There’s something quietly disarming about seeing Shaira Luna on the other side of the lens. For someone whose work has long defined how others are seen, this cover shifts the gaze. Shot by emerging photographer Gail Geriane, it isn’t about reinvention. It’s about reflection, trust, and a kind of creative exchange that feels both natural and necessary. For Shaira, being photographed is never something she fully settles into. “The awkwardness and excitement never really go away,” she admits, laughing. There’s a sense of irony in it. The person who spends her career holding up a mirror to others now finds herself navigating that same vulnerability. But this time, it felt different. Being seen through another woman’s lens brought a layer of familiarity and ease, even in the unfamiliar. It was their first time working together, yet there was already a quiet understanding in place. That ease is at the heart of this story. When women photograph women, the shift isn’t loud or obvious. It lives in the small things . The pauses. The glances. The unspoken permission to soften. Shaira describes it as a shared sensitivity that reveals itself through observation and openness rather than direction. There’s warmth in it, but also playfulness. “I’m always more kilig and giggly when shooting women,” she says, and you can almost feel that energy translate into the images themselves. It didn’t take long for that connection to settle in during the shoot. The first few frames, often a warm-up, quickly turned into something more fluid. Both Shaira and Gail approached the session without pressure, allowing space for instinct to lead. That openness created a rhythm where nothing felt forced. Just two creatives meeting each other where they are. Trust, in this case, wasn’t something declared. It showed up in the way Gail allowed Shaira to move as she pleased, even when it meant covering her face, a habit she admits she leans on when she feels self-conscious. Instead of pushing against it, Gail worked with it. She noticed the in-between moments, the gestures that felt most natural, and built from there. It became less about directing and more about paying attention. Saying yes to the project came easily for Shaira, and not for complicated reasons. At its core, it was simple. It felt like something she would have wanted when she was starting out. She recalls photographing women she admired early in her career, feeling the same mix of nerves and excitement Gail might have felt stepping into this shoot. Those moments stayed with her. Not because they were grand, but because they were generous. Welcoming. Human. This cover, in many ways, continues that cycle. There’s also a shift in how she views the industry now, especially for young women finding their footing. The idea of following a fixed path no longer holds the same weight. What matters more is individuality. “You can do it in the cutest footwear you own,” she says, half playful, half serious. It’s her way of saying that there’s no single mold to fit into anymore. The quirks, the uncertainties, even the discomfort, all of it has a place. Growth doesn’t always come easy, but it leaves a mark, and sometimes that’s exactly the point. Power, as she defines it today, is far from loud. It doesn’t need to announce itself. It builds quietly through experience, curiosity, and the willingness to keep learning. It’s also deeply collaborative. The confidence she carries isn’t hers alone. It’s shaped by the people she’s worked with, the exchanges that happen behind the scenes, the constant movement between observing and being observed. And while the industry continues to push for more visibility, more output, more noise, Shaira doesn’t see that as something to constantly chase. Staying grounded, for her, comes down to the basics. Showing up. Doing the work. Communicating clearly. Making decisions while staying open to possibility. There’s a balance to be found between presence and restraint, between being seen and knowing when to step back. What makes this cover resonate isn’t just the images themselves, but the spirit behind them. It’s in the way both women met each other without pretense. In the small, almost humorous details, like realizing they both say “cute” just as often while shooting. These are the things that don’t make it into the final frame, but somehow shape everything about it. If there’s a message that lingers, it’s a simple one. Not loud, not overstated. Just a reminder that in this industry, and in moments like this, there is still room for joy. For wonder. For women to not only see each other, but to support, create, and grow alongside one another. And maybe that’s the point. Not just to celebrate women, but to continue the work with intention. Quietly, confidently, and together. Produced by BLNC Mag Photo: Gaile Geriane Make-up: Cats del Rosario Hair: Phray Payek Production Assistant: Elcan Romaguerra @linawframe_ Art Direction: JM Jusay Studio Location: Espacio Creativo Escolta

There’s a quiet kind of discipline behind every great bartender—the kind shaped not just by skill, but by patience, setbacks, and an unwavering sense of purpose. For Ralph Allen Santos , the journey into bartending wasn’t something he mapped out from the start. It began unexpectedly, built through observation, persistence, and a willingness to learn the craft the hard way. Today, he stands at the forefront of Manila’s cocktail scene, fresh from being named Diageo World Class PhilippinesBartender of the Year 2025 —a milestone that reflects years of quiet resilience and growth. But beyond the accolades, what defines Santos is his ability to translate culture into something tangible, turning each drink into a story rooted in Filipino identity, community, and shared experience. What first drew you to bartending, and how did your early experiences shape the way you approach the craft today? I never planned to be a bartender back then; it was a funny story how I became one. I started as a busboy in a diner restaurant. My manager recommended I work at the bar instead because I was a bit tall for the floor and moved quickly. I actually learned it the hard way because back then there was no internet or accessible sources to learn bartending. But that molded my attitude, showing me I have to pursue my dreams no matter how hard it is. I'm grateful to all the people I've been with, and for learning through observation and asking questions. You’ve been part of Manila’s bar scene for some time now, and you recently won the 2025 Diageo World Class Philippines Bartender of the Year title. What was going through your mind when you heard your name called?  