From July 30 to August 2, ArteFino’s “Isang Dekada” will unveil a trade fair experience that is worldclass, future-forward yet deeply rooted on Filipino heritage Dekada is a theme that captures the ArteFino journey from the time the movement first spread its wings in 2017 to the present day. It is an idea that mirrors heritage in continuous motion–always evolving, innovating, finding new forms and voices. To mark 10 years of sparking meaningful conversations, uplifting local artisanal communities, growing a community of conscious consumers, and ultimately, reshaping the retail landscape, ArteFino in partnership with Rockwell and Security Bank presents Isang Dekada from July 30 to August 2 at the Power Plant Mall. (L-R) Cedie Vargas, Maritess Pineda, Susan Quiros, Marimel Francisco, Armita Rufino It took vision, conversations anchored on purpose, and a community determined to get their messages across to impact change. A decade ago, the retail landscape and consumer behavior in the Philippines was largely shaped by Western influences. Brands and products available in the market were mostly imported. Filipino consumers were guided by a misinformed perception that locally-made products were inferior to those brought in from the US or Europe. Philippine handicrafts were often relegated to souvenir shops or small Filipiniana corners in department stores. Similarly, local fabrics, weaves, and garments made by Filipino artisans were only ever brought out during Linggo ng Wika or local fiestas. Messages That Define A Decade When Maritess Pineda, Armita Rufino, Susie Quiros, Cedie Vargas, and Marimel Francisco mounted the first ArteFino fair, they were clear about their purpose and vision. “We knew from the beginning that we needed to promote locally-made products and in the process help our artisan communities,” the founders begin. “When we realized that we had a following, we knew that we couldn’t just keep selling. Rather, we needed to convey a message that would create impact.” The message was simple, straight-forward, yet purposeful: “Every handcrafted piece represents a livelihood; every tradition deserves a future; and every artisan deserves the opportunity to thrive.” Not Just A Bazaar, A Cultural Movement From the onset, the team behind ArteFino understood that they were not just mounting an annual trade fair or bazaar. “We envisioned more than a fair” they affirm. “We wanted to build a movement that celebrates the finest of Filipino craftsmanship while creating meaningful opportunities for the people behind it.” That vision brought ArteFino’s reason for being to life: HeArteFino Development Program Grant. The founders articulate: “When communities thrive, our culture lives on. And when heritage continues to evolve, we inspire future generations to become responsible stewards of our craft and nation. That purpose has grown into meaningful action.” Today, ArteFino’s message and mission ripples through and well beyond the four walls of the trade fair. “There is now pride in supporting or consuming products that are made locally. It’s become something that people like to share and talk about,” they observe. It is most evident in the local retail landscape. Consumers’ preferences have shifted significantly in favor of Philippine designers, brands, and makers, driving demand for products that are made in the country. As a result, shopping destinations have now dedicated more prominent spaces for locally-made products. Dressing in the Filipiniana style and adding distinctly Filipino elements in one’s home have also become de rigeur. The same can be said in other categories like gifting, beauty, wellness, and even flavors. Heritage, Purpose, and Meaning The team agrees that the work is far from over. The challenge, 10 years in, is not so much about releasing something “new” at every fair. They are instead focused on sparking conversations and creating experiences that are future-forward yet rooted in heritage, purpose, and meaning. Before the pandemic, for instance, ArteFino began highlighting the importance of integrating more sustainable practices in the creative process. The team recalls: “No one was listening back then. But soon enough, it began to resonate with consumers who sought meaning. These are the buyers who wanted to know where products come from, how they are made and the artisans who made them.” Throughout the years, ArteFino has added layers and new dimensions to the important, and sometimes hard conversations, making every trade fair experience more relevant and resonant to the times. “Everyone in the community is immersed in the movement, making it possible for us to champion our message. This has also allowed the movement to espouse these values, which help to reshape how products are designed, crafted, presented, and consumed.” Apart from brands, makers, artisanal communities, designers, and patrons, ArteFino has also forged deep partnerships with like-minded industry leaders like Rockwell and Security Bank. Tanya Deakin, FVP, Corporate Communications Head introspect: “BetterBanking has always been about understanding our customers and finding better ways to serve them. That's why our partnership with ArteFino is a natural fit. It allows us to create experiences our clients value while supporting Filipino craftsmanship and entrepreneurship. As we celebrate 75 years of BetterBanking under our anniversary theme, which is ‘With you then, with you now, and with you always,’ we remain committed to making banking simpler, faster, and more personal, while growing alongside the customers and communities we serve.” Ushering In An Era of Responsible Retailing Many elements that make up ArteFino: Isang Dekada find common ground in the concept of responsible retailing. “This was top of mind in our curation process for ArteFino’s “Isang Dekada”. This idea also influenced the direction of our featured HeArteFino grantees like Project Nova, Zarah Juan, ANTHILL Fabric Gallery whose collections will be featured in the South Court this year,” they share. Many of the participating brands this year are also innovating their designs by exploring natural fibers and upcycling techniques. For example, a collaborative collection between HeArteFino and Isla Tek will be unveiled in this year’s fair. The capsule wardrobe will showcase the use of the maker's specialized yarns made from pineapple, banana, and abaca. “We are going down the value chain in reverse, deepening that mission and looking closer into the conversation. We started with the products, then touched on the makers, the community. Now, we are looking into the materials or the fibers.” By opening channels for new ways, materials and methods, brands and makers are empowered to create and continuously evolve in their crafts. Dekada Collections: A Design Journey To commemorate the movement’s milestone, partner brands across categories were invited to create exclusive Dekada Collections. The ArteFino team expounds, “We asked them to create pieces that reflect how far they’ve come, how their craft has evolved, and where they hope to take Filipino design next.” More than 100 Filipino brands will be on showcase at ArteFino: Isang Dekada, which will cover various areas of the Power Plant Mall including The Fifth, North Court, South Court, and the R1 Lifestyle Hallway. They disclose, “We were intentional about how we wanted to present the brands and their products. We reconfigured the grounds so that there is more room for brands to showcase their work and share their design journey.” Visual Storytelling Through Space ArteFino enlisted Philippine Institute of Interior Designers President Cecil Ravelas to design and curate the North and South Courts. Spaces in these areas were reimagined as visual anchors that tell the narratives of brands and makers in a manner that truly