Art is often said to be a reflection of the soul, and for Arce, it is a spiritual journey that transcends mere expression. From the earliest days of doodling on notebook pages in school, Arce has transformed their creative instincts into a powerful force within the contemporary art world. With a unique blend of deconstruction, experimentation, and deep spirituality, their work captivates the viewer, challenging perceptions and inviting introspection. Born with an innate passion for art, Arce was introduced to fine art at a young age by their uncle. This early exposure to Filipino and foreign masters sparked a lifelong fascination with how art can shape and improve humanity. It was the beginning of a journey that would see Arce develop their own distinctive style, one that defies norms and continually seeks new perspectives. Can you share with us your journey as a painter and a sculptor? I started in first grade, doodling at the back pages of my notebook during class, and I kept at it. As far as I can remember, I’ve always told my stories through drawings. What or who were your biggest influences , and how did they shape your artistic approach? I was exposed to fine art by my uncle at an early age. I was inspired by how Filipino and foreign masters think, paint, and create. I grew up appreciating new inventions, records and visual art. I saw how it contributed to the improvement of humanity. I was always challenged to breathe new life into things which I believe can still be improved upon. Your work is known for its unconventional use of media and experimental techniques. Can you describe your creative process and how you developed these unique methods?  I am not particularly conscious of the techniques, uniqueness and methodology. However, I consider my style as an impressionist. I do what I feel like doing, without care, simply caught up in the moment and outside the norms imposed upon me. Having the courage to deconstruct tangible things that are of high value or what others deem as precious is a distinct characteristic of mine. I am always in the pursuit of seeking a different kind of beauty and peace. I see boundaries as an infinite, limitless and borderless horizon. How do you decide which materials to use for a particular piece, and how do they contribute to the overall message of your work? I am not particular about the materials that I use. Oil paint and canvas are a given, though I utilize whatever’s on hand. What I am certain of is making use of the Gift that I was given, and how I can improve upon that gift, which makes me distinct and authentic. Akin to a flight, my plane to creativity takes off through prayer and meditation. These fuel me. I always anchor my pieces towards my faith in Him. My pieces shall be lifeless and soulless without His divine intervention, for the only reference that I follow when painting is His divine guidance. From there, I live for the moment and just go with flow, responding to that frequency and my current state of mind. You mentioned that you work with what occupies your present state of mind. Can you elaborate on how your emotions and current state influence your art?  I deem myself unpredictable in every sense. My mind runs in different trajectories. And as I’ve said earlier, I always find calm through prayer and meditation. It gives me a moment to pause, and I take advantage of this stillness of time and translate it through my pieces. How do you approach the concept of distortion in your art, and what does it symbolize for you? I have always viewed deconstruction as building and distortion as aligning. It is the essence which I want to capture in every piece that I design. Your art often involves deconstructing, twisting, and melting elements. What are you trying to convey through these techniques?   Deconstructing, twisting and melting has never been my intention as they are all unplanned. It merely comes out in my process, similar to how life experiences come our way. And regardless of how prepared you are to face them, one begins to realize that you are still not ready and you simply let God lead the way. How important is it for you to explore different perspectives in your work, and how do you achieve this? I explore things that are new to me, mostly those that are not related to what I do. They become avenues for me to experience a state of shock, to be amazed, to entertain a new way of thinking, and establish a different perspective. You listen to your inner force and know when to stop and pause for prayer. How does spirituality influence your artistic process and the final outcome of your pieces?  Pause, prayer, paint—these are the norms of my artistic process. I need spiritual guidance and connection to transform my state of mind into creative pieces. Can you share a moment when pausing for prayer led to a significant breakthrough or transformation in your work? I cannot pinpoint an exact moment. If I hear a prayer spoken in silence or words of meditation that captivate my mind, I will gather the courage and run with it. What I can say is that I sketch anywhere and anytime, relentlessly. Looking back at your body of work, is there a particular piece that stands out to you as a pivotal moment in your career? Why?   It would be my Now Testament piece. It is a timeless representation of my life’s journey. It reminds me of where I have been, where I am now, and what is yet to come. My life is a continuous work in progress. My piece delivers a very clear message of hope, resiliency and love. What message or feeling do you hope viewers take away from your art, and how do you envision your legacy in the art world? My art should establish a deep connection with its viewer and to help one find the answers they seek. Each piece bears a fragment of my existence. I intend for my works to speak at a higher plane of consciousness, as each one is anchored on my faith in Him. Are there any upcoming projects or exhibitions that you’re excited about and would like to share with our readers?  You may look out for my works at the Fukuoka Art Fair, Leon Gallery auction, and my 2025 solo show at Art Underground. How do you see your work evolving in the next few years, and what new directions or challenges are you looking forward to exploring? I would love for my art to be exhibited in other continents. Because I find art as part of my healing process, I wish to inspire more up and coming artists towards honing their craft. As I evolve as an artist, I will never stop listening and doing things according to His will.

