BLNC Facets : Pride in Everyday Cyrus Dan Ca ñares  MANDALUYONG What is everyday life like as a queer person on your side of the country? CC: Speaking from my personal experience I find living in Manila as queer to be well, normal. I don’t differentiate myself from the non-queer folks. I just live my life as it is. Period. No explanation needed. Unfortunately though, as much as the culture is “accepting” of queers we still have a long way to go in fighting for equality and inclusivity. So yeah, everyday life as queer in Manila is a complex balance of beauty and complexity.  What would you like Filipinos to know about the LGBTQIA+ community where you are? CC: I grew up in Manila and the queer community here is as colorful as the jeepneys and tricycles you’ll see in the street. Nothing makes me happy than seeing members of the community celebrate their most authentic selves! And a visit to any drag shows, art exhibits,  and queer-owned spaces can attest to the creativity and joyfulness of the queer Pinoy. Is it a perfect community? No. But it’s real, expressive, and always rooted in love. ( https://www.instagram.com/siriusofalltrades/ ) Photographer: Wilmark Jolindon  ( https://www.instagram.com/thewilmark/ )

BLNC Facets : Pride in Everyday Sam Lim CEBU What is everyday life like as a queer person on your side of the country? SL: I move through the world like I design — sometimes loud, sometimes soft, but always with intention. As a queer Filipino living in Cebu, I’ve learned to read every space like a pattern: where to cut, where to fold, where to let myself flow. Some days I shrink to fit in. Other days I take up space like a sparkly ball gown. I navigate by creating — turning queerness into cloth, silence into silhouette. It’s not always easy, but every look I make is a reminder: I exist, I resist, and I am not alone. Living as a queer designer in Cebu means learning how to exist in a world that doesn’t always know what to do with you. There’s pressure to stay quiet, to act “normal,” to make yourself smaller — but I’ve found ways to express who I am through design, styling, and the clothes I create. My queerness shows up in my work, especially in my graduate collection. It wasn’t just about fashion — it was a way for me to explore my identity, question norms, and show softness as something powerful. Every piece I make is a part of that story. It’s not always easy, but I’ve learned how to move with intention. I take up space in my own way, even if it’s quiet. What would you like Filipinos to know about the LGBTQIA+ community where you are? SL: Queer people in Cebu are not just trying to be seen — we’re already creating, building, and showing up. Even with limited resources, we’re styling shoots, throwing ballroom events, and designing pieces that reflect who we are. We do the work even when no one’s clapping. We turn scraps into beauty. We show up with heart, whether it’s in pageants, small gigs, or studio corners. There’s so much talent and truth here — and we’re not waiting for anyone to validate it. We’ve always known how to make space for ourselves. That’s what makes us powerful. https://www.instagram.com/samlimofficial/

BLNC Facets : Pride in Everyday Carlos Mangcupang by Vince Lim DAVAO What is everyday life like as a queer person on your side of the country? VL : Thankfully, living as a queer person in Davao feels a little lighter these days. We’re lucky to be in a city where there’s an avenue for us to grow into whoever we want to be. We have what we call safe spaces to run to when life feels heavy. Sometimes, it’s a trusted friend. At other times, it’s a quiet spot in the city, a creative group, or even an industry that welcomes us. Of course, the realities are still mixed, especially in the southeastern part of the country. Some people genuinely welcome and celebrate us. Others tolerate our presence. And yes, there are still those who reject us outright and refuse to see our worth in society. But despite all that, I can confidently say that we can strut the streets in our glittery makeup, over-the-top outfits, statement handbags, and sip our overpriced coffee without fear of being harassed. Ang mga bayot sa Davao dili magpadaog-daog. We don’t let ourselves get trampled on. We speak up when needed, whether it’s for ourselves or our sisters in the community. To sum it up, we don’t have to clear our throats every day to clap back at ignorance and homophobia. That’s a kind of peace we’ve carved out for ourselves, slowly but surely What would you like Filipinos to know about the LGBTQIA+ community where you are? VL : LOUD. VIBRANT. PRESENT. When I received the invite to be part of this project, the first thing that came to mind was: “Who could capture what queer culture in Davao feels like?” And without hesitation, I slid into the DMs of my dear friend Carlos. Carlos is a fellow creative in the food and beverage industry. He’s known for pouring bold, colorful narratives into each of his craft cocktails. If you're ever in Davao, don’t miss a visit to Taste of Home . Every sip tells a story, and behind the brand is someone who proudly carries both his queerness, creativity, and love to his family. In a city often recognized for politics and dynasties, the queer and creative scene in Davao is alive. We may not always be at the forefront, but you’ll hear us, see us, and feel our presence. For this project, Carlos wore a piece from Francisca Batiancila’s graduate collection “BOWA,” a design inspired by the beauty of voluptuous bodies and the celebration of one’s natural form, exactly the kind of fashion statement that reflects our pride and authenticity. Yes, like in many places, we still have a long road. But we walk it hand in hand with the emerging wave of young queer models, designers, artists, and the brave souls who came before us and continue to fight for space and acceptance. Palaban ang mga bayot diri sa Davao.  We’re not going anywhere, and we’ll keep showing up loud, vibrant, and full of love. Muse: Carlos Mangcupang ( https://www.instagram.com/carlosmangcupang/ ) Creative Director/Photographer: VSION - Vince Lim ( https://www.instagram.com/vjwlim/ ) Hair and Makeup Artist: Danja Buencamino ( https://www.instagram.com/danjbuencamino/ ) Production Assistant: Ira Langahid ( https://www.instagram.com/iradominic_/ ) Outfit by Francisca Batiancila Accessories from Joolz ( https://www.instagram.com/____joolz/ )

