Denial   A temporary shock absorber, often expressed as "This isn't happening to me". Anger  Frustration and rage directed towards the situation, asking "Why me?" or "Who's to blame?". Bargaining   Making deals with a higher power, hoping to reverse or delay the loss, like "If only I had... I would... ". Depression Overwhelming sadness, feeling the reality of the loss, leading to withdrawal and helplessness. Acceptance  Coming to terms with the new reality, not necessarily meaning happiness, but finding a way to live with the loss. Photography and Creative Direction : Jobo Nacpil (@jobonacpil) Grooming : Myckee Arcano (@myckeearcano) Model : Elijah Payumo of Muse Men Philippines (@musemenphilippines) (@musemnla) Shot at Zoomburst Studios (@zoomburst)

Come and see a showcase of the rich cultural landscape of Pasig City!  Kapitolyo Art Space proudly shares "Kalinangan: Preserving our Culture and Heritage Through Art", an exhibition that delves into the heart of Filipina identity through our shared heritage. "Kalinangan" is more than just culture and heritage, and more than just structures; it is the refinement of our collective spirit, shaped by the land, the sea, and centuries of history. It is a tribute to Pasig's rich cultural landscape, both tangible and intangible, showcasing our diverse expressions of ingenuity and resilience found in everyday traditions and way of life. It is a testament to the power of culture & heritage that shape our identity. This collection brings together works of Pasig Art Club members and guest artists with diverse styles who draw inspiration from traditional forms to contemporary voices, creating evocative artworks that are uplifting, enigmatic, dynamic, and symbolic—contemplative expressions that connect the past to modern complexities. It is a celebration of identity and the Pasigueños' capacity to reinvent, adapt, and flourish in a globalized world. Culture is not a static relic but a moving, breathing process. As we navigate the 21st century, these exceptional artworks serve as a "gabay", reminding us that our growth is deeply rooted in movement, intention, and preservation. By bridging the gap between historical narratives and modern aesthetics, Kalinangan fosters a deeper understanding and appreciation for the diverse perspectives that inspire who we are today. "Kalinangan" invites you to reconnect with the roots that ground us and the stories that define our community and our nationhood! Exhibit is open until February 6, 2026. 23 West Capitol Drive, Kapitolyo, Pasig  29kapitolyoart@gmail.com | 0917 815 7370  FB and IG: Kapitolyo Art Space

Nathan Studios’ trailblazing film claims the spotlight, shining a light on love, dignity, and inclusion as it takes home top honors.  Three weeks into the 2025 Metro Manila Film Festival, “I’m Perfect” has not only touched hearts as the season’s most emotionally stirring entry but now stands triumphant as Best Picture, etching its legacy into Philippine cinema history.   Adding to its historic triumph, Anne Krystel Daphne Go made MMFF history with her Best Actress win for her portrayal of Jessica—marking a watershed moment for representation on the country’s biggest film stage. Her victory stands as one of the most significant acting honors of the festival, affirming that excellence in performance knows no boundaries.  Produced by NATHAN Studios, “I’m Perfect” is the first Filipino feature film led entirely by actors with Down Syndrome in both lead and major supporting roles . Since its Christmas Day opening, the film has steadily built momentum through heartfelt audience response, strong word of mouth, and now, critical recognition from the MMFF jury itself.  The Best Picture, Best Actress, and Jury Prize for Best Ensemble wins signal more than artistic achievement—they affirm the film’s central message: #YesWeCan . Not just as a hopeful phrase, but as a lived reality.  Directed with restraint and sensitivity by Sigrid Andrea P. Bernardo , “I’m Perfect” tells the tender love story of Jessica (Anne Krystel Daphne Go) and Jiro (Earl Jonathan Amaba), two individuals with Down Syndrome who choose each other in a world that has long doubted their right to love, independence, and self-determination.  Their decision to live on their own becomes the heart of the film, a quiet but powerful act of courage. Together, they learn how to work, care, dream, and build a life anchored in trust and warmth. The story never asks for sympathy. It asks for recognition.  As the MMFF run progressed, screenings were marked by emotional silences, lingering applause, and deeply personal reactions from audiences—families, educators, advocates, and moviegoers seeing themselves reflected on screen. The film’s Best Picture win feels like a natural culmination of that collective response.  “I’m Perfect” is not about perfection.  It is about truth.  It is about being seen.  It is about love that does not ask permission.  The film is supported by an esteemed ensemble cast including Sylvia Sanchez (also serving as Executive Producer alongside Ria Atayde-Marudo ), Joey Marquez, Lorna Tolentino, Ton Ton Gutierrez, Zaijan Jaranilla, Janice de Belen, Viveika Ravanes, Myke Salomon, Joel Saracho, and Akiko Thompson , whose performances frame the story without ever eclipsing its leads.  Equally vital is the remarkable supporting ensemble of performers living with Down Syndrome— Carl Jason Garcia, Richelle Joyce Primo Uy, Gio Jose D. Dicen, Angela Battalones, Javi Sarmiento, Bea Mendoza, Royce Gian Rivera, and Jonathan Tilos —whose presence brings authenticity, joy, and lived truth to every frame.  