Hollow City is a solo exhibition by Bree Esplanada at Galerie Inatù, Atua Midtown. The designer’s first solo exhibition opened last Saturday, June 7, and features his illustrated works, fashion design, and special figures designed in collaboration with Happy Garaje. Each piece is a personal exploration of emotional spaces–quiet, often misunderstood places that are shaped by solitude, memory, and imagination. The exhibit challenges the meaning of "hollow" as being empty-- it is not a void, but rather a vessel with the potential to hold meaning, emotion, and creativity. Bree’s body of work draws inspiration from stories that embrace the strange and the surreal: stories by Tim Burton, Ransom Riggs’ Miss Peregrine’s Home for Peculiar Children, the haunting tales of the Brothers Grimm, and the eerie cinematic worlds like Dawn of the Dead. “These narratives remind me that the peculiar and the melancholic can coexist with beauty, strength, and humanity,” Bree shares. “My fascination with nature – especially giant, twisted trees – stems from childhood, when I would climb and find comfort in their presence, seeking refuge from chaos around me. These trees became symbols of safety, growth, and silent witness. In my illustrations, I would often highlight roots and branches reflecting inner tangles, connections, and the complex paths of growing up and apart from loved ones. ”Though the designer’s art is often described as moody and melancholic, his art exemplifies resilience and the ways in which illustration and design has become a medium to process, heal and to express what words cannot. The rhythmic sounds of nature – flowing water, rolling thunder, the forming of dark clouds – bring him calm and echo in the emotional tone of his work. Thus, Hollow City is a space where solitude becomes strength, and the hollow becomes a haven for voice, vision and transformation. ABOUT THE ARTIST: Bree Esplanada is a multidisciplinary illustrator and fashion designer whose creative journey began at age nine. Initially captivated by anime’ characters, Bree’s work evolved to include intricate landscapes and imaginative compositions reflecting a growing depth in storytelling and artistic exploration. By age thirteen, Bree discovered fascination with the macabre – sparked by the whimsical yet eerie characters of Tim Burton’s works such as Beetlejuice. This marked a pivotal moment, shifting his perception of the macabre from something disturbing to a space for beauty, mystery and reinterpretation. Inspired by Filipino folklore, he began to incorporate culturally rich characters and themes into his illustrations, creating a unique visual language that blends heritage with imagination. At sixteen, Bree expanded his artistic expression into the world of fashion design. Merging illustration with textile and form. He began incorporating his artwork into clothing concepts, offering a wearable narrative that showcases his signature style – whimsical, thoughtful and deeply personal. Through every phase of his journey, Bree has continued to push the boundaries of creative storytelling, using his art to reflect identity, cultural legacy and the evolving definition of beauty in the strange and surreal. Bree Esplanada’s Hollow City is available for public viewing from June 9 to June 28, 2025. Galerie Inatù is located on the 2nd floor of Atua Midtown, open from Monday to Saturday, 10 AM to 6 PM. For sales and inquiries, kindly send a message through the gallery’s official Instagram page (@galerie_inatu) or through email at info.galerieinatu@gmail.com .

Written by: Jair Escandor Edited by: JT Gonzales On view these months of May and June, a four-artist pocket exhibition at gallery. sort of. Ways of Being  spotlights fresh queer voices combining in a harmonious exhibition that play off each other’s strengths and vulnerabilities.  Paintings, textiles, and mixed media works are employed to explore self-reflection amidst moments of solitude and camaraderie, and the realizations gleaned during those moments. The four friends offer a glimpse into the context that they dwell in, where they live their lives, who they live it with, and the highlights that encourage the formation of their individual personhood. They inject a personal touch into these experiences, interpreting them through lenses of queerness, the rave scene and being Filipino. Mark Hernandez, Shape of my Head, 24x18, acrylic on canvas, (2025) Mark Hernandez , a newly-graduated Electronics Engineering major from Laguna, is self-taught.  By sheer talent, Mark has snagged shows in prestigious galleries such as Metro and Secret Fresh, as well as Thierry Goldberg in New York.  His works feature figures scattered throughout the established space, inviting us to join moments of brooding. “ A Night to Remember, ” for example, represents the self through a young man. It explores those moments at night that many of us are familiar with: staring at a screen while in bed, memories fragmented, recollections replayed, dissatisfaction with the results, and our imagination ultimately self-inserting what should have happened. Mark Hernandez, among us, 24x18, acrylic on canvas (2025) “ Shape of My Head ” expresses an inescapable truth about who we are: our identity is not just our own creation but also a result of an accumulation of experiences: whether good, or bad, or grey.  Our past is just one of the hands that shape the reflection we face in the mirror every day.  In this piece, Hernandez asks us how much of our identity truly is of our own creation, and how much does our past have a hand in it? How much of ourselves is from ourselves? “ Among Us ” presents the familiar experience of solitude in the presence of others. The presence of other people around us often begs interaction, but what happens when we don’t? We are left alone with our own thoughts.  Asaliah Reyes, party w u, 18x24, acrylic, textile, scrap, embroidery (2025) Asaliah Reyes , a virtual reality inhabitant when they aren’t out at a rave, gives their works a personal touch, blending specific experiences that include the personal. “ party w ũ ” explores a rave with a mix of people and anthropomorphic non-people. The choice of colors presents this rave almost in a dreamlike state where we follow the subject’s point-of-view. The anthropomorphic characters kindle a sense of child-like play in a rather mature setting, the subject accepting both his youth and his growth, with the characters he used to play with in his adolescence dancing alongside the community he has now found. All of them play into a scene reflecting where he is now and who he is today.  Asaliah Reyes, Aspirational Attachment, mixed media sculpture and installation, (2025) In a more psychological take on identity and relationships, Asaliah’s work titled “ Aspirational Attachment ” explores attachment styles in a scene featuring two interconnected sculptures that themselves have individual titles. “ The Aligned One ” represents a secure attachment, and “ The Wounded One ” represents someone who exhibits insecure attachment styles. “ The Aligned One ” is covered in a solid-coloured fabric with every thread securely wrapped around the base as if to allude to how people with secure attachment styles are confident and grounded in themselves. Meanwhile, “ The Wounded One ” has a base that is wrapped with disheveled fabric, alluding to those needing outward validation and security. The audience is invited to cut through the interwoven threads that bind these two, a necessary but painful process for those with anxious attachment styles.  