The turn of the 21st century marked a period of significant cultural and technological advancement, and no aspect of this era captured the spirit of the time quite like Y2K fashion. Characterized by its bold, playful, and futuristic elements, this unique aesthetic has made a triumphant comeback in recent years, appealing to a new generation of fashion enthusiasts. Let's take a closer look at the Y2K fashion revival and how it reflects the cultural and technological influences of the late '90s and early 2000s. Y2K fashion, also known as the "millennium aesthetic," draws inspiration from the late '90s and early 2000s, a time marked by the dawning of the new millennium. It's a style that celebrates the optimism and boundless potential of a world on the brink of a new era. Characterized by its bold colors, futuristic motifs, and playful elements, Y2K fashion was influenced by the cultural and technological trends of its time. Mango looks to blinged-out shirts for the Y2K look. Photo: Mango The late '90s and early 2000s witnessed a digital revolution, with the widespread adoption of the internet and personal computers. This digital landscape found its way into fashion with the rise of cyber aesthetics. Y2K fashion often features metallic and holographic fabrics, reflective materials, and elements reminiscent of computer interfaces. This futuristic approach to clothing echoes the era's fascination with the virtual world and the promise of technology. Y2K Denim: Girl group Destiny’s Child in low-rise jeans. Christina Aguilera wears a baby tee with fringe embellishment. Britney Spears poses in knee-high boots and denim on the red carpet with Justin Timberlake. Y2K fashion was heavily influenced by the celebrities of the time. Pop stars like Britney Spears, Christina Aguilera, and Destiny's Child set the trends with their daring and avant-garde outfits. Their influence on fashion choices, along with the rise of celebrity culture, showcased the impact of popular culture on Y2K style. One of the most recognizable features of Y2K fashion is its fearless use of color and pattern. Neon brights, metallics, and animal prints were all the rage, creating outfits that were impossible to ignore. This exuberant use of color and pattern reflects the optimism and enthusiasm of the era, as well as a rejection of the minimalism that dominated the '90s. A fitted long-sleeve top and cargo pants create a balance look. Paris Hilton shows off Y2K style in a micro mini skirt. The Fendi Baguette bag was everywhere during the early 2000s Raven-Symone shows off a double denim outfit, a popular 2000s look. Y2K fashion represents a unique style that emerged from the cultural and technological landscape of the late '90s and early 2000s. Its bold, playful, and futuristic elements capture the optimism and spirit of the time, and its recent revival showcases the enduring appeal of this aesthetic. As fashion continues to evolve, Y2K fashion serves as a nostalgic reminder of an era that celebrated the limitless possibilities of a new millennium.

Creative Direction: Jobo Nacpil Photography: Wilmark Jolindon Styling: James Bradlee Gomez and Steph Aparici of Gee Jocson Studio Makeup: Sylvina Lopez Hair: Renz Guevarra Models: Joanna Pojas of PMAP and Yumi Fernandez of Farah Models Production Design: Steven Doloso and Datu Leo of Juxtaposition Co. Shoot assistant: Mark Carlos BREATHE LIFE INTO THE MYSTERIES OF THE TAROT WITH DESIGNS FROM EMERGING FILIPINO FASHION TALENTS The world of fashion has always been intertwined with mystique and magic. In recent years, fashion enthusiasts have found inspiration in the mystical world of tarot cards. The symbols, archetypes, and narratives within the tarot have provided an enchanting canvas for designers to express their creativity and tell unique stories through clothing. In this fashion editorial, we delve into the magical world of the tarot as we showcase the extraordinary designs of emerging Filipino fashion talents. Prepare to embark on a sartorial journey that transcends the ordinary and opens the doors to the extraordinary. THE FOOL blank slates, beginnings, folly QUERENT (n.) A person who asks or enquires BABYDOLL DRESS: ANGEL LINSANGAN MEDIUM (n.) An individual held to be a channel of communication between the earthly world and the realm of spirits SMOCKED COAT: PATRICE BY CHARLOTTE BLANQUISCO / EARRINGS: NEIL + MARTER THE SUN invigoration, enlightenment, positivity VEGAN LEATHER CROWN AND THE LITTLE PRINCE COAT: JANN BUNGCARAS TULLE SKIRT: VANESSA PINLAC / EARRINGS: NEIL + MARTER THE HANGED MAN suspension, sacrifice, changed perspectives ROMPER WITH SCULPTURAL BAMBOO SKIRT AND ARM PIECE: ANDREA AMOR EARRINGS: NEIL + MARTER THE EMPRESS abundance, vibrance, femininity SEQUIN DRESS: VANESSA PINLAC / EARRINGS: NEIL + MARTER THE HIEROPHANT education, beliefs, conformity SOUTANE INSPIRED DRESS, HALF LONG EMBROIDERED VEST & EMBROIDERED MITRE HEADPIECE: THE LOVERS unions, values, romance RED GOWN: CHEYENNE SAROL / WHITE GOWN: AUREA VINLUAN STRENGTH composure, patience, inner strength THE HERMIT solitude, meditation, introspection OVERSIZED COAT & DRESS: BRIX BATTALER EARRINGS: NEIL + MARTER DEATH elimination, transitions, inescapable situations KNIT DRESS: CHEYENNE SAROL / WAX MASK (USED AS NECKPIECE): AVANT ART MNL THE STAR inspiration, hope, serenity WHEEL OF FORTUNE impermanence, turning points, destiny GRAPHIC TOP, SKIRT & TROUSERS: B. BY BEA GUERRERO / EARRINGS: NEIL + MARTER THE DEVIL bondage, ignorance, hopelessness PIÑA BUTTON SHIRT, TROUSERS & RATTAN HAT: ERRICA LEE CORSET: CARL ARCUSA EARRINGS: NEIL + MARTER