sparks curiosity. “It’s the event’s showcase. It's an invitation, drawing visitors into the ArteFino story,” Ravelas elaborates. Gino Gonzales, who has worked with ArteFino in previous years, has also been engaged to create the Central Display area at The Fifth. This feature of the event has always been a trademark that sets the tone for every ArteFino trade fair. “We’ve always had a Central Display as a space where we could inspire our brand partners to look beyond the bazaar set up. It’s a continuous exploration of visual merchandising, which is very important especially for young or emerging brands.” Over the course of 10 years, the Central Display has also welcomed the visual imaginings of Wynn Wynn Ong, Ito Kish, Leeroy New, Pat Pastelero of SPRUCE, Miguel Rosales, and Indy Ycasiano. Spaces For Collaboration Collaboration is a key attribute that distinguishes the ArteFino experience. Throughout the years, the movement has birthed several design-led product collaborations and co-created product lines. Studio ArteFino, which will be launched during ArteFino Isang Dekada at the South Court, was envisioned as the movement’s retail extension. The team explains: “It will serve as the space in the fair that showcases products developed, designed, handpicked, or directly invested in by ArteFino.” Eats by ArteFino, created in partnership with The Seven Pantry will also debut during ArteFino: Isang Dekada. It was built around the idea that food is at the heart of gatherings, celebrations, and everyday life. “More than a food hall, it is a thoughtfully curated destination where food takes center stage, while home, pantry, and entertaining come together to enrich the experience of gathering around the table.” Apart from well-loved, familiar flavors, Eats by ArteFino will also feature a curated lifestyle store carrying pantry staples, snacks as well as home, dining, and entertaining wares. The team reflects, “ArteFino has always been more than just the shopping. We are excited about introducing reimagined sections that add meaningful layers to this year’s fair.” Always Evolving The last 10 years for ArteFino have been an experience, exploration, and discovery of heritage in motion. The decade that was also tells the story of a cultural movement that is in a constant state of evolution. While rooted in tradition, identity, and community, ArteFino is always finding new forms, voices, and dialogues to impact change. Maritess Pineda, Armita Rufino, Susie Quiros, Cedie Lopez-Vargas, and Marimel Francisco conclude: “We honor the artisans, traditions, and communities that laid our foundation. Today, we celebrate the movement we have built together. Looking ahead, we set our gaze on creating opportunities, driving innovation, and ensuring that our heritage continues to flourish for generations to come.” ARTEFINO: ISANG DEKADA is presented by Rockwell and Security Bank. The milestone celebration happens from July 30 to August 2 at the North and South Court, R1 Lifestyle Hall and The Fifth at Power Plant Mall. For more information and updates, follow @artefinoph or visit www.artefinoph.com

For years, P-Pop has been measured against international standards. The comparisons were inevitable. The synchronized choreography, glossy visuals, and polished production often invited parallels to K-pop and Western pop. But somewhere along the way, a new generation of artists stopped asking how close they could get to global trends and started asking a more important question: What does Filipino pop sound like when it's unapologetically Filipino? The answer is unfolding in real time. Across today's P-Pop landscape, artists are embracing local language, Filipino humor, everyday culture, and references that only Pinoys truly understand. From songs inspired by comfort food to playful wordplay and stories rooted in local experiences, these releases prove that authenticity is becoming the genre's greatest strength. P-Pop no longer needs to borrow an identity. It's creating one. 1. SB19 — "Visa" SB19 continues to push the boundaries of Filipino pop with a track that speaks to ambition, movement, and the dreams of a generation that sees the world without forgetting where it came from. "Visa" feels global in sound but deeply familiar in spirit. 2. ALAMAT — "Sinigang" No group has championed Filipino identity quite like ALAMAT. "Sinigang" is playful, clever, and unmistakably local. Turning one of the country's most iconic dishes into a pop anthem is exactly the kind of creative risk that reminds listeners that culture can be celebrated without feeling forced. 3. VXON — "Pelikula" Romance has always been part of Filipino storytelling, and VXON transforms that cinematic tradition into an emotional pop record. "Pelikula" captures the feeling of living through a love story where every scene feels familiar. 4. 6ENSE — "Piliin Mo Ako" Sometimes the simplest message hits the hardest. Sung in the language people speak every day, "Piliin Mo Ako" embraces vulnerability without sacrificing modern production, making it one of the scene's most relatable releases. 5. VVINK — "Pig Ibig Fun" VVINK proves that P-Pop can have personality. Built around Filipino humor and infectious energy, "Pig Ibig Fun" is playful without losing musicality, showing that fun can be just as impactful as perfection. 6. Mei Mei — "Alembong" Mei Mei's "Alembong" is a celebration of playful Filipino humor wrapped in an irresistibly catchy pop record. Drawing from a familiar local expression, the song embraces wit, confidence, and personality without taking itself too seriously. It's a perfect example of how today's P-Pop artists are turning uniquely Filipino words and cultural nuances into music that feels both fresh and instantly relatable. 7. BabyDolls — "Ohlala Baby" Bright, confident, and irresistibly catchy, BabyDolls deliver a song that captures youthful energy while embracing the colorful personality that has become a hallmark of the new wave of P-Pop. 8. RAYA — "Get Me" RAYA's "Get Me" blends polished pop production with effortless confidence, showcasing a fresh take on contemporary P-Pop. While sonically modern, the group's charm lies in its natural delivery and relatable attitude, proving that Filipino artists can embrace global influences without losing their own identity. It's another strong example of a new generation that's redefining what Pinoy pop looks and sounds like. 9. AJAA — "Ako Na" Confident, charismatic, and undeniably catchy, AJAA's "Ako Na" embraces the playful swagger that's deeply ingrained in Filipino pop culture. With its conversational lyrics and infectious energy, the track captures the humor, confidence, and charm that make OPM feel instantly familiar. It's a reminder that being proudly Filipino isn't just about language, but also about attitude. 10. GAT — "Daleng Dale" With its catchy hooks and unmistakably Filipino attitude, "Daleng Dale" celebrates confidence through familiar expressions and street-smart energy. It's the kind of song that feels instantly local while remaining accessible to a wider audience. More Than a Trend The most exciting thing happening in P-Pop isn't just the choreography, the visuals, or the growing international recognition. It's the confidence to sound Filipino. Artists are embracing Tagalog without compromise. They're writing about local experiences, celebrating Filipino humor, and turning everyday culture into music that resonates across generations. Instead of chasing another country's blueprint, they're building one of their own. That's what makes this era different. The future of P-Pop isn't about sounding more international. It's about discovering that the most compelling stories have been here all along. And perhaps that's the genre's biggest evolution yet: not becoming the next K-pop, but becoming the best version of Pinoy Pop.

