At only 27, Hong Kong–based photographer Michelle Lau has already carved out a voice that feels both intimate and transportive. A multimedia graduate of PolyU, Michelle’s journey into photography began in a simple, personal way. Back in 2011, she and her then-boyfriend would spend their days taking photos together. What started as a shared pastime opened a door she never closed. Over the years, that early spark grew into a deeper pursuit of storytelling through images. For Michelle, Asia holds a defining place in global fashion. She sees the region’s influence rooted in its beauty and culture—elements she believes continue to shape how the world looks at style. That same mix of depth and identity is reflected in Hong Kong’s own fashion scene, where Chinese traditions stand beside Western influences. The result is a blend of heritage and modernity that feels uniquely alive. When she’s searching for inspiration, Michelle wanders through Hong Kong’s older streets. She has a soft spot for the city’s 1950s to 70s architecture, especially around Sham Shui Po. The worn textures, narrow alleys, and character-filled corners fuel her imagination, giving her settings where memory and artistry meet. Michelle describes her photographic style as romantic and dreamy, with touches of fantasy woven throughout. In her latest set, she drew inspiration from a Chinese poem and shaped the shoot around that emotional landscape. She leaned more heavily into interacting with the surroundings and used light in a more experimental way. The result, she says, is a body of work that feels closer to her own artistic voice. Looking ahead, Michelle plans to expand her storytelling even further. She hopes to shoot film stills and eventually create a short love-themed movie. Her long-term dream is simple but profound: to find beauty in every corner of the world and capture it through her lens. Her personal motto reflects that same spirit— “Take your broken heart, and make it into art.” It’s a reminder of how creativity often grows from the most human places. ON OUR ARCHIVE: BLNC THE ASIAN ISSUE Read here: https://www.magzter.com/share/mag/7280/212210/6 To see more of Michelle’s work or get in touch: Facebook: facebook.com/hongkong.michelle.lau Instagram : @michellelauphoto Website: michellelauphotography.com

The 38th Awit Awards powered by Vibe delivered a #LEGIT celebration of Original Pilipino Music (OPM) as the nation’s most credible and long-standing music honors returned to the Meralco Theater on November 16, 2025.  For 38 years, the Awit Awards—organized by the Philippine Association of the Record Industry (PARI)—has stood as the country’s premier platform recognizing Filipino musical artistry, originality, and achievement.   Strengthened by its partnership with Vibe, MQuest Ventures’ youth-driven and creator-centered music countdown show, this year’s Awit Awards highlighted a renewed mission: to honor the best in OPM while embracing innovation, digital reach, and fan-focused engagement. Together, Awit Awards and Vibe delivered a show that was not only iconic but authentically #LEGIT.   Below are the official winners of the 38th Awit Awards powered by Vibe: Grand Awards • Album of the Year – Ben&Ben • Record of the Year – Lola Amour • Song of the Year – Cup of Joe – “Misteryoso” Album of the Year – Ben&Ben Record of the Year – Lola Amour Song of the Year – Cup of Joe – “Misteryoso” Performance Awards • Solo Artist – Dionela • Best Performance by a Group – Ben&Ben • Best Performance by a Solo Artist – iLA • Best Performance by a New Group – 12th Street • Best Collaboration – Dionela and Jay-R • Best Dance/Electronic Recording – BINI – “Salamin, Salamin” • Best Global Collaboration Recording – SB19, Terry Zhong – “Moonlight” Solo Artist – Dionela Best Performance by a Solo Artist – iLA Best Performance by a Group – Ben&Ben  Best Performance by a New Group – 12th Street Best Collaboration – Dionela and Jay-R Best Dance/Electronic Recording – BINI – “Salamin, Salamin” Best Global Collaboration Recording – SB19, Terry Zhong – “Moonlight” Genre Recording Awards • Best Ballad Recording – Moira, Juan Karlos • Best Rock Recording – Fast Pitch • Best Alternative Recording – Lola Amour • Best Alternative Rock Recording – Ice Seguerra • Best Rap/Hip-Hop Recording – SB19 and Gloc-9 • Best Jazz Recording – Devonaire District and Alvin Cornista • Best Instrumental Recording – Alvin Cornista • Best World Music Recording – Over Heat and CamSur Made • Best Recording by a Child or for Children – Ateneo Boys Choir   Special Recording Awards • Regional Recording – Juan Karlos and Kyle Echarri + Noel Cabangon • Best Christmas Recording – Devonaire District • Original Soundtrack Recording – Regine Velasquez • Best Novelty Recording – Introvert Fiesta ft. AJi • Inspirational Recording – December Avenue • Best Pop Recording – Maki – “Dilaw” • Best R&B Recording – Jay-R and Dionela   Technical Achievement Awards • Sound Engineer of Best Winning Recording – Axel Fernandez • Best Musical Arrangement – Khalil Refuerzo • Best Vocal Arrangement – Luke Isnani, Felip Suson • Best Remix Recording – Ena Mori and Kenyema • Best Cover Art – SB19 • Best Music Video – SB19 and Gloc-9 • Lifetime Achievement Award – Vic del Rosario • Dangal ng Musikang Pilipino – Ely Buendia Lifetime Achievement Award – Vic del Rosario Dangal ng Musikang Pilipino – Ely Buendia A #LEGIT Celebration of OPM’s Past, Present, and Future The 38th Awit Awards powered by Vibe reaffirmed its mission of spotlighting artists whose work reflects authenticity, originality, and excellence—the core of what it means to be #LEGIT in OPM. With its strengthened digital presence and dedication to uplifting Filipino creatives, the Awit Awards continues to champion music that inspires, unites, and elevates culture. As this year’s winners carve their place in OPM history, the Awit Awards remains committed to honoring Filipino talent—celebrating the best of what OPM has been and the limitless possibilities of what it can become. The 38th Awit Awards powered by Vibe is co-presented by the Philippine Charity Sweepstakes Office (PCSO).