Believe in life and love once more. Inspired by true stories, “I Remember You” follows the journey of Gani (JC Santos), a bank employee assigned to Boracay to save a failing branch of their microfinance-oriented bank. Boracay brings back memories - years ago, Gani was set to be married to Debbie (Valeen Montenegro), but the two would go their separate ways when Gani's ambition resulted to Debbie's loneliness. Being in Boracay brings back old hurt, but Gani meets Isay (Sarah Panguiton), a self-made single mother, who eventually works her way into Gani's heart. As their relationship blossoms, Debbie unexpectedly shows up on the island. Is this Gani's second chance at a failed romance, or is this a new beginning? Bente Productions is proud to present its very first film - I Remember You,  Director Boboy Yonzon’s debut feature. Yonzon, primarily known as a visual artist and author, ventures into the world of cinema for the very first time to tell a story about second chances amidst the backdrop of an ever-changing world. With the film, he yearns to help viewers feel seen in their struggles not just in love, but the most basic of needs, which is why he partnered with Bente Productions, a member of CARD MRI - a world class leader in microfinance that champions the everyday Filipino. In the film, Gani helps struggling small business owners in Boracay to keep afloat - something that is at the heart of Yonzon and Bente’s advocacy. “First of all, Bente Productions, Inc. was formed specifically to tell the stories of the disadvantaged sectors. We believe that, through entertainment, we could inform. The first offering of the company hews closely to real events. In a plenary brainstorming, what stood out was what really happened in Boracay - with the bank and the people it serves. The challenge was how to make it into a feature film.” , Yonzon says. The clear answer was centering the film on love - love for and from your family, your community, and maybe that special someone - all people that inspire you to keep going through all the struggle. To do this, Yonzon would call the help of JC Santos and Valeen Montenegro to tell the story of I Remember You . “We wanted for the leading role, somebody whose celebrity does not steal away the authenticity of the chcaracter; Parang low key but amiable and down-to-earth. We looked for somebody who is amidst a great party, but feeling sad. As for the leading lady, we wanted somebody who instantly looked aristocratic, lovely. The kind of person who some people usually avoid because she looks snobbish, but is kalog pala.” , Yonzon shares. JC boasts an impressive filmography starring in critically-acclaimed films such as Family Matters (2022), On Vodka, Beer, and Regrets (2020), Miracle in Cell No. 7 (2019), Babae at Baril (2019), and 100 Tula Para Kay Stella (2017). In I Remember You , he leads the film with is already trademark earnestness and sincerity in every role he plays. On the role of Gani, JC says - “I am always drawn to heroic characters. Characters who you can trust to save the day for those who are in need. I enjoy creating circumstances kung bakit sila ganun passionate sa ginagawa nila.” Valeen, on the other hand, is a well-loved comedic actress known for her roles in shows such as Love. Die. Repeat (2024), Bubble Gang (where she rose to fame for her role in the Balitang Ina! sketch), To Have And To Hold (2021), Beautiful Justice (2019), and My Korean Jagiya (2017). While known for her comedy, Valeen flexes her dramatic acting chops in I Remember You . “What drew me to Debby is how real she is. She’s strong but soft, confident but still searching. She’s not trying to prove anything—she just wants the truth, and she’s ready to face it no matter how painful. I think that kind of emotional maturity and vulnerability makes her really special.” , Valeen says. In a world that forces us to adapt and change to the harshest of conditions at a moment’s notice, Director Boboy Yonzon invites viewers to help each other through these struggles, and if necessary, give each other second chances - “ It is important to deal with struggles in a world that appear to be more complicated each year. We need to understand them and, if it is within your power, help ease the struggles. Foolish at it may seem, we hold hands with the viewers In recognizing these. ” Valeen adds - “ It’s a film that deserves to be felt. You’ll witness the beauty of Boracay, the stillness, and the emotional journey of the characters. It’s not just about love—it’s about healing, timing, second chances, and even the real-life struggles we don’t always talk about, like financial decisions and sacrifices.” JC hopes that the film can inspire people to help each other and their community when times get rough - “ Aside from it being a story of love and second chances and the journey of a man’s passion to help the community.” I Remember You  will be showing in cinemas nationwide this July 9, 2025. I Remember You  is a story for those that dare to hope and dare to dream even in the face of an extreme and ever-changing world. If you’ve lost faith in love and life, come witness a story about giving yourself a second chance to live once more.