MANILA - Sunshine , written and directed by Antoinette Jadaone, is set to have its world premiere at this year’s Toronto International Film Festival, under the Centrepiece Programme. Sunshine tells the story of a young gymnast who finds out she is pregnant on the week of the national team tryouts. On her way to a seller of illegal abortion drugs, she meets a mysterious girl who eerily talks like her. When her self-induced abortion fails, she comes face to face with the harsh reality of how pregnant women of all ages and backgrounds in the Philippines are violently robbed of the chance to choose for themselves and their bodies. Jadaone aims to bring to the forefront not-often talked about issues affecting Filipina women daily. In the Philippines, roughly 1,000 women die yearly because of lack of access to safe abortions, with others going to jail. On the taboo topic of the film, she says: “Sunshine represents the hundreds of thousands of girls who became pregnant in their teens. About 500 Filipino teenagers become mothers every day.” In order to fully understand the conditions of these young women, she shares: “ I interviewed poor, young mothers who contemplated abortion but decided to continue with their pregnancy. Their chilling stories mirror a reality we don’t face. The abortion ban may be protecting the unborn, but it’s killing our women too – both literally and figuratively.” And as cases of teenage pregnancy and unsafe self-induced abortions rise every year, it has become abundantly clear that abortion needs to be talked about. “The Philippines is in a dire political, economic and social turmoil. This story goes beyond abortion. Behind every pregnant teenager after all, is a society that let this happen to them.” , Jadaone says. The film also aims to bring to light the struggles athletes (especially those playing in underfunded sports) face every day. The Gymnastics Association of the Philippines (GAP) partnered with Jadaone and the production team to make sure that the depiction of the gymnasts and the sport is accurately and fairly represented in Sunshine . With the meteoric rise of Filipinos going for gold in the 2024 Paris Olympics, now more than ever is the time to tell stories about local athletes fighting everyday for their dream. Jadaone, a Manila-based filmmaker known for That Thing Called Tadhana (2014), Never Not Love You (2018), and Alone/Together (2019), was last in the director’s chair for Fan Girl (2020), which had its world premiere at the Tokyo International Film Festival, being the lone Filipino film in the Tokyo Premiere 2020 section. She continues to tell bold and untold stories about women in Sunshine - produced by Project 8 Projects, Anima Studios, Happy Infinite, and Cloudy Duck. The project was also supported by international and local film support programs organized by Busan Asian Film School, Full Circle Film Lab, Film Development Council of the Philippines, and CreatePH. Jadaone is also one of the founders of Project 8 Projects, a young and rapidly rising Filipino production company which just recently produced The Missing - the Philippines’ Best International Feature entry to last year’s Academy Awards. Jadaone brings the character of Sunshine to life with actress Maris Racal. On her experience of tackling the story and themes of Sunshine , Maris shares: “ I am grateful to have played this important role especially since abortion is such a sensitive topic in the Philippines. I learned the weight that you carry when you are an athlete, the things that you have to give up and the hours that you have to dedicate to training. ” Despite knowing what’s at stake upon doing this movie, Racal remained motivated to do the film. She says: “ I still feel so empowered to do this film, to send a message and to educate people on the plight of the female youth who are in the same situation as Sunshine.” Bianca Balbuena, Producer from Anima Studios talks about her continued partnership with and support of Jadaone: “As a producer, I’ve always supported Antoinette Jadaone’s voice as she pushes the boundaries of women stories in cinema in a way that reaches a wider audience. ” Balbuena is a Filipino producer and co-founder of Epicmedia, which has produced over 30 features, most notably Venice Film Festival Lion of the Future Engkwentro , Berlinale Winners A Lullaby To The Sorrowful Mystery and Cu Li Never Cries , Cannes Film Festival Un Certain Regard title Viet and Nam , Sundance Film Festival Midnight title In My Mother's Skin acquired by Amazon Studios, and Jadaone’s That Thing Called Tadhana , and Fan Girl . As a long-time collaborator, she further supports Jadaone’s drive to bring an important issue to the forefront: “ Sunshine tackles a taboo subject that is of paramount importance in a world that constantly hinders women’s freedom over her own body.” Dan Villegas, Producer from Project 8 Projects adds: “Working with Antoinette is nothing short of inspiring. The way she directs, her predisposition on set, and her passion to tell a compelling story is such a great deal. Though Sunshine was a series of ups and downs, her leadership steered us in the right direction that allowed us to make this film.” Villegas is also a Filipino Producer, Director, Cinematographer, and co-founder of Project 8 Projects, with over 20 directing and over 30 producing credits to his name. Of note is The Missing - the Philippines’ entry to last year’s Academy Awards, Netflix’s first original Filipino series Replacing Chef Chico , and Jadaone’s internationally-acclaimed Fan Girl . In order to sensitively and masterfully tell the story of Sunshine , Jadaone assembled a team of the Philippine cinema industry’s best of the best. Director of Photography Pao Orendain ( Cattleya Killer, Almost Paradise, Maria) shares his experience of capturing the struggles of Sunshine: “Tackling sensitive issues like abortion within the context of a third world, predominantly Catholic country was undoubtedly challenging. Our intention wasn't to provide definitive answers but to spark thoughtful conversation and encourage audiences to ask crucial questions. ”

For most people, getting a haircut is pretty much a straightforward affair: you go inside a barbershop or salon, pick out a stylist, discuss the cut you want, listen to the precise snip-snap of their scissors for the next half-hour or so, pay, and then leave. This is not the case for Queer people. According to a 2019 survey by Pantene, LGBTQIA+ individuals—especially those who identify as non-binary— often face discomfort in salons, with a good number of them reporting feeling stress ahead of their salon appointment. The same, sadly, rings true in the Philippines. According to Paul Sumayao, the director for membership and regional relations of the Philippine LGBT Chamber of Commerce (PLCC) and the co-founder of creative agency Studio Hibang, the Philippines currently has a gap in the market that addresses comfortable places for Queer individuals looking to get their hair cut. “When (masculine-presenting) queer women and trans men go to salons, tatawagin silang ‘ma’am’ and when feminine-presenting men and trans women go to barbershops, tatawagin silang ‘sir.’ S o saan kami magpapagupit? Ba’t wala kaming space to call our own na comfortable kami, na di kami tatanungin kung magjowa ba kaming sabay nagpapa-haircut ?” Sumayao said. Barbierro, the Philippines’ very first queer-owned and queer-friendly barbershop, came about as a response to this very need. “As Queer people, we feel like hair is one of the things that make us different from the rest. We like to play around with our hairstyles, we like getting pampered, so I feel like it makes sense to me to have a barbershop business,” Sumayao explained, noting that while opening a Queer-friendly barbershop had already germinated in his mind over seven years ago, he and his partner Jedi Directo were only able to push through with it in 2022. “I thought of it in 2017 pero pinatulog ko muna siya kasi I was still in grad school then. Tapos 2022 was when I decided talaga na ‘sige, let’s open na the barbershop,’” he added, citing the results of that year’s national elections as another factor that affected their decision. The rest, as they say, is hair-story. Its name a portmanteau of "Barbie," which is frequently used as a slur by Filipinos to refer to effeminate, gay men, and "Barbero," the local, masculine word for “barber,” Barbierro opened its doors in July of 2022, with the shop—known for its bright-colored facade, cozy art-filled interiors, impeccable service, steady stream of pop tunes, and a #fierce bearded and tatted merman as its symbol— welcomed with much enthusiasm by the LGBTQIA+ community. In addition to providing top-tier service, Sumayao says Barbierro’s success can be attributed to them being a safe space for Queer people to be themselves. Barbierro’s crew, for instance, undergo routine Sexual Orientation, Gender Identity, and Expression (SOGIE) training up to two times per year, which helps them to be more empathic and sensitive towards their clientele—a sharp contrast to typical pa- macho barbershops which, more often than not, are hotbeds for misogyny, homophobia, and transphobia. “There have been instances na nago-open up yung customers sa amin on their own, na hindi namin tinatanong. Or minsan tatanungin namin ng ‘saan kayo nagpapa-haircut before?’ tapos sasabihin nila ‘ah nagpapagupit ako dati sa barbershop na ‘to pero lagi kasi ako pinepresyuhan ng gupit-babae kasi babae ako ,” Sumayao relayed. “ Dito kasi we are charging them based on hair length and the complexity of the haircut, hindi sa (gender) nila ,” he added. “Another story naman is about a masculine-presenting queer woman tapos nung pinakita niya yung hairstyle na gusto niya , which is a very masculine hairstyle, doon sa barbero, tiningnan yung chest niya, parang it was a gesture na sabi ng barbero ‘ba’t ka magpapagupit ng ganyan, eh babae ka ?” Sumayao said during our interview. Sumayao then relays the story of two other clients, a gay couple who found it hard to express affection at their previous go-to barbershop and often had to book separate dates for their haircuts. “ Nahihiya talaga sila magpagupit sa barbershop together na nage-express talaga sila ng kanilang relationship— di nila afford maging intimate with each other. Pero dito sa shop namin, nagaakbayan sila, they would hold hands, so that makes it really special for us.” “ Yun yung little pockets of stories na dun namin inangkla yung kwento ng barbershop,” Sumayao said. “ Sabi namin ‘why do barbershops and salon personnel make a big deal out of it if we want short or long hair, or if we want a specific hair color na hindi akma kunwari sa gender expression namin ?’” he added. “It’s really founded on that, na pareho naman kami ng ibabayad as the other cisgender clients pero why do we feel uncomfortable? S o yun yung premise namin na dapat comfortable lahat because we are paying the same rate as everybody else.” Two years after its opening, Barbierro is set for expansion, with the shop’s branch in Laong Laan, Manila already in operation. For most people, getting a haircut is pretty much a straightforward affair: you go inside a barbershop or salon, pick out a stylist, discuss the cut you want, listen to the precise snip-snap of their scissors for the next half-hour or so, pay, and then leave. With Paul Sumayao and Barbierro, this just might soon be the case for Queer people. And we can’t wait. Article and Photos by : Michael Rebuyas (@itsmikerebuyas) Art Direction : Jobo Nacpil (@jobonacpil) Special Thanks to Paul Sumayao (@paulsumayao) Buboy Borbe (@linojosegabriel) Barbierro Address : Laguna Branch RJ Titus Bldg, Brgy San Francisco Biñan (Flying V Gas Station, Southwoods Exit) Manila Branch 2157 Laong Laan Rd, Sampaloc, Manila, 1008 Metro Manila Instagrame: https://www.instagram.com/barbierrobarbershop/

Filipino band Never the Strangers has returned with their first new song in four years, Alon , out now on all music streaming platforms. An official music video for the track has also dropped on video streaming platforms.  Alon tells of the band’s emotions of helplessness and longing for freedom during the height of the pandemic. Turning Heavy Feelings Into Song “I wanted to write something that embodied the heavy emotions I felt at the time, while in the thick of quarantine,” shares the band’s vocalist and songwriter, Ace Libre. “ Alon  is also the band’s first single ever to be produced, recorded, mixed, and mastered remotely,” he further explains. “Quarantine prevented us from jamming in a studio together, so we had to make do with our own equipment.” Even though distance and quarantine requirements proved to be a challenge, the Never the Strangers and Rico Blanco co-produced Alon  sees the band make a strong return to the local music industry, creating a piano-driven anthem rooted in alternative rock.  Previously known for their softer, more romantic songs  Moving Closer  and Bago Mahuli Ang Lahat , Alon  takes Never the Strangers in a new musical direction. The track is anthemic, but it also feels moody due to its ever-present percussion, with piano and guitars adding layers to the track and conveying the overwhelming emotions of its lyrics. The band smartly uses baritone backing vocals in certain lines, emphasizing the heavy feelings submerging them.  Surrendering to Alon While the band is honest about how Alon  is borne out of their despondence during the pandemic, they convey the message through water imagery: using rain, waves, and the ocean to illustrate the progression of their feelings.   The verses show the narrative from two different perspectives, with each pre-chorus cleverly connecting the verse’s varying perspectives and paves for a different interpretation of the chorus.  The first verse shows the songwriter longing for the freedom that he feels when he’s by the ocean, as he sings, “Dalhin mo ‘ko sa tabing-dagat, sundin bakas ng mga sugat.”  Instead of the ocean, the pre-chorus confirms that rain instead has come. Still, the writer finds freedom in the loudness of the rain, as it masks the sound of his pain ( “Pagpatak ng ulang tikatik, buhusan panimdim at galit” ). The song dives deep into how he sees the ocean, portraying it not just as a symbol of freedom but also as a refuge to drown sorrows. The lyrics express a plea to the ocean to liberate the soul, amidst verses that reveal a surrendering to emotions and a desire to embrace vulnerability. The chorus resonates with all lovers of water, asking the waves to take them wherever they wish in exchange for their heart. In the song’s bridge, the band has fully conceded to their feelings, which gives them the freedom that they long for: “sawa na’ng magkunwari, hubarin ang maskara, bawiin ang sarili at tuluyang mawala.” The song encapsulates a journey of emotional release and acceptance, anchored by the metaphorical power of the sea. It might feel like they’re losing themselves as they shed their masks and pretensions, but that’s the price of freedom.  “My inspiration revolves around how I regard the manifestations of water in nature, and my awareness of my deteriorating mental health while the Enhanced Community Quarantine (ECQ) was in effect,” Ace explains the use of water as a metaphor for freedom.  “I romanticize water because it can feel so much larger than life. When rain sprinkles down, a feeling of renewal dawns on me. The sheer size of an ocean, with its moody waves, makes me keenly aware of how finite and powerless I am. I merged these ideas purely on instinct. No conscious calculations were made; I let my heart pull me to its center of gravity, and it led me down a path paved with thoughts of surrender and freedom. I felt at home envisioning myself one with the waves, away from the pain of an ailing world.” For him, the line “Puso ko’y iyong angkinin kapalit ng bituin”  is a personal favorite. “I like it because it expresses the height of surrender and sacrifice in order to get something one truly wants. How great is your desire? What price are you willing to pay?” Alon’s music video also shows the same elements as its lyrics. The video begins in greyscale, with the band performing against barren backdrops and scenes of water. Meanwhile, a glowing door on the screen catches one’s eye, but the band pays it no mind.  