In this BLNC Facets , we speak with a Filipino voice who has carved out a place on the global stage by turning personal history into creative fuel. Rooted in the warmth of a Pampanga upbringing and shaped by life in California and New York, she has found a way to honor her heritage while reaching audiences far beyond home. What began as a quiet search for comfort during the pandemic grew into a body of work that now resonates around the world, from community bake boxes to an award-winning cookbook. Her story is one of craft, resilience and cultural pride. She reflects on the flavors that raised her, the recognition that marked a turning point in her career, and the responsibility she feels as a Filipina sharing her work with an international audience. Through her journey, she offers a reminder that creativity doesn’t need perfection to matter—it only needs honesty, intention and the courage to begin. Tell us about your Filipino roots and how they’ve shaped who you are today. 
 My parents immigrated to the United States from Pampanga in the early 1990s, and raised my sisters and me in California. Growing up as a first generation Filipino American, I am lucky to have such a large family who has always cared about preserving our culture and history. I carry those memories and lessons with me as an adult living in New York City. What inspired you to pursue your path and eventually take it to a global stage?
 During quarantine, I was yearning for a creative outlet that would help me cope with the hardships of the pandemic. I turned to baking and writing about it online, and it helped me feel more connected to a wider food community. It was also really important for me to find a way to contribute to mutual aid organizations, which was how I started selling Pasalubong treat boxes. They were dessert boxes that reminded me of home and they really put my work on the map. Looking back, what has been a defining moment in your journey so far?
 Winning the 2024 James Beard Emerging Voice Award in Books was a watershed moment for me. I am so grateful that Mayumu was recognized by the James Beard Foundation and that it validated so much of the hard work put into bringing the cookbook to life. It’s been astounding to see its impact on my career and the opportunities I've been given because of it. How does your Filipino identity influence your work and the way you see the world?
 My Filipino identity defines my palate. I have such a deep appreciation for tropical flavors and ingredients, which comes across in the recipes that I create. It’s very grounding, and it’s helpful to use that knowledge to experiment with the fusion of other global influences. What does it mean to you to represent Filipino talent abroad?
 It means so much to me to be able to represent Filipino food abroad. I hope to always innovate in the dessert world, and to use my platform to uplift many other great Filipino writers and chefs. What advice would you give to fellow Filipinos who dream of making their mark internationally?
 My biggest advice is to not let yourself get in the way of creating because you don’t think something is “perfect enough.” I have let many projects fall by the wayside because I was hypercritical of my own work. It’s best to just keep creating art, and acknowledge that you can only get better with time. Photography credit: Nico Schinco.

Honoring icons, rising stars, and passionate fans, the 38th Awit Awards powered by VIBE elevates OPM to new heights through innovation, access, and engagement. With 38 years of credibility and integrity, the Awit Awards stand as the country’s most prestigious recognition of musical excellence. This year, its partnership with MQuest Ventures’ (MQV) youth-driven platform Vibe  strengthens that legacy—blending tradition with modern energy to deliver a fresh, inclusive, and #LEGIT celebration of Original Pilipino Music (OPM). A collaboration between the Philippine Association of the Record Industry (PARI) and MQV, this year’s Awit Awards embodies a shared mission: to champion, elevate, and propel OPM forward. It’s a powerful fusion of tradition and innovation—uniting generations of artists and fans while keeping Filipino music vibrant and relevant. Under the direction of industry legend Johnny “Mr. M” Manahan, the 38th Awit Awards powered by Vibe celebrates the richness of Filipino culture and identity while honoring the late OPM artists whose legacy continues to inspire today’s generation. Vibe  jocks Dylan Menor, Elijah Canlas, Joao Constancia, Ana Ramsey, Maxie Andreison, Ryle Santiago, Paulo Angeles, Kych Minemoto, and Queenay Mercado will host the awards night, opening the show with a special performance. They’ll be joined by Vibe ’s Gen V correspondents, who will bring fans exclusive behind-the-scenes coverage and interviews with this year’s nominees. The night will feature show-stopping performances from some of OPM’s finest artists, including Ben&Ben, Over October, Lola Amour, and Dionela. The 38th Awit Awards will present honors across five major categories: Performance Awards, Genre Recording Awards, Special Recording Awards, Technical Achievement Awards, and the prestigious Grand Awards. This year also introduces the Violet Carpet—a reimagined pre-show experience designed to bring fans closer to their favorite OPM artists. Moving beyond the traditional red carpet, the Violet Carpet celebrates creativity and connection, transforming the space into an interactive hub where artists and audiences can meet, share stories, and celebrate the movement that keeps Filipino music alive. More than just a one-night celebration, the 38th Awit Awards powered by Vibe marks a movement that champions OPM’s power to connect, inspire, and uplift. By combining the Awit Awards’ trusted reputation with Vibe ’s dynamic, youth-focused digital presence, the celebration extends far beyond the awards night, becoming a year-round experience for fans and supporters of Filipino music. Guided by a panel of judges with decades of experience in performance, songwriting, production, and media, the Awit Awards continues to uphold its gold standard of legitimacy that recognizes not just popularity, but genuine artistry, innovation, and influence through Vibe . Through this rigorous process, every winner of the 38th Awit Awards doesn’t just take home a trophy; they earn a lasting legacy in the history and future of OPM. The grand awards night takes place on November 16, 2025, at the Meralco Theater. Fans nationwide can catch the live broadcast on TV5 or stream it on the official social media pages of Vibe PH, TV5, MQuest Ventures, and the Awit Awards. Don’t miss the #LEGIT celebration of Filipino musical excellence!