In a night that celebrated the lasting legacy of Filipino artistry, The Philippine Terno Gala 2025 gathered six of the country’s most acclaimed designers under one remarkable roof. With Diagold as the main jewelry partner and major sponsor, the evening shimmered with exquisite brilliance that matched the grandeur of the designs. Moving fluidly from tradition to reinvention, the runway became a living canvas of cultural pride, brought to life through the visions of Edwin Ao, Protacio, Jun Escario, Joey Samson, Jojie Lloren, and Cary Santiago. Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales This year’s gala highlighted the terno, the iconic symbol of Filipino grace, reimagined through each designer’s unique perspective. Edwin Ao opened the evening with crisp cuts and unexpected touches, showcasing his talent for structure and subtle defiance of the ordinary. Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Protacio followed with his signature blend of classic and daring, presenting barong and terno pieces that balanced nostalgia with a modern edge. Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Jun Escario offered a breath of softness through flowing silhouettes in muted neutrals, his modern romanticism bringing an understated yet fresh approach to timeless reinvention. Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Joey Samson pushed the boundaries further, merging the terno with sharp tuxedo details. His designs balanced strength and elegance, masculinity and femininity, bending convention with quiet confidence. Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Jojie Lloren’s architectural ternos paid tribute to form and restraint, with dramatic folds and sculptural drapes turning fabric into wearable architecture. His work proved that discipline can be just as captivating as extravagance. Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Cary Santiago closed the show with theatrical ternos in his signature black, grey, and off-white palette. Each piece, adorned with winged birds in delicate flight, embodied his vision of classic drama transformed into art. Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales Photo by Mark Philip S. Dales More than a fashion presentation, The Philippine Terno Gala 2025, made even more dazzling through Diagold’s exquisite jewelry, stood as a testament to how heritage lives on when artists boldly reimagine it. As the final bows were taken, the message was clear: the terno is not a relic but a living emblem of Filipino identity, forever evolving and forever magnificent. Photo by Mark Philip S. Dales: https://www.facebook.com/mdales

Paris, June 27, 2025 – In a quiet yet commanding moment at the Hôtel des Invalides, Jonathan Anderson unveiled his inaugural Dior menswear collection—a dialogue between raw edge and classical elegance. Born from the tension between impulsive rule-breaking and couture refinement, this outing heralds not only a fresh vision for Dior Men, but also the beginning of an unprecedented era as Anderson assumes artistic control over men’s, women’s, and haute couture at the house . A Gallery of Stillness & Tension The set resembled an aristocratic gallery: parquet floors, velvet-hued walls, and two small Chardin still-life paintings, a nod to Anderson’s philosophy of “modest yet beautiful” The subtle staging framed the collection’s ethos—where each tilt of a collar or fold of fabric drew attention not to spectacle, but to the silent strength behind considered design. Collars & Contrasts A recurring motif: collars pressed and buttoned on one side with meticulous couture precision, the other released, sprung upward in a gesture of casual defiance.Trousers shifted between languid, pajama-soft fabrics and sharply structured silhouettes, the hems often cuffed high. A standout moment was the trio of waistcoat, crisp shirt, and slouchy jeans—a striking synthesis of Savile Row nobility and streetwise ease. Volume & Playful Subversion Across sixty looks, Anderson toyed with golden ratios of balance and imbalance: oversized trenches draped over slim-cut trousers, sculpted jackets hanging above floodlit wide-legs. Accessories played their own game—tie knots worn backwards, ties looped nonchalantly—and even the neon-dyed Victorian faille awoke ancestral tailoring to pop-inflected surprise. Art + Pop Crossover In the run-up to the show, Anderson issued teasers: Warhol prints of Lee Radziwill and Jean-Michel Basquiat stamped with Dior insignia, and a teaser featuring Kylian Mbappé—signaling that art, sport, and culture would all stake their claim in his Dior vision. Crafting Raw Elegance Anderson’s devotion to the story woven through each thread shone through. As noted by his earlier Loewe-era creeds, garments must “remember the hand”—crafted so that imperfection becomes poetic tension. Ultra-cropped waistcoats threaded with embroidery, ceramic-fastened coats with deliberate cracks—every detail reinforced an identity rooted in tactility. A New Chapter for Dior This debut is more than a mere fashion show—it’s the opening page of a unified Dior universe. Anderson’s voice—felt in neon dialect, in off-kilter volumes, in artistic subversion—marks a turning point for a house founded on restrained grandeur. It sets an era where duality is not compromise, but power. The Verdict Jonathan Anderson’s Dior Men S/S 2026 is an elegant paradox. Softness and structure. Classicism and irreverence. Couture precision and street-ready fluidity. His signature rough-imperfection eloquently converges with Dior’s legacy—a balanced collision, truly, not compromise. As Anderson steps into his historic role—becoming the first since Christian Dior to oversee all lines—this collection confirms his unique aptitude to commune with Dior’s past while reshaping its future. The fashion world, it seems, is listening—and leaning in.