The Waterfront Cebu City Hotel and Casino's Pacific Grand Ballroom was transformed into a haven of opulence and fashion on the second day of the Cebu Wedding Expo 2023. Poised by none other than the globally acclaimed Cebuano fashion designer, Furne One Amato, the event was a breathtaking display of creativity and design in his "Immaculate Machinations" fashion show. This remarkable showcase, produced by his dear friend Cary Santiago in partnership with Diagold, left the audience in awe as it unveiled a 50-piece, all-white collection. Furne One Amato, a name synonymous with innovation and artistry in the fashion world, marked a significant milestone in his illustrious career as he celebrated 25 years in the industry. The "Immaculate Machinations" fashion show was nothing short of a visual spectacle, providing an intricate tapestry of creativity and design that went far beyond the conventional realms of bridal wear. Instead, it introduced an extraordinary fusion of artistry and innovation that left a lasting impression on all in attendance. Produced with flair and finesse by Cary Santiago, a dear friend of Furne One, this spectacular event was a testament to their shared passion for pushing the boundaries of fashion. Partnering with Diagold added a touch of luxury and elegance to the occasion, making it even more memorable. The "Immaculate Machinations" collection was a striking departure from traditional bridal wear. Furne One's artistic brilliance was on full display as he pushed the limits of design, using an all-white palette as his canvas. Each of the 50 pieces showcased was a masterpiece, encapsulating the designer's vision of beauty and artistry. The collection featured a mesmerizing array of gowns and ensembles that transcended the ordinary. Elaborate lacework, intricate beadwork, and sculptural elements combined to create outfits that were nothing short of breathtaking. Furne One Amato's unique ability to infuse emotion and storytelling into his creations was evident in every piece that graced the runway. The "Immaculate Machinations" fashion show was not just an exhibition of clothing; it was an experience that transported the audience into a world of dreams and fantasy. It was a visual journey that evoked a range of emotions, from admiration to inspiration, leaving an indelible mark on the hearts of those in attendance. This showcase was more than just a fashion show; it was a bold statement about the limitless possibilities of bridal wear. Furne One Amato challenged the status quo, proving that a wedding dress could be a work of art, a masterpiece that defied conventions and pushed the boundaries of innovation. The Cebu Wedding Expo 2023 was graced by the presence of one of the fashion world's most exceptional talents, Furne One Amato. His "Immaculate Machinations" was a testament to his remarkable journey of 25 years in the industry, a celebration of creativity, artistry, and the capacity of design to transcend the ordinary. This fashion extravaganza, produced by Cary Santiago in collaboration with Diagold, will be remembered as a defining moment in the world of bridal fashion, where innovation met elegance and artistry reigned supreme. ALL PHOTOS BY: Joseph Ong Produced by: Matt Pingkian

Words by: Mariel Abanes The Chosen One “When my producers first introduced the project – I straight up bawled like a baby. I,” filmmaker Petersen Vargas recalls, “Was going to direct Kathryn Bernardo?” It’s a delightful surprise more than something unexpected, we say, that the “A Very Good Girl” director was handpicked by Kathryn herself to spearhead the Box Office Queen’s boldest project yet. Similar to his genius showcases in earlier works like “2 Cool 2 Be 4gotten” and “An Inconvenient Love”, Petersen gamely wore the director’s hat and owned it – producing a fatal dark comedy starring two females who match his unwavering passion and creative vision. The result? A bloody, mind-blowing collaboration that the unassuming audience never predicted, but happened – and surpassed. Two Aries's And A Leo Flames grow more ablaze and brighter put together – an unstoppable force that brought him, Kathryn, and Dolly together naturally. “I loved it when our trio tandem clicked effortlessly,” he shares. “It's exactly what happens when you put two Aries ladies (them) and a Leo (me) in a room: explosive energies with a committed passion to make a film we all wanted to be proud of.” Thus, a smooth and productive ride, with the director admitting how he’s learned a bunch from the leads-slash-collaborators. “These were two actors who had full control of their talent. And yet I witnessed the trust and respect they gave to their collaborators as well. Not just from me, but in all areas of production they could offer their two cents,” Petersen reveals. He went on to share how Kathryn and Dolly contributed to the overall looks and persona of Philo and Molly – from makeup details to dialogue revision recommendations. “I loved that every shooting day felt like a creative jamming session with these two,” he adds. “It wasn't just, ‘What did I think of this scene?’ It was also, “What did you and I think? And how do we make it better together?’” Suffice to say that the fire glowed, with all three of them not just killing it from start to finish and beyond, but also paving way for their own individual growth – together. “All this felt like a leap of faith, but with the three of us holding each other's hands,” the director opens up. “I say it like that because I feel like everyone involved in this project is turning things around for themselves.” In Kathryn’s case, deciding to break away from her previous roles and wearing a new character that will stamp her name further as a full-fledged artist. “I looked forward to getting to know the Kathryn Bernardo behind, or beyond, the movie characters I grew up watching, the way we've all come to know her. I've always wanted to pick her brain, and kind of break open the myth of her long-standing stardom and see what's there inside,” Petersen comments on working with the 27-year-old actress. In Dolly’s case, meanwhile, taking on a lead role in a Star Cinema film, etching a legacy to remember in this pivotal season of her career. And for the filmmaker, landing this kind of break. “It feels like winning the Grand Lotto jackpot prize. Something that comes out of nowhere, but then you do find yourself living the dream. Like it's a dream – until you accept that it's real.” He’s even more grateful of the fact that such huge trust was put on his shoulders, with two big names along with a script that braves the norm included in the picture. While this kind of responsibility can make anyone tremble with pressure, Petersen faced the challenge with excitement – even more so as he confronted the material. “I knew there was an opportunity to pivot the story towards something that felt current and timely, in the way we could uncover what it means to be a young, powerless Filipino living today, and what kind of feelings that sort of pushed-to-the-edge frustration and anger can be elucidated onscreen,” he relates. With this in mind, they took an approach he described as “not a total downer and all too defeatist”, treading dark comedy in ways they have never done before. A Very Good Filmmaker Petersen’s works, applauded from his debut film to present, are a string of various genres that continues to win viewers. He takes each project with fresh eyes, deep-diving into the stories as if it’s his first time, and plays around with it. “It keeps things new and fresh for me,” the 31-year-old tells BLNC. “And so the next thing I already know is unchartered territory. And I like it that way.” We could say this approach is his secret in standing out in the creative field, but he also credits the way he injects a brand of “intimacy” – a piece of himself – in his work. He remembers his beginnings as a budding director, showcasing stories that concerned and reflected is own personal queer experiences reflected in the story content and through lines. However, as he further stretched his wings, Petersen also reached new heights, finding discoveries that grounded him most as the filmmaker that he is today. “My youth is full of those mostly unrequited, ultimately cathartic queer desires, or stories that demanded acceptance for the community. As I grew up, I felt like these queer devotions kept expanding into something else.” He adds, “I've navigated my twenties building a lot of precious relationships out of my queer experience. This particular concept of 'found families', in the way we bind ourselves with another and forming a complex unit of unlikely ties, for better or for worse, found its way constantly at the core of my narrative works.” Petersen made this apparent in his concept of makeshift brotherhoods seen in “2 Cool 2 Be 4gotten”, the make-believe couple-hood in “An Inconvenient Love”, barkada as second families in “Hello Stranger”, and the sticky, ambiguous mother-daughter dance “A Very Good Girl”. “I just really feel like whatever I am asked to do, this queer stamp will still be very much felt in any work I do,” he asserts. This will also be evident in his six-year project, the upcoming “Some Nights I Feel Like Walking” – a film that he puts as the most personal he’s done throughout his career. The director supplies another trick in his directorial and creative power. “It seems like a simple question, but I find that it's the hardest question to answer all throughout the filmmaking process,” Petersen shares. That apart from the “how”, it’s as – or even more – important to know “why” you want to tell your story. You know where to find his answers. Photo @stephencapuchino with @mpnavato Art Direction @jobonacpil Makeup @janellcapuchino Special Thanks @starcinema @riseartiststudio @micodelrosario1 @keiaaemielle @dharchavez @trshrigs Star Cinema: Mico Del Rosario Keia Inciong Dhar Chavez Patricia Rigodon