Awit Awards and VIBE’s partnership is set to define authenticity, where respect, pride, and legacy make Filipino music truly #LEGIT. In a time of instant virality, the 38th Awit Awards powered by Vibe remains the definitive mark of legitimacy and proven talent in Original Pilipino Music (OPM). Organized by PARI, Awit Awards remains as the nation’s highest recognition for musical excellence, built on 38 years of integrity and legacy.  In partnership with Vibe —a youth-driven multi-platform under MQuest Ventures (MQV)—this year’s awards bridge generations of Filipino music. The collaboration brings heritage and innovation together, uniting the established authority of the Awit Awards with VIBE’s bold, youthful energy to keep OPM relevant, inclusive, and undeniably #LEGIT. THE AUTHORITY OF LEGITIMACY At the heart of the Awit Awards’ enduring credibility is its distinguished and prestigious panel of judges. For the 38th Awit Awards Powered by Vibe—78 judges—comprising OPM’s most trusted artists, producers, composers, and creative leaders—come together to ensure that every finalist and winner reflects true artistry, craftsmanship, and relevance across all types of listeners. The panel features an impressive roster of OPM luminaries, living up to the Awit Awards’ reputation as the original, most respected, and most trusted award-giving body in Philippine music. This includes renowned singers and performers such as Christian Bautista, Kris Lawrence, Radha Cuadrado, Thor Dulay, Tim Pavino, Lara Maigue, Ronnie Liang, and Veronica Macato. Established musicians and songwriters recognized for their craft—including Mike Elgar, Herbert Hernandez, Adonis Tabanda, Gino Cruz, Marvin Querido, Brian Cua, Arnel De Pano, Ace Gadia, Francis de Veyra, and the late Davey Langit—add further prestige to this year’s awards. Enhancing credibility even more, the panel also includes music production experts such as Arnel Garcia De Vera, Rico Bicol, Dominic Benedicto, Mike Ducusin, Christopher Buenviaje, Daryl Reyes, Clark Cunanan, Marco De Leon, and Mackie Po, whose expertise in audio engineering and arrangements ensures technical excellence in judging. Moreover, OPM industry leaders and executives Sunny Ilacad, Ino Caluza, Ivan Espinosa, Raymund Ryan, Robert Javier, Reck Cardinales, Ren Polumbarit, and Adonis Tabanda are included in the set of judges.Lastly, Avid Liongoren, Frank Lloyd Mamaril, Marla Ancheta, Mari Arquiza, and Kettle Mata represent the directors and creatives who have played a big role in the OPM industry. Together, these judges embody decades of experience across performance, songwriting, production, and media. Their collective expertise establishes the Awit Awards’ gold standard, honoring not popularity, but genuine artistry, innovation, and influence. Through this, the Awit Awards powered by Vibe makes sure that each winner doesn’t just win an Awit Award, but they earn a legacy that is already indelible in the world of OPM. WHERE LEGACY INSPIRES INNOVATION MQV’s Vibe  strengthens the legacy of the Awit Awards, introducing a new era where fans can connect, engage, and have a voice in the OPM industry. Leading up to the grand awards night on November 16, 2025, at the Meralco Theater, fans will enjoy exclusive online content, live experiences, and behind-the-scenes stories highlighting judging insights and artist features. The 38th Awit Awards powered by Vibe blends credibility with dynamism, honoring both icons and emerging talents who shape the past, present, and future of Filipino music. Together, Awit Awards and Vibe  represent the fusion of heritage and innovation—where the official meets the ultimate. Judged by Awit. Powered by Vibe. 100% #LEGIT.

By JT Gonzales Beauty is in the eye of this artist.  Ron Mariñas looks at the world, and extracts subjects of desirability.  Apollo in a towel.  Blonde gods and jocks, crowned with floral wreaths.  Soldiers in armor and skin, in various states of repose. Ron explores a varied smorgasbord of iconography, layering coats of yearning upon his canvasses, meticulously fashioning limbs and chiseled jaws, and bringing forth potent images that still, aren’t quite erotic.  Perhaps, they may be better described as alluring, yet forbidden, fruits of his imagination.  The twenty-something emerging artist clearly has a voice, and it is a voice he employs to dramatic effect. Suggestive poses, Hermes and Chanel bags, and smoldering sensuality dominate his works.  Honed at the Fine Arts program of the University of Sto. Tomas, Ron’s career has been blessed with support from his parents, both coming from outside the art world.  (His father is a civil engineer, his mother is a middle school teacher).  That support must have been key to him graduating from art school with an outstanding thesis. From school, it was on to the real world.  Ron has been steadily exhibiting in various Manila galleries, landing not just group shows, but his very own solo exhibitions at Secret Fresh and Metro galleries, among others. Employing lithe figures with big city attitudes, garbing them in an amalgam of modern day luxe-cool with old-world robes, Ron has carved out a distinct space for himself.  And he knows that. He has gotten attention, and as with any new kid on the block he has received his fair share of critique.  