PHILIPPINES— At SoFA Design Institute, the balance between tradition and innovation lies at the heart of its design education, encouraging students to create work that is not only visually compelling, but also grounded in identity, and purpose. As Filipino design continues to gain recognition on the global stage, a new generation of designers is finding meaningful ways to honor the country's rich cultural heritage while shaping its creative future. This vision came to life through iPAMANA: Honoring Filipino Stories through Furniture, an exhibition presented by SoFA Design Institute's Interior Design students from July 13 to 16, 2026 at the SoFA Collab Cove. Serving as the culmination of months of research, ideation, and design development under the mentorship of IDr. Kaye Manansala, the exhibit invited the public into a thoughtful exploration of Filipino culture through contemporary furniture and interior design. The exhibit transformed the campus into an immersive gallery where every piece carried a story. Drawing inspiration from local mythology, folklore, craftsmanship, landscapes, and everyday Filipino experiences, the students reimagined familiar narratives into furniture and interior concepts that bridged heritage with modern living. Each work reflected a careful dialogue between material, form and function, demonstrating how interior designers can preserve cultural memory while responding to the evolving needs of contemporary spaces. The exhibition also welcomed members of the Philippine Institute of Interior Designers (PIID), whose visit underscored the relevance of nurturing the next generation of Filipino interior designers. Their presence highlighted the importance of strengthening connections between design education and professional practice, while recognizing the students' thoughtful interpretations of Filipino identity through furniture and spatial design. Beyond their aesthetic appeal, the featured pieces revealed a deep commitment to research and cultural understanding. Every furniture piece was thoughtfully crafted through a process that challenged students to engage with history, community, and identity, resulting in designs that celebrated Filipino narratives with sensitivity and intention. Together, the collection illustrated the enduring relevance of local stories and the power of design as a medium for preserving and reinterpreting cultural heritage. The exhibition also reflected SoFA Design Institute's distinctive approach to creative education. Through mentorship from practicing professionals and the SoFA Method, a unique way of education where abstract and esoteric ideas are supported, students are encouraged to explore design as a form of storytelling, one capable of creating meaningful experiences, fostering dialogue, and inspiring new ways of seeing the world. "What excites me most about iPAMANA is how our students utilized the full spectrum of the SoFA Method, from ideation to execution, giving families, friends, and the public a chance to experience it firsthand," shared Aaron Paglicawan, SoFA Design Institute Interior Design Chairperson. As emerging designers continue to navigate an increasingly interconnected creative landscape, a strong sense of cultural identity remains one of their greatest strengths. Exhibitions such as iPAMANA: Honoring Filipino Stories through Furniture demonstrate that contemporary Filipino design can be both globally resonant and unmistakably local, drawing from generations of craftsmanship and lived experiences while embracing new ideas and perspectives. For the students behind iPAMANA: Honoring Filipino Stories through Furniture, the exhibition marked more than the culmination of an academic project. It represented the beginning of their journey as interior designers who understand that every object, every space, and every detail has the potential to tell a story. By carrying Filipino narratives into contemporary design, they contribute to a growing movement that celebrates heritage not as something confined to the past, but as a living source of creativity for generations to come. For aspiring Interior Designers, Furniture Makers, and Creative Thinkers, iPAMANA offered a glimpse into the learning experience at SoFA Design Institute, where every project begins with curiosity, every idea is shaped through thoughtful exploration, and every design becomes an opportunity to create lasting impact. Those looking to deepen their knowledge in furniture design can also explore SoFA Design Institute's Certificate in Sustainable Furniture program, which equips learners with the skills to create innovative, environmentally responsible furniture solutions while integrating sustainability into contemporary design practice. These furniture creations are available for viewing until Thursday, July 16, 2026 from 11 AM until 7 PM. For more information about SoFA Design Institute and its programs, visit sofa.edu.ph, and follow the college on TikTok, Facebook and Instagram for updates on upcoming exhibits, events, and admissions.

There is something quietly radical about sitting in a dark room and giving your full attention to a story. In an age where images disappear with a swipe and attention spans are measured in seconds, Cinemalaya continues to ask audiences to slow down. To observe. To feel. To sit with discomfort. To listen between the lines. More than a film festival, Cinemalaya has become a space where Filipino cinema refuses to conform, choosing honesty over spectacle and intimacy over excess. Its 2026 edition arrives with a new generation of filmmakers who understand that cinema isn't just about telling stories. It's about building worlds from memory, identity, longing, and resistance. Their films blur the line between documentary and fiction, tradition and modernity, personal history and collective experience, reminding us that the most compelling narratives often begin with the courage to look inward. Every frame is a composition. Every shadow, every silence, every lingering close-up carries intention. Here, cinematography becomes poetry. Costume becomes character. Architecture becomes memory. Sound becomes emotion. Independent cinema transforms everyday spaces into living archives, proving that artistry is found not in grandeur, but in precision and purpose. Nine Films. Nine Perspectives. One Collective Reflection. This year's nine feature-length finalists embody Cinemalaya 2026's theme, "Reel Reflections," exploring stories that mirror the complexities of identity, family, faith, community, and the Filipino experience. Each film offers a distinct perspective while showcasing the fearless storytelling that has defined the festival for more than two decades. A.Ni.Mál Written and directed by Dustin Celestino In a provincial Philippine town, the naïve daughter of the mayor comes home with a video of a powerful family friend abusing his dog. A black comedy and social satire, the film examines power, privilege, and the moral choices that follow. 2 VALID IDs Directed by Ma-an L. Asuncion-Dagñalan and Abet Pagdagdagan Raz A poor farmer is unable to claim a remittance because she lacks the required two valid IDs, forcing her into a situation that challenges her character, beliefs, and morality. GANGGANG Written and directed by JL Burgos Three boys form an unlikely bond in search of the best fighting spider to defeat a school bully's prized arachnid, only to discover that their journey will put their friendship to the ultimate test. HAND OF GOD Written and directed by Mark Duane Angos Set in a remote village marked by years of conflict, the film follows a child soldier who finds hope through football, forcing him to choose between the path of war and the possibility of a different future. MAG-IINA Directed by Giancarlo Abrahan and Guelan Luarca As the 40th day after her estranged father's death approaches, a woman returns to her ancestral home, where three generations of women are bound together by grief, madness, and an evil that runs deeper than blood. KAKA SA YAWAN Written and directed by Alpha Habon A coming-of-age story set in Mindoro follows Niko, a boy from Manila, and Ayan, a Tadyawan-Mangyan youth, whose childhood friendship is revisited years later when a promise brings them back together. STATUS: REJECTED Written and directed by Vahn Leinard Pascual A grandmother searching for love and a better life becomes caught in an online romance that challenges her sense of self, her family relationships, and the dreams she refuses to abandon. TAYO LANG ANG NAKAKAALAM Directed by David Corpuz Bound by a love kept in silence, a man struggles to remain seen within a family that once made him feel at home, offering an intimate exploration of identity, belonging, and queer love. TIRIK Directed by May-i Guia Padilla A priest and a taxi driver embark on a dangerous journey to reconcile their moral conflicts while evading an assassination attempt, creating a tense thriller that questions faith, justice, and redemption. Together, these nine films reflect the breadth of contemporary Philippine independent cinema. They move between satire, horror, queer drama, coming-of-age stories, social realism, and psychological thrillers, yet they are united by a commitment to telling deeply human stories. In a year defined by Reel Reflections, the festival once again reminds us that cinema is not only a mirror of society, but also a lens through which we imagine new possibilities for ourselves and for the communities we inhabit.

