Art is often said to be a reflection of the soul, and for Arce, it is a spiritual journey that transcends mere expression. From the earliest days of doodling on notebook pages in school, Arce has transformed their creative instincts into a powerful force within the contemporary art world. With a unique blend of deconstruction, experimentation, and deep spirituality, their work captivates the viewer, challenging perceptions and inviting introspection.
Born with an innate passion for art, Arce was introduced to fine art at a young age by their uncle. This early exposure to Filipino and foreign masters sparked a lifelong fascination with how art can shape and improve humanity. It was the beginning of a journey that would see Arce develop their own distinctive style, one that defies norms and continually seeks new perspectives.
Can you share with us your journey as a painter and a sculptor?
I started in first grade, doodling at the back pages of my notebook during class, and I kept at it. As far as I can remember, I’ve always told my stories through drawings.
What or who were your biggest influences , and how did they shape your artistic approach?
I was exposed to fine art by my uncle at an early age. I was inspired by how Filipino and foreign masters think, paint, and create. I grew up appreciating new inventions, records and visual art. I saw how it contributed to the improvement of humanity. I was always challenged to breathe new life into things which I believe can still be improved upon.
Your work is known for its unconventional use of media and experimental techniques. Can you describe your creative process and how you developed these unique methods?
I am not particularly conscious of the techniques, uniqueness and methodology. However, I consider my style as an impressionist. I do what I feel like doing, without care, simply caught up in the moment and outside the norms imposed upon me. Having the courage to deconstruct tangible things that are of high value or what others deem as precious is a distinct characteristic of mine. I am always in the pursuit of seeking a different kind of beauty and peace. I see boundaries as an infinite, limitless and borderless horizon.
How do you decide which materials to use for a particular piece, and how do they contribute to the overall message of your work?
I am not particular about the materials that I use. Oil paint and canvas are a given, though I utilize whatever’s on hand. What I am certain of is making use of the Gift that I was given, and how I can improve upon that gift, which makes me distinct and authentic.
Akin to a flight, my plane to creativity takes off through prayer and meditation. These fuel me. I always anchor my pieces towards my faith in Him. My pieces shall be lifeless and soulless without His divine intervention, for the only reference that I follow when painting is His divine guidance. From there, I live for the moment and just go with flow, responding to that frequency and my current state of mind.
You mentioned that you work with what occupies your present state of mind. Can you elaborate on how your emotions and current state influence your art?
I deem myself unpredictable in every sense. My mind runs in different trajectories. And as I’ve said earlier, I always find calm through prayer and meditation. It gives me a moment to pause, and I take advantage of this stillness of time and translate it through my pieces.
How do you approach the concept of distortion in your art, and what does it symbolize for you?
I have always viewed deconstruction as building and distortion as aligning. It is the essence which I want to capture in every piece that I design.
Your art often involves deconstructing, twisting, and melting elements. What are you trying to convey through these techniques?
Deconstructing, twisting and melting has never been my intention as they are all unplanned. It merely comes out in my process, similar to how life experiences come our way. And regardless of how prepared you are to face them, one begins to realize that you are still not ready and you simply let God lead the way.
How important is it for you to explore different perspectives in your work, and how do you achieve this?
I explore things that are new to me, mostly those that are not related to what I do. They become avenues for me to experience a state of shock, to be amazed, to entertain a new way of thinking, and establish a different perspective.
You listen to your inner force and know when to stop and pause for prayer. How does spirituality influence your artistic process and the final outcome of your pieces?
Pause, prayer, paint—these are the norms of my artistic process. I need spiritual guidance and connection to transform my state of mind into creative pieces.
Can you share a moment when pausing for prayer led to a significant breakthrough or transformation in your work?
I cannot pinpoint an exact moment. If I hear a prayer spoken in silence or words of meditation that captivate my mind, I will gather the courage and run with it. What I can say is that I sketch anywhere and anytime, relentlessly.
Looking back at your body of work, is there a particular piece that stands out to you as a pivotal moment in your career? Why?
It would be my Now Testament piece. It is a timeless representation of my life’s journey. It reminds me of where I have been, where I am now, and what is yet to come. My life is a continuous work in progress. My piece delivers a very clear message of hope, resiliency and love.
What message or feeling do you hope viewers take away from your art, and how do you envision your legacy in the art world?
My art should establish a deep connection with its viewer and to help one find the answers they seek. Each piece bears a fragment of my existence. I intend for my works to speak at a higher plane of consciousness, as each one is anchored on my faith in Him.
Are there any upcoming projects or exhibitions that you’re excited about and would like to share with our readers?
You may look out for my works at the Fukuoka Art Fair, Leon Gallery auction, and my 2025 solo show at Art Underground.
How do you see your work evolving in the next few years, and what new directions or challenges are you looking forward to exploring?
I would love for my art to be exhibited in other continents. Because I find art as part of my healing process, I wish to inspire more up and coming artists towards honing their craft. As I evolve as an artist, I will never stop listening and doing things according to His will.
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