curated by Alessia Terzaghi The Grey Space 331 P.Guevarra street, San Juan, Metro Manila Saturday, Oct. 7 from 4:00 pm will be the opening of the group exhibition "The thief of sacred things" curated by Alessia Terzaghi at The Grey Space gallery. Participating in the exhibition are artists: Pablo Bermudez, Jigger Cruz, Auggie Fontanilla, Doktor Karayom, Robert Langenegger, Marlo Montoya, Manuel Ocampo and Jan Sunday. "Thief of sacred things," is how we could literally translate the latin word “sacrilegus”. Sacrilegious is something offensive or irreverent toward sacred institutions, with this attitude the artists part of this exhibition steal and desecrate iconographies of the Christian religion that for centuries have been at its exclusive service; investigating and reinterpreting its symbolism in an irreverent way. Images such as Madonna and Child, Blessing Christ, or the crucifixion, which we spot daily, hanging in offices or on billboards along the streets are repurposed according to the styles of the various artists. Iconographic compositions now part of the collective imagination, are stripped of that sacred, intimidating and submissive character thus highlighting their hypocrisies and contradictions. Robert Langenegger, I_m not mr. N_sync, 48x48in, acrylic on canvas and basketball ring, 2017 Pablo Bermudez,DESTINO MANIFIESTO_7 45x30x10 cm, aluminum print and mixed technique, 2022 Auggie Fontanilla with the prison jumpsuit and tattoos, Pablo Bermudez with the reference to jeepney metal, an image-carrying vehicle, and Robert Langenegger with the basketball hoop seize on elements evocative of working-class neighborhoods where religious iconography is already itself decontextualized and mixed with pop elements, creating a stylistic contrast. Manuel Ocampo's Madonnas with Child transgresses normal representation, being muddy, libidinal and impure figures; qualities opposite to those attributed to the Virgin Mary, pure white and incorrupt. The artist also wonders what is the point of continuing to paint subjects so widely abused by art over the centuries, going so far as to produce kitsch representations today. Jan Sunday,_The Path Within_ Artist_s thong bikini, tapestry, acrylic and thread 2023 Doktor Karayom, PULANG ULAN, 145x94cm, mixed media, 2023 Doktor Karayom with a very personal language tells a story of the loss of faith and thus a consequent destruction of all that had been believed in: images, ornaments, altars and offerings. Other artists resort to a method of post production, destroying, breaking down and reassembling cult objects or images to elaborate their own critical language. Jan Sunday, with her works composed of red loincloths and religious tapestries cut, torn and sewn up, offers a provocative and sensual key with a feminist gaze. Jigger Cruz and Marlo Montoya use post production of pre-existing objects or images, such as ancient altar sculptures or photographs of popes. Manuel Ocampo, _A subject that need not to be painted again 1 (the holy family)_, 60x45cm, oil on canvas, 2023 Auggie Fontanilla, Maynila Malulwalhati, Coverall one-piece size Large, Serigraph print on vintage jumpsuit, 2022(1) Manuel Ocampo, Black Marias, 162x182 cm, Oil on wooden panels with metal hignes, 2023 (1) Marlo Montoya, “Retrato de Papa Pio XII”, 17,7x28,3 inch, post production of photography and digital painting, 2023 Jigger Cruz, Spatial Thinker THE THIEF OF SACRED THINGS curated by Alessia Terzaghi The Grey Space 331 P.Guevarra street, San Juan, Metro Manila Saturday, Oct. 7 from 4:00 pm will be the opening of the group exhibition "The thief of sacred things" curated by Alessia Terzaghi at The Grey Space gallery. Participating in the exhibition are artists: Pablo Bermudez, Jigger Cruz, Auggie Fontanilla, Doktor Karayom, Robert Langenegger, Marlo Montoya, Manuel Ocampo and Jan Sunday.

In the ever-evolving world of cinema, one realm that continually captures our hearts and minds is independent filmmaking. The power of indie cinema lies in its ability to tell unique, unfiltered stories that resonate with audiences on a deeply personal level. Today, we sit down with the talented Gabby Padilla, who has graced the screen in a series of diverse indie films such as "Gitling," "Billie and Emma," "Kalel 15," and "Goyo: Ang Batang Heneral." We delve into Gabby's approach to these distinct projects, what draws them to the world of indie cinema, and their favorite role thus far. Embracing the Independent Spirit Gabby Padilla has carved a niche for themselves in the world of indie cinema, and we were keen to know what drew them to this captivating realm. "I think I gravitated more towards independent filmmaking because it’s where I started, and all the opportunities that followed after my first film were all non-mainstream," Gabby explains. "All these films are different, but what I loved about all of them was that so much care was put into making them." Indeed, independent films often carry the essence of passion projects. "Like for Gitling," Gabby continues, "we were a small team, and a lot of the people that came on board were there because they believed in what the script could become and wanted to help tell that story." Cherishing Memorable Roles Among her remarkable repertoire of roles, we were curious to find out which one holds a special place in Gabby's heart. "Emma will always be special to me," Gabby confesses. "Jamie, too. It feels like madami kaming pinagdaanan ni Jamie together. Lol." "Gitling": A Unique Challenge One film that stands out in Gabby's journey is "Gitling." This indie gem showcases a different aspect of their acting skills, most notably their ability