It has been three decades since bitagcol’s first foray into fashion. Her creative journey began in 1996 on the runways and on the set of the most iconic images in Philippine fashion. Life as a model brought her to the world’s fashion capitals and into the ateliers of the region’s most revered designers. But more importantly, it lured her behind the scenes, into the world of photography. Every phase in bitagcol’s life and career has seamlessly flowed into the next with incredible grace. Today, her point of view as a model and lenswoman continues to shape her work as a designer and artist. “Gratitude is such a big part of my creative process,” bitagcol reflects. “It has become second nature for me to begin with gratitude. Before I create, it’s important for me to acknowledge all the opportunities that have come my way in the past 30 years. I also see to it that I express my appreciation for all the support and presence of clients, collaborators, supporters. That’s just become ingrained in everything that I do..” She elaborates, “I’ve always been interested in finding fresh and new ways to present our history, culture and heritage. In creating a new print to celebrate 30 years, I wanted to explore new shapes, silhouettes and figures.” While laying out the vintage Maria Clara and Baro pieces, otherworldly forms began to materialize. “I guess you can call them aliens or creatures from another universe. We tied this in with the main idea of gratitude and came up withThank you, Universe.” The pop up space will carry bitagcol’s signature boxy shirts, kamisas, sporty kimonas, robes, apron dresses, and sarong pants. New pieces like the multiway wrap (a wrap skirt that can also be worn as a dress), lace undergarments, and bubble saya present playful ways in putting together a bitagcol ensemble. The white polo shirt with printed pockets now also comes in vibrant colorways. “My new prints were adapted to our signature styles, but there are also some new pieces that are reimagined from the past collections. Some of the prints were done in full color, covering a wide range of palettes. I was also inspired to create a set of black and white prints.” Thank you, Universe also finds its full expression as art works. The pop up space is flanked by two gallery walls where colored as well as black and white prints on silk hang. There are also limited edition large scale pieces, which frame a hyper realistic, ethereal image of the Maria Clara and Baro taking on the otherworldly forms. In the months leading up to her anniversary, bitagcol ruminated on how to celebrate a milestone that encompassed the various stages and phases of her career. Hers is a 30-year story of discovery, constant transformation, healing, grace, and becoming. Through it all, gratitude was the one force that held all these moving pieces together. Thank you, Universe is available at the pop up of bitagcol located on the 2/F Powerplant Mall, Rockwell Center. For more information, follow @joannbitagcol on Instagram. bitagcol: a timeline 1996: bitagcol’s fashion journey began when she was discovered in a panceteria in Bulacan. In the same year, she debuted at the Fashion Watch series. 1999: In Paris, bitagcol modelled for several Asian designers who held showrooms in the City of Lights. Early 2000s: bitagcol returned to her beloved Manila where she became the favorite muse of the country’s top designers. 2004: bitagcol enrolled at the University of the Philippines to take up photography. She then apprenticed under Lilen Uy. She also considers Jun de Leon and Juan Caguicla as mentors. In 2007, bitagcol established her name as a photographer, working with various publications and brands. Her imagery, a merging of simplicity and introspection, presented a fresh and modern layer to the art visual storytelling. 2014: bitagcol collaborated with Mark Higgins and Gino Gonzales for the book, “Fashionable Filipinas: An Evolution of the National Dress for Women in the Philippines in Photographs.” The book was officially released two years later, in 2016. 2015: bitagcol is launched as an artist at the Avellana Art Gallery. Her first solo exhibit, Tripolar, echoed “a mental state of extreme emotional swings.” The show featured self portraits as a result of deep introspection as well as voodoo dolls reimagined as vessels for good luck. 2019: bitagcol once admitted that she first wanted to join trade fairs because she wanted to join her designer friends. “Naiingit ako sa mga friends ko. Gusto ko din magbenta,”: she once shared with candor. It was joey samson who encouraged her to turn her prints into scarves, which she soon debuted at the Bench Katutubo Pop Up Market. She has been a mainstay of the seasonal trade fair since. 2020: during the pandemic, bitagcol dedicated herself to developing new products for her then-fledging namesake brand. This period saw the early iterations of hero pieces such as the boxy shirts, apron dresses, robes. 2021: bitagcol’s Tripolar 2.0 went on exhibit at the Vinyl on Vinyl Gallery. The show featured her beloved voodoo dolls, clothed in the artist’s signature silk scarves. 2022: Art Fair’s online exhibit featured bitagcol’s Tripolar 3.0, a study of the human form on pina. 2023: bitagcol’s Tao Collection launches at the Greenbelt 5 store of Rhett Eala; In October of the same year, bitagcol was unveiled as one of the cover girls of Vogue Philippines’ Anniversary Issue. 2024: bitagcol debuts as a featured designer at the Bench Fashion Week Spring/Summer 2025 showcase. In June, bitagcol opened the doors to her showroom in Poblacion, Makati. By November, she set up her very first pop up at the Powerplant Mall 2025: bitagcol debuts at New York Fashion Week as a featured designer under Filipinxt. She also continued to grace the covers of Tatler Philippines (September) as well as Vogue Philippines (August 2025) bitagol joined the FASHIONPhilippines Milan Mentorship Program under Fondazione Sozzani, a program designed to guide designers as they break into the global market. In October of the same year, bitagcol presented her sports-inspired collection at Ternocon Palaro To close out the year, bitagcol collaborated with designer Ivarluski Aseron to present at holiday pop up at the Powerplant Mall

Lev Rodriguez, Marj Ramos-Clemente, and Iris Ocampo came together for SOFA Design Dialogues, a conversation that peeled back the polished surface of the creative industries to reveal the real stories behind successful careers. Instead of formal presentations, the event embraced candid discussion, inviting students, aspiring creatives, career shifters, and parents into an honest exchange about passion, uncertainty, and the realities of working in design. The morning opened with a simple but powerful reminder: creative careers rarely follow a straight line. Each speaker reflected on the unexpected turns that shaped their professional journeys, proving that uncertainty is often part of the process rather than a sign of failure. Their stories resonated with an audience standing at the crossroads of important life decisions, offering reassurance that every creative path is uniquely personal. Beyond the Final Product As the discussion shifted to what happens behind the scenes, the panel dismantled the common misconception that creative work is driven solely by talent or inspiration. Instead, they highlighted collaboration, research, strategic thinking, and continuous learning as the true foundations of sustainable creative careers. For Marj Ramos-Clemente, success in styling and editorial work extends beyond technical ability. "There is always risk involved, but passion remains the driving force." She emphasized that creatives must cultivate not only their skills but also their perspective. "Beyond skill, your level of taste must align with the brand." Her advice encouraged aspiring creatives to remain curious and constantly absorb inspiration. "Taste is not something you simply learn. It is something you continuously expand." She concluded with a reminder that creative growth begins with exposure. "Expose yourself to the world around you to better understand who you are." Creating Opportunities Instead of Waiting for Them Lev Rodriguez reflected on how dramatically the creative landscape has evolved. While previous generations struggled for visibility before the digital age, today's creatives face a different challenge: standing out amid endless content. "Before the internet, the challenge was to be seen and heard." Rather than waiting for opportunities to appear, Rodriguez encouraged young creatives to become proactive. "Create your own opportunities. Show up, introduce yourself, and have the courage to be seen." He also reminded the audience that genuine excitement often becomes the fuel for long-term success. "Whatever excites you, pursue it. That excitement will become your motivation." Ultimately, his love for the creative process itself remains his greatest inspiration. "I love the process of creating something new." Building Strong Foundations Interior designer Iris Ocampo focused on the importance of structure, teamwork, and holistic thinking in professional practice. She explained that successful projects are rarely the work of one individual, but of people who understand their strengths and collaborate effectively. "Building from the ground up starts with knowing your strengths." Innovation, she noted, begins with assembling the right people. "Innovation begins with finding the right people and building the right team." Ocampo also emphasized that mastery starts with fundamentals. "Start with the basics. That is where structure comes from." By understanding every department and every stage of a project, designers become more capable of delivering meaningful solutions. "Understand every segment and every department to create holistic design solutions." She concluded by encouraging students to balance formal education with real-world experience. "Combine academic learning with lived experience to become a visionary designer." Preparing the Next Generation Throughout the event, students actively participated in discussions, reflection exercises, and an open forum that allowed them to ask questions directly to the speakers. The conversational format transformed Design Dialogues into more than a career talk. It became a space where vulnerability, curiosity, and lived experience took center stage. The recurring message echoed by every speaker was clear: there is no universal blueprint for success in the creative industries. Every designer, stylist, editor, and creative professional builds a career through experimentation, resilience, and the willingness to keep learning. As industries continue to evolve, adaptability may be the most valuable creative skill of all. Technical expertise opens doors, but curiosity, courage, and persistence are what sustain a meaningful career. Design Dialogues ultimately reminded aspiring creatives that while every journey is different, the willingness to begin is what matters most. Sometimes, the most important step is simply having the courage to start creating.