Executive producer and actress Sylvia Sanchez has previously described the film as a promise—one made with patience, respect, and purpose. With its Best Picture win, that promise now carries even greater weight.  As the festival enters its final stretch, “I’m Perfect” stands as a defining moment for MMFF 2025—proof that inclusive storytelling is not a risk, but a revelation.  In a season filled with spectacle, “I’m Perfect” speaks softly, wins boldly, and lingers long after the lights come up.  Because in a world that often underestimates people with Down Syndrome, this Best Picture–winning film reminds us of a simple truth:  They can love. They can dream. They can choose. They can belong.  They can. They always could.  #YesWeCan   “I’m Perfect” is currently screening nationwide as part of the 2025 Metro Manila Film Festival.   Photography by Meinard Navato (@mpnavato) with Josh Navato (@joshnavato)  Photo shoot art direction by Jobo Nacpil (@jobonacpil)  Poster Design by Justin Besana (@justinbhb)  Poster Photography by Stephen Capuchino (@thatposterboy_)

The Hero Who Stays In an era where heroism is often defined by spectacle, certainty, and noise, Piolo Pascual is choosing something quieter—and perhaps braver. With Manila’s Finest, the most recent entry to the 51st Metro Manila Film Festival, the actor steps into a role that resists grand gestures and instead leans into endurance, doubt, and moral persistence. It is a performance shaped by time, experience, and a deep understanding of what it means to serve in a complicated Manila. For Piolo, today’s Filipino hero doesn’t have to be perfect. He thinks real heroism is found in being vulnerable and showing up, even when you doubt the system. “We’re used to heroes who are almost untouchable,” he reflects, “but reality has made us more honest.” In Manila’s Finest, strength means choosing to do what’s right, even when things are unclear. This is the kind of hero who stays. This evolution mirrors Piolo’s own journey. Early in his career, he admits, heroism felt aspirational—something to admire from a distance. Over time, that definition softened and deepened. Now, he sees heroes as people who listen, who take accountability, and who evolve. As both an actor and a Filipino, he has come to understand courage as empathy and responsibility. “The older I get,” he says, “the more I value quiet strength over spectacle.” “ We’re used to heroes who are almost untouchable,” he reflects, “but reality has made us more honest.” The Piolo Effect That quiet strength is also what many in the industry point to when they talk about the “Piolo Effect.” Co-stars, directors, and younger actors often cite his discipline, generosity, and consistency as benchmarks. Piolo acknowledges this influence but refuses to wear it as a badge. “I receive it with gratitude, not pride,” he says. Rather than pressure, he sees it as stewardship, a responsibility to show up prepared, respectful, and present. For him, influence should never be about image, but example. Even after many years in the industry and a strong legacy, Piolo still picks roles that challenge him. He says that feeling too comfortable is a sign to be careful. “If a role feels too safe, I start asking myself what I’m avoiding,” he shares. What drives him is curiosity and being willing to face discomfort. At this point in his career, he is still searching for honesty, both in his stories and in himself. He believes that as you gain experience, growth should actually become even more critical. Preparing for Manila’s Finest required confronting the contradictions of service head-on. Piolo immersed himself in the realities of public servants, people driven by idealism, yet weighed down by fatigue and compromise. What struck him most was how many continue to serve despite feeling unseen. In this context, the Filipino dream shifts. It is no longer about success, but dignity. Perseverance remains real; the personal cost is deeply broken. And yet, hope persists in the simple belief that the work still matters. Consistency Over Spectacle Now that Piolo works with actors who used to watch him grow up, he thinks carefully about the lessons he shares, whether he says them aloud or not. He wants young actors to know that lasting success comes from discipline and humility. Talent can get you started, but attitude is what keeps you going. If he could give one piece of advice, it would be to respect the process—every role, every person on set, and every chance you get. He reminds them that fame doesn’t last, but character does. As the Philippines changes its idea of heroes, from regular workers to imperfect public figures, Piolo thinks stories should be just as honest. He wants to see stories where heroes can question things, make mistakes, and learn from them. He believes this honesty makes stories stronger, not weaker. Today’s audiences, he notices, care less about fantasy and more about real experiences. Maybe it’s time to focus on real lives instead of legends. Looking back, Piolo hopes Manila’s Finest adds depth to his body of work. More than a performance, it is a phase in which reflection matters as much as craft. He wants the film to affirm his willingness to listen, to learn, and to engage with the present. If it shifts the conversation about his career, he hopes it leads to seeing an actor who chose growth over comfort. Ultimately, Piolo Pascual’s legacy—still unfolding—is not built on perfection, but on consistency, integrity, and evolution. Much like the hero he portrays, he is not defined by grand gestures, but by the decision to keep showing up. photography: Stephen Capuchino @stephencapuchino art direction: Jobo Nacpil @jobonacpil styling: Maui Segismar @mauisegismar Special Thanks: Cignal, MQuest Ventures, Rizz Marketing