Mark Tisado, dance 'til dawn, 24x18, acrylic on canvas. (2025) Mark Tisado , freshly graduated from the University of the Philippines College of Fine Arts, in turn presents a series titled “ Senses, ” acrylic on canvas artworks that detail his quest for belonging. The series follows this quest through the engagement of the five senses, viewed from the lens of a young, 20-something, queer, city dweller navigating life and their forged identity in a post-Covid world. In “ salo-salo ,” our central figure engages his taste with the people he’s sharing a meal with. Presumably, it could be his family, but it could also be friends. This is the familiar idea of group meals being one of the few occurrences throughout the day that begs for each person to take a pause and fulfill their hunger in a communal act as old as time. Mark Tisado, still, 24x18, acrylic on canvas. (2025) “ fixation ” features our subject in an embrace with his lover. Their arms are wrapped around each other with their mutual touch sending them into a state of oneness. “ dance ‘til dawn ” places our figure in a rave. His sense of sound is engaged by the pulsating beats from the speakers as he dances all night with his fellow ravers - lost in the rhythm and disappearing into the night. “ coffee and u” follows our figure engaged in a more simple, more intimate and more quiet act of camaraderie where senses of smell are heightened by the aroma emanating from the espresso machine. In our final scene, “still” , we find our subject in an intimate setting with a friend, a familiar one for those who are friends with artists. The two figures engage in an act of creation – conjuring images of one other: one with photography and the other in a drawing book. Both figures are engaging their sense of sight as they try to capture the best angle to present the other in. Patricia Tierra, The Fields of Us i, scrap textile and cotton thread (2025) Finally, fiber artist, ceramicist, and print designer Patricia Tierra  unveils a series of patchworks entitled “ The Fields of Us. ” The series details a major life transition, an event that uproots us from a place of safety into uncertainty, a challenge to the stability of our identity. In Patricia’s work, she explores her experience with being forced to move houses - moving from the home she grew up in, a haven where she formed her identity, to a new home, a blank slate from which she can create new memories and learn more about herself. For many of us, moving entails being thrust into a situation where we are vulnerable and alone. As Patricia herself puts it, when we are in this state, we often find ourselves picking up the pieces we were left with, the lessons imparted to us, the resources we have for ourselves, and the connections that can help us get to our desired outcomes. In “ Fields of Us ,” we follow three patchworks, all with the same name but numbered consecutively. We have the first piece, a patchwork of various fabrics woven to follow a harmonious pattern. The second piece begins to unravel, the disheveled state of some of the fabrics indicating a sense of chaos. In the final piece, what we see are no longer the original pieces, but leftover fabrics stitched together, not a pattern at all. The artists celebrate at their opening -Mark Hernandez, Patricia Tierra, Asaliah Reyes and Mark Tisado “ Ways of Being ” takes us from discomfort to nostalgia, from pain to pleasure, and every shade of emotion in between. Yet, we know the story isn’t over, neither for the figures represented in these works, nor for the artists, as self-discovery and self-actualization are never-ending processes - an uncomfortable, cringey, fun, joyous, depressing, euphoric and fulfilling ride we all go through. Perhaps, with the artists’ personal touch and the diverse set of lenses they employ, the audience may find solace knowing that their own individual experiences are valid and necessary. Each of the artists’ works pose questions for the person-in-formation inside all of us: “how do you just be, and what does that look like for you?”

Some career shifts happen out of necessity, while others seem to be fate taking the reins. For this acclaimed hair artist, the transition from interior design to hairstyling was a blend of both—a journey driven by personal challenges, passion, and an undeniable artistic calling. Photo: https://www.artistsandcomanila.com From Interior Design to Hair Artistry:  Can you share the story behind your transition from interior design and makeup artistry to becoming a renowned hair artist? What motivated this shift in your creative journey? After years in interior design, illness and two years of medication left me searching for a new creative spark. My love for fashion and runways led me down an unexpected path—one that, in hindsight, was meant to be. What started as curiosity became a 15-year journey as an artist, something I never planned but believe was divinely guided. I often joke that I no longer design houses—I design faces and their crowning glory. The transition felt natural, as both careers require building from the ground up, understanding foundations, and refining every detail. Each process still excites me, sharpening my skills and teaching me through every mistake. Self-Taught Success:  As a self-taught hairstylist, what challenges did you face, and how did you overcome them to establish yourself in the industry? As a professional makeup artist and hairstylist, I was fortunate to have mentors for makeup as I built my career. However, with hair, I had no guide—so I became self-taught. The challenges pushed me to be self-critical, but that drive to improve helped me grow into the artist I am today. Collaborations with International Artists:  You've had the opportunity to work with international talents like Dua Lipa during her visits to Manila. How have these experiences influenced your approach to hairstyling?  Working with international artists like Dua Lipa has deeply influenced my approach to hairstyling. Every project demands not just skill but also professionalism and character. Being well-equipped and adaptable is key. I’m grateful for the opportunities that have come my way—they keep me grounded, and I prefer to stay low-key. Empowering Women Through Beauty:  In what ways do you believe hairstyling can empower women and boost their confidence? Ever had a bad hair day? It can instantly affect your mood and energy. Hairstyling is a powerful tool, whether for everyday looks, special events, editorials, campaigns, or music videos—the possibilities are endless. But balance is key. People often focus solely on hair without considering the bigger picture. Sometimes, stepping back reveals how everything works together. As an artist, editing your own work is tough, but it ultimately defines your style and aesthetic. Continuous Learning:  Despite your accomplishments, you emphasize the importance of continuous learning. How do you keep yourself updated with the latest trends and techniques in hairstyling? In the creative industry, everything—from fashion and style to trends, techniques, and products—is constantly evolving. For me, research, curiosity, passion, and hands-on practice are invaluable. Collaboration is just as important—working with artists, talents, and designers is all about teamwork and synergy. It’s not about outshining each other but complementing one another’s skills. This mindset not only enhances the work but also keeps you learning and evolving on set. Advice to Aspiring Female Artists:  What advice would you give to young women aspiring to enter the beauty industry, especially those considering unconventional career paths? The beauty industry thrives on diversity and individuality. Whether in makeup or hair artistry, formal training