But criticism is not always welcome, and so, when asked what would be his dream exhibition, the response became a pushback against those who might constrain his expressive style. Ron says “…my dream exhibition is one where I can truly make a noise and be my full self, not just as an artist, but as a person. Most of the time, artists are expected to compartmentalize their real selves from their careers, and that unspoken rule is something I’ve always found hard to follow. Because one, I evidently use my real name as an artist, so I speak the truth and depict it through art.  “Second, my works are deeply personal. I paint my truth … like writing in a diary. … I still struggle with how the industry often sees only the beauty of the art, when for me, the real beauty is what’s behind it. And third, I want to portray the drama of the story, the art of drama.” “This industry is afraid of drama, but I believe it’s what makes art real. In this industry, drama is often treated as a euphemism for something negative or scandalous, something unsafe or unsellable. But for me, life has drama and that’s what makes art, art. And art should be relatable. Every painting tells a story, and every story needs drama and truth. That’s my dream exhibition: to stop playing safe and express myself fully through my art.” To paraphrase, therefore, in Mariñas’ view, art becomes relatable when it is authentic.  In this age of millennials and Gen Zs, where social media is ubiquitous, and filters and AI have come to dominate, to be authentic is key.  Realness is how his generation will be able to relate to him.    Ron’s works, perhaps unconsciously, capture therefore the zeitgeist of a certain subset of humanity: young residents of the sprawling metropolis that is Metro Manila, keenly aware of the difference between the haves and the have-nots, straddling the high fashion absorbed through magazines and social media, yet acknowledging that their reality is set in the midst of jeepney drivers and street vendors.  Ultimately, they are supremely conscious of the burdens that those in the upper middle class take on to  champion the oppressed (a role that, unfortunately, the upper classes have shed in their perpetual accommodation with the powers-that-be). By contrast, Ron’s earlier works were a startling melange of Greco-Roman classicism, glittery gold and fiery red adorning and consuming his subjects.  And what subjects they were. Limpid eyes, rock-hard pecs, and lean muscles all serving as fitting tributes to the gods.  Yet, as with all artists, Ron has slowly but noticeably evolved.  From chasing and shaping golden perfection, Ron has in recent months gradually refocused on a palette bursting with a multitude of colors.  Hues so vibrant, they register as almost neon, yet without hitting that off-putting frequency that hurts the naked eye. For gallery. sort of., Ron unveiled stylized almost-portraits of him and his friends, boozing it up in their fashion finery, yet hamstrung by the pathetic  public transportation system available to them.  In jeeps with their stilettos and faux fur coats, or riding an Angkas motorbikes in frocks, the gang manages to party the night away. Midnight snacks come by way of penoy baluts, and street corners are conveniently transformed into makeshift restrooms.  This is the reality that surrounds them, that makes them, drama very much included. Is this why Ron idolizes, aside from Vincent Van Gogh, the singer Lana del Rey, whom he identifies as an inspiration?  ‘Even before I was introduced to her art in writing, I already had my own identity and style in how I express my art. When I discovered her work, I saw a strong resemblance in our styles, or at least something I want to be even more daring than.   “Her art appears elegant, old money, graceful, and some will say (with a) prim and proper vibe on the surface, but it’s mixed with the complete opposite like controversy, drama, darkness, sensuality, and danger. That combination shows the truth of our reality, that kind of mix of elements that people often find unusual or unexpected. “ “Many of my viewers describe it as “a fun combination,” in my art, something that has a little kick to it. What we see is not just beauty; there’s always something behind it. That hidden truth is what makes it real, and Lana Del Rey expresses that poetically through her music.” Beauty rooted in reality, then.  This is the throbbing imperative in Ron, and we should expect to see that thread in his future works.  Although as to what’s next after his Tambay, Toma, Tropa two-artist exhibition with Zuh Dai, there’s not a lot of detail yet.   “I’m the type of artist who gets anxious when my next year is already planned out, and that’s something I know I need to work on personally. In this industry, it’s hard to stay professionally spontaneous. Still, I’ve been in talks with a few galleries about possible shows for next year. I’m really looking forward to working with a gallery that’s collaborative and open to helping me expand my creativity as an artist. And I’m planning to do a solo exhibition again next year…” Vague on specifics, but we already know, even this early, there’s going to be beauty in it.