As Pride Month shines a spotlight on stories of courage, identity, and self-expression, Filipino cinema offers a rich collection of films that have helped shape conversations about LGBTQ+ lives. From groundbreaking dramas to heartfelt romances and unapologetic coming-of-age stories, these films have pushed boundaries, challenged stereotypes, and given voice to experiences often left unseen. Here are some of the most influential Filipino gay films of all time that continue to resonate with audiences today. Ang Pagdadalaga ni Maximo Oliveros (2005) Few films have captured innocence and complexity as beautifully as Ang Pagdadalaga ni Maximo Oliveros. Directed by Auraeus Solito, the film follows Maxi, a young gay boy growing up in a working-class neighborhood who finds himself caught between family loyalty and his affection for a young police officer. With its tender storytelling and authentic portrayal of queer youth, the film became an international festival favorite and remains one of the most celebrated LGBTQ+ films in Philippine cinema. Die Beautiful (2016) A landmark in contemporary Filipino cinema, Die Beautiful follows Trisha Echevarria, a transgender beauty queen portrayed by Paolo Ballesteros. Through humor, heartbreak, and dazzling transformations, the film explores friendship, family, acceptance, and the enduring power of living authentically. The film earned critical acclaim both locally and abroad, becoming a cultural touchstone for LGBTQ+ representation in the Philippines. The Boy Foretold by the Stars (2020) A refreshing entry into Filipino queer storytelling, The Boy Foretold by the Stars presents a coming-of-age romance between two senior high school boys navigating friendship, attraction, and self-discovery. Its lighthearted tone and hopeful narrative offered a rare glimpse into young queer love without relying heavily on tragedy, making it especially meaningful for a new generation of viewers. Bwakaw (2012) Starring veteran actor Eddie Garcia, Bwakaw tells the story of Rene, an elderly gay man who has spent much of his life hiding his true self. As he confronts aging, loneliness, and the possibility of love, the film delivers a deeply moving reflection on identity and second chances. The film stands out for exploring a perspective often overlooked in LGBTQ+ cinema: queer life in later years. Mamu; And a Mother Too (2018) Heartfelt and deeply human, Mamu; And a Mother Too follows a transgender woman struggling to raise her nephew while facing economic hardship and societal prejudice. The film highlights themes of chosen family, resilience, and unconditional love, offering a powerful reminder that motherhood transcends traditional definitions. Markova: Comfort Gay (2000) Based on the true story of Walterina Markova, this groundbreaking film recounts the experiences of a gay man during the Japanese occupation of the Philippines. Combining history with personal testimony, the film sheds light on a rarely discussed chapter of both Philippine and LGBTQ+ history. Its courage in telling a difficult story helped pave the way for more diverse queer narratives in local cinema. Gameboys: The Movie (2021) Expanding on the success of the hit digital series, Gameboys: The Movie follows Cairo and Gavreel as they navigate the realities of their relationship beyond online screens. Released during a period when digital storytelling flourished, the film resonated with audiences seeking relatable and modern representations of queer love. Hello, Stranger: The Movie (2021) Building on another successful Boys' Love series, Hello, Stranger: The Movie explores young love, uncertainty, and personal growth. Its popularity signaled a growing demand for LGBTQ+ stories that center joy, romance, and emotional authenticity. A Growing Legacy of Representation Filipino LGBTQ+ cinema has come a long way. While early portrayals often relied on stereotypes or comic relief, today's filmmakers are creating stories that are nuanced, diverse, and deeply human. These films remind us that Pride is not only about visibility but also about storytelling, empathy, and the freedom to live truthfully. As audiences continue to embrace more inclusive narratives, Filipino queer cinema remains a powerful reflection of the country's evolving cultural landscape. Through every frame, these films celebrate love in its many forms and affirm that every story deserves to be seen. This Pride Month, revisit these cinematic milestones and honor the storytellers who continue to expand the horizons of Filipino representation on screen.