can be valuable, but being self-taught is just as powerful. With endless resources online, learning is always within reach. However, hands-on practice and experience are what truly refine your skills and build a strong foundation. Passion, professionalism, and the right mindset are what ultimately bring you closer to your goals. Balancing Tradition and Innovation:  How do you balance traditional hairstyling techniques with modern trends to cater to a diverse clientele? Hair has a mind of its own, making it a tricky art. A strong foundation in traditional hairstyling techniques equips you to build, adapt, and personalize each look. Over time, your work will naturally reflect your unique style and taste. Role Models and Inspirations:  Who have been your role models or inspirations in your career, and how have they influenced your work ethic and style? Honestly, it can be overwhelming—I find inspiration everywhere, whether in hair, makeup, photography, or painting. Art is all about perspective, recreating ideas, and infusing them with your personal style. Experimentation itself is a form of artistry. Building strong relationships with fellow creatives, artists, and clients has given me a solid support system, turning colleagues into friends and a second family. I have immense respect for those who have guided me along the way—Josa Quintas, Jing Monis, and Xeng Zulueta. Eternally grateful. Future Aspirations:  What are your future goals as a hair artist, and how do you plan to continue inspiring others in the industry? My agency, Artist and Company Manila, has been encouraging me to step into the role of a Key Opinion Leader (KOL), keeping myself visible in both hair and makeup artistry. I hope this leads to something meaningful, allowing me to share tips, tricks, and insights while engaging with future followers. My goal is to keep creating, evolving, and inspiring. I also plan to start a side business related to my craft—trusting that, in time, it aligns with God’s plan for me. Celebrating Women's Month:  What does Women's Month mean to you, and how do you think the beauty industry can contribute to the celebration and empowerment of women? The beauty industry is constantly evolving, with a surge of new makeup brands, skincare lines, beauty tools, and hair products—many led by fearless female CEOs. Whether locally or internationally, these women are pushing boundaries and achieving their goals, and I’m proud to witness this wave of empowerment. My dream is to be part of that movement one day. We should uplift and support one another—there’s space for everyone, each with their own unique niche and specialty.

By Jm Jusay In Christian Paolo Lat’s Journey Man, the gritty world of journeyman boxing is laid bare, exposing a brutal reality that few outside the ring ever truly see. This unflinching portrayal of survival and sacrifice offers more than just the thrill of a fight; it delves into the very soul of a man caught in an endless cycle of loss—not for glory, but for the slimmest chance at survival. Set against the backdrop of a third-world country, Journey Man serves as a stark reminder of the hidden struggles that so many face, often at the expense of their dignity and humanity, just to stay afloat in a world that values success above all else. At its core, Journey Man is a film about loss, sacrifice, and the quiet battles that occur outside the public eye. The protagonist, a journeyman boxer, spends his life throwing fights to ensure others remain champions. His victories are not his own, but are traded away for a few meager scraps of cash that keep him and his family alive. In a world where survival often means giving up one's self- worth, the film presents an emotionally charged narrative that forces us to question the price of such survival in a system that seems indifferent to the underdog. What elevates Journey Man beyond a mere exploration of this harsh reality is the powerful performance by JC Santos. He brings the tortured character of the journeyman boxer to life with an authenticity rarely seen on screen. Santos, whose acting career spans 18 years, delivers a portrayal so raw and real that it often feels less like acting and more like the lived experience of someone who has truly been through it all. Each subtle breath, every pause, and every line spoken with quiet intensity bears witness to his dedication and passion for the craft. His commitment to the role is palpable, embodying the pain and endurance of a man who has resigned himself to a life of sacrifice for others. In an interview, Santos revealed that his motivation to take on such challenging roles goes beyond money or fame. It’s the desire to push his boundaries and challenge himself with diverse and compelling characters. From gay roles to villains, he has continuously sought out opportunities to stretch his acting range. In Journey Man, Santos embraces a new challenge, portraying a boxer trapped in a cycle of self-sacrifice, losing for others’ gain. To prepare for the role, Santos trained intensely, learning the sport from the ground up, with guidance from Lat himself—an actor-turned- director whose own life experiences are deeply woven into the fabric of the film. Lat’s direction is a perfect balance of subtlety and power, capturing the delicate emotional depth of a story that demands both realism and vulnerability. Growing up in poverty, Lat infused the film with an undeniable sense of lived experience. In our conversation, he shared how his childhood wasshaped by the struggles of his mother, who often had to resort to promissory notes just to keep the family afloat. These deeply personal memories permeate the narrative, giving Journey Man a resonance that goes beyond fiction. For Lat, this film isn’t just a story—it’s a reflection of his own journey, a meditation on the daily grind of survival, and the sacrifices that come with it. The supporting cast also contributes significantly to the film’s impact. Jasmine Curtis shines as a devoted mother working as a saleslady to support her family. Her performance is so genuine that it feels as though she is channeling the lives of countless women who, like her character, struggle to provide for their loved ones. Raffy Tejada, in his role as a character that the audience loves to hate, adds a layer of tension and complexity, showing off his considerable talent and adding depth to the story. While Journey Man is a short film, its impact is anything but fleeting. It doesn't shy away from uncomfortable truths, offering no easy answers but instead leaving the audience with a profound message of hope. The film’s ending—a cliffhanger—captures the uncertainty of life, underscoring the idea that while the future is unpredictable, the very act of fighting, of continuing to move forward, is what gives us purpose. The film reminds us that life’s battles are rarely fair or easy, but it’s the perseverance that defines us. In conclusion, Journey Man is a masterful exploration of survival, dignity, and the emotional toll of fighting for a place in a world that too often ignores the struggles of the marginalized. With exceptional performances, particularly from JC Santos, and direction rooted in real-world experience, the film leaves a lasting impression that resonates on a deeply personal level. It forces us to confront the cost of survival and the sacrifices we make to simply stay alive. For its unflinching look at life on the margins, Journey Man is a powerful, heart-wrenching film that warrants serious reflection. Rating: 8/10 – A raw, unflinching portrayal of life’s underdogs, where every fight is not for glory but for the barest chance of survival.