When Morissette first set foot on a stage in Cebu as a young girl, she couldn’t have imagined  that fifteen years later, she would be standing as one of the country’s most celebrated voices,  carrying the title of “Asia’s Phoenix.” For someone who once nervously entered singing  competitions around her hometown, the journey from small stages to sold-out arenas has been  nothing short of extraordinary.  This year, the powerhouse vocalist marks her 15th year in the industry with EMBER , a concert  that not only celebrates her career but also symbolizes her rebirth, resilience, and reignited fire.  For Morissette, the Phoenix is more than a nickname — it is the story of her life. A Cebuana Beginning  “Born and raised in Cebu, I started joining every singing competition I could find on the island,”  she recalls with a laugh. “That was really my training ground. My parents were the ones who  pushed me, mentored me, and supported me while I balanced school and music.”  Those humble beginnings, marked by hours of rehearsals and small-town applause, shaped the  artist who would later find herself performing for international audiences. “Cebu will always be  home,” she says warmly. “It’s where I learned discipline, determination, and the importance of  knowing where you came from.”  Manila and the Big Breaks  Her move to Manila was the turning point. The exposure to the capital’s vibrant music industry  opened doors she never imagined. From her early stint in The Voice of the Philippines to  becoming a mainstay on ASAP , Morissette steadily built her name.  “I started out mostly doing ballads. But in Manila, I was surrounded by so many different  influences — pop, R&B, soul. That’s when I really began exploring who I wanted to be as an  artist.”  It was in 2017, however, when her performance at the Asia Song Festival in Busan, South Korea,  earned her the title “Asia’s Phoenix,” a moniker that would follow her everywhere. “At first, I  was overwhelmed. But eventually, I embraced it. The Phoenix is about rising, and I felt that  deeply. I had already gone through so much, personally and professionally, and I knew the name  wasn’t just about my voice — it was about my journey.” EMBER: The Fire Within  The Phoenix takes center stage again with EMBER , her 15th anniversary concert. The title, she  explains, represents a fire that never truly dies. “Even when flames burn out, the embers remain.  They’re the foundation, the proof that something was once burning — and with the right spark,  they can ignite again. That’s what this concert is about. I’ve been through highs and lows, but the  fire inside me is still alive.”  EMBER is not just a milestone show; it’s also Morissette’s first time taking on the dual role of  performer and producer. “It’s more pressure, definitely,” she admits. “But it’s also more  rewarding. I get to be involved in every detail — the music, the visuals, the storytelling. I want  people to leave the show not just entertained, but inspired.” Carrying Cebu’s Legacy  Despite her global reach, Morissette has never lost sight of her roots. She speaks passionately  about representing Cebu and VisMin artists on bigger stages. “It’s funny, because growing up, I  wasn’t as exposed to Bisaya music as I wish I had been. But now, I make it a point to sing in  Bisaya, even when I perform abroad. It’s my way of honoring where I come from and showing  the world the richness of our culture.”  Cebu, after all, has long been known as a breeding ground for powerhouse voices. To be counted  among that legacy is something Morissette carries with pride. “Every time I sing in my native  tongue, it feels like I’m bringing a piece of home with me,” she says. Staying Grounded  For someone whose name is often accompanied by “Asia’s Phoenix,” Morissette remains  refreshingly grounded. She credits this to her circle. “My family and my close friends keep me  anchored. They remind me of what’s truly important. And above all, it’s God. His timing has  always been perfect in my life, and I believe He placed me on this path for a reason.”  That faith, she says, has carried her through difficult moments — times when she questioned  whether she could keep going. “There were many points when I felt like giving up. But then, an  opportunity or even just a person would come into my life — like a sign from God saying,  ‘Don’t stop yet.’” Lessons for Aspiring Artists For young dreamers who look up to her, especially those in the provinces, Morissette has a  simple but powerful message: patience and perseverance. “Your time will come. While waiting,  keep working on yourself — your craft, your discipline, your mindset. Surround yourself with  people who truly want to see you grow. And most importantly, never give up. There will be  setbacks, but those setbacks are part of the journey.” “Even when the flames burn out, the embers remain. With the right spark, they ignite  again — that’s my story.” Defining Moments  When asked about her proudest moment so far, Morissette doesn’t hesitate. “My first sold-out  concert at Araneta in 2018. Standing there, seeing a sea of light sticks, I felt proud of myself for  not giving up. That was my ‘I made it’ moment.”  Five years later, she’s returning to the same stage with EMBER . This time, though, she’s not just  a performer but also a producer — an artist in full control of her story. “There’s more weight on  my shoulders, but there’s also more joy. No matter how it turns out, I’ll always be proud.  Because I’ve made it this far, and I know I’m exactly where I’m supposed to be.”  Looking Ahead  Fifteen years may sound like a long time, but for Morissette, it’s only the beginning. With her  own label, Underdog Music, which she runs alongside her husband and friends, she is  determined to push creative boundaries and champion original music. She’s also more open to  experimenting with new sounds and collaborations, as long as they remain authentic to her.  “I don’t want to limit myself to just one thing. I want to keep growing, keep exploring. Music is  evolving, and I want to evolve with it — while staying true to who I am.”  And so, as she steps onto the stage for EMBER , celebrating fifteen years of music, Morissette  does so not just as Asia’s Phoenix, but as a Cebuana artist who has risen, fallen, and risen again  — stronger, brighter, and ready for whatever the next fifteen years will bring. Photography: Jharwin Castaneda @jharwin.castaneda  Hair and Makeup: Miko Dacanay @mikodacanay  Stylist: John Lozano @johnlozano10 assisted by Lon Morelos @itslondm, Arar Pascual @ararpascual    Special Thanks to IM Studio 10 @im.studio10 and Gee Plamenco @gp10, Underdog Music @underdogmusicph    #MorissetteForBLNC