"Wrapped Saints" symbolizes the silenced and marginalized beings whose voices are stifled by society. These figures, swathed and confined, embody the untold stories and muted cries of individuals pushed to the corners, their existence barely acknowledged. Through this artistic representation, the concept challenges the viewer to recognize that if these beings were heard, they could reshape societal structures, proving that their voices, though wrapped and restrained, hold the power to matter deeply. Sequined hood EAST OF EDEN @exploreeastofeden Wedding gown and veil BORDELO @bordelo_club Half pleated blazer ROBERT ANDREW HIYAS @robertandrewhiyas Sculptural  dress UNO ALMOGELA @uno.almogela Eyewear YASHA ROSALES @yasharosales_ Full look NICKY RICE @nickyrice_official Dress SAINTE MARION @sainte_marion Dress FRANCIS LIBIRAN @francislibiran Coat GENES & HAILS @genesandhails | Crochet dress MNTCLV @montecalvo_creations Headpiece and puffer coat RAE EDUAVE @raeunivrse | Crochet dress MNTCLV @montecalvo_creations Full look ROBERT ANDREW HIYAS @robertandrewhiyas | Wire sculpture MANG DADADA @mang.dadada Dress PATRICIA NAOMI CRUZ @patricianaomi_studio Full look YASHA ROSALES @yasharosales_ Sleeved coat and embellished collar ROBERT ANDREW HIYAS @robertandrewhiyas Lace dress PATRICIA NAOMI CRUZ @patricianaomi_studio Ensemble, stylist’s own Dress PATRICIA NAOMI CRUZ @patricianaomi_studio Full look FRANCIS LIBIRAN @francislibiran Dress GENES & HAILS @genesandhails | Jacket BORDELO @bordelo_club Full look EAST OF EDEN @exploreeastofeden Team Credits Production & Creative Direction: Bimpoman  / @bimpoman Photography: Wilmark Jolindon  / @thewilmark Styling: Ruzzian Escaros  / @ruzzianesc Bolo Pascual of Gee Jocson Studio assisted by  Shantel Beramo   @bolo_pascual @geejocson @shantelberamo Makeup: Bea Arreola @bearreola Dom Ocampo  / @dom.ocampo Paige Señeres  / @pgsnrs Iya Sanchez  / @byiyamua Nicolette Esmilla  / @nixki.18  Hair: Reese Cy  / @taureese_ Backie  / @iambackie Nails: Dorothy Zata  / @dthyzta Marianne  / @ marianne.com _ Jennifer Riko  / @fruztrated_arki  Production Assistant: Kurt Villagracia  / @ksnzv Models: Andie  / @andied_z Cassandra  / @itsacass @cray_o Jamila  / @j.mlsn Jesiah  / @jesiahporte.__  Lauren  / @laurensanz_ @priyasatine Saint  / @d.saintyves @sossiertomi Trina  / @trinaticss Vanessa  / @vanessanav__ Yuki  / @og.yuki

Rob Deniel’s music lives in the spaces between genre and emotion—equal parts rock, bedroom blues, indie-pop, and retro daydream.  His breakout single "Ulap"  didn’t just climb the charts; it quietly rewrote the rules for what OPM could sound like, racking up millions of streams and earning him a devoted following. Tracks like "Gabi," "Baby I Tried,"  and "Ang Rosas"  further revealed his range, while newer releases such as "RomCom," "Miss Miss,"  and "Arrowmance"  confirm what fans already know: Rob is no one-hit wonder—he’s a storyteller in constant evolution. Fresh from a photo shoot session ahead of Ang Mutya ng Section E: OST Live in Concert  this June 20 at the New Frontier Theater, we caught a different side of Rob—quiet but present, reflective but grounded. Off-camera, he opened up about the songwriting that shaped him, the vision guiding his next chapter, and the life lessons he’s collected along the way. Let’s start with your songwriting—your lyrics often feel incredibly personal. When you're writing a song, where do you usually pull from first: your memories, emotions, or imagination? A: It is a mixture of my imaginations and past experiences. For me blending all of them in writing my songs helped me expand this world inside my head. It generates creativity for me. Can you tell us the story behind one of your favorite songs you've written—what was happening in your life at the time? A: Sinta is one of my favorites, this song is also a fan favorite. It is a genuine song that talks about patiently waiting for the right person at the right time and accepting someone wholeheartedly without any hesitation. Your music has this nostalgic, almost cinematic vibe that sets it apart. Who or what have been the biggest influences in shaping that signature sound? A: Listening to my musical heroes definitely helped me create my own sound such as the Apo Hiking Society, Eheads, Itchyworms and Rico Blanco. But actually watching a lot of films and TV shows is a huge influence to me that it helped me a lot in terms of crafting this cinemtic romcom movie soundtrack vibe which I really like. What does “success” in music look like to you now, and has that definition changed since you started? A: At this point of my career, having to express my genuine self and touching other people’s lives through my music is the success for me. Yes as an artist it is definitely an amazing feeling to let myself express everything I want to express. But to inspire and touch other people’s lives is a different kind of fulfillment. It inspires me to create more. Looking back on your journey so far, what has been one of the most affirming moments that made you think, “This is exactly where I’m meant to be”? A: Performing at the big stages such as the Araneta Coliseum, New Frontier and other big festivals I performed on. Each time I perform at those big stages the more I realize that I am meant to be a performer and an entertainer. I really love how I turn in to this different version of myself that is more confident and extroverted than the offstage version of myself. You’re performing in 'Ang Mutya ng Section E: OST Live in Concert’ soon. How does it feel to be part of a production that blends music and narrative in such a unique way? A: It feels cool to perform in a very