"Wrapped Saints" symbolizes the silenced and marginalized beings whose voices are stifled by society. These figures, swathed and confined, embody the untold stories and muted cries of individuals pushed to the corners, their existence barely acknowledged. Through this artistic representation, the concept challenges the viewer to recognize that if these beings were heard, they could reshape societal structures, proving that their voices, though wrapped and restrained, hold the power to matter deeply. Sequined hood EAST OF EDEN @exploreeastofeden Wedding gown and veil BORDELO @bordelo_club Half pleated blazer ROBERT ANDREW HIYAS @robertandrewhiyas Sculptural  dress UNO ALMOGELA @uno.almogela Eyewear YASHA ROSALES @yasharosales_ Full look NICKY RICE @nickyrice_official Dress SAINTE MARION @sainte_marion Dress FRANCIS LIBIRAN @francislibiran Coat GENES & HAILS @genesandhails | Crochet dress MNTCLV @montecalvo_creations Headpiece and puffer coat RAE EDUAVE @raeunivrse | Crochet dress MNTCLV @montecalvo_creations Full look ROBERT ANDREW HIYAS @robertandrewhiyas | Wire sculpture MANG DADADA @mang.dadada Dress PATRICIA NAOMI CRUZ @patricianaomi_studio Full look YASHA ROSALES @yasharosales_ Sleeved coat and embellished collar ROBERT ANDREW HIYAS @robertandrewhiyas Lace dress PATRICIA NAOMI CRUZ @patricianaomi_studio Ensemble, stylist’s own Dress PATRICIA NAOMI CRUZ @patricianaomi_studio Full look FRANCIS LIBIRAN @francislibiran Dress GENES & HAILS @genesandhails | Jacket BORDELO @bordelo_club Full look EAST OF EDEN @exploreeastofeden Team Credits Production & Creative Direction: Bimpoman  / @bimpoman Photography: Wilmark Jolindon  / @thewilmark Styling: Ruzzian Escaros  / @ruzzianesc Bolo Pascual of Gee Jocson Studio assisted by  Shantel Beramo   @bolo_pascual @geejocson @shantelberamo Makeup: Bea Arreola @bearreola Dom Ocampo  / @dom.ocampo Paige Señeres  / @pgsnrs Iya Sanchez  / @byiyamua Nicolette Esmilla  / @nixki.18  Hair: Reese Cy  / @taureese_ Backie  / @iambackie Nails: Dorothy Zata  / @dthyzta Marianne  / @ marianne.com _ Jennifer Riko  / @fruztrated_arki  Production Assistant: Kurt Villagracia  / @ksnzv Models: Andie  / @andied_z Cassandra  / @itsacass @cray_o Jamila  / @j.mlsn Jesiah  / @jesiahporte.__  Lauren  / @laurensanz_ @priyasatine Saint  / @d.saintyves @sossiertomi Trina  / @trinaticss Vanessa  / @vanessanav__ Yuki  / @og.yuki

Photographer : Michael Rebuyas (@mikeshootsstuff) Make Up : Janell Capuchino (@janellcapuchino) Hair : Miggy Carbonilla (@miggycarbonilla) Art Direction : Jobo Nacpil @jobonacpil) Models : Vea (@vearouge) and Emma (@ourmistice) Shot at Zoomburst Studios (@zoomburst)

“ The Chosen: Last Supper” brings the most pivotal week in history to audiences in time for a meaningful Holy Week reflection Filipino fans of the groundbreaking series "The Chosen" are invited to witness the highly anticipated first part of its fifth season on the big screen, with theatrical showings scheduled from April 10 to 13, 2025, across select cinemas nationwide. "The Chosen," created by Dallas Jenkins, has captivated audiences worldwide with its unique and intimate portrayal of the life of Jesus Christ and his disciples. The fifth season delves deeper into the complexities of their journey, taking place during Holy Week before Jesus Christ’s crucifixion. American actor Jonathan Roumie plays the role of Jesus Christ, with Shahar Isaac as Simon Peter, Elizabeth Tabish as Mary Magdalene, Paras Patel as Matthew, and Noah James as Andrew. The fifth season is divided into three parts which are episode groups, with the first part (consisting of the first two episodes) to be screened in the Philippines. The series, known for its high production values and compelling storytelling, has resonated strongly with Filipino audiences, who have embraced the show’s message of faith, hope, and love. The theatrical release in the Philippines of the new season allows viewers to experience and reflect on the story of Jesus Christ in a communal setting in time for the Lenten season. Based on research, 88% of the Philippine population identifies as Christians, and the screening of “The Chosen” in the country hopes to create emotional connection with its viewers. "We are thrilled to bring 'The Chosen Last Supper' to Filipino audiences on the big screen," says Dr. Ashish Thomas, “The Chosen” regional director, APAC. "The series has touched the hearts of many, and we believe that experiencing it in cinemas will create a truly unforgettable and moving experience." “The Chosen” Takes Over BGC As part of its fifth-season premiere in the Philippines, “The Chosen” took over Bonifacio Global City with a first-of-its-kind partnership with Fort Bonifacio Development Corporation (FBDC). Kicking things off was a special premiere screening event held recently at the Central Square Cinema attended by various key opinion leaders, members of the media, celebrities, and personalities from different Christian churches. As part of its partnership with FBDC, the BGC High Street was transformed into a sprawling, immersive “The Chosen” experience, featuring a sprawling Holy Week installation that seamlessly incorporated cinemas, 3D LED, Iconic LED and lamp post advertising units across the entire street. The partnership also showcased The Stations of The Cross back to BGC after five years. Titled “The Chosen Faith Walk Journey,” this installation encourages everyone to “come to the table,” reflect, and