I joined Diageo World Class four times before I won the championship. This competition really pushed me to be the best version of myself. When I heard them call my name as the winner, it was an achieving moment of my life. In past competitions, you’ve come close before, including being a runner-up in 2021. How did those earlier experiences influence how you prepared this time?  It was really tough; I was almost about to give up. The key thing that helped me win was being consistent in what I do, and I listened to all the criticism and feedback I received. I never looked at it negatively, but instead, I continued what I loved to do. Craft and Creativity Your winning cocktail, Kapwa, honors Filipino culture and communal spirit. What was your creative process in developing that concept?  My creative process began with looking at Filipino culture through the lens of art and symbolism. Carlos “Botong” Francisco’s Bayanihan shows people carrying a bahay kubo together—a powerful image of unity and shared purpose. Then I thought of Johnnie Walker’s Striding Man, a symbol of progress and moving forward. Two very different artworks, but both telling the same story: that progress is not a solitary journey, it’s something we achieve together.   From there, I wanted to translate that spirit into a cocktail. I called it Kapwa, a Filipino word meaning “shared self.” The ingredients all come from the salo-salo, our communal feast: lambanog for our native spirit, mango for our national fruit, rice coffee for warmth and depth, and bamboo tea to symbolize resilience. Fresh lemon juice ties it together with balance. Each element carries its own story, but when combined, they become something greater—just like people coming together in bayanihan.   So the creative process was really about storytelling: honoring our traditions, connecting them with Johnnie Walker’s message of progress, and creating a drink that celebrates both culture and community. Kapwa is not just a cocktail—it’s an invitation to move forward together.   How do you balance technique and emotion when you’re designing a new drink? I see technique as the foundation and emotion as the soul. Technique ensures balance, structure, and precision—so the drink works on a professional level. Emotion gives meaning, drawing from culture, stories, and symbols that connect with people. When I design a cocktail, I let the story guide the feeling, and then use technique to translate that emotion into flavor. That way, every drink isn’t just well-made—it’s memorable, because it carries both craft and heart.   Is there a part of cocktail creation you find most rewarding or most challenging? The most rewarding part of cocktail creation is when a concept truly speaks to culture and identity. With Three Stars and a Sun, I was able to weave together land, sea, and sky—Luzon, Visayas, and Mindanao—into one drink that tells the Filipino story. Even the ingredients are sourced from across the islands, from mango and pandan in Luzon, to asin tibuok and seafood notes in Visayas, to cacao, coffee, and bugnay wine in Mindanao. Built by one spirit, Johnnie Walker Black Label, it becomes three cocktails in one, each representing a facet of our heritage yet united in harmony. It was also my very first challenge in World Class, in Toronto, Canada—making it even more meaningful. The challenge is always balancing technique with emotion, but when both come together, the cocktail becomes more than a drink—it becomes a symbol of who we are.   Philosophy and Influence You’re known as the “Dean of Spiritual Arts” at The Spirits Library. How does that title reflect your philosophy behind bartending?  The title ‘Dean of Spiritual Arts’ is a playful nod to the idea of a library—it’s essentially the equivalent of a general manager. I was given it because I run the cocktail program, curating and overseeing everything with the same care and creativity you’d expect from a dean guiding their faculty Who have been the mentors or peers that have shaped your approach, and what’s one lesson from them you still carry with you? My biggest mentor has been Lee Watson, the owner and head master of The Spirits Library. Working with him shaped me into a more professional and disciplined person—I was nobody back then, but I took the challenge. I also learn a lot by observing: whenever I travel or do guest shifts, I make sure to bring something back to share and apply. And of course, the peers I’ve worked alongside have all left their mark—too many to mention, but each one has taught me something valuable. How does the culture of the Philippines influence your style behind the bar? Filipino culture is at the heart of how I work behind the bar. Just as chefs showcase our heritage through food, bartenders can do the same with cocktails. I love drawing from our traditions, flavors, and stories to create drinks that feel authentic and proudly Filipino—something guests can experience and connect with on a deeper level Growth and Community The bar world can be very competitive, but also collaborative. How do you see community and mentorship playing a role in your own growth? For me, it starts with my own team at The Spirits Library. I want them to become even more successful than me, because mentorship works like a domino effect—when you teach someone, they’ll pass that knowledge forward. I also do consulting, which gives me the chance to guide others in smaller, more personal settings. I’m not the type to speak on big stages; I prefer working closely with people, one-on-one or in small groups, where growth feels more genuine and lasting. What’s one