A new collection of hand-embroidered kimonas, bibs, tapis skirts, and sarongs fill the pop up space of Dennis Lustico. Beyond it being a holiday offering, the Filipiniana Collection echoes the designer’s musings on what it truly means to build an enduring wardrobe and dress beautifully. Dennis Lustico’s pop up space on the second level of the Powerplant Mall resembles a jewel box. A velvet chartreuse sofa, Persian carpets, deep red curtains create a sense of being cocooned inside the boudoir. When the store first opened in November, Lustico filled the brass racks with contemporary essentials. Capes, vests, pencil skirts with fringe details, satin tops with tassels drew a steady flow of well-heeled clients to the store. In true form, the initial drop showcased the design codes that distinguish Luistico: impeccable tailoring and a razor sharp sense for craft. “I was intentional about having a quiet opening,” the fashion designer shares. “I also knew that midway, I would be introducing a Filipiniana Collection.” Lustico’s new collection is anchored on a central garment: the Kimona. Also regarded as the national dress of the Visayas region, this lightweight, cape-like variation of the camisa is traditionally paired with the patadyong or wrap skirt. “It is a garment that I remember vividly from childhood,” Lustico intimates. “As a young aspiring designer, I would observe women in our province wear this airy, effortless yet elegant set. In a way this collection is a return to basics, and an ode to my roots.” The collection features five different Kimona designs, including a callado bib. These pina tops are all hand embroidered by artisans in Laguna. Designs are developed in-house, drawing from local flora or patterns found in fans. Sarongs or tapis skirts complete the collection, resulting in a multitude of distinctly Filipino ensembles that are versatile, effortless, and easy to wear.  Garments are done such that one size fits all. They are also intended for playful layering, mixing, and matching. “It’s heritage dressing, but at the same time, the pieces emphasize how Philippine fashion is now essential for everyday dressing–and not just for special occasions. They are special in that everything is handmade, but at the same time they can be worn many times in different ways. They can also be passed on like heirloom pieces.” Lustico reveals that creating a Filipiniana collection for prêt-á-porter is completely different from the projects he has done in the past. “We worked with a completely new set of patterns and explored new techniques,” he elaborates. “By introducing this collection, we hope to spark more interest in our handcrafts, especially our embroiderers and weavers.” He also intimates that the pop up space is a prelude of what’s to come. Lustico hints, “This is a transition. A training period–learning about spaces, manning, deliveries, and production–before we establish a store in 2026.” LUSTICO’s Pop Up Space is located at R2 Powerplant Mall, Rockwell Center and will run until January 31, 2026. For more information, follow @dennis_lustico.

At only 27, Hong Kong–based photographer Michelle Lau has already carved out a voice that feels both intimate and transportive. A multimedia graduate of PolyU, Michelle’s journey into photography began in a simple, personal way. Back in 2011, she and her then-boyfriend would spend their days taking photos together. What started as a shared pastime opened a door she never closed. Over the years, that early spark grew into a deeper pursuit of storytelling through images. For Michelle, Asia holds a defining place in global fashion. She sees the region’s influence rooted in its beauty and culture—elements she believes continue to shape how the world looks at style. That same mix of depth and identity is reflected in Hong Kong’s own fashion scene, where Chinese traditions stand beside Western influences. The result is a blend of heritage and modernity that feels uniquely alive. When she’s searching for inspiration, Michelle wanders through Hong Kong’s older streets. She has a soft spot for the city’s 1950s to 70s architecture, especially around Sham Shui Po. The worn textures, narrow alleys, and character-filled corners fuel her imagination, giving her settings where memory and artistry meet. Michelle describes her photographic style as romantic and dreamy, with touches of fantasy woven throughout. In her latest set, she drew inspiration from a Chinese poem and shaped the shoot around that emotional landscape. She leaned more heavily into interacting with the surroundings and used light in a more experimental way. The result, she says, is a body of work that feels closer to her own artistic voice. Looking ahead, Michelle plans to expand her storytelling even further. She hopes to shoot film stills and eventually create a short love-themed movie. Her long-term dream is simple but profound: to find beauty in every corner of the world and capture it through her lens. Her personal motto reflects that same spirit— “Take your broken heart, and make it into art.” It’s a reminder of how creativity often grows from the most human places. ON OUR ARCHIVE: BLNC THE ASIAN ISSUE Read here: https://www.magzter.com/share/mag/7280/212210/6 To see more of Michelle’s work or get in touch: Facebook: facebook.com/hongkong.michelle.lau Instagram : @michellelauphoto Website: michellelauphotography.com