meditate on the passion of Jesus Christ, in time for this solemn season. BGC will also host the Stations of the Cross activations from April 16 to 20, where participants are invited to walk through the key moments of Christ’s journey—beginning with His condemnation to death and continuing through His crucifixion and resurrection. Each station will reflect on His love, sacrifice, and humanity, as portrayed in “The Chosen.” The first part of "The Chosen" Season 5 will be screened in select SM, Robinsons, and Ayala cinemas from April 10 to 13, 2025. Tickets can be purchased in advance at thechosenlastsupper.com . Churches and Christian organizations may also inquire for private screenings and partnerships. Cheska and Doug Kramer Dr. Ashish Thomas-min Genesis Alegata, The Chosen, Country Manager, Grassroots, Church, and Ministry + Dr. Ashish Thomas, Regional Director-min Kimpoy Feliciano Kirk Bondad Tony Labrusca Phoemela Barranda Phoemela Barranda The Chosen Team (L-R) Austin Schultz, Jesus.net, JP Mallo (J Creative), Genesis Alegata (The Chosen), Dr. Ashish Thomas (The Chosen), Justyn Mallo-Reyes (J Creative), Fudge Santos (The Chosen), Tommy Manay (Jesus.net) ABOUT “THE CHOSEN: THE LAST SUPPER” Synopsis: The people of Israel welcome Jesus as king while his disciples anticipate his crowning. But—instead of confronting Rome—he turns the tables on the Jewish religious festival. Their power threatened, the country’s religious and political leaders will go to any length to ensure this Passover meal is Jesus’ last. Shot in a beautiful cinematic format, “The Chosen: Last Supper” brings the most pivotal week in history to audiences in this global theatrical release.

From March 6 to 9, 2025 the North and South Courts of the Power Plant Mall will be transformed into a tropical oasis, serving as the ideal backdrop for ArteFino RESORT 2025. During this four-day pop-up, visitors are invited to explore, discover, and integrate the best of Philippine fashion and resort wear into their year-long wardrobes. It was in March 2023 when artisanal platform and incubator for local design talent, ArteFino, first mounted its summer pop up. Since then, founders Maritess Pineda, Mita Rufino, Cedie Lopez-Vargas, Susie Quiros and Marimel Francisco have continuously explored fresh new ideas of bringing a distinctly Philippine resort lifestyle to trade fair experience. They begin, “Our tropical, eternal sunshine climate contributes to fueling the creativity of a lot of our designers and artisans. It has inspired them and it’s reflected in their designs as well as the material they use. We wanted to put brands that carry this essence at the forefront of our curation.” Exploring the many islands of the archipelago was a key idea that sparked inspiration for ArteFino Resort 2025. Marimel Francisco shares, “We have a total of 30 Filipino brands joining us for this year’s edition. Each one, hailing from different parts of the country that has its distinct set of fabrics, weaves, patterns and styles. As a general idea, we wanted to transport guests of the resort pop-up to all these beautiful regions of the country. We wanted to invite everyone to travel the Philippines through their senses.” Arao Fashion and design, inspired by the country’s travel and resort lifestyle, will shape the ArteFino Resort experience this year. “It’s summer all year round in the Philippines,” says Marimel. “This doesn’t only mean that every day is ideal for travelling around the country. Tropical weather also influences the way we dress as a people. In many ways, resort or summer dressing is innate to us Filipinos. Our designers, artisans, makers, and brand owners are naturally inclined to utilizing lightweight local weaves, vibrant colors, tropical-inspired patterns and ornaments that invoke year-long summers.” For this year’s pop up, brands, designers, and makers will be presenting exclusive, capsule collections that embody the resort state of being. Natural tropical fibers, breathable fabrics that are indigenous to the Philippines are reimagined and reworked into contemporary garments that echo life on the island. Outfit: Adante Leyesa and Edited Limited The process of curating a select number of partner vendors for the summer pop-up compelled the founders of ArteFino to ponder on what Filipino fashion might look like through the lens of a global style community. It also furthered the conversation on circularity, highlighting and exploring the long-term use of Philippine-made resort-inspired garments. As they handpicked each brand and designer, the founders considered elements of design that reflected the resort lifestyle and Filipino style sensibility. The founders observe, “Tropical resort living is characteristic of Philippine culture. You will see this in the easy silhouettes, the tropical color palettes, choice of breezy fabrics, and even the use of natural materials." Magwai This year, the pop up will occupy two key locations at Rockwell’s Power Plant Mall, ArteFino’s co-presenter and home since its inception. The North and South courts of the mall will be the venue for highlighting the exclusive capsule collections from Philippine contemporary fashion brands and designers. “”We envisioned the space to bring shoppers a more relaxed experience as they peruse the curated selections and collections.” True to celebrating eternal summers and the vibrant resort lifestyle, there will also be happy hour in the afternoons with Three Hens Wine. As it was when it was first launched in 2023, ArteFino Resort continues to promote the love for local design through contemporary resort living. It is also an extended conversation and exploration of the ArteFino values that bind brands and shoppers as one community. These are values of craft, culture, heritage, sustainability, and Philippine identity. All necklaces by Arnel Papa Earrings and Bangle by Golden Monstera Top: Good Luck Humans | Bag: Calli Casa Mercedes Jor-El Espina Capricho