diverse crowd that not only appreciate the series but also appreciate OPM music. I’m also excited to introduce myself more to a wider audience that would help introduce other songs rather than the well known ones. What kind of energy or message are you hoping people will take home from your live performance on June 20? A:  Rock N Roll energy. I want them to enjoy the music as much as they want. I also want them to feel inspired to love more and be the person they want themselves to be. Let’s get real—when the spotlight’s off and the crowd is gone, what’s something people might not know about the version of Rob Deniel who’s just… Rob? A: I’m just a chill, fun and clingy guy. I can get a bit quiet sometimes but I love listening to other people’s stories. I’m also a sucker for films and sports specifically basketball. What’s one life lesson that your music career has taught you—something you carry with you, not just as an artist, but as a person? A: There’s a right timing in everything. There’s no shortcut to success. Having the right amount of patience and eager to enjoy the process is a step to where you want to be. It is also important to make the people around you feel loved and cared about. Lastly, for anyone who's loved your music from afar but hasn’t seen you live yet—why should they come to Ang Mutya ng Section E: OST Live in Concert  at New Frontier Theater on June 20? What can they expect that they’ve never experienced before? A: It will be worth every penny. If they are a fan of our music and the series, they will surely enjoy the concert. It is going to be a music festival like experience. Different artists, different songs, different feels. Rob Deniel isn’t just making music—he’s building an emotional archive that feels like it belongs to all of us. As he steps into the spotlight at Ang Mutya ng Section E: OST Live in Concert , it’s clear that he’s not just performing—he’s sharing. And if his words have taught us anything, it’s that there’s always more to the story than what we hear in three minutes and a chorus. Catch Rob live this June 20 at New Frontier Theater and experience the songs, the stories, and the soul—up close and in full color. Produced by BLNC team Photography by Stephen Capuchino @stephencapuchino Film by Ian Francisco @ianfranciscoph Camera Operator: Adrian Alegre @unnecessaryfiles AMIEL SOL Grooming: Janell Capuchino @janellcapuchino Hair: Kurt Andrei @its.krrtt Styling: Dave Arden @daveardenstyleph ROB DENIEL: Grooming: Posh Torres @posh.torres Styling: Rodel Briñas @rubrinas shot at @zoomburst Special Thanks: Viva Records @viva_records, Vicor Music @vivor_music, Ivory Music @ivorymusicph, Botejyu @botejyuphilippines

Known for weaving gentle melancholy and deep introspection into his music, Amiel has slowly carved a place in the hearts of listeners who crave honesty. A Filipino indie singer-songwriter known for his mid-tempo alternative pop and OPM sound, Amiel first gained widespread attention with “Sa Bawat Sandali,”  a chart-topping hit that landed on Spotify Philippines’ radar and never quite left. Signed under Ivory Music (Viva Records), his catalog reflects a quietly growing discography that speaks to everyday heartbreaks, hope, and homegrown longing. With songs like “Ikaw Lang Patutunguhan”  breaking into the Viral 50 charts, Amiel’s rise has been steady—but never manufactured. His music feels like late-night thoughts and early-morning clarity, and his presence in “Ang Mutya ng Section E: OST Live in Concert”  this June 20 at the New Frontier Theater is proof that the quietest voices sometimes carry the heaviest truths. In this exclusive conversation with BLNC Magazine , Amiel opens up about the music behind the series, the pressure and poetry of creating, and the personal truths that continue to shape him as an artist. Your music feels deeply personal and emotionally layered—what usually triggers a song idea for you? Is it a memory, a moment, a person? A: The usual trigger for me to write a song is love itself- the way I experience it and how I give it really resonates with how I write my songs. My next song to be released soon is a specific track where i've felt an emotional breakthrough. What has your creative process looked like lately? Has it changed since you first started writing music? A: It has not changed. I still write for the love of music. I have no specific process- what's important to me is that I always have my notes app or voice recorder app just so I am ready for when ideas arrive. This is because in my case, ideas are always fleeting, so I have to make sure that I grab them when they come. Were there moments you almost gave up on this path? What helped you hold on to the dream? A: No, there were no moments when I almost gave up. My dream is to be able to write songs and perform on gigs. As long as I get to do that, I'm already living my dream! Fame and fortune was never part of it- it's just a bonus. So the times when there were only a few people listening to my music, I was still pursuing my dream! Your lyrics often speak to love, loss, and healing. Is there a personal story or experience that keeps finding its way into your songs, even unintentionally? A: There are always personal experiences attributed to my songs. But I also get a lot of inspirations from the experiences of the people around me and the media i consume As an artist navigating the industry, what have been the biggest lessons or truths you've learned about yourself—both in success and in struggle? A:  The most important things are passion, consistency, and showing up. Everything else will follow when you are true to these three things. How do you