Colors bleed into the video by the second verse, as the band performs the song against blooming backgrounds. They then walk into the door, as the video ends with warm colors of flowers and sunsets, a contrast to the dullness shown in its beginning. “The music video is stuffed with imagery that we consider to be poetic, which aligns with the themes that pervade Alon ,” details the band. “Its evolving color palette catches the eye. The wide shots in nature envelop, overpower, and embrace. The lights, shadows, and portals linking universes intrigue.” Directed by Gio Puyat with Balcony Prime, the band shares that they aimed to commit the intangible on a visual medium.  Despite the music video’s moody theme, the band shares a lighthearted anecdote during its shooting: “when we were shooting the scenes with the mirror on the shore, someone joked that it looked like we were having a prenuptial photoshoot. It was just the two of us on camera, in suits and slacks, taking turns holding a flower! It was a light moment in an evening filled with urgent work.” New Music and Shows to Look Forward To Beyond the track’s heavy themes and fun stories from the video’s behind the scenes, the band takes time to address their fans who have been waiting a long time for a new release.  “First, we would like to apologize for keeping you all waiting. We had been promising new music for each of the last four years. Second, we would like to express our gratitude for your patience. Thanks for keeping us going. We did it. We’re finally here with a new song. We hope it fills a void in your heart.” Now that they’re back, fans of Never the Strangers have more to look forward to.  “We plan to be more present in your lives for the rest of the year, which means more shows, and more music!” Listen to Alon,  out now on all music streaming platforms: https://NeverTheStrangers.lnk.to/Alon Follow Never the Strangers on their social media accounts to stay updated on their future releases: https://NeverTheStrangers.lnk.to/SocialMediaChannels

Shaun Pelayo's journey from a modest upbringing in the UK to making waves in the Philippine fashion and entertainment industries is nothing short of inspiring. Born to a Filipino mother who immigrated after marrying his father, Shaun's early life was shaped by resilience and determination. Growing up in a small flat, he shared a bunk bed with his older brother and was profoundly influenced by the grit and success of professional athletes and superstars he admired on television. This drive propelled him forward, guiding his remarkable journey back to his roots in the Philippines, where he now aims to redefine beauty standards and cultural perceptions through his unique presence in modeling and acting. In this exclusive interview, Shaun opens up about his early life, career inspirations, and the profound impact of his Filipino heritage on his identity and aspirations. Shaun, can you tell us about your early life and how growing up in the UK influenced you? I come from humble beginnings, with my mother immigrating to the UK after marrying my father. Growing up in a tiny flat, I shared a bunk bed with my older brother. Despite my dad being on benefits my whole life, I found inspiration in the determination and success of professional athletes and superstars that I would watch on TV.   What inspired you to return to the Philippines and pursue a career here? I am very goal-oriented and constantly need something to work towards to feel content. Guided by faith, I believe the opportunity to move to the Philippines presented itself at the perfect time. Having completed all my goals in my industry in the UK, I was ready for a new challenge. Visiting the Philippines in 2023 for the first time in ten years opened my eyes, and I knew I had to be here to make an impact. How has your family background, especially your roots in Siquijor, shaped your identity and career? I was raised very close to my mother and the Filipino community in the UK. As a boy, we visited the Philippines every year, staying in Cebu, where my mother is from, and Siquijor, which became our second home. My best childhood memories are deeply embedded in those islands. I have always been proud to be Filipino, a trait shared by many Filipinos who are known for their pride and support for one another. The culture, the people, the food, and the energy have always been a significant part of my life. These influences shape how I carry myself and treat others every day. What was it like walking the runway at Bench Fashion Week, and how did you prepare for it? If I am being 100 percent honest, I was not as prepared as I should have been. Despite modeling for over seven years, my experience has mainly been in commercial, editorial, and regular fashion modeling. Walking in a fashion show in underwear was outside my comfort zone. However, I am grateful for the opportunity, especially as the only model covered in tattoos with a moreno complexion. Can you describe the significance of your tattoos and how they reflect your personality or experiences? Growing up, I always knew I wanted to be covered in tattoos. Everyone I looked up to had them. The more I researched, the more I learned about the history of tattoos among our people. The Spaniards named us "Las Islas de los Pintados," meaning "The Island of the Painted Ones," when they first arrived in Cebu. At university, I did a major research project on tattoos and discovered our living national treasure, Apo Whang Od. Getting a tattoo from her was a dream come true. My tattoos are a significant part of my image, each with its own meaning. In a predominantly pale-skinned modeling industry, how do you feel about being a trailblazer with your moreno complexion? The fact that a prestigious magazine like yours is asking me this question is evidence enough that I am being recognized. As I mentioned earlier, I believe I am guided by fate. It was meant for me to come to the Philippines at this point in my life and start making a difference, and I am ready for the challenge. I want all the little Moreno boys to see me in the big leagues of the industry and know that they can have this complexion, be strong, masculine, and still be recognized. How did you transition from modeling to acting, and what drew you to this new field? I believe it's a natural progression for many models to transition into acting. It often begins with commercials, then music videos, and gradually you gain confidence in acting. For models, this transition can be easier since we are already accustomed to long days on set and understanding camera angles. However, this path isn't for everyone. Being very goal-oriented, once I achieved my modeling goals, I sought a new purpose. As a student of the acting world, I absolutely love being on set and learning. What are some of the challenges you faced in the acting industry, and how did you overcome them? So far, my tattoos have been a significant factor. They often typecast me into "bad boy" roles, which helps me secure smaller roles frequently. However, I've faced challenges landing bigger roles with more diverse characters. I'm not upset or angry about this; I genuinely enjoy portraying the bad boy persona. One of the beautiful things about the acting industry is that there's no age limit, unlike modeling. Additionally, it's challenging for me to start acting in the Philippines because I don't speak Tagalog at all. I grew up around Bisaya-speaking Filipinos, so I never learned Tagalog. Your social media showcases your love for island life. How does living in Siquijor compare to your life in the UK? I was genetically designed to live on the island. My DNA, physical, and mental well-being thrive when I am there. The lifestyle, the people, the organically fresh foods, and being surrounded by the ocean and fresh water waterfalls are incomparable. Although I am grateful for being raised in the UK for the education and opportunities it provided, now that I have moved to the island, I cannot see myself ever living in the Western world again. What does your daily fitness routine look like, and how do you stay in shape? I work out five days a week, usually for about an hour, and I aim to train intensely. Since moving to the Philippines, I have lost some size as I adjust to training in the heat and sweating more. However, my physique has improved due to the organic, fresh foods here compared to the processed, expensive, and less