The 38th Awit Awards powered by Vibe delivered a #LEGIT celebration of Original Pilipino Music (OPM) as the nation’s most credible and long-standing music honors returned to the Meralco Theater on November 16, 2025.  For 38 years, the Awit Awards—organized by the Philippine Association of the Record Industry (PARI)—has stood as the country’s premier platform recognizing Filipino musical artistry, originality, and achievement.   Strengthened by its partnership with Vibe, MQuest Ventures’ youth-driven and creator-centered music countdown show, this year’s Awit Awards highlighted a renewed mission: to honor the best in OPM while embracing innovation, digital reach, and fan-focused engagement. Together, Awit Awards and Vibe delivered a show that was not only iconic but authentically #LEGIT.   Below are the official winners of the 38th Awit Awards powered by Vibe: Grand Awards • Album of the Year – Ben&Ben • Record of the Year – Lola Amour • Song of the Year – Cup of Joe – “Misteryoso” Album of the Year – Ben&Ben Record of the Year – Lola Amour Song of the Year – Cup of Joe – “Misteryoso” Performance Awards • Solo Artist – Dionela • Best Performance by a Group – Ben&Ben • Best Performance by a Solo Artist – iLA • Best Performance by a New Group – 12th Street • Best Collaboration – Dionela and Jay-R • Best Dance/Electronic Recording – BINI – “Salamin, Salamin” • Best Global Collaboration Recording – SB19, Terry Zhong – “Moonlight” Solo Artist – Dionela Best Performance by a Solo Artist – iLA Best Performance by a Group – Ben&Ben  Best Performance by a New Group – 12th Street Best Collaboration – Dionela and Jay-R Best Dance/Electronic Recording – BINI – “Salamin, Salamin” Best Global Collaboration Recording – SB19, Terry Zhong – “Moonlight” Genre Recording Awards • Best Ballad Recording – Moira, Juan Karlos • Best Rock Recording – Fast Pitch • Best Alternative Recording – Lola Amour • Best Alternative Rock Recording – Ice Seguerra • Best Rap/Hip-Hop Recording – SB19 and Gloc-9 • Best Jazz Recording – Devonaire District and Alvin Cornista • Best Instrumental Recording – Alvin Cornista • Best World Music Recording – Over Heat and CamSur Made • Best Recording by a Child or for Children – Ateneo Boys Choir   Special Recording Awards • Regional Recording – Juan Karlos and Kyle Echarri + Noel Cabangon • Best Christmas Recording – Devonaire District • Original Soundtrack Recording – Regine Velasquez • Best Novelty Recording – Introvert Fiesta ft. AJi • Inspirational Recording – December Avenue • Best Pop Recording – Maki – “Dilaw” • Best R&B Recording – Jay-R and Dionela   Technical Achievement Awards • Sound Engineer of Best Winning Recording – Axel Fernandez • Best Musical Arrangement – Khalil Refuerzo • Best Vocal Arrangement – Luke Isnani, Felip Suson • Best Remix Recording – Ena Mori and Kenyema • Best Cover Art – SB19 • Best Music Video – SB19 and Gloc-9 • Lifetime Achievement Award – Vic del Rosario • Dangal ng Musikang Pilipino – Ely Buendia Lifetime Achievement Award – Vic del Rosario Dangal ng Musikang Pilipino – Ely Buendia A #LEGIT Celebration of OPM’s Past, Present, and Future The 38th Awit Awards powered by Vibe reaffirmed its mission of spotlighting artists whose work reflects authenticity, originality, and excellence—the core of what it means to be #LEGIT in OPM. With its strengthened digital presence and dedication to uplifting Filipino creatives, the Awit Awards continues to champion music that inspires, unites, and elevates culture. As this year’s winners carve their place in OPM history, the Awit Awards remains committed to honoring Filipino talent—celebrating the best of what OPM has been and the limitless possibilities of what it can become. The 38th Awit Awards powered by Vibe is co-presented by the Philippine Charity Sweepstakes Office (PCSO).

In this BLNC Facets , we speak with a Filipino voice who has carved out a place on the global stage by turning personal history into creative fuel. Rooted in the warmth of a Pampanga upbringing and shaped by life in California and New York, she has found a way to honor her heritage while reaching audiences far beyond home. What began as a quiet search for comfort during the pandemic grew into a body of work that now resonates around the world, from community bake boxes to an award-winning cookbook. Her story is one of craft, resilience and cultural pride. She reflects on the flavors that raised her, the recognition that marked a turning point in her career, and the responsibility she feels as a Filipina sharing her work with an international audience. Through her journey, she offers a reminder that creativity doesn’t need perfection to matter—it only needs honesty, intention and the courage to begin. Tell us about your Filipino roots and how they’ve shaped who you are today. 
 My parents immigrated to the United States from Pampanga in the early 1990s, and raised my sisters and me in California. Growing up as a first generation Filipino American, I am lucky to have such a large family who has always cared about preserving our culture and history. I carry those memories and lessons with me as an adult living in New York City. What inspired you to pursue your path and eventually take it to a global stage?