to speak Japanese. Gabby reveals, "I learned Japanese for the role; in total, it took 7 months of studying/classes. It still wasn’t enough time to fully learn the language, though." The challenges were aplenty, with the Japanese script needing a re-translation just a month or two before filming. However, Gabby embraced the hurdles, saying, "I enjoyed learning and immersing myself in it. It helped that the team was very supportive, and I had a lot of guidance." And there was another layer of comfort. "There was some comfort in the Hiligaynon (that I already spoke IRL) though," Gabby adds, "and it felt like a treat being able to speak it in the film. That wasn’t something I saw much of on-screen as a child." Origami Artist: Sean Olalo | @mynegativefeelings. Wardrobe: @repamana top and jacket + @tiediet pant The Magnetic Pull of "Gitling" What led Gabby to take on the unique challenge of "Gitling"? "I had worked with Direk Jopy before and really enjoyed the process of collaborating with him," Gabby reminisces. "But when he sent me the script, it was funny how a lot of it hit close to home. I told him I would do it almost immediately. But I think the main attraction for me was that I would get to learn a new language for it, and it felt like a fun challenge." Behind-the-Scenes Adventures As any actress will tell you, the world behind the camera is just as intriguing as the one in front. Gabby shares a quirky anecdote from the set of "Gitling," saying, "Minulto kami in Bacolod while shooting Gitling! We had to cut the shooting day short because of the weird things happening on set. If that isn’t a very Visayas thing to happen… hahaha." Photography: Ennuh Tiu | @ennuhchew Wardrobe: @ha.mu All Shapes Vest in Royal Blue @muu.haa + Ampalaya Blouse and Skirt Styling: Shayne Lopez | @shayneshaylo Makeup: Steph Buni | @stephbuni | @milkfish Shoot location: @ro.creativestudio Film processed and developed by @sunny16lab Special thanks to: @jtanlee, @miggymatreo Future Horizons With a promising career ahead, we asked Gabby about their aspirations for the future. "I’m open to whatever comes my way," they say, "but it would be cool to portray a real person in a biopic or do a big ensemble family dramedy. That would be a dream." As we conclude our conversation with Gabby, we are left inspired by her unwavering dedication to storytelling, her love for indie cinema, and her appetite for new challenges. We eagerly await her future projects, knowing that each one will bring a fresh, compelling narrative to the silver screen. In a world of cinema that thrives on diversity and authenticity, Gabby Padilla is a shining star, illuminating the path for others to follow. Photography: Ennuh Tiu | @ennuhchew Origami Artist: Sean Olalo | @mynegativefeelings Styling: Shayne Lopez | @shayneshaylo Makeup: Steph Buni | @stephbuni | @milkfish Shoot location: @ro.creativestudio Film processed and developed by @sunny16lab Special thanks to: @jtanlee, @miggymatreo

Setting sail on a journey that departs from the summer's maritime activities, Polo Originals undergoes a significant transformation for the fall-winter 2023 season. The brand's seasonal storyline, rich in sophistication and defiance, pays homage to the legendary Tourist Trophy motorcycle race, renowned not only for its fashionable riders but also for its treacherous twists and turns. Taking place on the revered asphalt of the Goodwood racetrack in Chichester, England, this campaign unfolds on a stage that seamlessly melds the past with the present. Through the lens of Richard Phibbs, this fusion is skillfully captured, imbuing each frame with Ralph Lauren's distinctive charisma—a perfect blend of charm and sophistication. The campaign enlists a combination of fresh talent and familiar figures. TikTok sensation Jacob Rott from the Elevator Boys makes an appearance, alongside models Niyo Malik, Tristan Paine, Juhyung Kang, Rudy Verwey, and Rishi Robin. Their inclusion weaves the collection into a diverse fusion, where wool sweaters harmoniously coexist with retro-inspired racing jackets. In this season, Polo Originals reinvents its iconic tailored aesthetic. Picture it as a harmonious blend between the polished countryside and the racetrack's raw, unbridled speed—an alliance where impeccably crafted wool meets an insatiable hunger for sheer velocity. Every garment pays homage to the timeless requirement for both elegance and resilience. The collection is a rich tapestry of influences, spanning from a sophisticated rugby ethos to hints of Grand Prix allure. It pays homage to Polo's scholarly style heritage while injecting athletic elements that could seamlessly belong on a vintage racing poster. Among the standout items are an oilcloth jacket and a hand-painted leather café racer jacket, serving as a direct homage to Ralph Lauren's personal preferences. Polo Originals' fall-winter collection creates a lasting impression in a realm where trends come and go fleetingly. Incorporating elements such as fair isle sweaters, tweeds, and oversized coats, the brand imbues its distinctive style with timeless workwear influences while paying tribute to motorsport pioneers. Polo Originals commemorates a way of life that effortlessly bridges different realms, demands notice, and steadfastly pursues the eternal.