healthy options in the UK. I spend a lot of time in the sea free diving, playing basketball with the locals, and recently, I've developed a habit of playing beach volleyball every day. Can you tell us more about your passion for fresh, locally grown fruit and how it ties into your lifestyle? Growing up in the UK, fruit was quite expensive. For example, buying avocados or even banana shakes costs around six to seven times more than in the Philippines. So, having access to such tasty, healthy fruits here is exciting to me. Additionally, I found that many of my followers enjoy watching me eat and taste different fruits, especially coconuts. How do you see your work influencing beauty standards and cultural perceptions in the Philippines? If I continue on the path I've set with the same trajectory, I hope to make a permanent impact on beauty standards here. For someone on the outside looking in, it was confusing to see the lack of representation for the beautiful moreno complexion of the Filipinos I grew up with on the island. It wasn't until I visited the cities and saw the movies that I realized darker skin tones weren't being represented. This realization made it clear that I needed to be part of the change. I've already signed with one of the biggest agencies and brands, been featured on shop fronts and posters in big stores, and walked in fashion week. Some of my posts on this topic have gone viral, garnering thousands of supportive messages and gratitude for the representation. I just pray I continue to manifest larger opportunities to make an even bigger impact. What local traditions and activities are you most passionate about participating in? Basketball and local fiestas are central to the community on my island. There's always a fiesta happening in different areas, and everyone is so inviting. I love the food and I love my people. How do you stay connected with the local community in Siquijor, and what initiatives are you involved in? I have made some incredible connections and friends. While I don't have a specific way of staying connected to all the events, I am close to many people who are directly involved with everything on my island. They often message me about events I should attend and that I would enjoy. I love my island, and I will do all I can to represent it. This also involves charitable events I can volunteer at a contributions.  What are your future aspirations in both the modeling and acting industries? I want to be on a big billboard in Manila and sign with a drinks company that aligns with my branding. I would also love to become the official face of my island through modeling. In regards to acting, I hope to continue my journey here in the Philippines. An action movie would be a dream, but I understand I need to start with smaller supporting roles before I get my big break in the industry. Are there any upcoming projects or collaborations you’re excited about and can share with us? I don't like to jinx anything or speak to soon, so for now, you'll just have to keep following the journey. How do you envision your career evolving in the next five years? In the next five years, I hope to be landing leading roles in movies. I also want to build a gym here in Siquijor at one point.  What’s your favorite spot in Siquijor and why? This is a tough question because there are so many great spots to choose from. However, if I had to pick, my favorite spot would be my local beach in Sandugan. It's rarely visited by tourists; you mostly see local fishermen and friends there. It's peaceful and empty compared to other beaches near tourist attractions. I can walk down to the beach with my dogs and just sit and think.  What book or movie has had the most impact on you recently? The TV series 'Vikings' tells the story of a farmer who becomes king and questions everything. The stoic mindset and theme of conquering were very inspiring and relatable to watch and learn from. If you could collaborate with any designer or director in the future, who would it be and why? I want to do a Lapu-Lapu themed shoot. I would leave the creative aspect to the production team, but I believe we could create something truly epic. Shaun Pelayo: https://www.instagram.com/shaun_pelayo/ Photo by Kim Hardy https://www.instagram.com/kimhardyphotography/

“To grieve together and safely: sometimes that’s all that matters.” - Merlinda Bobis Grief comes in waves and sometimes all we want is to curl up and be alone, but we don’t have to be. Project 8 Projects and Mentorque Productions join forces to create  Kono Basho  for this year’s Cinemalaya Independent Film Festival! Project 8 Projects graced last year’s fest with Cinemalaya Audience Choice Award Rookie  (2023) and Gawad Urian Best Film winner, Iti Mapukpukaw (2023) .  Beyond the film fest, they also produced  well-awarded movies like Never Not Love You (2018), Alone Together  (2019), and Fan Girl (2020) .  As for film production company Mentorque, they have made strides with their box-office hit and critically acclaimed film Mallari (2023), the first Filipino mainstream movie distributed by Warner Brothers. Bryan Dy, Executive Producer under Mentorque Productions, shares what compelled him to bring this story to life: “ What drew me to Kono Basho was the powerful story the director embodies hope in the face of adversity. Witnessing the rebuilding efforts of Rikuzentakata and the community's unwavering spirit is incredibly inspiring. I want audiences to feel the warmth and solace that "Kono Basho" offers. ” With the success of their debut film Mallari , Dy found significance in supporting filmmakers who put heart in every story they make. He says, “ it's important for me to continue supporting filmmakers who bring such impactful stories to life, emphasizing the strength of the human spirit .” With two creative forces combined, Kono Basho magnificently narrates the story of two estranged half sisters, Ella (Gabby Padilla) and Reina (Arisa Nakano), who reunite at their father’s funeral in Rikuzentakata where they end up forging a bond to heal their personal wounds. In the process, Ella, a 28-year-old Filipina Anthropologist, confronts the cultural and emotional complexities entwined with her father's second family, particularly her half-sister, Reina, who was born and raised in Japan. Amidst the intricate layers of their relationship, Ella and Reina find solace and connection as they both strive to reconcile their differing perceptions of their shared father. The half sisters’ voyage of self-discovery becomes interwoven with the healing of Rikuzentakata, a city profoundly impacted by the devastating March 2011 earthquake and tsunami in eastern Japan. Hand in hand, Ella and Reina find ways to carry their heavy anchors amidst the waves, steer the boat through rough family tides, and surface their unresolved traumas that would change their relationship forever. The movie stars Gawad Urian and Cinemalaya Best Actress nominee Gabby Padilla ,   who is known for her outstanding roles in Kalel ,  15 ,  Billie and Emma ,   and  Gitling . When asked about her experience shooting the film, Gabby says: “ The community we built in Japan while shooting in Rikuzentakata was one of my favorite things about the whole Kono Basho experience. Being able to work with an amazing team in such a magical place was already a gift in itself. ” Padilla gracefully shares the screen with Arisa Nakano , an actress from Japan   who is best known for her pivotal role in the Oscar nominated movie Perfect Days . Having lived in Japan, the disaster in Rikuzentakata hit closer to her. She expresses her sentiment and hopes for the Filipino audience seeing this film: “Having lived through the big natural disaster in Japan, I’ve seen how people’s lives changed because of it. I hope people in the Philippines get a glimpse of that reality through this film.” Kono Basho is a personal tale made by visual artist, curator, teacher turned filmmaker and director Jaime Pacena II . He draws inspiration from the time he spent in Japan researching and immersing in Rikuzentakata, a city devastated by the 2011 Tsunami. Pacena artistically reflects on his thirteen years worth of archival photographs and videos as remnants and memories, a key theme that can be