 During quarantine, I was yearning for a creative outlet that would help me cope with the hardships of the pandemic. I turned to baking and writing about it online, and it helped me feel more connected to a wider food community. It was also really important for me to find a way to contribute to mutual aid organizations, which was how I started selling Pasalubong treat boxes. They were dessert boxes that reminded me of home and they really put my work on the map. Looking back, what has been a defining moment in your journey so far?
 Winning the 2024 James Beard Emerging Voice Award in Books was a watershed moment for me. I am so grateful that Mayumu was recognized by the James Beard Foundation and that it validated so much of the hard work put into bringing the cookbook to life. It’s been astounding to see its impact on my career and the opportunities I've been given because of it. How does your Filipino identity influence your work and the way you see the world?
 My Filipino identity defines my palate. I have such a deep appreciation for tropical flavors and ingredients, which comes across in the recipes that I create. It’s very grounding, and it’s helpful to use that knowledge to experiment with the fusion of other global influences. What does it mean to you to represent Filipino talent abroad?
 It means so much to me to be able to represent Filipino food abroad. I hope to always innovate in the dessert world, and to use my platform to uplift many other great Filipino writers and chefs. What advice would you give to fellow Filipinos who dream of making their mark internationally?
 My biggest advice is to not let yourself get in the way of creating because you don’t think something is “perfect enough.” I have let many projects fall by the wayside because I was hypercritical of my own work. It’s best to just keep creating art, and acknowledge that you can only get better with time. Photography credit: Nico Schinco.

Honoring icons, rising stars, and passionate fans, the 38th Awit Awards powered by VIBE elevates OPM to new heights through innovation, access, and engagement. With 38 years of credibility and integrity, the Awit Awards stand as the country’s most prestigious recognition of musical excellence. This year, its partnership with MQuest Ventures’ (MQV) youth-driven platform Vibe  strengthens that legacy—blending tradition with modern energy to deliver a fresh, inclusive, and #LEGIT celebration of Original Pilipino Music (OPM). A collaboration between the Philippine Association of the Record Industry (PARI) and MQV, this year’s Awit Awards embodies a shared mission: to champion, elevate, and propel OPM forward. It’s a powerful fusion of tradition and innovation—uniting generations of artists and fans while keeping Filipino music vibrant and relevant. Under the direction of industry legend Johnny “Mr. M” Manahan, the 38th Awit Awards powered by Vibe celebrates the richness of Filipino culture and identity while honoring the late OPM artists whose legacy continues to inspire today’s generation. Vibe  jocks Dylan Menor, Elijah Canlas, Joao Constancia, Ana Ramsey, Maxie Andreison, Ryle Santiago, Paulo Angeles, Kych Minemoto, and Queenay Mercado will host the awards night, opening the show with a special performance. They’ll be joined by Vibe ’s Gen V correspondents, who will bring fans exclusive behind-the-scenes coverage and interviews with this year’s nominees. The night will feature show-stopping performances from some of OPM’s finest artists, including Ben&Ben, Over October, Lola Amour, and Dionela. The 38th Awit Awards will present honors across five major categories: Performance Awards, Genre Recording Awards, Special Recording Awards, Technical Achievement Awards, and the prestigious Grand Awards. This year also introduces the Violet Carpet—a reimagined pre-show experience designed to bring fans closer to their favorite OPM artists. Moving beyond the traditional red carpet, the Violet Carpet celebrates creativity and connection, transforming the space into an interactive hub where artists and audiences can meet, share stories, and celebrate the movement that keeps Filipino music alive. More than just a one-night celebration, the 38th Awit Awards powered by Vibe marks a movement that champions OPM’s power to connect, inspire, and uplift. By combining the Awit Awards’ trusted reputation with Vibe ’s dynamic, youth-focused digital presence, the celebration extends far beyond the awards night, becoming a year-round experience for fans and supporters of Filipino music. Guided by a panel of judges with decades of experience in performance, songwriting, production, and media, the Awit Awards continues to uphold its gold standard of legitimacy that recognizes not just popularity, but genuine artistry, innovation, and influence through Vibe . Through this rigorous process, every winner of the 38th Awit Awards doesn’t just take home a trophy; they earn a lasting legacy in the history and future of OPM. The grand awards night takes place on November 16, 2025, at the Meralco Theater. Fans nationwide can catch the live broadcast on TV5 or stream it on the official social media pages of Vibe PH, TV5, MQuest Ventures, and the Awit Awards. Don’t miss the #LEGIT celebration of Filipino musical excellence!