Ray-Ban, the iconic eyewear brand, made waves at the exclusive launch event of its newest collection on September 5th at SM Makati. The event showcased two groundbreaking additions to the Ray-Ban family: Ray-Ban Reverse and Ray-Ban Ferrari. Ray-Ban Reverse Led by this insatiable curiosity, Ray-Ban turns eyewear on its axis with the release of the Reverse collection: four unisex sunglass styles featuring an impossible new lens, completely reversed. An exceptional feat of advanced engineering, the shape of the lens shifts from traditional convex to concave offering a universal fit tailored to diverse ergonomic needs. The new design comes in four iconic shapes – aviator, caravan, wayfarer, and boyfriend, that will surely compliment every face shape. Ray-Ban Scuderia Ferrari 2023 Ray-Ban Ferrari introduces a new era of eyewear. Crafted with Liteforce and Carbon Fiber materials, it combines superior lightness, flexibility, and durability. Liteforce, used in aeronautics, ensures unbeatable wearability, while Carbon Fiber's strength-to-weight ratio delivers unmatched comfort. The collection embodies the precision and exclusivity synonymous with the Scuderia Ferrari brand. “For generations, Ray-Ban has always raised the bar by reinventing what eyewear can do for consumers. Ray-Ban continues to leverage the power of our iconicity while bringing innovation and tech to our classic styles, and time and time again, we make sure that we bring this to the Filipinos” says Mini Paul, Senior Brand Manager at House of Branded Lifestyle Inc, the name behind bringing Ray-Ban to the Philippines. For those eager to make a purchase, Ray-Ban offers three enticing promotions for the whole month of September. Customers can receive a complimentary Ray-Ban Duffle Bag with any purchase of Ray-Ban Reverse in SM Department Stores. Moreover, purchases from the Ray-Ban Ferrari Collection worth PHP 12,990 to PHP 28,990 can earn you a raffle entry for a chance to win a trip for two to Abu Dhabi for F1 Grand Prix this November 2023. The new Ray-Ban collection is available in all SM Departments stores and Vision Express branches nationwide.

In the world of visual art, there are those who create, and then there are those who immerse themselves in the creative process to such an extent that it becomes an integral part of their existence. Archie Geotina, the Filipino visual artist whose work resonates with both local culture and international influences, falls firmly into the latter category. In this exclusive interview, we dive into the mind of Archie Geotina as he shares his journey as an artist, his relationship with the picturesque island of Siargao, and the influences that shape his unique brand of art. Can you tell us a bit about yourself and your journey as a visual artist? What drew you to Siargao as a place to create your art? Ever since I was a young kid, the first thing I really noticed about myself was the urge to make things. I would always be drawing , or picking up clay to shape or crayons to draw on walls. When I grew up , I would just always be drawing stuff on paper, stuff I see in my head. When I got into College me and my friends got into graffiti and from there i got heavily into street art. From there , it took a lot of years of teaching myself skills and techniques to create my own style. I was very much a product of the internet as well just being barraged with so much information , I took up all that information and slowly learned to sift through it and use it to work for inspiration. The move to Siargao wasn't really to find a place to create art. On the contrary it actually started as a place for me to step back from the noise and chaos and pressure it takes to be an artist. Although when I'm in Siargao , I always have ideas or projects in the back of my head, when i'm here, I really just want to surf and be at peace. How do you translate the feeling of living on an island into your visual creations? I don't think there is an active and conscious effort for me to translate the feeling of living on an island into my works. If anything I think the isolation, the sense of freedom and power in some of my works come from my subconscious and if the works ever translate some island vibrations I guess it's the influence of being here for such a long time.But it was never intentional to show or say that "i'm creating from an island". Could you describe the mediums and techniques you prefer to work with, and why they best convey your artistic vision? Siargao has a close-knit creative community. How has being a part of this community impacted your artistic growth and development? I work mainly now with photography although I don't consider myself as a photographer per se, using wheat pasting techniques I learned as a street - artist. It's just my ADHD works with and against me sometimes, so the faster I can create the image and artworks that have been in my head for months or years at a time , they will come into fruition with these techniques more consistently. I have done paintings before and other mediums but this is what I'm most comfortable with. In terms of the Siargao creative community , it's been pretty great. Most people are supportive of each other's endeavors. It's also a lot about the Surf community. The surf community in the Philippines is young but very strong and committed to uplifting each other in some way shape or form. Your art often features a blend of local culture and modern influences. Can you share some examples of how Siargao's traditional elements find their way into your artwork? Tradition is heavily respected and celebrated in Siargao, respecting the ones that came before you is a virtue in Surf culture, Siargao and in Philippine culture. Supporting locals and being proud of being local is a sense of pride shared in the island. So being surrounded with all of these, I've always wanted to show our culture albeit sometimes lost in translation, gentrified and mistranslated in a new way mixed with certain nuances. How do you navigate creating art that resonates with both this local community and a broader, international audience? When I make things now, I don't make it about myself anymore. It's not to prove something or my skills to anyone. It's about others. It's about a message. Taking myself out of the equation has allowed me to be more honest about my work