seen all throughout the movie. “ Seeing Rikuzentakata rebuild and reform after the disaster for several years is what drew me in writing Kono Basho. The hope amidst loss and pain is such an inspiration ,” Pacena shares. Marrying his past as a visual artist and curator with his now role as a filmmaker and director, Pacena (along with the talented production team) shot the entire movie in Japan to showcase the cultural and emotional distinctions brought by the characters’ identities.His debut feature film is dedicated to and inspired by Pacena’s three eldest sisters who gave him a profound understanding of the importance of family, and most importantly the role of siblings in shaping who we are becoming. “ Kono Basho for me is a warm hug that you might not want that you actually needed ,” he continues. What makes this film even more special is Director Dan Villegas’ comeback as a cinematographer. After focusing on directorial roles that bagged him the Metro Manila Film Festival Best Director in 2014, as well as producing movies and TV shows, Villegas comes back to his roots as a Director of Photography to further bring to life the stories of Ella and Reina. Aside from his role as DOP, Villegas also serves as the Executive Producer and Producer of this film under Project 8 Projects. Beyond the amazing talents, The Japan Foundation also played a big part in painting this story. With the film being shot entirely in Japan, the production team was assisted by the foundation to ensure that the culture and sensibilities of Rikuzentakata, Japan were properly captured and honored. Kono Basho  is a story about family, loss, identity and renewal. It delves deeply into the complex issues surrounding the Filipino diaspora, set against the backdrop of the traumas caused by the March 2011 tsunami, offering a profound reflection on these themes. Grief comes in waves. But you don’t have to ride it alone. Sometimes the people we expect the least to help us are the ones who make it bearable. Take a trip to Japan with Kono Basho , an official film entry to the yearly awaited Cinemalaya Independent Film Festival – in theaters this August 2024. Watch the trailer here: https://www.youtube.com/watch?v=XarrG5bT_6I

Cebu, Philippines – Jin-taek, the popular star from Netflix’s Singles Inferno, is currently enjoying a luxurious stay at Fili Hotel NUSTAR Cebu – the first and only five-star Filipino hotel brand. His visit highlights the exceptional Korean offerings and world-class amenities of the hotel, attracting both local and international guests. Staying in the expansive Villa 2, Jin-Taek is experiencing the best that Fili Hotel has to offer. The villa’s luxurious amenities and attentive service make it an ideal choice for celebrities and discerning travelers. Jin-Taek’s stay underscores the hotel’s commitment to providing a blend of luxury and cultural immersion, appealing to guests from around the world. The hotel provides an authentic Korean culinary experience, with expertly prepared dishes ranging from traditional favorites like kimchi and bibimbap to special soju cocktails. Jin-taek has expressed his delight with the extensive Korean offerings available at Fili Hotel, from the buffet breakfast at Fili Café to bar chows and drinks at Axis Entertainment and Sports Bar, and even Korean specialties for room service. These offerings cater to the tastes of Korean visitors and enthusiasts alike. Guests enjoyed an exclusive meet-and-greet with Jin-taek, who took the opportunity to engage with his fans, adding a personal touch to the evening's festivities. Jin-taek is not only here to enjoy his vacation but also to explore potential collaborations with Philippine brands. He has expressed interest in returning to the Philippines more often for work, drawn by the warm Filipino hospitality of the hotel and the country’s vibrant culture. As the hotel expands its offerings, guests can look forward to more events and experiences celebrating vibrant Korean culture. For more information about Fili Hotel NUSTAR Cebu’s Korean offerings and upcoming events, please visit www.nustar.ph . About Fili Hotel NUSTAR Cebu Fili Hotel NUSTAR Cebu, is the newest brand of homegrown hotels by Robinsons Hotels and Resorts. Positioned as the first of three hotel towers in a pioneering integrated NUSTAR Resort Cebu, the Fili Hotel offers a picturesque view of the southern part of Cebu City and the Cebu-Cordova Link Expressway (CCLEX). Its strategic location allows for convenient access, being a 30-minute drive from the Mactan-Cebu International Airport via the CCLEX and a 25-minute sea travel from Mactan. Fili Hotel NUSTAR Cebu pledges to deliver the global allure of Filipino hospitality and accommodations, emphasizing luxury and genuine Filipino care in every aspect. For inquiries and reservations, dial (032) 888-8282 or email the hotel through contactus@nustar.com.ph . More information can also be found on the website at www.nustar.ph/hotels/fili .

Taguig City, Philippines – July 8, 2024 – The third year of the Modern and Contemporary Art Fair (MOCAF) at Marquis Events Place in Bonifacio Global City witnessed an extraordinary turnout as Le Ngok made her highly anticipated debut in the contemporary art scene. The three- day event was a resounding success, attracting new collectors, art students, and the vibrant local art community. Le Ngok, known for her innovative and experimental approach to wearable art and mixed media, captivated audiences at the Art Toys PH booth. Her unique fusion of materials created a buzz, with attendees flocking to witness her debut works. Sharing the spotlight with Le Ngok were other talented artists including Kelvin Morales, Vincent Trinidad, Ireland Jill and Anagram. Their diverse and compelling works complemented each other, offering rich tapestry of contemporary art for all to enjoy. The event provided an ideal platform for these artists to showcase their artistic evolution and connect with both seasoned art enthusiasts and emerging collectors. The collective display highlighted the dynamic range of contemporary art practices and fostered a sense of community among the artists and attendees. The fashion community, known for its synergy with the arts, showed robust support for Le Ngok's debut. Esteemed designers such as Carl Jan Cruz, Renz Reyes and the dynamic duo Ha.Mu were present, further highlighting the intersection of fashion and contemporary art. Their presence underscored the growing trend of collaboration between these creative industries, amplifying the significance of Le Ngok's work. "We are thrilled with the response to Le Ngok's debut at MOCAF," said Art Toys PH Founder and Curator Raymond Ty. "Her ability to blend different media and push the boundaries of contemporary art has resonated deeply with both established collectors and new art lovers. This event marks a significant milestone in her career and sets the stage for future endeavors." The Modern and Contemporary Art Fair continues to be a pivotal event in the art calendar, fostering connections between artists, collectors, and the broader creative community. This year's event was a testament to the thriving art scene in the Philippines and the increasing recognition of contemporary artists like Le Ngok. Kelvin Morales, Raymond Ty, Le Ngok Raymond, Renz Reyes HAMU, Le Ngok Glaiza De Castro, Le Ngok, Raymond Zild Benitez and Friends Carl Jan Cruz, Le Ngok, Raymond Ty About Le Ngok Le Ngok is a contemporary artist renowned for her experimental approach to mixed media. Her work explores the intersection of different artistic disciplines, creating a unique and thought- provoking visual experience. With a background in various art forms, Le Ngok continues to push the boundaries of contemporary art, captivating audiences with her innovative creations. About MOCAF The Modern and Contemporary Art Fair (MOCAF) is an annual event held at Marquis Events Place in Bonifacio Global City. It showcases the works of contemporary artists from the Philippines and around the world, providing a platform for artistic expression and cultural exchange. Now in its second year, MOCAF has become a cornerstone of the local art scene, attracting a diverse audience of collectors, art enthusiasts, and creative professionals.