Philippine contemporary designer, Jor-El Espina, culminates a year-long countdown to his 20th year in fashion with a gala fashion show entitled, Jor-El Espina: 20 Design Anthologies When Jor-el Espina began to think about how he would celebrate two decades in fashion, it seemed impossible for him to capture his creative journey in just one collection or show. “So many things have taken place since I began in fashion,” the contemporary Philippine designer reflects. “This is why we decided on the concept of anthologies–a series, a collection. We began the countdown last year with a series of capsule collections, pocket celebrations and collaborations. For the culmination, I was drawn to the idea of putting together a rich collection of colors, details, texture, fabrics, and patterns. It’s very much like my diary as a designer.” Inside the Mind of a Maximalist  20 Design Anthologies embodies the musings, ideas, and dreams of a maximalist. It is a bold departure from the designer’s signature Filipiniana fare–creams, muted tones punctuated by diaphanous fabrics. At the same time, the collection is a rumination of his roots and natural inclinations as a creative. “It’s not the usual Filipiniana theme that you often see in my past collections,” he explains. “Of course the use of local fabrics will be apparent. I’ve been wanting to work with jewel tones and metallics for a long time now and this is the collection where I get to do just that. I feel like the deep hues reflect my aesthetic and fascination with old world glamour.”  Use of local fabrics, hand embroidery, and reimagined barongs are staple elements that continue to echo the sensibilities of the designer. But according to Jor-el, “This collection pushes the limits in terms of where I can take Filipiniana dressing. I consider this collection as my playground.” He orchestrates a rich visual narrative through details like fringe, intricate beadwork, pailletes, and colored shells. Jor-el details that to elevate his pailettes, he utilizes mother of pearl. Other techniques that add to the richness of the collection include pleating, ruching, and even corsetry which he and his team explore in the process of completing 20 Design Anthologies .  The collection will be made up of mostly evening wear pieces. Barrel pants are paired with diaphanous tunics. Embroidered serpentine skirts layer beautifully with corseted tops with exaggerated hips. Tulip skirts anchor paillet blouses. “You can also expect lots of volume, bold silhouettes, an explosion of textures and details,” he shares.  Diamonds and precious stones also added to the grandeur of his collection. He partnered with DiaGold to complete each of the looks from 20 Design Anthologies. “DiaGold’s timeless elegance harmonized with my designs. Our brands are the same in that we both celebrate heritage and craftsmanship while embodying the modern spirit. Together, we tell the story of beauty that is rooted and radiant.”  Jor-el has been a maximalist by heart. “When I began in Iloilo, creating custom pieces for early clients, I would always explore the use of details, colors, texture, patterns and prints.” As early as 20 years ago, his designs manifested as an early exploration of details. “I had to tone it down a little when I started to do ready-to-wear.” It was in 2017 at the ArteFino when Jor-el began to venture in retail presenting a more contemporary take on traditional Filipino wear. This would birth signature pieces like the bombarong and tapis skirts.  “In 20 Design Anthologies, I wanted to present something that recalls my love for details. I envisioned a collection that is more art-forward.”  Giving Back to the LGBTQ Community  The 60-piece collection will be presented on October 24, 2025 at the Grand Ballroom of Shangri-La the Fort in partnership with the Philippine Financial and Inter-industry Pride (PFIP). Jor-el details, “When I was introduced to the PFIP, I was moved by the work they do in providing higher education for members of the LGBTQ community.”  The PFIP is the country’s premier advocate for LGBTQ inclusion in the workplace. The non-profit organization, which was founded by five multinational banks based in the Philippines, is dedicated to shaping a safe, inclusive and equitable workplace for the LGBTAQ community. One of the key initiatives of the organization is the Rainbow Youth Academy Scholarship Program. Its main goal is to “dismantle systemic barriers and uplift underrepresented youth, especially those from the LGBTQ community.” To raise funds for this initiative, the PFIP will mount a BahaghariCharity Gala, which will showcase Jor-el’s 20 Design Anthologies. The organization explains: “This year’s gala is more momentous as it marks the 20th year of renowned fashion designer, Jor-el Espina. As a designer and business owner, Jor-el champions a diverse and inclusive workforce, believing that creativity thrives when people feel safe, valued, and seen. He fosters a culture of belonging, where every team member, regardless of background, contributes meaningfully to the collective vision.”  Jor-el adds, “Education is very important, especially for members of the LGBTQ community.” “Being a part of this community, I believe that we each have a role to play in shaping its culture. For me, it’s partnering with PFIPs Bahaghari Charity Gala for my 20th anniversary fashion show to help raise funds for the Rainbow Youth Academy.”  Jor-el Espina’s 20 Design Anthologies Gala Show will happen on October 24, 2025 at the Grand Ballroom of Shangri-La Fort.

Presented by the Zonta Club of Alabang, Patis Tesoro’s Filipiniana is Forever  is a benefit fashion show that will feature a 100-piece collection by the Grand Dame of Philippine Fashion. This milestone event honors the countless contributions of the cultural trailblazer in empowering women in the creative industry. It will also help raise funds for the countless projects and initiatives of the Zonta Club of Alabang. Creative direction by Patis Tesoro, Photography by Jake Versoza For the past two years, Patis Tesoro has been wanting to do a fashion show. It had been a while since she last presented a collection on the runway. “Everytime I would get started, my creations would immediately get sold,” she shares lightheartedly. “So for a while, it was hard for me to actually get a full collection together. Even then, I began building the black and white pavilion on my property where I envisioned doing a show.”  When Zonta Club of Alabang’s President, Kathleen  Liechtenstein and other members of the organization heard about Patis’ plans for a fashion show in her San Pablo home, they immediately offered to produce. “Many of us at the Zonta Club of Alabang are patrons of Patis. We immediately felt that a show as grand as this should be brought to a larger audience,” Kathleen begins. The members of the club were thrilled by the prospect of mounting a benefit fashion show featuring the Grand Dame of Philippine Fashion.  