balance vulnerability in your music with protecting parts of your personal life? Or do you feel like the two are inseparable? A: For me, it's all about the words I use in the songs. I want them to be personal to me, while at the same time be personal also for the listener. I pour my heart out to every song, and I don't really worry about revealing things about my life Looking at the music you’ve created, what do you want your audience to feel or take away from it—especially those who feel unseen or unheard? A: Love is real! It is something within reach! There are people for us who will love us unconditionally. Your upcoming concert at the New Frontier Theater is a huge milestone. What kind of experience are you hoping to create for your fans that night? Follow-up: Can you give us a hint of what surprises might be in store? We want them to be able to FEEL the music! We will have numbers where we will sing together! Finally, for those who’ve followed you from the start and even those discovering you now—what would you like to say to them ahead of June 20? A: I hope you all get to enjoy the concert and continue to support OPM! As the lights rise on “Ang Mutya ng Section E: OST Live in Concert” , Amiel Sol isn’t just performing songs—he’s revisiting memories, both his and ours. His music invites you to feel without filter, to remember without shame, and to believe in soft beginnings again. Catch Amiel Sol live on June 20, 2025, at the New Frontier Theater , alongside Rob Deniel, Earl Agustin, GAT, and the cast of Ang Mutya ng Section E. Come for the concert, stay for the stories. Produced by BLNC team Photography by Stephen Capuchino @stephencapuchino Film by Ian Francisco @ianfranciscoph Camera Operator: Adrian Alegre @unnecessaryfiles AMIEL SOL Grooming: Janell Capuchino @janellcapuchino Hair: Kurt Andrei @its.krrtt Styling: Dave Arden @daveardenstyleph ROB DENIEL: Grooming: Posh Torres @posh.torres Styling: Rodel Briñas @rubrinas shot at @zoomburst Special Thanks: Viva Records @viva_records, Vicor Music @vivor_music, Ivory Music @ivorymusicph, Botejyu @botejyuphilippines

Hollow City is a solo exhibition by Bree Esplanada at Galerie Inatù, Atua Midtown. The designer’s first solo exhibition opened last Saturday, June 7, and features his illustrated works, fashion design, and special figures designed in collaboration with Happy Garaje. Each piece is a personal exploration of emotional spaces–quiet, often misunderstood places that are shaped by solitude, memory, and imagination. The exhibit challenges the meaning of "hollow" as being empty-- it is not a void, but rather a vessel with the potential to hold meaning, emotion, and creativity. Bree’s body of work draws inspiration from stories that embrace the strange and the surreal: stories by Tim Burton, Ransom Riggs’ Miss Peregrine’s Home for Peculiar Children, the haunting tales of the Brothers Grimm, and the eerie cinematic worlds like Dawn of the Dead. “These narratives remind me that the peculiar and the melancholic can coexist with beauty, strength, and humanity,” Bree shares. “My fascination with nature – especially giant, twisted trees – stems from childhood, when I would climb and find comfort in their presence, seeking refuge from chaos around me. These trees became symbols of safety, growth, and silent witness. In my illustrations, I would often highlight roots and branches reflecting inner tangles, connections, and the complex paths of growing up and apart from loved ones. ”Though the designer’s art is often described as moody and melancholic, his art exemplifies resilience and the ways in which illustration and design has become a medium to process, heal and to express what words cannot. The rhythmic sounds of nature – flowing water, rolling thunder, the forming of dark clouds – bring him calm and echo in the emotional tone of his work. Thus, Hollow City is a space where solitude becomes strength, and the hollow becomes a haven for voice, vision and transformation. ABOUT THE ARTIST: Bree Esplanada is a multidisciplinary illustrator and fashion designer whose creative journey began at age nine. Initially captivated by anime’ characters, Bree’s work evolved to include intricate landscapes and imaginative compositions reflecting a growing depth in storytelling and artistic exploration. By age thirteen, Bree discovered fascination with the macabre – sparked by the whimsical yet eerie characters of Tim Burton’s works such as Beetlejuice. This marked a pivotal moment, shifting his perception of the macabre from something disturbing to a space for beauty, mystery and reinterpretation. Inspired by Filipino folklore, he began to incorporate culturally rich characters and themes into his illustrations, creating a unique visual language that blends heritage with imagination. At sixteen, Bree expanded his artistic expression into the world of fashion design. Merging illustration with textile and form. He began incorporating his artwork into clothing concepts, offering a wearable narrative that showcases his signature style – whimsical, thoughtful and deeply personal. Through every phase of his journey, Bree has continued to push the boundaries of creative storytelling, using his art to reflect identity, cultural legacy and the evolving definition of beauty in the strange and surreal. Bree Esplanada’s Hollow City is available for public viewing from June 9 to June 28, 2025. Galerie Inatù is located on the 2nd floor of Atua Midtown, open from Monday to Saturday, 10 AM to 6 PM. For sales and inquiries, kindly send a message through the gallery’s official Instagram page (@galerie_inatu) or through email at info.galerieinatu@gmail.com .