piece of advice you wish you had when you first started bartending? When you’re starting out, you’re eager to become someone in this craft and willing to do anything for everything. But the best advice I can give is—don’t rush. Savor the process, embrace the challenges, and let each step shape you. Growth in bartending isn’t about speed; it’s about discipline, consistency, and enjoying the journey as much as the destination. Looking Ahead You’re now preparing for the global finals in Toronto this September. What are your goals going into that competition, and what would success there mean for you personally? Unfortunately, this was done last October. The global finals in Toronto were truly life-changing. I gained lifelong friends, learned so much, and felt the honor of standing on a stage with bartenders from 60 different countries. Experiencing that level of competition showed me how prestigious and powerful our craft can be—and it inspired me to push myself even further. For me, success wasn’t just about winning; it was about realizing the endless possibilities when you embrace the journey and keep striving for more. Beyond competitions, what are some goals you have for your work at The Spirits Library and in the broader cocktail scene? The Spirits Library is actually the workplace that I love the most. It was the most challenging workplace, but it was the one that gave me every opportunity I have. The greatest achievement I'm proud of is that even my colleagues became champions in their own right. Not just in competition, but seeing them become successful in their lives. That's the goal that I always wished for and wanted for the people I worked with. So it will not only be me continuing and sharing my passion; it is multiplied, and I believe that they will do the same for others. If you could bring one message about Philippine bartending to the world, what would it be? I'm always proud to be a Filipino bartender, and every Filipino should be. I think we are the best in the industry because we are nice people, and hospitality is something we organically learn from home. Filipinos excel in every part of the world. We should continue this, and I know the time will come when it will be rewarding for everyone. Personal Touch Outside of the bar, what are the passions or routines that keep you grounded? Outside the bar, photography keeps me grounded. I love capturing portraits of cocktails, the atmosphere of bar establishments, and street scenes. It’s a way to slow down, savor the details, and see beauty in everyday moments. Just like bartending, it’s about storytelling—freezing a memory, a feeling, or a culture in a single frame. What’s one drink you love to make just for yourself at the end of a long day? At the end of a long day, I keep it simple—I love making myself a Highball or just bitters and soda. It’s refreshing, light, and exactly the kind of drink that helps me unwind.

Before the global campaigns and agency rosters, before her name carried weight across Asia, Jiratchaya Kedkong was simply stepping into the unknown. This 2018 cover story captures her at a pivotal moment, fresh from her win on Asia’s Next Top Model, standing at the edge of everything she had yet to become. There’s a rawness to this chapter. A sense of discovery. Tawan, as she’s known, wasn’t just entering the industry, she was still learning herself in the process. Every casting, every city, every first became part of a larger question she carried quietly: what does it really mean to succeed? Looking back, this feature isn’t just a portrait of a rising model. It’s a snapshot of transition, where ambition meets uncertainty, and where the smallest wins begin to shape something much bigger. There’s a certain kind of beauty that doesn’t ask for attention, it earns it. In this cover, framed against the bold geometry of Bangkok’s temples and the intensity of red, Jiratchaya Kedkong, known to many as Tawan, holds that exact tension. Controlled. Grounded. Unshaken. But beyond the image is a story shaped not by glamour, but by choice. Before the campaigns, before the international agencies, before the recognition across Asia, there was simply a girl from Lopburi, Thailand, navigating what felt like impossible decisions. Raised in a modest environment, Tawan’s early life was far from the polished world she would later enter. She once dreamed of becoming a teacher or a doctor, a future that felt more stable, more expected. But life had other plans. Financial struggles meant letting go of university, a turning point that would quietly redirect everything.  What followed wasn’t a straight path, but a leap. The Risk of Becoming Modeling wasn’t just a dream. It was a question. “Is this right for me or not?” That uncertainty still lives in her story. It’s what makes her journey feel human. Encouraged by friends who saw something in her before she did, Tawan entered the competitive world of modeling in Thailand, eventually stepping into the spotlight of Asia's Next Top Model. She wasn’t the obvious frontrunner. In many ways, she was the underdog. Quiet, reserved, still figuring herself out in real time. But there’s something powerful about someone who grows in front of you. Week by week, frame by frame, she transformed, not just in skill, but in self-belief. And then, she won. At just 20 years old, Tawan became the face of a new kind of Asian model, one that didn’t fit into a single mold. More Than the Win Winning changes things. But it doesn’t define everything. Post-show, her career unfolded quickly. International editorials. Global campaigns. A contract with London-based agency Storm Model Management. The industry opened up, and so did her world.  