and what I want to make resulting in a more fluid creative flow. To be given this platform and audience, that's a gift, a gift to take care of. So it's my responsibility to be aware of it and not take it for granted. For all the attention it's been getting I go with humility and gratefulness. It's not about you. I always remind myself that there was once a time when all I wanted was to be seen or heard. I think most artists will have that yearning right? Unless you want to just create for yourself which is also fine. Technology has changed the art world dramatically, from digital creative tools to Internet lenses. How do you incorporate technology into your art? I use it mainly to edit photos. But I've learned to use its power too, especially to show it to a broader audience. I guess it comes from having my roots in street art, why wait for a year to get your turn in a gallery , when you can instantly use public domain and have it presented the way you want it and get your message across. Are there new directions you'd like to explore or messages you hope to convey through your art? There are a few things im cooking up and a few solo shows next year :) Where can we contact you? you can contact me via instagram @chichimonsta

She's finally here! Lesha is on her way to becoming the rockstar of today's generation. In a short span of time, she'll be sharing her latest song that's about to hit the airwaves, and you're sure to love it. But apart from releasing her soon-to-be hits, Lesha has already achieved some remarkable milestones. The 26-year-old independent singer, songwriter, and music producer is thrilled and honored for all the opportunities coming her way. One noteworthy accomplishment is having her own billboard in the iconic New York Times Square, one of the dreamiest places on earth. Just imagine seeing her larger-than-life photo on a high-rise building in the heart of New York City. Lesha shared her excitement, saying, "I was overjoyed when I heard the news! I've always dreamed of having my name and face on a billboard, but I never imagined it would happen so quickly and on such a grand scale. It was truly a dream come true to see my face on a billboard representing The Philippines in the middle of New York Times Square for Spotify Equal." Recently, she received not one but two nominations for The New Hue PH awards, which celebrate creators and visionaries who push the boundaries of music videos. Lesha was ecstatic about the recognition and said, "I had no expectations when I got nominated, so I'm extremely grateful to New Hue PH for recognizing me at their awards this year for Best Female Artist and Best New Artist. Their platform showcases upcoming artists and uplifts the OPM scene, allowing us to come together as a community." Additionally, Lesha's song "Ciao Bella" recently reached the impressive milestone of one million streams on both Spotify and TikTok. It's no surprise that so many listeners are captivated by this emotionally charged anthem, thanks to its heart-touching melodies and lyrics. Lesha revealed her excitement, saying, "I honestly couldn't believe my eyes. Hitting 1 million streams on a song is a huge milestone for me. I wrote, produced, and filmed the music video for 'Ciao, Bella' in my bedroom during the peak of the pandemic, so it's a cool feeling to see how far I've come in my career, and it always reminds me of my humble beginnings." With so many positive developments in her career, Lesha remains optimistic about her future progress. She's also proud of being a game changer in the music industry, having had the opportunity to collaborate with world-class producers and writers. This has allowed her to experiment with her music, exploring different genres and vocal styles. Lesha shared some of her exciting experiences in music experimentation, mentioning a memorable session with LA producer Dela, singer-songwriter KAJO, and James Reid when they wrote "Skin2Skin." She described how they came up with the song's unique blend of danceable pop and melancholic chords, and it was a fast and creative process. Lesha also teased upcoming releases from her collaborations with Dela and other Careless artists. Expect Lesha to become even fiercer in her musical choices as she adopts a new approach to her music. She believes there's a significant evolution in her writing style and genre compared to her previous works. She's been experimenting with the Pop Punk genre and is naturally drawn to it as she writes new songs. Lesha's dark and edgy side is becoming more prominent in her new creations. Prepare to witness Lesha's fiercer and more direct style as she continues to navigate her musical journey in the coming months. She's sure to surprise you with her upcoming songs, set to be launched soon. To stay updated with Lesha's music, be sure to check her out on Spotify and follow her on Instagram, Facebook, and TikTok.

Words by: Mariel Abanes Many have known Kelvin Miranda for the roles he had taken up in the past, with viewers watching the actor grow up to his present self through the screen. However, in recent years, we’ve seen the 24-year-old in different light – probably in more challenging characters that present more layers of depth that he wants to show to the world. Kelvin Miranda is ready to leave behind his teenage cutesy image and dive deep into the stunning, sometimes overwhelming, but exciting adventure of adulthood. He may be young, but his words hold much weight than anyone would think. No, he’s no longer a child – it’s a skin he’s shed for quite some time. Shining through is a man wise for his age, ready to inspire and conquer the world of his own making. Beyond His Teen Roles Stepping out of his kid’s playground became evident when the actor entered his 20s. Taking on projects that reintroduced Kelvin as an actor, he lists down the likes of “Lost Recipe” and “Dead Kids” as the turning point of his career. “Actually, sa lahat naman ng nagiging work ko, committed naman talaga ako. Pero kasi dito [Lost Recipe and Dead Kids] talaga, as in nag-immerse ako para mag-benefit ‘yung character ko,” he says. He also adds how, as part of his preparations, he thinks ahead and readies himself holistically so he can transition well into the role. “Para ‘yung pagta-transition, hindi masyadong biglang-bigla. Mas madali mag-a-adjust ‘yung utak at katawan