Light Talks of Benilde Photography Program opens Marketing Forum Light Talks: Marketing Forum on Photography, a free public lecture, is now accepting registrants for Thursday, July 18, 2024. This initiative, organized by the Photography Program of the De La Salle-College of Saint Benilde (DLS-CSB) School of New Media Arts, aims to provide an in-depth look at the marketing aspects of the photography industry. The latest installment of Light Talks will feature a distinguished lineup of practitioner- entrepreneurs: • Artu Nepomuceno, fashion photographer and Benilde Photography alumnus • Merphi Panaguiton, co-founder and creative director of ATOMM Studios, the first self-photography studio in the country • Nicco Valenzuela, architectural and landscape photographer, photography writer, and ambassador for several brands How do you market a photography business? What platforms and channels should you choose to get your message across? How do you combine sales and advocacy? How do you match your photographic style with your go-to-market strategy? Does a brand or photographer have to be well-known to be considered successful? These experts will discuss and unpack the relationship of Photography and Marketing as interconnected disciplines. Light Talks is a series of discussions launched in 2017 that invites young talents, professionals, and enthusiasts into deep conversations about the art and discipline of photography. It provides a platform for emerging and established photographers to collaborate on understanding and probing the current visual language as well as developing innovative and critical methodologies and practices in the medium.Light Talks: Marketing Forum on Photography is free and open to the public. The event will be held on Thursday, July 18, 2024, from 1 p.m. to 3 p.m., at the 12th Floor Cinema of the Design + Arts Campus, 950 Pablo Ocampo Street, Malate, Manila. Interested participants may register through bit.ly/LightTalksMarketingForum . For more information, visit https://www.facebook.com/benildephoto  or contact antonni.cuesta@benilde.edu.ph .

Filipino musician and actor juan karlos is back with a new track,  Limang Taon , an ode to loving oneself after being hurt by romantic love. The song is out now on all music streaming platforms, with a live performance video available on all streaming platforms as well. Limang Taon  carries the mark of a juan karlos song, with an alternative rock sound that complements juan karlos’ emotive vocal performance. Written and composed by the artist himself,  Limang Taon  is produced by Xergio Ramos, who also played guitars for the track. Completing the band for the track are Ira Cruz on guitars, Karel Honasan on bass, Victor Guison on drums, and Nikko Rivera on keyboard. Building Self-Love After Heartbreak juan karlos cemented his place as a hitmaker in the local music industry with the lovesick Buwan  and the heartbroken ERE ,   and Limang Taon  builds on that progression, with juan karlos showing a new side to himself—one of self-love, following a long-term relationship that has burned out. As an artist who grew up in the spotlight, juan karlos has always been open about his life, including his romantic connections and opinions, but Limang Taon  may be his most personal and painful song yet. After all, it acknowledges the end of his relationship, but beyond the anger of ERE , Limang Taon  sees juan karlos trying to move forward. “Limang taon ay natapon sa isang gabi,” juan karlos begins the song, admitting his denial and hurt at the relationship’s end. However, the song progresses with him refusing to succumb to his pain. “Araw araw ikaw na lang lagi, ngunit ako naman muna,” he sings as his resolve strengthens, and the song transitions from regret into self-acceptance. But loving oneself is a slippery slope that takes a lot of work, and juan karlos captures this in his lyrics. “Naglalakad ng mag-isang walang ka-akbay, akala ko ikaw na nga ang siyang pang- habangbuhay,”  he sings of his pain in one verse, a pleasant surprise in English, “but now I have to think about me,”  he continues in the next. He acknowledges the waste of his years on a love that ultimately didn’t work out, but he recognizes that there is always another kind of love he can give. “Mamahalin ko naman ang lalaki na aking nakikita sa salamin,” juan karlos ends the song, and it’s a refreshing take to hear from such a popular artist. After all, the industry is ripe with songs about love and heartache, but rarely do we hear male artists singing about learning to be alone and loving themselves. Performing Limang Taon Under the direction of Jaime Cabalum and associate director Camille Lipnica, Limang Taon’s live performance video takes a simple yet powerful approach to translating the song visually. The video uses a single, continuous shot execution, with juan karlos performing for the camera against the backdrop of a burning house. juan karlos proves his acting mettle and strong stage presence in the video, as his face contours to deliver the track’s painful emotions. The camera zooms out by the song’s chorus, revealing the band behind juan karlos, all of them oblivious to their blazing background. The fire seemingly grows in proportion with juan karlos’ resolve to love himself—the flames grow higher and higher as the band performs a half-minute instrumental interlude, with juan karlos putting his jazz influences to good use with his vocal runs and ad libs. His emotions escalate as the song ends, with juan karlos letting out a cathartic exhale after his last line, as if he’s truly letting go of the pain as he puts himself first. Listen to Limang Taon, out now on all music streaming platforms: https://juankarlos.lnk.to/LimangTaon Watch the Limang Taon  Live Performance Video: https://juankarlos.lnk.to/LimangTaonLivePerformanceVideo

In a world where technology and creativity often seem at odds, Bimpoman's journey serves as a testament to the powerful synergy between the two. By bridging the technical and the artistic, they continue to contribute richly to the visual arts and filmmaking, inspiring others to carve their own paths in this dynamic industry. Introduction and Background Could you start by telling us a bit about your background and how you first became interested in the world of visual arts and filmmaking? Having spent a decade as a Broadcast Engineer, I've cultivated a deep appreciation for the intersection of technology and creativity. Despite my technical background, I've always felt a strong pull towards artistic expression. Frustrated by the limits of my role, I ventured into photography as a self-taught endeavor, using it as a medium to explore and capture moments that resonated with me. Throughout my career, I've gained valuable insights by observing and troubleshooting the challenges faced by artists. This firsthand experience has deepened my understanding of the complexities involved in visual storytelling. It fuels my aspiration to bridge the gap between technical proficiency and artistic vision, driving my passion to contribute meaningfully to the world of visual arts and filmmaking. What were some of the early influences that shaped your artistic vision and style? My artistic vision and style have been shaped by a diverse array of influences, both local and international. Early on, I immersed myself in the work of artists from various backgrounds, absorbing their techniques and perspectives through observation and conversation. What captivated me most was the artwork itself; I rarely focused on the artist's name, believing that true art speaks directly through its form and message. This approach reflects my belief in the quote, "Let your work speak for itself." By prioritizing the essence of each piece rather than the reputation of its creator, I've cultivated a deep appreciation for authenticity and creativity in all its forms. These influences continue to inspire and refine my own artistic journey, guiding me towards a style that is uniquely my own yet rich with the echoes of those who have inspired me along the way. As a multifaceted creative, how do you balance your roles as a colorist, visual artist, and filmmaker? Balancing my roles as a colorist, visual artist, and filmmaker is a blend of structure and spontaneity. I compartmentalize my tasks to ensure focus and efficiency, tackling each aspect with dedicated attention. However, I also embrace flexibility, allowing my mood and personal preferences to guide project selection. This dynamic approach not only maintains productivity but also nurtures creativity, enabling me to bring a nuanced perspective to every