Yet, in her own words, success isn’t measured in scale. It’s in the small things. Trying food she’s never tasted. Traveling to places she’s never seen. Taking on work she’s never done. These moments, often overlooked, are where she finds meaning. There’s a quiet discipline in how she approaches life, rooted in routine and self-awareness. Sleep well. Stay healthy. Think positively. Stay grounded. It sounds simple. But it’s not. Because beneath that simplicity is a deeper understanding: that beauty is not just visual. It’s internal, built over time, shaped by how you treat yourself and others. Holding On, Moving Forward For all the movement her career demands, there’s something she never lets go of, home. Her younger sister remains a constant in her story. Phone calls, small updates, moments of connection that cut through distance. It’s in these details where Tawan feels most human, not as a model, but as a daughter, a sister, someone still deeply tied to where she began. And maybe that’s the point. In an industry that often asks people to become something else, Tawan’s strength lies in staying close to who she already is. The BLNC Perspective This cover isn’t just about fashion. It’s about evolution. About choosing uncertainty over comfort. About redefining success beyond visibility. About understanding that becoming someone isn’t a single moment, it’s a series of small, quiet decisions made over time. Tawan doesn’t perform success. She lives it, in ways that are subtle, personal, and deeply real. And maybe that’s why this image stays with you. Because it’s not trying to be loud. It’s simply sure of itself. BLNC Magazine "Tawan" Cover 2018 Arun [Dawn] Photographer : Jiraphong Bank Srijunyanont @JIRA @jiraxgascyl Model : Jiratchaya Kedkong @tawanjiratchaya Stylist : Nat Chitdanai @nat_chitdanai Stylist Assist. Panupong Sookrojnirun @panupong_s Make up and Hair Irina Mysova @irinamake1 Asst.Photographer : Tawatchai Bie Khemsook @bienobita Location : Riva Arun @rivaarunbangkok

Welcome to “Alternations,” an exhibition that brings together different artistic voices into one shared space. The works in this show come from artists with varied backgrounds, practices, and visual approaches—each distinct, yet connected through a collective intention to express, respond, and engage through art.  Rather than aiming for uniformity, the exhibition allows these differences to exist side by side. Each artwork holds its own position, yet gains meaning through proximity to others. As styles, materials, and perspectives alternate, connections begin to surface—less through similarity, and more through dialogue and response. In celebration of Art Month, Kapitolyo Art Space, in partnership with First Oceanic Property Management, Inc. (FOPM) and MREIT Inc., presents this exhibition at One Le Grand Tower, McKinley West, with selected works also installed across neighboring FOPM-managed properties. Conceived as an Art Trail, the exhibition extends beyond a single venue. It invites viewers to encounter art as part of their everyday movement through the city, symbolizing how art is ingrained in our daily lives, be it simply walking on sidewalks or drinking our everyday coffee—we just have to look beneath the surface and smell the flowers, too. By bringing artworks into shared public spaces, Alternations aims to create moments of pause, reflection, and connection. It is a way of making art accessible, present, and lived with—integrated into the spaces people pass through daily, rather than set apart from them. Alternations invites viewers to consider how difference does not divide but can instead create rhythm, dialogue, and unity—especially when we allow space for multiple voices to coexist.  Participating artists include: Chrisanto Aquino, Eric Young, Christian Regis, Ritche Yee, Caresty, Aaron Bautista, Joseph Domasian, Meh Villegas, Valen Valero, Micheal Pastorizo, Nicole Asares, Marlon Magbanua, Chai Soo, Rafa, Wynona Capistrano, Franxyz Paulo, Nanette Villanueva, Kerow, Julmard Vicente, Mark Tuason, Bea De Los Reyes, Valerie Teng, Hermisanto, Chris Sipat, Darwin Japat Guevarra, Cesar Arro, Nova Lucernas, JAOP, Jobvezh, Sonyboy Layba, Pauline Mar, Fheixz Orosco, Eghai Roxas Kapitolyo Art Space   23 West Capitol Drive, Kapitolyo, Pasig City   Facebook: Kapitolyo Art Space   Instagram: @kapitolyoartspace

Denial   A temporary shock absorber, often expressed as "This isn't happening to me". Anger  Frustration and rage directed towards the situation, asking "Why me?" or "Who's to blame?". Bargaining   Making deals with a higher power, hoping to reverse or delay the loss, like "If only I had... I would... ". Depression Overwhelming sadness, feeling the reality of the loss, leading to withdrawal and helplessness. Acceptance  Coming to terms with the new reality, not necessarily meaning happiness, but finding a way to live with the loss. Photography and Creative Direction : Jobo Nacpil (@jobonacpil) Grooming : Myckee Arcano (@myckeearcano) Model : Elijah Payumo of Muse Men Philippines (@musemenphilippines) (@musemnla) Shot at Zoomburst Studios (@zoomburst)

Come and see a showcase of the rich cultural landscape of Pasig City!  Kapitolyo Art Space proudly shares "Kalinangan: Preserving our Culture and Heritage Through Art", an exhibition that delves into the heart of Filipina identity through our shared heritage. "Kalinangan" is more than just culture and heritage, and more than just structures; it is the refinement of our collective spirit, shaped by the land, the sea, and centuries of history. It is a tribute to Pasig's rich cultural landscape, both tangible and intangible, showcasing our diverse expressions of ingenuity and resilience found in everyday traditions and way of life. It is a testament to the power of culture & heritage that shape our identity. This collection brings together works of Pasig Art Club members and guest artists with diverse styles who draw inspiration from traditional forms to contemporary voices, creating evocative artworks that are uplifting, enigmatic, dynamic, and symbolic—contemplative expressions that connect the past to modern complexities. It is a celebration of identity and the Pasigueños' capacity to reinvent, adapt, and flourish in a globalized world. Culture is not a static relic but a moving, breathing process. As we navigate the 21st century, these exceptional artworks serve as a "gabay", reminding us that our growth is deeply rooted in movement, intention, and preservation. By bridging the gap between historical narratives and modern aesthetics, Kalinangan fosters a deeper understanding and appreciation for the diverse perspectives that inspire who we are today. "Kalinangan" invites you to reconnect with the roots that ground us and the stories that define our community and our nationhood! Exhibit is open until February 6, 2026. 23 West Capitol Drive, Kapitolyo, Pasig  29kapitolyoart@gmail.com | 0917 815 7370  FB and IG: Kapitolyo Art Space