Written by: Jair Escandor Edited by: JT Gonzales On view these months of May and June, a four-artist pocket exhibition at gallery. sort of. Ways of Being  spotlights fresh queer voices combining in a harmonious exhibition that play off each other’s strengths and vulnerabilities.  Paintings, textiles, and mixed media works are employed to explore self-reflection amidst moments of solitude and camaraderie, and the realizations gleaned during those moments. The four friends offer a glimpse into the context that they dwell in, where they live their lives, who they live it with, and the highlights that encourage the formation of their individual personhood. They inject a personal touch into these experiences, interpreting them through lenses of queerness, the rave scene and being Filipino. Mark Hernandez, Shape of my Head, 24x18, acrylic on canvas, (2025) Mark Hernandez , a newly-graduated Electronics Engineering major from Laguna, is self-taught.  By sheer talent, Mark has snagged shows in prestigious galleries such as Metro and Secret Fresh, as well as Thierry Goldberg in New York.  His works feature figures scattered throughout the established space, inviting us to join moments of brooding. “ A Night to Remember, ” for example, represents the self through a young man. It explores those moments at night that many of us are familiar with: staring at a screen while in bed, memories fragmented, recollections replayed, dissatisfaction with the results, and our imagination ultimately self-inserting what should have happened. Mark Hernandez, among us, 24x18, acrylic on canvas (2025) “ Shape of My Head ” expresses an inescapable truth about who we are: our identity is not just our own creation but also a result of an accumulation of experiences: whether good, or bad, or grey.  Our past is just one of the hands that shape the reflection we face in the mirror every day.  In this piece, Hernandez asks us how much of our identity truly is of our own creation, and how much does our past have a hand in it? How much of ourselves is from ourselves? “ Among Us ” presents the familiar experience of solitude in the presence of others. The presence of other people around us often begs interaction, but what happens when we don’t? We are left alone with our own thoughts.  Asaliah Reyes, party w u, 18x24, acrylic, textile, scrap, embroidery (2025) Asaliah Reyes , a virtual reality inhabitant when they aren’t out at a rave, gives their works a personal touch, blending specific experiences that include the personal. “ party w ũ ” explores a rave with a mix of people and anthropomorphic non-people. The choice of colors presents this rave almost in a dreamlike state where we follow the subject’s point-of-view. The anthropomorphic characters kindle a sense of child-like play in a rather mature setting, the subject accepting both his youth and his growth, with the characters he used to play with in his adolescence dancing alongside the community he has now found. All of them play into a scene reflecting where he is now and who he is today.  Asaliah Reyes, Aspirational Attachment, mixed media sculpture and installation, (2025) In a more psychological take on identity and relationships, Asaliah’s work titled “ Aspirational Attachment ” explores attachment styles in a scene featuring two interconnected sculptures that themselves have individual titles. “ The Aligned One ” represents a secure attachment, and “ The Wounded One ” represents someone who exhibits insecure attachment styles. “ The Aligned One ” is covered in a solid-coloured fabric with every thread securely wrapped around the base as if to allude to how people with secure attachment styles are confident and grounded in themselves. Meanwhile, “ The Wounded One ” has a base that is wrapped with disheveled fabric, alluding to those needing outward validation and security. The audience is invited to cut through the interwoven threads that bind these two, a necessary but painful process for those with anxious attachment styles.  Mark Tisado, dance 'til dawn, 24x18, acrylic on canvas. (2025) Mark Tisado , freshly graduated from the University of the Philippines College of Fine Arts, in turn presents a series titled “ Senses, ” acrylic on canvas artworks that detail his quest for belonging. The series follows this quest through the engagement of the five senses, viewed from the lens of a young, 20-something, queer, city dweller navigating life and their forged identity in a post-Covid world. In “ salo-salo ,” our central figure engages his taste with the people he’s sharing a meal with. Presumably, it could be his family, but it could also be friends. This is the familiar idea of group meals being one of the few occurrences throughout the day that begs for each person to take a pause and fulfill their hunger in a communal act as old as time. Mark Tisado, still, 24x18, acrylic on canvas. (2025) “ fixation ” features our subject in an embrace with his lover. Their arms are wrapped around each other with their mutual touch sending them into a state of oneness. “ dance ‘til dawn ” places our figure in a rave. His sense of sound is engaged by the pulsating beats from the speakers as he dances all night with his fellow ravers - lost in the rhythm and disappearing into the night. “ coffee and u” follows our figure engaged in a more simple, more intimate and more quiet act of camaraderie where senses of smell are heightened by the aroma emanating from the espresso machine. In our final scene, “still” , we find our subject in an intimate setting with a friend, a familiar one for those who are friends with artists. The two figures engage in an act of creation – conjuring images of one other: one with photography and the other in a drawing book. Both figures are engaging their sense of sight as they try to capture the best angle to present the other in. Patricia Tierra, The Fields of Us i, scrap textile and cotton thread (2025) Finally, fiber artist, ceramicist, and print designer Patricia Tierra  unveils a series of patchworks entitled “ The Fields of Us. ” The series details a major life transition, an event that uproots us from a place of safety into uncertainty, a challenge to the stability of our identity. In Patricia’s work, she explores her experience with being forced to move houses - moving from the home she grew up in, a haven where she formed her identity, to a new home, a blank slate from which she can create new memories and learn more about herself. For many of us, moving entails being thrust into a situation where we are vulnerable and alone. As Patricia herself puts it, when we are in this state, we often find ourselves picking up the pieces we were left with, the lessons imparted to us, the resources we have for ourselves, and the connections that can help us get to our desired outcomes. In “ Fields of Us ,” we follow three patchworks, all with the same name but numbered consecutively. We have the first piece, a patchwork of various fabrics woven to follow a harmonious pattern. The second piece begins to unravel, the disheveled state of some of the fabrics indicating a sense of chaos. In the final piece, what we see are no longer the original pieces, but leftover fabrics stitched together, not a pattern at all. The artists celebrate at their opening -Mark Hernandez, Patricia Tierra, Asaliah Reyes and Mark Tisado “ Ways of Being ” takes us from discomfort to nostalgia, from pain to pleasure, and every shade of emotion in between. Yet, we know the story isn’t over, neither for the figures represented in these works, nor for the artists, as self-discovery and self-actualization are never-ending processes - an uncomfortable, cringey, fun, joyous, depressing, euphoric and fulfilling ride we all go through. Perhaps, with the artists’ personal touch and the diverse set of lenses they employ, the audience may find solace knowing that their own individual experiences are valid and necessary. Each of the artists’ works pose questions for the person-in-formation inside all of us: “how do you just be, and what does that look like for you?”