For Chef Miggy Cabel Moreno, food is more than a craft. It is a vessel for memory, identity, and cultural preservation. Born and raised between Jolo and Zamboanga, Chef Miggy has dedicated his career to championing the rich culinary heritage of Mindanao, particularly that of the Tausug people. Through Palm Grill and Cabel Restaurant, he has introduced diners to stories told through burnt coconut, age-old recipes, and traditions that have endured for centuries. His efforts have not only reshaped conversations around regional Filipino cuisine but have also earned international recognition, making him the first Tausug chef acknowledged by the MICHELIN Guide with Two Bib Gourmand distinctions. Yet beyond the accolades lies a deeper mission: to preserve heritage, challenge misconceptions, and ensure that the stories of Mindanao are given the visibility they deserve. In this conversation with BLNC Magazine, Chef Miggy reflects on culture, representation, resilience, and the responsibility of carrying the legacy of his people forward, one dish at a time. Q: Your work goes beyond cooking. It feels deeply connected to identity, memory, and representation. When did you realize food could become a form of cultural storytelling? Chef Miggy Cabel Moreno: My grandmother, the late Oswalda Alcantara Cabel, was a historian. Part of her legacy is the Sulu Museum and Library, and growing up in her household meant learning firsthand about the culture and history of Sulu. Beyond this, she loved cooking and hosting people from our locality and beyond. Along with these experiences came the stories behind the cuisine I grew up loving. At the age of eight, while learning how to cook in her kitchen and later in my mother Melissa's kitchen, I came to appreciate the importance of storytelling and the representation of Tausug food and culture. Palm Grill and, eventually, Cabel Restaurant became avenues for me to continue the legacy she left behind through food and by sharing the stories that make us proud to be Filipinos. Q: Growing up in Jolo and Zamboanga, what were the earliest food memories that shaped your understanding of Tausug culture? Chef Miggy: Two flagship dishes define Tausug cuisine: Pianggang Manok and Tiyula Itum, both rooted in pre-colonial cooking traditions. The Tausug are the only people in the Philippines who burn coconut meat and incorporate it into their cooking. This culinary practice, preserved since the era of the Sultanate of Sulu, is a unique cultural heritage that all Filipinos can take pride in. Q: Palm Grill introduced many Filipinos to Southern Mindanaoan cuisine for the first time. What challenges came with presenting unfamiliar flavors to a mainstream audience? Chef Miggy: In almost a decade of running Palm Grill, we have encountered many difficulties. When we established the restaurant in 2017, regional cuisine was neither a familiar nor fashionable business venture. We had to overcome misconceptions and preconceived notions. One of the toughest challenges was that many people were unwilling to try the cuisine. One memorable encounter was with a customer who believed that Muslim food was food for rebels. Another dismissed it as food that was not fit for consumption. The lack of representation and the desire to change perspectives became the reasons why I felt I needed to succeed. I'm grateful we never gave up despite all the hardships we encountered along the way. Q: You often speak about preserving heritage through food. What does preservation mean to you in today's fast-moving culinary scene? Chef Miggy: Mindanao remains the most unexplored of the Philippines' three major island groups. Because of this, there is still so much to uncover about its culture, history, and heritage. Growing up in Sulu and later in Zamboanga, I experienced firsthand the vibrant history of its people. Our ancestors were seafaring traders of a flourishing Sultanate and resilient warriors who defended their land against invaders. Because of this, our foodways were shaped by influences from neighboring Southeast Asian countries. Having never been fully colonized, the Tausug, Sama, Badjao, Yakan, and Lumad peoples preserved traditional cooking methods and practices. Through their cuisine, we better understand who we are and reconnect with an important part of our history and identity. To me, it is essential that we never forget these traditions and recognize our role in preserving them for future generations. Q: As the first Tausug chef recognized by the Michelin Guide with Bib Gourmand distinctions, how did that moment feel personally and culturally? Chef Miggy: Validated. Grateful. These are the exact words that best describe how I felt and still feel. For the longest time, I found myself constantly repeating that Tausug food is great. Beyond the stories it carries, its flavor profile is completely different from the other Filipino cuisines we know. This recognition validates Mindanaoan and Tausug cuisine on the global stage. I have always dedicated my work to representation, and with Michelin's recognition, I carry with me not just Mindanao, but regional Filipino cuisine as a whole. It reminds us not to forget the essence of Filipino food history and our responsibility to uphold and promote it. Q: Many people still know very little about Tausug cuisine. What are the misconceptions you hope to break through your work? Chef Miggy: Tausug food is not exotic food. It's not merely Muslim food, because food has no religion. It is Filipino food, part of our heritage and one that has stood the test of time. I hope Filipinos will show the same support and enthusiasm for our regional cuisines that they show for Korean, Japanese, and Western cuisines. No one else will champion our food for us. If we want our cuisines to become as mainstream and competitive as others on the global stage, we must lead the way. Q: Beyond technique, what emotions do you want diners to experience when they sit down for a meal you created? Chef Miggy: Palm Grill is more than just a restaurant. It is a full sensory experience. Our mission is to showcase Mindanao in a more positive light, which is why every detail of the space has been thoughtfully curated. I have always believed that food should evoke wonderful memories. For those discovering Mindanaoan cuisine for the first time, we take them on a gastronomic journey unlike any other. For those who have been away from home, Palm Grill becomes a place to reconnect with their roots, reminisce, and relive cherished memories through food. Q: There's a quiet sense of resilience in your journey. What kept you committed to this mission even before wider recognition arrived? Chef Miggy: As a child, whenever we traveled around Luzon and the Visayas, I would browse restaurant menus and notice the absence of Mindanaoan specialties. That experience became a core memory and one of the reasons I persevered despite all the challenges of the food industry. Coupled with cherished childhood memories of cooking and the aroma of burnt coconut and spices, this realization eventually led to the birth of Palm Grill. Q: In your opinion, what conversations are still missing in the Philippine culinary industry today? Chef Miggy: Filipinos should be more mindful about what we eat. Quality is often better than quantity. A ₱699 unlimited meat deal or buffet may seem like great value, but getting your money's worth isn't always about how much you can consume. We should pay more attention to the value of our food, where and how it is sourced, what it supports, and how it is prepared. These are conversations I feel we don't discuss enough. At the same time, I recognize that many Filipinos have limited choices and often prioritize affordability over quality. That's a reality we should address as a nation if we want healthier and more sustainable food habits. Q: You've collaborated with resorts, chefs, and cultural platforms around the country. How do these collaborations help amplify Mindanaoan voices and traditions? Chef Miggy: The only way, apart from writing children's books, is through collaboration. I've always believed collaborations help ensure our work transcends the tables and four corners of our restaurants. I'm grateful for the opportunities that arose because of Michelin recognition, but I've also made sure to partner with brands that understand and share my vision of propelling Mindanaoan cuisine further. Because it doesn't stop with accolades, awards, and collaborations. It needs to be sustained. And for as long as there are misconceptions and fears about discovering Mindanao, our work is not done yet. Q: Food is often tied to home. What does "home" taste like for you? Chef Miggy: Home is the aroma and flavors of Tiyula Itum and Pianggang Manok. It is slow-cooked chicken infused with coconut