Nathan Studios’ trailblazing film claims the spotlight, shining a light on love, dignity, and inclusion as it takes home top honors.  Three weeks into the 2025 Metro Manila Film Festival, “I’m Perfect” has not only touched hearts as the season’s most emotionally stirring entry but now stands triumphant as Best Picture, etching its legacy into Philippine cinema history.   Adding to its historic triumph, Anne Krystel Daphne Go made MMFF history with her Best Actress win for her portrayal of Jessica—marking a watershed moment for representation on the country’s biggest film stage. Her victory stands as one of the most significant acting honors of the festival, affirming that excellence in performance knows no boundaries.  Produced by NATHAN Studios, “I’m Perfect” is the first Filipino feature film led entirely by actors with Down Syndrome in both lead and major supporting roles . Since its Christmas Day opening, the film has steadily built momentum through heartfelt audience response, strong word of mouth, and now, critical recognition from the MMFF jury itself.  The Best Picture, Best Actress, and Jury Prize for Best Ensemble wins signal more than artistic achievement—they affirm the film’s central message: #YesWeCan . Not just as a hopeful phrase, but as a lived reality.  Directed with restraint and sensitivity by Sigrid Andrea P. Bernardo , “I’m Perfect” tells the tender love story of Jessica (Anne Krystel Daphne Go) and Jiro (Earl Jonathan Amaba), two individuals with Down Syndrome who choose each other in a world that has long doubted their right to love, independence, and self-determination.  Their decision to live on their own becomes the heart of the film, a quiet but powerful act of courage. Together, they learn how to work, care, dream, and build a life anchored in trust and warmth. The story never asks for sympathy. It asks for recognition.  As the MMFF run progressed, screenings were marked by emotional silences, lingering applause, and deeply personal reactions from audiences—families, educators, advocates, and moviegoers seeing themselves reflected on screen. The film’s Best Picture win feels like a natural culmination of that collective response.  “I’m Perfect” is not about perfection.  It is about truth.  It is about being seen.  It is about love that does not ask permission.  The film is supported by an esteemed ensemble cast including Sylvia Sanchez (also serving as Executive Producer alongside Ria Atayde-Marudo ), Joey Marquez, Lorna Tolentino, Ton Ton Gutierrez, Zaijan Jaranilla, Janice de Belen, Viveika Ravanes, Myke Salomon, Joel Saracho, and Akiko Thompson , whose performances frame the story without ever eclipsing its leads.  Equally vital is the remarkable supporting ensemble of performers living with Down Syndrome— Carl Jason Garcia, Richelle Joyce Primo Uy, Gio Jose D. Dicen, Angela Battalones, Javi Sarmiento, Bea Mendoza, Royce Gian Rivera, and Jonathan Tilos —whose presence brings authenticity, joy, and lived truth to every frame.  Executive producer and actress Sylvia Sanchez has previously described the film as a promise—one made with patience, respect, and purpose. With its Best Picture win, that promise now carries even greater weight.  As the festival enters its final stretch, “I’m Perfect” stands as a defining moment for MMFF 2025—proof that inclusive storytelling is not a risk, but a revelation.  In a season filled with spectacle, “I’m Perfect” speaks softly, wins boldly, and lingers long after the lights come up.  Because in a world that often underestimates people with Down Syndrome, this Best Picture–winning film reminds us of a simple truth:  They can love. They can dream. They can choose. They can belong.  They can. They always could.  #YesWeCan   “I’m Perfect” is currently screening nationwide as part of the 2025 Metro Manila Film Festival.   Photography by Meinard Navato (@mpnavato) with Josh Navato (@joshnavato)  Photo shoot art direction by Jobo Nacpil (@jobonacpil)  Poster Design by Justin Besana (@justinbhb)  Poster Photography by Stephen Capuchino (@thatposterboy_)

The Hero Who Stays In an era where heroism is often defined by spectacle, certainty, and noise, Piolo Pascual is choosing something quieter—and perhaps braver. With Manila’s Finest, the most recent entry to the 51st Metro Manila Film Festival, the actor steps into a role that resists grand gestures and instead leans into endurance, doubt, and moral persistence. It is a performance shaped by time, experience, and a deep understanding of what it means to serve in a complicated Manila. For Piolo, today’s Filipino hero doesn’t have to be perfect. He thinks real heroism is found in being vulnerable and showing up, even when you doubt the system. “We’re used to heroes who are almost untouchable,” he reflects, “but reality has made us more honest.” In Manila’s Finest, strength means choosing to do what’s right, even when things are unclear. This is the kind of hero who stays. This evolution mirrors Piolo’s own journey. Early in his career, he admits, heroism felt aspirational—something to admire from a distance. Over time, that definition softened and deepened. Now, he sees heroes as people who listen, who take accountability, and who evolve. As both an actor and a Filipino, he has come to understand courage as empathy and responsibility. “The older I get,” he says, “the more I value quiet strength over spectacle.” “ We’re used to heroes who are almost untouchable,” he reflects, “but reality has made us more honest.” The Piolo Effect That quiet strength is also what many in the industry point to when they talk about the “Piolo Effect.” Co-stars, directors, and younger actors often cite his discipline, generosity, and consistency as benchmarks. Piolo acknowledges