Awit Awards and VIBE’s partnership is set to define authenticity, where respect, pride, and legacy make Filipino music truly #LEGIT. In a time of instant virality, the 38th Awit Awards powered by Vibe remains the definitive mark of legitimacy and proven talent in Original Pilipino Music (OPM). Organized by PARI, Awit Awards remains as the nation’s highest recognition for musical excellence, built on 38 years of integrity and legacy.  In partnership with Vibe —a youth-driven multi-platform under MQuest Ventures (MQV)—this year’s awards bridge generations of Filipino music. The collaboration brings heritage and innovation together, uniting the established authority of the Awit Awards with VIBE’s bold, youthful energy to keep OPM relevant, inclusive, and undeniably #LEGIT. THE AUTHORITY OF LEGITIMACY At the heart of the Awit Awards’ enduring credibility is its distinguished and prestigious panel of judges. For the 38th Awit Awards Powered by Vibe—78 judges—comprising OPM’s most trusted artists, producers, composers, and creative leaders—come together to ensure that every finalist and winner reflects true artistry, craftsmanship, and relevance across all types of listeners. The panel features an impressive roster of OPM luminaries, living up to the Awit Awards’ reputation as the original, most respected, and most trusted award-giving body in Philippine music. This includes renowned singers and performers such as Christian Bautista, Kris Lawrence, Radha Cuadrado, Thor Dulay, Tim Pavino, Lara Maigue, Ronnie Liang, and Veronica Macato. Established musicians and songwriters recognized for their craft—including Mike Elgar, Herbert Hernandez, Adonis Tabanda, Gino Cruz, Marvin Querido, Brian Cua, Arnel De Pano, Ace Gadia, Francis de Veyra, and the late Davey Langit—add further prestige to this year’s awards. Enhancing credibility even more, the panel also includes music production experts such as Arnel Garcia De Vera, Rico Bicol, Dominic Benedicto, Mike Ducusin, Christopher Buenviaje, Daryl Reyes, Clark Cunanan, Marco De Leon, and Mackie Po, whose expertise in audio engineering and arrangements ensures technical excellence in judging. Moreover, OPM industry leaders and executives Sunny Ilacad, Ino Caluza, Ivan Espinosa, Raymund Ryan, Robert Javier, Reck Cardinales, Ren Polumbarit, and Adonis Tabanda are included in the set of judges.Lastly, Avid Liongoren, Frank Lloyd Mamaril, Marla Ancheta, Mari Arquiza, and Kettle Mata represent the directors and creatives who have played a big role in the OPM industry. Together, these judges embody decades of experience across performance, songwriting, production, and media. Their collective expertise establishes the Awit Awards’ gold standard, honoring not popularity, but genuine artistry, innovation, and influence. Through this, the Awit Awards powered by Vibe makes sure that each winner doesn’t just win an Awit Award, but they earn a legacy that is already indelible in the world of OPM. WHERE LEGACY INSPIRES INNOVATION MQV’s Vibe  strengthens the legacy of the Awit Awards, introducing a new era where fans can connect, engage, and have a voice in the OPM industry. Leading up to the grand awards night on November 16, 2025, at the Meralco Theater, fans will enjoy exclusive online content, live experiences, and behind-the-scenes stories highlighting judging insights and artist features. The 38th Awit Awards powered by Vibe blends credibility with dynamism, honoring both icons and emerging talents who shape the past, present, and future of Filipino music. Together, Awit Awards and Vibe  represent the fusion of heritage and innovation—where the official meets the ultimate. Judged by Awit. Powered by Vibe. 100% #LEGIT.

By JT Gonzales Beauty is in the eye of this artist.  Ron Mariñas looks at the world, and extracts subjects of desirability.  Apollo in a towel.  Blonde gods and jocks, crowned with floral wreaths.  Soldiers in armor and skin, in various states of repose. Ron explores a varied smorgasbord of iconography, layering coats of yearning upon his canvasses, meticulously fashioning limbs and chiseled jaws, and bringing forth potent images that still, aren’t quite erotic.  Perhaps, they may be better described as alluring, yet forbidden, fruits of his imagination.  The twenty-something emerging artist clearly has a voice, and it is a voice he employs to dramatic effect. Suggestive poses, Hermes and Chanel bags, and smoldering sensuality dominate his works.  Honed at the Fine Arts program of the University of Sto. Tomas, Ron’s career has been blessed with support from his parents, both coming from outside the art world.  (His father is a civil engineer, his mother is a middle school teacher).  That support must have been key to him graduating from art school with an outstanding thesis. From school, it was on to the real world.  Ron has been steadily exhibiting in various Manila galleries, landing not just group shows, but his very own solo exhibitions at Secret Fresh and Metro galleries, among others. Employing lithe figures with big city attitudes, garbing them in an amalgam of modern day luxe-cool with old-world robes, Ron has carved out a distinct space for himself.  And he knows that. He has gotten attention, and as with any new kid on the block he has received his fair share of critique.  