by Jimpy Anarcon Real-life couple Dennis Trillo and Jennylyn Mercado are back on the big screen with their latest movie, Everything About My Wife , together with Sam Milby. Produced by Creazion Films, GMA Pictures, and Glimmer Studios, the film is an adaptation of a 2012 South Korean film titled All About My Wife . It tells the story of a married couple—Imo (Jennylyn) and Dom (Dennis)—who faces their seven-year itch. As they navigate their life after relocating in Cebu, Dom stumbles upon Miguel (Sam) and convinces him to make his wife fall for him. Conflicts arise even more when Imo begins to fall for Miguel. Directed by Real Florido with a script penned by Ronalisa Co, Everything About My Wife  is a hilarious treat for rom-com loving moviegoers. Hence, we listed down 5 things we enjoyed about Everything About My Wife : 1. Jennylyn Mercado is still a rom-com darling with her fun and kilig scenes. From her iconic performance in English Only, Please , Jennylyn proves her track record of being a fun romantic-comedy watch through this film. Her opening scene has already brought hilarious laughs to moviegoers because of her comedic timing. Jennylyn’s scenes with Sam Milby, especially in the early parts of the movie, were a hilarious treat. Her character may be annoying because of her bungangera antics, but Jennylyn played it so effectively that the audience was more entertained and amused by her acting. Of course, Jennylyn must also be applauded for her dramatic scenes, especially in the big confrontation scene towards the end with Sam and Dennis’ characters. While the buildup towards the scene could have been improved, Jennylyn’s performance was riveting that you will feel her character’s plight and sentiments. 2. Dennis Trillo and Jennylyn Mercado’s oozing chemistry. Dennis and Jennylyn are the perfect couple to be chosen to play the roles of Dom and Imo. One, of course, is that they are a real-life married couple and their level of comfortability in real life translated into the scenes that we’ve seen in the film, especially an important, funny moment in the second half of the film where Dennis did a Magic Mike impression towards Jennylyn. But while this scene may have stood out because of its hilarity (especially for Dennis), the couple’s scenes in the beginning of the film showed their oozing chemistry. One example is how they exchanged pick-up lines while eating delicacies in Cebu, and the other was while they were playing Bingo and they suddenly kissed after Imo won the game. 3. Dennis Trillo’s personality is showcased well in the film. We knew Dennis as the squeaky-clean, quiet, soft-spoken leading man based on most of the roles he portrayed in the past, and this showed in the early parts of the film. But more recently, we’ve seen the makulit side of Dennis evident in his TikTok posts, and that too will be seen by the viewers, especially in one of the scenes where he tried to do a Magic Mike impression complete with a daring scene that we’ve never seen Dennis do before! And of course, Dennis’ impeccable performance won’t be complete without showcasing his best in doing dramatic scenes. 4. Sam Milby shines in his pagwapo, bad boy moments. It has been said before and it is evident in this movie, that Sam Milby actually shines in anti-hero, bad boy characters, except that this time, there are more comedic than heavy moments. Sam remains to captivate viewers with his charm and good looks, which he puts to good use to effectively portray his role. Sam also has good comedic timing especially in the scene where he did an impression of the K-Drama series Goblin , as well as in the scene where he started making Jennylyn’s character fall for him. Like Dennis and Jennylyn, Sam is also a good choice for the role of Miguel. 5. The movie shows the intricacies and realities of married life. But more than the entertaining part, Everything About My Wife  sheds light on what real-life married couples go through–when romance has started to fade and familiarity takes over the honeymoon phase, especially when they have been in the relationship for a long time and problems continue to arise. Will you still go on and realize that love is not just a feeling but a decision? While it was presented in such an absurd way, the characters later realize the importance of their relationship as well as their own, individual perceptions, preferences, and plans, and how it is important for these to get incorporated in their relationship as a married couple. As a viewer, there is also this wish that the events leading up to the conclusion could have been fleshed out and built up even more to warrant such an ending and justify the decision of the characters. But overall, Everything About My Wife  is such a fun watch, bringing kilig to moviegoers. It is a treat especially for the DenJen watch who longed to see their idols on the screen for such a long time, and it may be worth the wait!