this influence but refuses to wear it as a badge. “I receive it with gratitude, not pride,” he says. Rather than pressure, he sees it as stewardship, a responsibility to show up prepared, respectful, and present. For him, influence should never be about image, but example. Even after many years in the industry and a strong legacy, Piolo still picks roles that challenge him. He says that feeling too comfortable is a sign to be careful. “If a role feels too safe, I start asking myself what I’m avoiding,” he shares. What drives him is curiosity and being willing to face discomfort. At this point in his career, he is still searching for honesty, both in his stories and in himself. He believes that as you gain experience, growth should actually become even more critical. Preparing for Manila’s Finest required confronting the contradictions of service head-on. Piolo immersed himself in the realities of public servants, people driven by idealism, yet weighed down by fatigue and compromise. What struck him most was how many continue to serve despite feeling unseen. In this context, the Filipino dream shifts. It is no longer about success, but dignity. Perseverance remains real; the personal cost is deeply broken. And yet, hope persists in the simple belief that the work still matters. Consistency Over Spectacle Now that Piolo works with actors who used to watch him grow up, he thinks carefully about the lessons he shares, whether he says them aloud or not. He wants young actors to know that lasting success comes from discipline and humility. Talent can get you started, but attitude is what keeps you going. If he could give one piece of advice, it would be to respect the process—every role, every person on set, and every chance you get. He reminds them that fame doesn’t last, but character does. As the Philippines changes its idea of heroes, from regular workers to imperfect public figures, Piolo thinks stories should be just as honest. He wants to see stories where heroes can question things, make mistakes, and learn from them. He believes this honesty makes stories stronger, not weaker. Today’s audiences, he notices, care less about fantasy and more about real experiences. Maybe it’s time to focus on real lives instead of legends. Looking back, Piolo hopes Manila’s Finest adds depth to his body of work. More than a performance, it is a phase in which reflection matters as much as craft. He wants the film to affirm his willingness to listen, to learn, and to engage with the present. If it shifts the conversation about his career, he hopes it leads to seeing an actor who chose growth over comfort. Ultimately, Piolo Pascual’s legacy—still unfolding—is not built on perfection, but on consistency, integrity, and evolution. Much like the hero he portrays, he is not defined by grand gestures, but by the decision to keep showing up. photography: Stephen Capuchino @stephencapuchino art direction: Jobo Nacpil @jobonacpil styling: Maui Segismar @mauisegismar Special Thanks: Cignal, MQuest Ventures, Rizz Marketing

A new collection of hand-embroidered kimonas, bibs, tapis skirts, and sarongs fill the pop up space of Dennis Lustico. Beyond it being a holiday offering, the Filipiniana Collection echoes the designer’s musings on what it truly means to build an enduring wardrobe and dress beautifully. Dennis Lustico’s pop up space on the second level of the Powerplant Mall resembles a jewel box. A velvet chartreuse sofa, Persian carpets, deep red curtains create a sense of being cocooned inside the boudoir. When the store first opened in November, Lustico filled the brass racks with contemporary essentials. Capes, vests, pencil skirts with fringe details, satin tops with tassels drew a steady flow of well-heeled clients to the store. In true form, the initial drop showcased the design codes that distinguish Luistico: impeccable tailoring and a razor sharp sense for craft. “I was intentional about having a quiet opening,” the fashion designer shares. “I also knew that midway, I would be introducing a Filipiniana Collection.” Lustico’s new collection is anchored on a central garment: the Kimona. Also regarded as the national dress of the Visayas region, this lightweight, cape-like variation of the camisa is traditionally paired with the patadyong or wrap skirt. “It is a garment that I remember vividly from childhood,” Lustico intimates. “As a young aspiring designer, I would observe women in our province wear this airy, effortless yet elegant set. In a way this collection is a return to basics, and an ode to my roots.” The collection features five different Kimona designs, including a callado bib. These pina tops are all hand embroidered by artisans in Laguna. Designs are developed in-house, drawing from local flora or patterns found in fans. Sarongs or tapis skirts complete the collection, resulting in a multitude of distinctly Filipino ensembles that are versatile, effortless, and easy to wear.  Garments are done such that one size fits all. They are also intended for playful layering, mixing, and matching. “It’s heritage dressing, but at the same time, the pieces emphasize how Philippine fashion is now essential for everyday dressing–and not just for special occasions. They are special in that everything is handmade, but at the same time they can be worn many times in different ways. They can also be passed on like heirloom pieces.” Lustico reveals that creating a Filipiniana collection for prêt-á-porter is completely different from the projects he has done in the past. “We worked with a completely new set of patterns and explored new techniques,” he elaborates. “By introducing this collection, we hope to spark more interest in our handcrafts, especially our embroiderers and weavers.” He also intimates that the pop up space is a prelude of what’s to come. Lustico hints, “This is a transition. A training period–learning about spaces, manning, deliveries, and production–before we establish a store in 2026.” LUSTICO’s Pop Up Space is located at R2 Powerplant Mall, Rockwell Center and will run until January 31, 2026. For more information, follow @dennis_lustico.