But criticism is not always welcome, and so, when asked what would be his dream exhibition, the response became a pushback against those who might constrain his expressive style. Ron says “…my dream exhibition is one where I can truly make a noise and be my full self, not just as an artist, but as a person. Most of the time, artists are expected to compartmentalize their real selves from their careers, and that unspoken rule is something I’ve always found hard to follow. Because one, I evidently use my real name as an artist, so I speak the truth and depict it through art.  “Second, my works are deeply personal. I paint my truth … like writing in a diary. … I still struggle with how the industry often sees only the beauty of the art, when for me, the real beauty is what’s behind it. And third, I want to portray the drama of the story, the art of drama.” “This industry is afraid of drama, but I believe it’s what makes art real. In this industry, drama is often treated as a euphemism for something negative or scandalous, something unsafe or unsellable. But for me, life has drama and that’s what makes art, art. And art should be relatable. Every painting tells a story, and every story needs drama and truth. That’s my dream exhibition: to stop playing safe and express myself fully through my art.” To paraphrase, therefore, in Mariñas’ view, art becomes relatable when it is authentic.  In this age of millennials and Gen Zs, where social media is ubiquitous, and filters and AI have come to dominate, to be authentic is key.  Realness is how his generation will be able to relate to him.    Ron’s works, perhaps unconsciously, capture therefore the zeitgeist of a certain subset of humanity: young residents of the sprawling metropolis that is Metro Manila, keenly aware of the difference between the haves and the have-nots, straddling the high fashion absorbed through magazines and social media, yet acknowledging that their reality is set in the midst of jeepney drivers and street vendors.  Ultimately, they are supremely conscious of the burdens that those in the upper middle class take on to  champion the oppressed (a role that, unfortunately, the upper classes have shed in their perpetual accommodation with the powers-that-be). By contrast, Ron’s earlier works were a startling melange of Greco-Roman classicism, glittery gold and fiery red adorning and consuming his subjects.  And what subjects they were. Limpid eyes, rock-hard pecs, and lean muscles all serving as fitting tributes to the gods.  Yet, as with all artists, Ron has slowly but noticeably evolved.  From chasing and shaping golden perfection, Ron has in recent months gradually refocused on a palette bursting with a multitude of colors.  Hues so vibrant, they register as almost neon, yet without hitting that off-putting frequency that hurts the naked eye. For gallery. sort of., Ron unveiled stylized almost-portraits of him and his friends, boozing it up in their fashion finery, yet hamstrung by the pathetic  public transportation system available to them.  In jeeps with their stilettos and faux fur coats, or riding an Angkas motorbikes in frocks, the gang manages to party the night away. Midnight snacks come by way of penoy baluts, and street corners are conveniently transformed into makeshift restrooms.  This is the reality that surrounds them, that makes them, drama very much included. Is this why Ron idolizes, aside from Vincent Van Gogh, the singer Lana del Rey, whom he identifies as an inspiration?  ‘Even before I was introduced to her art in writing, I already had my own identity and style in how I express my art. When I discovered her work, I saw a strong resemblance in our styles, or at least something I want to be even more daring than.   “Her art appears elegant, old money, graceful, and some will say (with a) prim and proper vibe on the surface, but it’s mixed with the complete opposite like controversy, drama, darkness, sensuality, and danger. That combination shows the truth of our reality, that kind of mix of elements that people often find unusual or unexpected. “ “Many of my viewers describe it as “a fun combination,” in my art, something that has a little kick to it. What we see is not just beauty; there’s always something behind it. That hidden truth is what makes it real, and Lana Del Rey expresses that poetically through her music.” Beauty rooted in reality, then.  This is the throbbing imperative in Ron, and we should expect to see that thread in his future works.  Although as to what’s next after his Tambay, Toma, Tropa two-artist exhibition with Zuh Dai, there’s not a lot of detail yet.   “I’m the type of artist who gets anxious when my next year is already planned out, and that’s something I know I need to work on personally. In this industry, it’s hard to stay professionally spontaneous. Still, I’ve been in talks with a few galleries about possible shows for next year. I’m really looking forward to working with a gallery that’s collaborative and open to helping me expand my creativity as an artist. And I’m planning to do a solo exhibition again next year…” Vague on specifics, but we already know, even this early, there’s going to be beauty in it.