A Trailblazer In Women’s Empowerment and Cultural Revival  The benefit show is both a fundraiser and a tribute to Patis. Kathleen observes, “Her body of work, values and advocacies align with the Zonta Club of Alabang.” Throughout her five-decade long career, Patis has been revered for her distinct Filipiniana designs. In 1986, she dedicated herself to the revival of piña fabric. This seminal work would later extend to other forms of craft like natural dyes and hand weaving of Philippine tropical fabrics. Patis has also championed the preservation of embroidery and needlework, emphasizing how the craft is facing demise.  “In all her endeavors, Patis has also contributed to empowering women from artisanal communities. Her team, for example, is made up of 90% women. This was an apparent common ground that we started from,” states Kathleen. She adds that like the club, Patis has also devoted her life to mentorship and education. “These are the hallmarks of empowerment,” she adds. “Her work is meaningful because she brings Filipino artistry, craft and techniques to the next generation, ensuring that it will live on.” “In all her endeavors, Patis has also contributed to empowering women from artisanal communities. Her team, for example, is made up of 90% women.” –Kathleen Liechtenstein, President of Zonta Club of Alabang HALIK SA BATOK: An Inspiration On November 4, 2025, Patis will present a 100-piece collection at the Grand Ballroom of the Hyatt BGC. Aptly dubbed, Filipiniana is Forever,  it summarizes her life’s work and legacy. According to the artist, designer, fashion activist, icon, gardener, and champion of Philippine craft, she was initially inspired by the idea of a women’s nape subtly peaking from behind traditional the baro or lightweight embroidered blouse. She details, “When you are Filipino, you are attractive when you wear the baro’t saya . Characteristically, it is folded at the back to show the nape. It’s very sensual. It is also an evolving, wearable piece of art.” Patis’ Filipiniana is Forever collection will also feature dasters or house dresses, a preferred everyday garment of the fashion icon. Of course, she clarifies, they will be elevated via handwoven details, patchwork, and hand embroidery. Maria Clara gowns, a more formal version of the baro’t saya,  are highlights of the collection. They are joined on the runway by Kimono jackets inspired by Freddie Mercury, and handpainted barongs. “I wanted to emphasize the beauty of handmade things. Ninety five percent (95%) of the collection is handmade. Fabrics are handwoven, hand painted, hand embroidered, hand beaded.” Art That Lives, Moves, and Breathes The creative process that happens inside Patis’ studio unfolds like art in constant motion. “What is the Filipiniana today?” she ponders. The designer orchestrates a rich symphony of colors, textures, patterns the way a maestro would. She utilizes hand woven fabrics like pina, jusi , tropical linens and precious weaves from various parts of the archipelago as her canvas or a blank music sheet. Hers is a process that pushes the boundaries in maximalism–piling on layers of details like notes of a crescendo. “It comes together as I see the materials,” she details. Her genius lies in her design instinct. Patis also knows exactly where and when to pull back to create the perfect adagio.  Tradition imbues every piece of the collection, creating a distinction for her pieces as wearable art. “As humans we are naturally drawn to beautiful things and that includes fashion. We are becoming so globalized. When you look at how everyone dresses on an ordinary day, everyone looks the same!” Patis observes. She notes how this shift has blurred the lines where dressing for cultural identity is concerned. “We express our identity and even status through clothing.”  In Filipiniana Forever , she also emphasizes a return to craft. “What if we return to handmade things?” she remarks. “Everything is changing so fast now because of technology. And there is a movement of people making technology secondary. They are returning to nature and things made by hand–something that AI can’t touch.” Filipiniana is Now and Forever Patis has also lent her creative vision  and direction to the campaign of the collection. Photographed by Jake Versoza, and shot in her San Pablo home, the imagery reflects how “Filipiniana is Forever morphs to fit the times.” At the same time the designer wanted to stress the relationship between the Filipino dress and national identity.  “All Filipinos aspire to dress in a sheet handwoven piña or what resembles it. Our climate and environment necessitates this mode of dress,” Patis says, reflecting on the woman she wants to dress and how this is translated through the campaign. “I wanted to show daily wear to formal wear, focusing on the craftsmanship and artistry of our people.”   “I wanted to show daily wear to formal wear, focusing on the craftsmanship and artistry of our people.” Patis Tesoro Fashion In Action “This will be the first time we do a benefit show, selling tickets for a cause,” says Kathleen. Proceeds from the ticket sales of the benefit fashion show will be dedicated to the various projects and initiatives of the Zonta Club of Alabang. These include: Nanay for Healthy Livers Para kay Baby Prenatal screening for Hepatitis B, newborn immunization, catch up vaccination for children, and educational forum Saddle Up Equine therapy program for underprivileged children undergoing cancer treatment Pagpapahalaga sa Sarili Symposium and free screening for HPV 14 Days of Activism Ballet Brigade Dance outreach and sponsorship program for indigenous children around the country Dibdib Ko Alaga Ko Year-round educational programs for early detection of breast cancer  Gift Giving for Tondo School of Joy Monthly Food Drive for Pre School Kids of Tondo School of Joy “Zonta Club of Alabang also has programs on gender equality, women’s rights, Family Code, among many others. We also put women’s empowerment front and center. It is what informs all our initiatives. Patis is the very embodiment of this. Working with her translates her language of love to our audience,” says Kathleen.  In her five decades as an artist, champion of craft, and cultural advocate, Patis has helped shape Philippine fashion as we know it today. Her life and work have created impact for countless women artisans and communities not only within her sphere of influence but also beyond. Patis Tesoro concludes: “Filipiniana is Forever, passed from generation to generation, for as long as we have a country called the Philippines. Patis Tesoro’s Filipiniana is Forever is a benefit show presented by the Zonta Club of Alabang. It will happen on November 4, 2025 at the Grand Ballroom of the Hyatt BGC.  Tickets are available via https://qlickpass.com/ . You may also email: zontaclubofalabang1@gmail.com