Daryl isn’t done. In a multi-disciplinary practice that has spanned such fields as illustration, video-making, and installation, Daryl Feril has countless more universes to explore. And to excel at. Not content with wowing global clients such as The David Lynch Foundation, the DFS Group, Heineken, Hilton, Jo Malone, Singapore Airlines, Tory Burch and Walt Disney with his design and illustration prowess, Daryl has instead focused on bettering himself. He has plugged away at his craft, testing new boundaries, and mastering yet even more skills. Witness, for example, his latest foray into painting, an avenue for expression he has sometimes neglected in favor of more lucrative gigs. A product of Bacolod, that city with an inexhaustible supply of fantastic talents, Daryl has recently been kept busy adding “entrepreneur” to his multi-hyphenate existence. Last year, Daryl launched his merch space WEREVER at the Orange District (together with partner and fellow artist Faye Abantao), and there just hasn’t been enough time for the making of art. To start his painterly year, therefore, Daryl joins a select four-artist show at gallery. sort of.’s March exhibition titled “Bed, Bath & Hubad.”  Revelation awaits. Stamping his mark amongst an already superior cast comprised of exciting artists Bea Dolloso, Kurt Manzano, and Nathan Esguerra, Daryl demonstrates sharp compositional and coloring skills to convey hallucinatory snapshots of sensory stimulation. For this show, Daryl contributes half a dozen paintings of raw visual narratives zoomed in on specific points of view, isolating frames that glimmer and gutter with more than just traces of eroticism. Second Skin, 24 x 24, 2025 No One Waits, 24 x 24, 2025 They’re moody and broody. Canvasses of almost garish, neon-infused palettes, potentially visually repellent and yet - not.  Daryl successfully accomplishes the trick of compelling the viewer to keep looking at a split-second exposure in front of him. And looking. And ultimately, falling. A cluttered sink that invites a peek into separate mirrors, look-sees that might, and does, provide a peeping tom some satisfaction.  Bare feet poised to join a secret lover indolently waiting in a bathtub. A metrosexual in repose, exhausted from a day’s work. Daryl’s trippy palate is an ultraviolet floodlight into the bath. Stray, 12 x 12, 2025 And yet, are these really bath scenes?  What is a rooster doing stalking amidst feet encased in socks?  And yes, why is that rooster between feet now suddenly bare? Daryl’s personal favorite is Second Skin, a 24x24 inch depiction of a muscular torso encased in black sexy lingerie.  A nod towards transvestitism?  A tribute to a cross-dresser?  Daryl says this piece set the tone for the entire series, although we do not see any sign of any cross-dresser in his other canvasses.  Unless? What The Other Sees, 24 x 18, 2025 Where the Wild Rests, 24 x 18, 2025 We are lured into Daryl’s lurid lair.  And how willing the victims that we are. How privileged we are to glimpse this mini-collection from Daryl’s paintbrushes.  Much like other digital natives, Daryl is yet another world-class talent hiding within the comforts of a small island.  With imagery as rich and as triggering as these, however, it won’t be long before Daryl Feril will be invited into the privacy of our households. And perhaps, even somewhere more intimate within. ….. Bed, Bath & Hubad opens on March 9, 2025 at gallery. sort of., located at 37 Camaro St., Fairview Park, Quezon City.  Doors open at 4:00 pm.

Quezon City, Philippines  – A day filled with real and reel love right just in time for Valentine's Day, the much-awaited romantic comedy of 2025 Everything About My Wife  had its official launch. The grand mediacon gave guests an exclusive walkthrough as the cast and producers shared how they navigated healing and repairing love—along with love and marriage—the film’s central themes. This romantic comedy, directed by Real S. Florido, highlights the powerhouse collaboration between award-winning and formidable film producers CreaZion Studios and GMA Pictures. The event was graced by its lead stars: Romantic Comedy Queen Jennylyn Mercado, MMFF50 Best Actor Dennis Trillo, and Rockoustic Heartthrob Sam Milby. Other cast members, including Ms. Carmi Martin, Polo Laurel, Alex Agustin, Joyang, Chico Alicaya, and Karlo Aranza were also in attendance. (L-R: Polo Laurel, Direk Real Florido, Ms. Carmi Martin, Dennis Trillo, Jennylyn Mercado, Alex Agustin, Sam Milby, CreaZion Studios’ CEO RJ San Agustin, Karlo Aranza, Joyang, and Chico Alicaya) During the press conference, award-winning director Real Florido shared his insights on why films like this should be available to everyone: “Mag-inspire and kumurot sa puso ng mga tao. I think yun yung role bakit tayo gumagawa ng mga pelikula. Yung yung importansya ng paggawa ng pelikula at pagkwento ng istorya na gustong makita ng mga manonood. And ang mga Filipino, we are suckers for love. Gustong-gusto natin yung kinikilig, umiiyak, at nasasaktan tayo with the main characters that we see in the big screen. Importante sa atin yan, di ba? Makiki-pagmeet tayo sa mga friends natin, mamaya pag uusapan yung crush niya, yung hino-hopia niya, or yung jino-jowa niya, or tine-third party niya.It ’s always part of any conversations. It makes us feel alive. So importante siya, in the same manner  na important lahat ng storya.” As a real-life married couple, Jennylyn and Dennis reflected on how their marital status influenced their performances, “Napaka-importante na gumawa ng isang kwento na universal para makarelate yung mga manonood. Kaya madali siya para sa artista na tulad kami na mag-asawa kami at yung role namin sa pelikula ay mag-asawa din. So kahit paano, alam na namin yung mga nangyayari talaga. ‘Yong beats ng mga mag-asawa  — kung paano sila magtalo, paano sila maging masaya, paano sila magkakaroon ng problema. So mas nakakatulong para sa amin,” shared by Dennis.  “Pamilyar na sa amin yung iba’t ibang mga eksena sa doon pelikula. Pero ang importante ay na-enjoy naming dalawa yung papaano namin ginagawa ang bawat eksena. Napakasarap katrabaho si Dennis,” Jennylyn added. Meanwhile, Sam shared his thoughts on his role, “Like Director Real sabi niya, yung mga roles mo nag shi-shine ka yung mga medyo masama.  Medyo evil but great character. But iba yung si Miguel.  Miguel is a casanova. And casanova is like a man with many lovers, a womanizer. So, it was a challenge for me. But I’m glad Direk was there to help me out. I was just trying to be out of my comfort zone.” During his welcome speech, CreaZion Studios Chief Creative Officer RJ Agustin highlights the importance of the collaboration between GMA Pictures and CreaZion Studios, “This monumental collaboration between two innovative production companies underscores why we do what we do. We want to be able to convey Filipino rom-com stories that are grounded and relatable.” Feb-ibig is truly in the air, and Everything About My Wife  delivers an extra dose of kilig  during its grand launch. Feel the love, feel the pain, even the hate, feel everything! Bring your loved ones, ka-situationships —even your single friends—and experience this rollercoaster of emotions when Everything About My Wife  hits all Philippine cinemas on February 26! For updates, follow CreaZion Studios on   Facebook,   X (Twitter),   Instagram,  and   TikTok  or visit   https://creazionstudios.com/   Everything About My Wife Synopsis Dom (Dennis Trillo) and Imo (Jennylyn Mercado) both started out as lovers but ended up married; however, after seven years, Dom finds himself unhappily married and wanting to escape.  In a moment of desperation, Dom seeks for help from a notorious womanizer, Miguel (Sam Milby), to seduce his wife. As Miguel and Imo grow closer, Dom realizes he has made the gravest mistake of his life when Miguel unexpectedly falls in love with Imo. Despite Miguel’s growing affection and friendship, Imo learns about the scheme and feels betrayed by her husband. Heartbroken, she decides to give Dom what he wants—an end to their marriage. Yet, as they part ways, their love becomes undeniable. Will Imo forgive Dom?

