visuals, and polished production often invited parallels to K-pop and Western pop. But somewhere along the way, a new generation of artists stopped asking how close they could get to global trends and started asking a more important question: What does Filipino pop sound like when it's unapologetically Filipino? The answer is unfolding in real time. Across today's P-Pop landscape, artists are embracing local language, Filipino humor, everyday culture, and references that only Pinoys truly understand. From songs inspired by comfort food to playful wordplay and stories rooted in local experiences, these releases prove that authenticity is becoming the genre's greatest strength. P-Pop no longer needs to borrow an identity. It's creating one. 1. SB19 — "Visa" SB19 continues to push the boundaries of Filipino pop with a track that speaks to ambition, movement, and the dreams of a generation that sees the world without forgetting where it came from. "Visa" feels global in sound but deeply familiar in spirit. 2. ALAMAT — "Sinigang" No group has championed Filipino identity quite like ALAMAT. "Sinigang" is playful, clever, and unmistakably local. Turning one of the country's most iconic dishes into a pop anthem is exactly the kind of creative risk that reminds listeners that culture can be celebrated without feeling forced. 3. VXON — "Pelikula" Romance has always been part of Filipino storytelling, and VXON transforms that cinematic tradition into an emotional pop record. "Pelikula" captures the feeling of living through a love story where every scene feels familiar. 4. 6ENSE — "Piliin Mo Ako" Sometimes the simplest message hits the hardest. Sung in the language people speak every day, "Piliin Mo Ako" embraces vulnerability without sacrificing modern production, making it one of the scene's most relatable releases. 5. VVINK — "Pig Ibig Fun" VVINK proves that P-Pop can have personality. Built around Filipino humor and infectious energy, "Pig Ibig Fun" is playful without losing musicality, showing that fun can be just as impactful as perfection. 6. Mei Mei — "Alembong" Mei Mei's "Alembong" is a celebration of playful Filipino humor wrapped in an irresistibly catchy pop record. Drawing from a familiar local expression, the song embraces wit, confidence, and personality without taking itself too seriously. It's a perfect example of how today's P-Pop artists are turning uniquely Filipino words and cultural nuances into music that feels both fresh and instantly relatable. 7. BabyDolls — "Ohlala Baby" Bright, confident, and irresistibly catchy, BabyDolls deliver a song that captures youthful energy while embracing the colorful personality that has become a hallmark of the new wave of P-Pop. 8. RAYA — "Get Me" RAYA's "Get Me" blends polished pop production with effortless confidence, showcasing a fresh take on contemporary P-Pop. While sonically modern, the group's charm lies in its natural delivery and relatable attitude, proving that Filipino artists can embrace global influences without losing their own identity. It's another strong example of a new generation that's redefining what Pinoy pop looks and sounds like. 9. AJAA — "Ako Na" Confident, charismatic, and undeniably catchy, AJAA's "Ako Na" embraces the playful swagger that's deeply ingrained in Filipino pop culture. With its conversational lyrics and infectious energy, the track captures the humor, confidence, and charm that make OPM feel instantly familiar. It's a reminder that being proudly Filipino isn't just about language, but also about attitude. 10. GAT — "Daleng Dale" With its catchy hooks and unmistakably Filipino attitude, "Daleng Dale" celebrates confidence through familiar expressions and street-smart energy. It's the kind of song that feels instantly local while remaining accessible to a wider audience. More Than a Trend The most exciting thing happening in P-Pop isn't just the choreography, the visuals, or the growing international recognition. It's the confidence to sound Filipino. Artists are embracing Tagalog without compromise. They're writing about local experiences, celebrating Filipino humor, and turning everyday culture into music that resonates across generations. Instead of chasing another country's blueprint, they're building one of their own. That's what makes this era different. The future of P-Pop isn't about sounding more international. It's about discovering that the most compelling stories have been here all along. And perhaps that's the genre's biggest evolution yet: not becoming the next K-pop, but becoming the best version of Pinoy Pop.