milk, burnt coconut, turmeric, and lemongrass, and a spice-laden beef broth simmering for hours, especially comforting on a cold, rainy day. That's home. Q: What part of Tausug culture do you think deserves more visibility outside of cuisine? Chef Miggy: Tausug art, dances, talents, and the people behind them deserve greater visibility and appreciation. The late National Artist Abdulmari Imao, Olympian Tuburan Tamse, contemporary artist Dang Yusah, and the Badjao pearl divers of Sulu and Tawi-Tawi are just some of the many cultural bearers and traditions that define the southern islands of Mindanao. There are so many stories waiting to be told. Q: Looking at everything you've built so far, what kind of legacy do you hope to leave for future Filipino chefs, especially those coming from regions and communities often overlooked? Chef Miggy: I would like to be remembered as the Tausug-Mindanaoan chef who, like his ancestors, never feared the roughest seas. History tells the story of the Moro people, especially the Tausug, as warriors of resilience, courage, and unwavering conviction. They fought for their land, freedom, faith, identity, and dignity. Like them, I consider myself a modern-day Moro warrior. My battlefield was not fought with shields and swords, but with a spoon in one hand and a knife in the other. Through countless sacrifices, failures, and victories, I carried my heritage into every dish I cooked. Every plate became a testament to where I came from and to those who came before me. My journey has never been about cooking alone. It has been about honoring my ancestors, preserving our culture, and proving that our stories deserve a place at the table of the world. To the next generation of Filipino chefs: never be ashamed of your roots. Your heritage is your strength. Your story is your greatest ingredient. Carry it with pride, protect it fiercely, and share it boldly. Photography by: Fern Dy ( @fern.dy ) Assisted by: Albert Calaguas Art Direction and Styling by JM Jusay of BLNC Mag

MoCAF, the Modern and Contemporary Art Festival, marks its fifth consecutive edition since its founding in 2022. MoCAF 2026 will feature an expanded lineup of over 50 local and international galleries, a range of new and continuing programs, and partnerships across the arts, food, and beverage industries, making it the largest and most ambitious edition of the festival to date. Since its inaugural edition, MoCAF has grown from a 19-gallery showcase into one of the most significant platforms for contemporary art in the country. In just five years, the festival has expanded to represent hundreds of visual artists, alongside handcrafters, artisans, and other creatives. Alongside the highly anticipated artworks from Ysobel Art Gallery, Fundacion Sansó, Art Underground, and White Walls Gallery, MoCAF is also excited to welcome this year’s participating international galleries: SHIKISAISHA GALLERY (Japan), Gallery Kogure (Japan), White Space Art Asia (Singapore), and Kate Contemporary Madrid (Spain). This year’s festival furthers that trajectory through the continued development of MoCAF XTN (Extended), which opens additional exhibition spaces and creates broader opportunities for galleries and artists to present their work. Participating Galleries “Audiences can expect MoCAF 2026 to be bigger, more exciting, and even more engaging this year. We’re bringing in a stronger lineup of galleries, artists, and creatives, including both returning names and new participants joining us for the first time,” says Coleen Wong, the MoCAF Festival Director since the very first MoCAF. Among the new galleries and exhibitors lined up for this year’s MoCAF, several familiar names will showcase remarkable artistic talent and masterful works. These include the special exhibit of Jerika See and Sheila Go, the collaboration between Toym Imao and Tarantadong Kalbo, works by renowned artist Jappy Agoncillo, and the return of Chinabank as the festival’s major bank partner through an initiative featuring 100 artworks by 100 artists for this year’s festival. Special Exhibitions MoCAF 2026 introduces and expands several programs designed to reflect the festival’s commitment to inclusivity, young talent, and the full breadth of the contemporary creative community. Among the highlights is an evolution of MoCAF Discoveries, the festival’s dedicated platform for young artists. Over four years, Discoveries has already featured more than 200 young artists. This year, selected alumni from previous batches, including participants from the inaugural 2022 edition, will return to showcase how their practice has grown, offering an inspiring testament to the platform’s lasting impact on the careers it has helped launch. MoCAF Discoveries For the first time, MoCAF 2026 will also feature digital artists and illustrators, with works printed and framed in collaboration with Art Caravan. The initiative affirms digital creativity as a valid and celebrated art form, bringing screen-native works into the physical exhibition space for audiences to encounter firsthand. A major collaborative exhibition with Chinabank will also stand as one of the largest group presentations within the festival, featuring 100 artworks by 100 artists. Alongside this, MoCAFLimited returns with a curated selection of artist-made merchandise, including a limited-edition capsule collection developed in partnership with Team Manila. The festival will also offer hands-on creative experiences through workshops, which will continue as a core part of the festival following strong audience response. XTN Artisans continues to provide dedicated space for handcrafters, makers, and independent creative brands. This year’s lineup brings back familiar names such as MILKWEAR and Baybayin Bags, alongside new participants including Armore Collective, Anmari & Co., and Binibini Marikit, further expanding MoCAF’s showcase of design, craft, and contemporary Filipino creativity. MoCAF XTN Artisans An expanded XTN Bites food and beverage offering will also give visitors more ways to enjoy the festival throughout the day. Returning favorites include ODD Café, Butterboy, and Hijo De Mexican Cantina, joined by new participants such as The Good Poison, Fiasfud, Bored & Hungry, The Spirits Library, and SIPP, among others. “MoCAF has always been envisioned as a space that feels welcoming and safe, not just for artists and creatives, but also for the public. Whether you’re a collector, an artist, or someone simply curious about art, there will be something to see, experience, and take part in,” Wong shares. Central to MoCAF’s mission is the dismantling of barriers that have historically kept broad audiences from engaging with contemporary art. The festival is designed to be accessible to first-time visitors and seasoned collectors alike, with a programming philosophy rooted in discovery, openness, and genuine connection. MoCAF XTN Bites Beyond its exhibitions, MoCAF serves as a site of unexpected possibility where brands encounter artists, collaborations are formed, and visitors leave with something they did not expect to find. The festival also provides meaningful hands-on exposure to the arts for students and young professionals who join the ground crew each year, reinforcing MoCAF’s role as a community-building institution as much as an art event. Fundacion Sansó - Scholarship Mbrace Project In line with MoCAF’s continuing commitment to inclusivity and access, MoCAF Gives Back returns this year to support initiatives that uplift communities beyond the festival space. The program continues its support for ScholarSip by Fundacion Sansó, which helps fund the tertiary education of art scholars, and the Mbrace Project, which extends care and meaningful support to Filipino children in need. “It feels surreal to be bringing MoCAF back for its fifth year. Seeing how much it has grown, not just in size, but also in reach, identity, and community, makes me feel very grateful. MoCAF is not just growing as a festival; it is growing with the art community itself,” Wong adds. MoCAF 2026 continues to affirm the festival’s founding belief: that contemporary art is not the exclusive domain of the few, but a living, growing conversation that belongs to everyone willing to take part in it. Tickets are priced at PHP 380. Students, PWDs, and senior citizens may avail of discounted rates. Tickets will be available through Klook, the official ticketing partner of MoCAF. Discounts and merch packages will also be offered upon checkout. MoCAF 2026 will take place from July 3 to 5, 2026, at Marquis Events Place in Bonifacio Global City, Taguig. For more information on MoCAF and upcoming MoCAF XP activities, visit www.mocaf.net. Follow @mocafmanila on Instagram and TikTok, and like MoCAF on Facebook for updates.