endeavor. Can you share a specific project that you feel best represents your work and why it holds special significance for you? One project that stands as a quintessential representation of my work involves collaborations with high fashion and fine-art artists. This project holds deep significance for me due to its emphasis on experimentation and boundary-breaking. By infusing each piece with intense emotion, I strive to capture the essence and soul of the subject matter, transcending mere visual appeal to evoke profound auras and narratives. This project reflects my passion for merging artistic disciplines, challenging conventions, and creating evocative experiences that resonate with viewers on a visceral level. Who are some of your biggest inspirations in the film and art world, and how have they impacted your approach to your craft? My creative journey draws inspiration from a diverse array of influences across film and art. I find myself experimenting freely with what resonates visually and emotionally, rather than fixating on specific artists or names. This eclectic approach allows me to draw from a collective pool of artists spanning different timelines, ensuring my work remains dynamic and avoids stagnation in style. What inspires me most is the emotional depth and collaborative synergy found in motion, fashion, design, and the people I collaborate with. These interactions shape my approach, pushing me to explore new dimensions of storytelling and visual expression with every project. As a colorist, how do you approach the process of selecting and applying color to enhance the visual storytelling in your projects? As a colorist, my approach to selecting and applying color revolves around understanding its emotional impact and narrative significance. For commissioned projects, I prioritize collaboration, drawing references from my partners to ensure alignment on the desired look and feel. This collaborative effort not only harmonizes our visions but also ensures client satisfaction. What role does color play in evoking emotions and setting the tone in your films and visual artworks? When it comes to personal work, I delve deeper into my own emotions and mood. I often gravitate towards darker tones and shadows, using them to imbue my creations with a painterly, dream-like quality. This approach allows me to interpret and convey the unique auras and essences of my subjects, creating visuals that resonate on a deeply personal and evocative level. Can you discuss a challenging project where your expertise in color made a significant difference in the final outcome? Every project presents unique challenges that demand my full expertise. One particularly significant instance where my color grading skills were crucial was in advertising work. These projects are challenging as they require precise adherence to a brand's color palette, which embodies its history, values, and integrity. Navigating these constraints involves meticulous attention to detail and a deep understanding of color psychology. I balance technical accuracy with creative interpretation to ensure the visual storytelling aligns seamlessly with the brand's identity. This commitment to precision and creativity is key to exceeding expectations and resonating authentically with the audience. Your work often blends different mediums and styles. How do you decide which medium best suits the story you want to tell? When deciding on the medium for a story, I embrace trial and error, a method honed during my engineering career. Rather than copying techniques, I draw from diverse strategies and plans to craft a unique style. This approach ensures I avoid relying on a single method, allowing me to blend different mediums and styles creatively to best suit the narrative I aim to convey. How do you ensure that your visual storytelling remains cohesive and impactful across different mediums such as film, painting, and digital art? Ensuring cohesion and impact across various mediums like film, painting, and digital art is rooted in a common thread of anonymity in my work. By focusing on learning, growing, and deeply understanding each subject, I prioritize setting a consistent vibe and immersing in the emotion of the work itself. This approach maintains a unified style and narrative integrity, free from the influence of fleeting trends on social media. Anonymity preserves the essence of my storytelling, ensuring that each piece resonates authentically and cohesively across different creative platforms. Finally, what advice would you give to aspiring photographers and creatives who are looking to carve out their own path in the industry? To aspiring photographers and creatives: Remember Dory's advice from Finding Nemo – "just keep swimming." Embrace the journey, not just the destination. Avoid comfort; learn from experiences and mistakes. Stay humble, work diligently, and push boundaries. Always create, take risks, and strive for growth. It's challenging, but always aim to thrive. INSTGRAM: @bimpoman

Unveiling the Essence of First Crushes in "Kilig Much" This Pride month of June, the gallery "sort of." unveils a mesmerizing exposition on first crushes by nine queer artists. Aptly titled "Kilig Much," this 2024 Pride offering dives into the heart-fluttering, spine-tingling sensation that accompanies one's first brush with romantic attraction. Diñoso, Coquia and Dex Fernandez This Pride month of June, gallery. sort of. unveils expositions on first crushes by nine queer artists. The mission: visualize and manifest the kilig you felt when you had your first crush. The conduits:  artists from all walks of life. From Angono to Aklan.  From emerging to established.  From semi-closeted to super open. The result: Kilig Much, the gallery’s 2024 Pride offering. Kilig Much purports to offer a sampling of queerdom’s first brush with kilig. But what is kilig?  It’s defined by the dictionary, true.  (And not just any dictionary: by the Oxford English Dictionary!). But it might not be just that definition. It could be so much more, especially for gay youth. Daydreamers by Gelo Zarsuelo It could be the awakening of sexuality. A realization of what, specifically, triggers attraction. Body parts and teen spirit smells.  Cheeky grins and sly glances.  A slow understanding that this being in front of you, this former friend or pal has suddenly transmogrified into an instant deity, one that holds intense fascination, and even power. Kilig could also be a deadly combination when mixed with arousal. One that could turn into desperation.  Or perhaps, depression. Kilig can be encapsulation of what will captivate you, and hold attraction for you, for years to come.  For life, even.  A brush with the forbidden, before the forbidden becomes mundane. Dano Tingcungco's glass odes Tingcungco and Abrigado's works juxtaposed A review of the submissions for this exhibit reveals a gamut.  Tophee Coquia renders delicate sketches of bear hunks, while Gelo Zarsuelo coats his boys with glitter, perhaps in anticipation of romance.  Dano Tingcungco, in turn, pays homage in breakable glass to his first loves. Mark Tisado and Daryl Feril both portray idyllic longing in tones of poignant blue, while Dex Fernandez submits frenetic, jagged fragments in slashed scarlet. From his studio, Justin Ryan Abrigado deploys graphite and colored pens to shape contemplative solitary figures.   Wani Pilar populates blank faces with delicate blooms, signifying personal encounters.  And so like the fragility of first crushes, Vincent Diňoso imprints encounters on delicate gauze that are illumined, ready for veneration. There might be more variations of first crushes.  There might be large swathes of the universe of kilig still to be explored.  Kilig means a multitude of things to different people.  But we can take comfort in the fact that kilig might always be around. There are always first encounters, after all. Coquia's Open Letter to the Men I've loved Before Diñoso, Coquia and Dex Fernandez tableaux Tender Reverie by Mark Tisado Amor Seko by Daryl Feril Despite its many forms and faces, one thing remains constant: the enduring presence of kilig. First encounters with romantic feelings are timeless, and the thrill of those initial sparks continues to captivate hearts across generations and orientations. In celebrating these diverse artistic expressions, "Kilig Much" not only honors the queer community but also invites everyone to reflect on their own first brushes with kilig. It’s a testament to the power of love and attraction, a reminder that kilig, in all its forms, will always be around. Visit: @gallery.sort.of