PHILIPPINES— At SoFA Design Institute, the balance between tradition and innovation lies at the heart of its design education, encouraging students to create work that is not only visually compelling, but also grounded in identity, and purpose. As Filipino design continues to gain recognition on the global stage, a new generation of designers is finding meaningful ways to honor the country's rich cultural heritage while shaping its creative future. This vision came to life through iPAMANA: Honoring Filipino Stories through Furniture, an exhibition presented by SoFA Design Institute's Interior Design students from July 13 to 16, 2026 at the SoFA Collab Cove. Serving as the culmination of months of research, ideation, and design development under the mentorship of IDr. Kaye Manansala, the exhibit invited the public into a thoughtful exploration of Filipino culture through contemporary furniture and interior design. The exhibit transformed the campus into an immersive gallery where every piece carried a story. Drawing inspiration from local mythology, folklore, craftsmanship, landscapes, and everyday Filipino experiences, the students reimagined familiar narratives into furniture and interior concepts that bridged heritage with modern living. Each work reflected a careful dialogue between material, form and function, demonstrating how interior designers can preserve cultural memory while responding to the evolving needs of contemporary spaces. The exhibition also welcomed members of the Philippine Institute of Interior Designers (PIID), whose visit underscored the relevance of nurturing the next generation of Filipino interior designers. Their presence highlighted the importance of strengthening connections between design education and professional practice, while recognizing the students' thoughtful interpretations of Filipino identity through furniture and spatial design. Beyond their aesthetic appeal, the featured pieces revealed a deep commitment to research and cultural understanding. Every furniture piece was thoughtfully crafted through a process that challenged students to engage with history, community, and identity, resulting in designs that celebrated Filipino narratives with sensitivity and intention. Together, the collection illustrated the enduring relevance of local stories and the power of design as a medium for preserving and reinterpreting cultural heritage. The exhibition also reflected SoFA Design Institute's distinctive approach to creative education. Through mentorship from practicing professionals and the SoFA Method, a unique way of education where abstract and esoteric ideas are supported, students are encouraged to explore design as a form of storytelling, one capable of creating meaningful experiences, fostering dialogue, and inspiring new ways of seeing the world. "What excites me most about iPAMANA is how our students utilized the full spectrum of the SoFA Method, from ideation to execution, giving families, friends, and the public a chance to experience it firsthand," shared Aaron Paglicawan, SoFA Design Institute Interior Design Chairperson. As emerging designers continue to navigate an increasingly interconnected creative landscape, a strong sense of cultural identity remains one of their greatest strengths. Exhibitions such as iPAMANA: Honoring Filipino Stories through Furniture demonstrate that contemporary Filipino design can be both globally resonant and unmistakably local, drawing from generations of craftsmanship and lived experiences while embracing new ideas and perspectives. For the students behind iPAMANA: Honoring Filipino Stories through Furniture, the exhibition marked more than the culmination of an academic project. It represented the beginning of their journey as interior designers who understand that every object, every space, and every detail has the potential to tell a story. By carrying Filipino narratives into contemporary design, they contribute to a growing movement that celebrates heritage not as something confined to the past, but as a living source of creativity for generations to come. For aspiring Interior Designers, Furniture Makers, and Creative Thinkers, iPAMANA offered a glimpse into the learning experience at SoFA Design Institute, where every project begins with curiosity, every idea is shaped through thoughtful exploration, and every design becomes an opportunity to create lasting impact. Those looking to deepen their knowledge in furniture design can also explore SoFA Design Institute's Certificate in Sustainable Furniture program, which equips learners with the skills to create innovative, environmentally responsible furniture solutions while integrating sustainability into contemporary design practice. These furniture creations are available for viewing until Thursday, July 16, 2026 from 11 AM until 7 PM. For more information about SoFA Design Institute and its programs, visit sofa.edu.ph, and follow the college on TikTok, Facebook and Instagram for updates on upcoming exhibits, events, and admissions.