To kick off his milestone year this 2025, contemporary Philippine wear designer Jor-El Espina unveils a collection of costumes created for Ballet Philippines’ full length Filipiniana ballet, Ang Panaginip. Contemporary Philippine wear designer Jor-el Espina approaches his craft with equal parts discipline and artistry. In his two decades in the industry, he has managed to find that sweet spot where creativity and technique, form and function come together. As part of the celebrations to mark his 20th anniversary in 2025, Jor-el has immersed in a creative collaboration with Ballet Philippines, presenting a comprehensive collection of costumes for the full-length Filipiniana dance piece, Ang Panaginip . “Ballet resonates deeply with me as a designer, he begins. “It’s storytelling through movement,emotion, and music. The grace and precision of the ballet has inspired a pursuit of elegance and functionality in my creations.” CREATING FOR MOVEMENT AND MOTION Since breaking through the fashion space, Jor-el has worked towards mastering the art of stitching design narratives through fabric and design. In creating costumes for a ballet production, he found himself paying closer attention to movement and motion. He explains, “In ballet, the emphasis is on the lines, movements, and silhouettes. These are the same principles that are central to fashion design. In creating costumes for Ang Panaginip, I thought about how the garments would move and transform when in motion.” In this latest pairing with the country’s premiere dance company, the designer found himself infusing more flow and fluidity into his designs. Stage costumes demand strong visual expression. When it comes to ballet, freedom to move is just as crucial. “My main considerations were movement, comfort, and durability. Ballet costumes must withstand rigorous physicality while maintaining their visual appeal,” he says. In choosing materials for this collection, Jor-el gravitated towards light, handwoven Philippine fabrics sourced from around the region. Commercial fabrics were also utilized as reinforcements. While embellishments were applied for the purpose of enhancing the visual narratives on stage, they were executed with ease of movement in mind. Jor-el intimates, “It was incredibly rewarding to see how my designs became an extension of their performance.” DESIGNING THE DREAM It was by no coincidence that Jor-El’s latest creative collaboration with Ballet Philippines would come to life through that full length ballet, Ang Panaginip . “The title alone, which translates to ‘The Dream’ speaks to the boundless possibilities of this collaboration, ” he ponders. “BalletPhilippines’ legacy and dedication to excellence has elevated this partnership into something truly special. As a designer, creating for such a prestigious dance company feels like a milestone that marries my love for design and culture in a way I’ve always envisioned. ” Jor-el designed the costumes for all the characters in Ang Panaginip, bringing his contemporary Filipino sensibilities to the grand stage. Every piece on the show is a labor of love. It is also an embodiment of Philippine culture, values, and heritage. “I particularly enjoyed designing for the 12 princesses, ” the costume designer confesses. “Their roles demanded a unique blend of all-Filipino infused traditional costumes, theatricality, and grace. This allowed me to push creative boundaries. The interplay of colors and textures in their costumes made it both a design challenge and a personal favorite. ” Instead of prescribing to the usual Filipinian forms, shapes and patterns, Jor-el lent his signature play of textures, colorways, patterns, and layers to the costumes of Ang Panaginip. Although he infused his unique brand of youthfulness to the traditional dress for this production, Jor-el was extremely mindful about honoring traditions especially where weaves considered by indigenous tribes were concerned. “Many of the local fabrics used were collected over the span of 20 years as a designer. We combined various woven textiles with local patterns, beadwork, treatments and techniques. I was careful not to use sacred weaves and instead opted for local fabrics that can be utilized for everyday clothing or even home accessories. ” As a devout advocate of local craft, it was important for Jor-el that his creations pay tribute to cultural relevance and source. REYNA wears a Jor-El Espina ensemble inspired by Dugso Dance of Bukidnon. MATAPANG wears an Ifugao-reimagined ensemble by Jo…pina and accessories sourced from the Cordilleras. MATALINO wears a modern Maria Clara by Jor-El Espi…bric layered with pleated tapis and silk details. MASINING wears a Maranao-inspired top paired with …ong with songket bell sleeves top by Jor El Espina Inspired by the Cordillera region. A woven tunic with draped pants. ALWAYS WITH PURPOSE For Jor-el, the creative exercise involved in designing costumes for Ang Panaginip was a reminder that “it’s important to create pieces that not only look beautiful. They must also serve a purpose. ” The collaboration has also deepened the designer’s love for storytelling and movement through design. As it has always been with his bespoke and ready-to-wear garments, Jor-el’s pieces for Ang Panaginip were made with a clear purpose: to empower the wearer through function and beauty. As the finishing touches to the costumes of Ang Panaginip are applied, Jor-el hints that there are plans to bring elements of the ballet into his future collections. He elaborates and ends, “The costumes are rich in texture, drapery, and Filipino-inspired details that can translate beautifully into wearable fashion. I envision creating a ready-to-wear line that incorporates these elements, offering pieces that are theatrical yet suited for everyday life—a perfect bridge between stage and reality. ” For more information about Jor-el Espina and his designs, follow him on Instagram @jorel_espinaph. Ballet Philippines’ Ang Panaginip runs on February 28, March 1 and March 2 at the The Theatre at Solaire, Solaire Entertainment City. For tickets, log on to www.ballet.ph .