At only 27, Hong Kong–based photographer Michelle Lau has already carved out a voice that feels both intimate and transportive. A multimedia graduate of PolyU, Michelle’s journey into photography began in a simple, personal way. Back in 2011, she and her then-boyfriend would spend their days taking photos together. What started as a shared pastime opened a door she never closed. Over the years, that early spark grew into a deeper pursuit of storytelling through images. For Michelle, Asia holds a defining place in global fashion. She sees the region’s influence rooted in its beauty and culture—elements she believes continue to shape how the world looks at style. That same mix of depth and identity is reflected in Hong Kong’s own fashion scene, where Chinese traditions stand beside Western influences. The result is a blend of heritage and modernity that feels uniquely alive. When she’s searching for inspiration, Michelle wanders through Hong Kong’s older streets. She has a soft spot for the city’s 1950s to 70s architecture, especially around Sham Shui Po. The worn textures, narrow alleys, and character-filled corners fuel her imagination, giving her settings where memory and artistry meet. Michelle describes her photographic style as romantic and dreamy, with touches of fantasy woven throughout. In her latest set, she drew inspiration from a Chinese poem and shaped the shoot around that emotional landscape. She leaned more heavily into interacting with the surroundings and used light in a more experimental way. The result, she says, is a body of work that feels closer to her own artistic voice. Looking ahead, Michelle plans to expand her storytelling even further. She hopes to shoot film stills and eventually create a short love-themed movie. Her long-term dream is simple but profound: to find beauty in every corner of the world and capture it through her lens. Her personal motto reflects that same spirit— “Take your broken heart, and make it into art.” It’s a reminder of how creativity often grows from the most human places. ON OUR ARCHIVE: BLNC THE ASIAN ISSUE Read here: https://www.magzter.com/share/mag/7280/212210/6 To see more of Michelle’s work or get in touch: Facebook: facebook.com/hongkong.michelle.lau Instagram : @michellelauphoto Website: michellelauphotography.com

The 38th Awit Awards powered by Vibe delivered a #LEGIT celebration of Original Pilipino Music (OPM) as the nation’s most credible and long-standing music honors returned to the Meralco Theater on November 16, 2025.  For 38 years, the Awit Awards—organized by the Philippine Association of the Record Industry (PARI)—has stood as the country’s premier platform recognizing Filipino musical artistry, originality, and achievement.   Strengthened by its partnership with Vibe, MQuest Ventures’ youth-driven and creator-centered music countdown show, this year’s Awit Awards highlighted a renewed mission: to honor the best in OPM while embracing innovation, digital reach, and fan-focused engagement. Together, Awit Awards and Vibe delivered a show that was not only iconic but authentically #LEGIT.   Below are the official winners of the 38th Awit Awards powered by Vibe: Grand Awards • Album of the Year – Ben&Ben • Record of the Year – Lola Amour • Song of the Year – Cup of Joe – “Misteryoso” Album of the Year – Ben&Ben Record of the Year – Lola Amour Song of the Year – Cup of Joe – “Misteryoso” Performance Awards • Solo Artist – Dionela • Best Performance by a Group – Ben&Ben • Best Performance by a Solo Artist – iLA • Best Performance by a New Group – 12th Street • Best Collaboration – Dionela and Jay-R • Best Dance/Electronic Recording – BINI – “Salamin, Salamin” • Best Global Collaboration Recording – SB19, Terry Zhong – “Moonlight” Solo Artist – Dionela Best Performance by a Solo Artist – iLA Best Performance by a Group – Ben&Ben  Best Performance by a New Group – 12th Street Best Collaboration – Dionela and Jay-R Best Dance/Electronic Recording – BINI – “Salamin, Salamin” Best Global Collaboration Recording – SB19, Terry Zhong – “Moonlight” Genre Recording Awards • Best Ballad Recording – Moira, Juan Karlos • Best Rock Recording – Fast Pitch • Best Alternative Recording – Lola Amour • Best Alternative Rock Recording – Ice Seguerra • Best Rap/Hip-Hop Recording – SB19 and Gloc-9 • Best Jazz Recording – Devonaire District and Alvin Cornista • Best Instrumental Recording – Alvin Cornista • Best World Music Recording – Over Heat and CamSur Made • Best Recording by a Child or for Children – Ateneo Boys Choir   Special Recording Awards • Regional Recording – Juan Karlos and Kyle Echarri + Noel Cabangon • Best Christmas Recording – Devonaire District • Original Soundtrack Recording – Regine Velasquez • Best Novelty