Filipino Footwear Steps Into the Global Stage Through the 1st National Footwear Design Competition The Philippine footwear industry marked a defining moment with the launch of the 1st National Footwear Design Competition, titled “Hakbang at Habi | Where Every Stitch Tells a Story.” More than a design contest, it became a national platform where craftsmanship, culture, and innovation converged into a shared creative language. Organized by the Filipino Footwear Alliance Association, Inc. (FFAA), the initiative brought together designers, manufacturers, government institutions, and mentors in a unified effort to elevate Filipino footwear design locally and internationally. Bon with IFDC Trophy Ricmar with IFDC trophy Lester with IFDC Trophy & Shoe Karen with IFDC Trophy_ A Collective Push for Filipino Design The FFAA, a growing network of footwear manufacturers, designers, and suppliers, continues to champion the advancement of the local industry through collaboration and global exposure. Its milestone membership in the Confederation of International Footwear Associations (CIFA) in 2025 opened the door for the Philippines to officially join the International Footwear Design Competition (IFDC)—placing Filipino talent on a world platform. With the support of DOST–Philippine Textile Research Institute (PTRI) under the SAPATOS program and the Department of Trade and Industry – NCR, the competition was designed to highlight innovation anchored in Filipino identity. Designing From Heritage, For the Future Open to designers aged 18 and above nationwide, the competition called for footwear concepts inspired by Filipino heritage, indigenous textiles, and contemporary narratives. The response was overwhelming: over 120 entries from across the country, each translating personal and cultural stories into wearable design. From this pool, 18 finalists emerged, representing diverse regions and creative perspectives—from mythological reinterpretations to modern urban storytelling. From Concept to Craft: Industry Collaboration What set this competition apart was its hands-on production process. Finalist designs were not left as sketches—they were developed into actual prototypes through partnerships with Filipino manufacturers, including: Verdandi Inc. | Nifty Shoes SV Digital OPC | Loritess Shoes JRM Konzept Shoes Jacob by Fontelle Shoes GIBI Shoes Craftique Corporation Redeyes Footwear Solution These collaborations bridged design imagination with real-world craftsmanship, transforming ideas into fully realized footwear pieces. Mentorship and Mastery To strengthen execution, FFAA hosted a three-day Design Bootcamp (April 14–16, 2026) focusing on footwear construction, material innovation, storytelling, and intellectual property protection. Industry mentors guided the finalists, including: Maco Custodio Buddy Tan Ritchie Rodulfo Joel Wijangco The Intellectual Property Office of the Philippines (IPOPHL) also provided sessions on protecting original creative works—reinforcing the importance of design ownership in a global market. The Top 18 Finalists The finalists reflected a wide range of cultural narratives and design interpretations, including: Mutya ng Panay by Pamela ForondaOryol by Hazel RoldanBakunawa Ngan Mga Kadayaw by Karen Mae T. La’oTangled (Sala-Salabit) by Bon MarterBalangay by Renegade LimpinPakan by Ricmar AgasSirena by Hanna Camille De VillaSayaw ng Butanding at ni Mayon by Lester Dellosa and many more entries that showcased regional identity and storytelling through footwear. A National Champion Emerges Held on May 15, 2026 at the DOST-PTRI Tela Gallery, the awarding ceremony crowned “Tangled (Sala-Salabit)” by Bon Marter as Grand Champion. Inspired by the chaotic web of electrical wires and cables across Metro Manila, the design reflected human struggle, resilience, and the search for direction within complexity. Its layered structure symbolized how growth can emerge from disorder. The piece also received: Best in Footwear Innovation Best in Story Execution Other top winners included: 1st Runner-Up: Mutya ng Panay 2nd Runner-Up: Oryol 3rd Runner-Up: Bakunawa Ngan Mga Kadayaw From National Stage to Global Recognition All official entries proceeded to represent the Philippines at the International Footwear Design Competition (IFDC) in Guangzhou, China, held on May 20, 2026. This marked FFAA’s first international participation as an official CIFA member—and a historic breakthrough for the country. From 143 global entries across 19 countries, the Philippines secured its first-ever Gold Award after 11 years of participation, a milestone that redefined its position in the global footwear landscape. Filipino Designs That Made History Among the standout winners: Pakan by Ricmar Agas Awarded the Xinhaopan Group Gold Award, Pakan drew inspiration from Ilocano weaving traditions, incorporating symbolic elements such as shuttles and yarns. It honored generational craftsmanship while presenting it through a contemporary lens. Tangled (Sala-Salabit) by Bon Marter Winner of the Enterprise Group Gold Award, the piece extended its national success onto the global stage, reinforcing its powerful narrative of urban resilience and complexity. Other International Winners Sayaw ng Butanding at ni Mayon by Lester Dellosa – 3rd Place, Female Boots Bakunawa Ngan Mga Kadayaw by Karen Mae T. La’o – 3rd Place, Female Trendy Together, these works formed a layered portrait of Filipino identity—rooted in heritage, shaped by environment, and expressed through imagination. A Defining Moment for Filipino Footwear The 1st National Footwear Design Competition was more than a showcase of design talent. It became a turning point for the industry—uniting government agencies, private manufacturers, and creative communities under a shared vision. From local storytelling to global recognition, the Philippines stepped forward not just as a participant in the global design conversation, but as a voice shaping it. Each pair of shoes told a story. Together, they told a nation’s.

It's a celebration of queerdom! A dozen queer artists invade the exhibition space at gallery. sort of.’s annual Pride exhibition. Serving as the fourth edition of its Pride celebrations, Eye Contact promises insane talent from the best queer artists in the local contemporary art scene. Twelve pairs of queer eyes explore in this offering the frisson of instant attraction, and the attendant jumble of emotions that this arouses. Hope, fear, excitement, danger - these artists tap into their experiences with that familiar, thrilling look from a passing stranger. From the curatorial notes: “It has been said that the “look” is actually a survival tactic. Developed out of the need for discretion. For protection. For those times when being queer was a crime, and when even acting different could land one in jail. The gay stare assesses the lay of the land: is there mutual attraction? Does he want it as much as I do? The look establishes possibility. Is that interest? Perhaps, even consent?” Anmom, Sleepy, 2026 Mark Hernandez, THE MAN OUTSIDE, 2026 Seven of these artists (illustrator Justin Abrigado, bear watercolorist Deej Amago, figurative whiz kid Mark Hernandez, the psychedelic dazzler Idwardo, pop favorite Mark Weigh, lush brooder Brent Sabas and Aklanon homoerotic painter Gelo Zarsuelo) reprise their Pride appearances, while new blood Chumason Njigha and Jehu Sabado debut in this venue. Thai artist Anmom, already making waves in the international art scene with gallery appearances in both Taiwan and Thailand (as well as Manila) joins the merry mix with delightful face cards. Meanwhile mainstays Allyster Arroza and Nathan Esguerra, fresh from major exhibitions in Alabang, Cebu and/or Bangkok, take part in Pride for the first time. Chumason Njigha, Whatever You Like, 2026 Idwardo, Hyperfixation, 2026 Deej Amago, Tanaw, 2026 It’s a merry mix with this diverse cast of talent, and their varying styles promise works that will appeal to nearly everyone with an artistic bent. From figurative to pop, from erotic to wistful, from poetic to psychedelic, this exhibit demonstrate the vast range of talent available in the Philippine scene. Justin Abrigado, Soulmate, 2026 Allyster Arroza, In Your Reflection, 2026 Nathan Esguerra, Pump Fiction, 2026 Nathan Esguerra, Pump Fiction, 2026 The exhibition opens on June 14, Sunday, at 4:00 p.m., and will be on view for the next four weeks. The gallery is located at 37 Camaro St., Fairview Park, Quezon City.

Photographer & Stylist: Ron Ben Model: Nadia — TWO management. Freddy — NEXT management Eugene — NEXT management Assistant: Jofre Francisco and Miah McCarthy