Some career shifts happen out of necessity, while others seem to be fate taking the reins. For this acclaimed hair artist, the transition from interior design to hairstyling was a blend of both—a journey driven by personal challenges, passion, and an undeniable artistic calling. Photo: https://www.artistsandcomanila.com From Interior Design to Hair Artistry:  Can you share the story behind your transition from interior design and makeup artistry to becoming a renowned hair artist? What motivated this shift in your creative journey? After years in interior design, illness and two years of medication left me searching for a new creative spark. My love for fashion and runways led me down an unexpected path—one that, in hindsight, was meant to be. What started as curiosity became a 15-year journey as an artist, something I never planned but believe was divinely guided. I often joke that I no longer design houses—I design faces and their crowning glory. The transition felt natural, as both careers require building from the ground up, understanding foundations, and refining every detail. Each process still excites me, sharpening my skills and teaching me through every mistake. Self-Taught Success:  As a self-taught hairstylist, what challenges did you face, and how did you overcome them to establish yourself in the industry? As a professional makeup artist and hairstylist, I was fortunate to have mentors for makeup as I built my career. However, with hair, I had no guide—so I became self-taught. The challenges pushed me to be self-critical, but that drive to improve helped me grow into the artist I am today. Collaborations with International Artists:  You've had the opportunity to work with international talents like Dua Lipa during her visits to Manila. How have these experiences influenced your approach to hairstyling?  Working with international artists like Dua Lipa has deeply influenced my approach to hairstyling. Every project demands not just skill but also professionalism and character. Being well-equipped and adaptable is key. I’m grateful for the opportunities that have come my way—they keep me grounded, and I prefer to stay low-key. Empowering Women Through Beauty:  In what ways do you believe hairstyling can empower women and boost their confidence? Ever had a bad hair day? It can instantly affect your mood and energy. Hairstyling is a powerful tool, whether for everyday looks, special events, editorials, campaigns, or music videos—the possibilities are endless. But balance is key. People often focus solely on hair without considering the bigger picture. Sometimes, stepping back reveals how everything works together. As an artist, editing your own work is tough, but it ultimately defines your style and aesthetic. Continuous Learning:  Despite your accomplishments, you emphasize the importance of continuous learning. How do you keep yourself updated with the latest trends and techniques in hairstyling? In the creative industry, everything—from fashion and style to trends, techniques, and products—is constantly evolving. For me, research, curiosity, passion, and hands-on practice are invaluable. Collaboration is just as important—working with artists, talents, and designers is all about teamwork and synergy. It’s not about outshining each other but complementing one another’s skills. This mindset not only enhances the work but also keeps you learning and evolving on set. Advice to Aspiring Female Artists:  What advice would you give to young women aspiring to enter the beauty industry, especially those considering unconventional career paths? The beauty industry thrives on diversity and individuality. Whether in makeup or hair artistry, formal training can be valuable, but being self-taught is just as powerful. With endless resources online, learning is always within reach. However, hands-on practice and experience are what truly refine your skills and build a strong foundation. Passion, professionalism, and the right mindset are what ultimately bring you closer to your goals. Balancing Tradition and Innovation:  How do you balance traditional hairstyling techniques with modern trends to cater to a diverse clientele? Hair has a mind of its own, making it a tricky art. A strong foundation in traditional hairstyling techniques equips you to build, adapt, and personalize each look. Over time, your work will naturally reflect your unique style and taste. Role Models and Inspirations:  Who have been your role models or inspirations in your career, and how have they influenced your work ethic and style? Honestly, it can be overwhelming—I find inspiration everywhere, whether in hair, makeup, photography, or painting. Art is all about perspective, recreating ideas, and infusing them with your personal style. Experimentation itself is a form of artistry. Building strong relationships with fellow creatives, artists, and clients has given me a solid support system, turning colleagues into friends and a second family. I have immense respect for those who have guided me along the way—Josa Quintas, Jing Monis, and Xeng Zulueta. Eternally grateful. Future Aspirations:  What are your future goals as a hair artist, and how do you plan to continue inspiring others in the industry? My agency, Artist and Company Manila, has been encouraging me to step into the role of a Key Opinion Leader (KOL), keeping myself visible in both hair and makeup artistry. I hope this leads to something meaningful, allowing me to share tips, tricks, and insights while engaging with future followers. My goal is to keep creating, evolving, and inspiring. I also plan to start a side business related to my craft—trusting that, in time, it aligns with God’s plan for me. Celebrating Women's Month:  What does Women's Month mean to you, and how do you think the beauty industry can contribute to the celebration and empowerment of women? The beauty industry is constantly evolving, with a surge of new makeup brands, skincare lines, beauty tools, and hair products—many led by fearless female CEOs. Whether locally or internationally, these women are pushing boundaries and achieving their goals, and I’m proud to witness this wave of empowerment. My dream is to be part of that movement one day. We should uplift and support one another—there’s space for everyone, each with their own unique niche and specialty.