Recording – Introvert Fiesta ft. AJi • Inspirational Recording – December Avenue • Best Pop Recording – Maki – “Dilaw” • Best R&B Recording – Jay-R and Dionela   Technical Achievement Awards • Sound Engineer of Best Winning Recording – Axel Fernandez • Best Musical Arrangement – Khalil Refuerzo • Best Vocal Arrangement – Luke Isnani, Felip Suson • Best Remix Recording – Ena Mori and Kenyema • Best Cover Art – SB19 • Best Music Video – SB19 and Gloc-9 • Lifetime Achievement Award – Vic del Rosario • Dangal ng Musikang Pilipino – Ely Buendia Lifetime Achievement Award – Vic del Rosario Dangal ng Musikang Pilipino – Ely Buendia A #LEGIT Celebration of OPM’s Past, Present, and Future The 38th Awit Awards powered by Vibe reaffirmed its mission of spotlighting artists whose work reflects authenticity, originality, and excellence—the core of what it means to be #LEGIT in OPM. With its strengthened digital presence and dedication to uplifting Filipino creatives, the Awit Awards continues to champion music that inspires, unites, and elevates culture. As this year’s winners carve their place in OPM history, the Awit Awards remains committed to honoring Filipino talent—celebrating the best of what OPM has been and the limitless possibilities of what it can become. The 38th Awit Awards powered by Vibe is co-presented by the Philippine Charity Sweepstakes Office (PCSO).

In this BLNC Facets , we speak with a Filipino voice who has carved out a place on the global stage by turning personal history into creative fuel. Rooted in the warmth of a Pampanga upbringing and shaped by life in California and New York, she has found a way to honor her heritage while reaching audiences far beyond home. What began as a quiet search for comfort during the pandemic grew into a body of work that now resonates around the world, from community bake boxes to an award-winning cookbook. Her story is one of craft, resilience and cultural pride. She reflects on the flavors that raised her, the recognition that marked a turning point in her career, and the responsibility she feels as a Filipina sharing her work with an international audience. Through her journey, she offers a reminder that creativity doesn’t need perfection to matter—it only needs honesty, intention and the courage to begin. Tell us about your Filipino roots and how they’ve shaped who you are today. 
 My parents immigrated to the United States from Pampanga in the early 1990s, and raised my sisters and me in California. Growing up as a first generation Filipino American, I am lucky to have such a large family who has always cared about preserving our culture and history. I carry those memories and lessons with me as an adult living in New York City. What inspired you to pursue your path and eventually take it to a global stage?
 During quarantine, I was yearning for a creative outlet that would help me cope with the hardships of the pandemic. I turned to baking and writing about it online, and it helped me feel more connected to a wider food community. It was also really important for me to find a way to contribute to mutual aid organizations, which was how I started selling Pasalubong treat boxes. They were dessert boxes that reminded me of home and they really put my work on the map. Looking back, what has been a defining moment in your journey so far?
 Winning the 2024 James Beard Emerging Voice Award in Books was a watershed moment for me. I am so grateful that Mayumu was recognized by the James Beard Foundation and that it validated so much of the hard work put into bringing the cookbook to life. It’s been astounding to see its impact on my career and the opportunities I've been given because of it. How does your Filipino identity influence your work and the way you see the world?
 My Filipino identity defines my palate. I have such a deep appreciation for tropical flavors and ingredients, which comes across in the recipes that I create. It’s very grounding, and it’s helpful to use that knowledge to experiment with the fusion of other global influences. What does it mean to you to represent Filipino talent abroad?
 It means so much to me to be able to represent Filipino food abroad. I hope to always innovate in the dessert world, and to use my platform to uplift many other great Filipino writers and chefs. What advice would you give to fellow Filipinos who dream of making their mark internationally?
 My biggest advice is to not let yourself get in the way of creating because you don’t think something is “perfect enough.” I have let many projects fall by the wayside because I was hypercritical of my own work. It’s best to just keep creating art, and acknowledge that you can only get better with time. Photography credit: Nico Schinco.