When Morissette first set foot on a stage in Cebu as a young girl, she couldn’t have imagined  that fifteen years later, she would be standing as one of the country’s most celebrated voices,  carrying the title of “Asia’s Phoenix.” For someone who once nervously entered singing  competitions around her hometown, the journey from small stages to sold-out arenas has been  nothing short of extraordinary.  This year, the powerhouse vocalist marks her 15th year in the industry with EMBER , a concert  that not only celebrates her career but also symbolizes her rebirth, resilience, and reignited fire.  For Morissette, the Phoenix is more than a nickname — it is the story of her life. A Cebuana Beginning  “Born and raised in Cebu, I started joining every singing competition I could find on the island,”  she recalls with a laugh. “That was really my training ground. My parents were the ones who  pushed me, mentored me, and supported me while I balanced school and music.”  Those humble beginnings, marked by hours of rehearsals and small-town applause, shaped the  artist who would later find herself performing for international audiences. “Cebu will always be  home,” she says warmly. “It’s where I learned discipline, determination, and the importance of  knowing where you came from.”  Manila and the Big Breaks  Her move to Manila was the turning point. The exposure to the capital’s vibrant music industry  opened doors she never imagined. From her early stint in The Voice of the Philippines to  becoming a mainstay on ASAP , Morissette steadily built her name.  “I started out mostly doing ballads. But in Manila, I was surrounded by so many different  influences — pop, R&B, soul. That’s when I really began exploring who I wanted to be as an  artist.”  It was in 2017, however, when her performance at the Asia Song Festival in Busan, South Korea,  earned her the title “Asia’s Phoenix,” a moniker that would follow her everywhere. “At first, I  was overwhelmed. But eventually, I embraced it. The Phoenix is about rising, and I felt that  deeply. I had already gone through so much, personally and professionally, and I knew the name  wasn’t just about my voice — it was about my journey.” EMBER: The Fire Within  The Phoenix takes center stage again with EMBER , her 15th anniversary concert. The title, she  explains, represents a fire that never truly dies. “Even when flames burn out, the embers remain.  They’re the foundation, the proof that something was once burning — and with the right spark,  they can ignite again. That’s what this concert is about. I’ve been through highs and lows, but the  fire inside me is still alive.”  EMBER is not just a milestone show; it’s also Morissette’s first time taking on the dual role of  performer and producer. “It’s more pressure, definitely,” she admits. “But it’s also more  rewarding. I get to be involved in every detail — the music, the visuals, the storytelling. I want  people to leave the show not just entertained, but inspired.” Carrying Cebu’s Legacy  Despite her global reach, Morissette has never lost sight of her roots. She speaks passionately  about representing Cebu and VisMin artists on bigger stages. “It’s funny, because growing up, I  wasn’t as exposed to Bisaya music as I wish I had been. But now, I make it a point to sing in  Bisaya, even when I perform abroad. It’s my way of honoring where I come from and showing  the world the richness of our culture.”  Cebu, after all, has long been known as a breeding ground for powerhouse voices. To be counted  among that legacy is something Morissette carries with pride. “Every time I sing in my native  tongue, it feels like I’m bringing a piece of home with me,” she says. Staying Grounded  For someone whose name is often accompanied by “Asia’s Phoenix,” Morissette remains  refreshingly grounded. She credits this to her circle. “My family and my close friends keep me  anchored. They remind me of what’s truly important. And above all, it’s God. His timing has  always been perfect in my life, and I believe He placed me on this path for a reason.”  That faith, she says, has carried her through difficult moments — times when she questioned  whether she could keep going. “There were many points when I felt like giving up. But then, an  opportunity or even just a person would come into my life — like a sign from God saying,  ‘Don’t stop yet.’” Lessons for Aspiring Artists For young dreamers who look up to her, especially those in the provinces, Morissette has a  simple but powerful message: patience and perseverance. “Your time will come. While waiting,  keep working on yourself — your craft, your discipline, your mindset. Surround yourself with  people who truly want to see you grow. And most importantly, never give up. There will be  setbacks, but those setbacks are part of the journey.” “Even when the flames burn out, the embers remain. With the right spark, they ignite  again — that’s my story.” Defining Moments  When asked about her proudest moment so far, Morissette doesn’t hesitate. “My first sold-out  concert at Araneta in 2018. Standing there, seeing a sea of light sticks, I felt proud of myself for  not giving up. That was my ‘I made it’ moment.”  Five years later, she’s returning to the same stage with EMBER . This time, though, she’s not just  a performer but also a producer — an artist in full control of her story. “There’s more weight on  my shoulders, but there’s also more joy. No matter how it turns out, I’ll always be proud.  Because I’ve made it this far, and I know I’m exactly where I’m supposed to be.”  Looking Ahead  Fifteen years may sound like a long time, but for Morissette, it’s only the beginning. With her  own label, Underdog Music, which she runs alongside her husband and friends, she is  determined to push creative boundaries and champion original music. She’s also more open to  experimenting with new sounds and collaborations, as long as they remain authentic to her.  “I don’t want to limit myself to just one thing. I want to keep growing, keep exploring. Music is  evolving, and I want to evolve with it — while staying true to who I am.”  And so, as she steps onto the stage for EMBER , celebrating fifteen years of music, Morissette  does so not just as Asia’s Phoenix, but as a Cebuana artist who has risen, fallen, and risen again  — stronger, brighter, and ready for whatever the next fifteen years will bring. Photography: Jharwin Castaneda @jharwin.castaneda  Hair and Makeup: Miko Dacanay @mikodacanay  Stylist: John Lozano @johnlozano10 assisted by Lon Morelos @itslondm, Arar Pascual @ararpascual    Special Thanks to IM Studio 10 @im.studio10 and Gee Plamenco @gp10, Underdog Music @underdogmusicph    #MorissetteForBLNC