At 23, Johan Kyle has already lived through the highs and pressures of early recognition. Once seen as a prodigy in fashion, he now stands as a content creator whose work goes beyond clothes—it tells stories. On TikTok and Instagram, his weekly videos draw thousands in, not just for the looks, but for the narratives stitched into each piece. For Johan, fashion isn’t only about style; it’s about meaning, connection, and finding one’s way back to what truly matters. When you look back at your earliest videos, what do you notice about how much you’ve grown—both as a creator and as an individual? I’ve become more intentional with my work than when I was 14. Sometimes, I wish I hadn’t received all that attention at such a young age, because I was still discovering myself. Now that I’m 23, I can say that I found my way back to fashion, and I’m happy. How do you balance the technical side of content creation—shooting, editing, pacing—with the creative side of design and storytelling? For me, story is always king. Whether you’re shooting on an iPhone or an Arri Alexa, the story has to stand on its own. Of course, I do my best to balance the technical with the creative, but that balance only comes with years of trial and error. There’s no shortcut— it’s like developing your taste.  What’s the most personal story you’ve told through your content so far, and how did your audience respond? The making of my brother’s prom suit was the first time I shared an intimate, personal story. I used to be a snob, always wanting to gatekeep the process, but this story felt too special to keep to myself. To my surprise, it went viral. I realized that people don’t just enjoy the clothes, but also the stories behind them. You post new videos every week. What does your creative process look like from concept to upload? Once I have an idea, I outline a script on my Notes app. From there, I usually spend a day filming and two days editing. I prioritize certain videos based on how timely they feel. Five years from now, what do you want your audience to remember you for? I just hope I’ve piqued someone’s interest in fashion. It’s such a beautiful, magnetic world, and so many miss out simply because they don’t know where to start.  Special Thanks: @janvmayo and @midnightdreamph

In the dark pulse of Manila, a runaway teenager finds himself drifting through unfamiliar streets. What begins as an escape soon becomes an odyssey of love, loss, and survival. This is the world of Some Nights I Feel Like Walking , the long-awaited new film from Filipino director Petersen Vargas —and one of the most talked-about queer films of the year. A Return to Queer Storytelling It’s been nearly a decade since Vargas made waves with 2 Cool 2 Be 4gotten . With Some Nights I Feel Like Walking , he steps back into queer narratives with a story that is raw, haunting, and deeply human. At its heart is a wealthy teenage runaway who joins a group of hustlers on a nocturnal journey across the city, fulfilling the last wish of a fallen friend. The result is a road movie unlike any other: intimate, restless, and alive with the grit of the streets. Global Journey, Local Premiere The film has already carved a path across the international festival circuit, from Tallinn in Estonia to Brazil, Singapore, Indonesia, and South Korea. At Tallinn Black Nights, it even took home the award for Best Score—a testament to the sonic force driving its narrative. Now, after months of global screenings, Some Nights I Feel Like Walking returns to where it belongs. The film premiered in the Philippines during the QCinema RainbowQC Pride Film Festival and is set for a nationwide theatrical release on August 27, 2025 . Rated R-18: Boundaries and Freedom The Movie and Television Review and Classification Board (MTRCB) gave the film an R-18 rating , restricting its audience to adults only. The reasons are clear—mature sexual content, LGBTQ themes, and unflinching portrayals of life at the margins. For Vargas, however, this restriction only underscores the film’s urgency. It is not a story softened for comfort. It is a portrait of survival, desire, and the fragile bonds that keep us human. The Sound of the Streets Music plays an unforgettable role. Siblings Aly and Moe Cabral composed a score that weaves experimental noise, silence, and beats with the rhythm of Manila itself. Budots tracks from DJ Danz and DJ Van Pao crash into scenes alongside the fierce rhymes of trans pinay rapper Pette Shabu . The soundtrack is chaotic, hypnotic, and distinctly Filipino. It’s no surprise the work earned international recognition—Best Score at Tallinn—placing the Cabrals alongside some of today’s most daring film composers. Why This Film Matters Some Nights I Feel Like Walking isn’t just a film about queerness; it’s a film about movement. About searching for home when home feels impossible. About wandering into the night, and the connections found in its shadows. For Filipino cinema, it represents a bolder step into queer storytelling that refuses to dilute itself for mainstream tastes. And for audiences, it’s a chance to witness a director at the height of his craft, returning with a story that is as tender as it is unrelenting. “Some Nights I Feel Like Walking” opens in Philippine theaters on August 27, 2025. Rated R-18.

An intimate portrait of healing and inherited wounds, When It Rained Malunggay Leaves is set to premiere this September at Sine Kabataan 2025, as part of the Pista ng Pelikulang Pilipino lineup. Written and directed by Cedrick Valenzuela, the film stars Gabby Padilla and Tanya Gomez in a quiet, emotionally stirring family drama. The story follows Ariel (Gabby Padilla), who returns home for Undas to reconnect with her mother, Anita (Tanya Gomez), after years of estrangement caused by a painful falling out. As the two confront the silence and distance that have long stood between them, the film unfolds into a gentle but powerful meditation on memory, motherhood, and the longing to heal the ones who once hurt us. “It’s a film about healing from passed on wounds, by whatever means,” shares Cedrick. “When I moved out of my parents’ house, I began to realize how much healing my inner child needed. That realization came with the understanding that my mom needed healing too. She was once a child, a teenager, a young adult in her twenties — but she never had the chance to tend to the wounds passed on to her, because she had to put her life on pause to raise me.” Though Cedrick has been writing and directing short films since 2017 for fun and with friends, When It Rained Malunggay Leaves marks his official directorial debut — a film written in his twenties, made for the big screen, and shaped by the quiet ache of growing up. The film is produced by Cy Igne of Komon Collective, a MAPÚA-based filmmaking group, in collaboration with Tarzeer Pictures, Black Cap Pictures, and TEN17P — the creative forces behind acclaimed works such as Dagitab, Phantosmia, and the short film The River That Never Ends. When It Rained Malunggay Leaves will premiere this September at Shangri-La Plaza in Mandaluyong as part of Sine Kabataan 2025 and the Pista ng Pelikulang Pilipino showcase — offering audiences a tender glimpse into the quiet and complicated process of healing and coming home.