ko. Mahirap kasi ‘yung wala kang alam, e.” After getting a taste of giving life to such eccentric personas, the young star began his quest for more exploration. Case in point: his most recent Netflix film with Miles Ocampo called “Missed Connections”. A love story, on surface, as many people would think when they see the movie’s trailer; but there’s much more to the project than meets the eye. “Ang nagustuhan ko sa pelikula na ‘to is hindi sila natakot na iparamdam na ang bida nila is kontrabida rin,” the actor muses. “Bida siya sa sarili niyang mundo, pero kontrabida siya in reality.” For those who have seen the film, we know that it goes beyond the romance trope – more of a relatable coming-of-age tale that youth his age can definitely relate to, as Kelvin did. Millennials and Genz Zs are definitely guilty of overthinking, and how most of our experiences are determined by the workings of our minds. “’Yung mga ganitong klaseng tema, ito talaga ‘yung pinagdadaanan ng generation ngayon, e. Ako, na-experience ko din siya in the past. Na mismong ako, napangungunahan ko na ‘yung mga bagay kahit hindi pa nangyayari,” he admits. This piece is just a start for Kelvin – he’s opened his doors for projects that will put him on the edge and push him to give his all. Whether it’s the script that he just can’t get enough of or the pull of working with great thespians in the industry, he is willing to go outside the bounds of his comfort zone. “Kapag may gusto akong role talaga, ilalaban ko siya.” His persistence landed him more opportunities – and fans can expect a couple or more projects just before the year ends. Beyond His Teen Years Now in his mid-20s, the actor acknowledges the demands that come with being an adult. One way he’s keeping it real and steady is taking one thing from younger years: the aspect of respect that his parents taught him. He’s used this as his staying power in navigating his current life, whether he’s on taping or he’s simply being with himself and his other passions in life. He pairs respect with persistence; Kelvin has that hunger for learning that needs to be satiated. Kelvin describes it best, “Ako yung tipo ng tao na ayokong tumigil matuto. So gusto ko everyday, in every opportunity or chance na binibigay sakin, meron akong mapupulot na aral do’n.” Despite the appetite to make the most out of all the possibilities laid out in front of him, the actor doesn’t compete with anyone else but himself. It’s a sign of maturity that, least to say, gives him a stronghold of himself in the crazy world of show business. The “Missed Connections” leading man figured that competition leads to comparison, and comparison leads to insecurities. And these insecurities take out the fun in our passions, he believes. “Para sa’kin, iniisip ko lang na mag-enjoy ako. Hinahanap ko ‘yung sarili ko sa paraan na mag-e-enjoy at matututo ako. Kasi kapag inisip mo na isang malaking competition ito, talo ka na kaagad, e. Kasi makukumpara mo na ‘yung sarili mo kahit wala pa. So as long as binibigay mo ‘yung best mo, panalo ka,” he asserts. He applies the same mindset with his other pursuits – beyond acting, Kelvin reveals that he’s keen on learning how to play the saxophone as well as producing paintings and other artworks. Growth never ceases for him. Kelvin, Now One of the misconceptions about the actor that he would like to break is him being “suplado” (he blames his poor eyesight for this). Beyond a tough exterior, Kelvin is actually a man of calm and wise words – uncovering truths that, like anyone of us, give more meaning to our day to day life. When asked about how he manages adulating, he spills thoughts like rainshowers of gold, bringing up the struggles that everyone faces especially in this time of our lives. “Mararanasan mo rin talaga yung mid-life crisis, unknowingly, unconsciously,” the actor relates. If there’s anything that he wishes people his age would do, it’s to always look inward, consciously ask yourself the important questions, and actively seek solutions. “I-try mong hanapin agad ‘yung mga solusyon, alamin mo kung nasaan ka para hindi ka maliligaw. The mind creates thoughts, thoughts create feelings, and feelings create behavioural reality. Nama-manifest natin ‘yan, e – kung anong laman ng utak natin, na-e-encounter natin siya in reality,” Kelvin shares. This, as well as never losing your faith. “Basta meron kang faith, hindi ka matatalo.” Mind-boggling as steering the wheel of life can be, the actor grounds himself with the fact that living isn’t a one-away street. When asked about his mantra, he reads from his notes – he reveals that he often jots down his musings to look back on later – and offers a slice of reality tidbit. “Life is not all about happiness. Life is about experiences. When it comes to experiences, you’re supposed to learn and enjoy through suffering the same way you do in pleasure. Because suffering is undeniably part of life. And we have to acknowledge it and learn how to communicate with pain and mistakes so we can face the consequences of our choices,” he reflects. “At hindi natin kailangang mabuhay lang sa kaligayahan. Kailangan din nating mabuhay sa kalungkutan.” Bottomline? Kelvin encourages us to be brave and live through the ups and downs. Because eventually, that’s what sums up growing up – and the actor is all present to enjoy the rollercoaster ride we’re all mounted in. photo @stephencapuchino art direction @jobonacpil grooming @janellcapuchino hair @mycke.arcano assisted by @jam_jacobe styling @ardenstyleph Special Thanks @tyronneescalante @maemars_ @sparklegmaartistcenter

Words by Mariel Abanes It’s fitting, like great timing dictated by fate, that Carlo Aquino and Charlie Dizon finally came together to star in a film. Both recognized in the world of show business thanks to their superior acting skills, it’s safe to expect all good things from “Third World Romance”—the Dwein Baltazar-helmed project that depicts romance between a couple in the underprivileged sector. It could be far from what it’s actually like for them as a real-life couple, but this exactly is why they said yes to doing the film. More than the love story, it’s the reflection of the normal day to day lives of fellow Filipinos “na nasa laylayan”, as the two describe, that the artists want to highlight. “Kaya ko gustong gawin ‘tong movie na ‘to is para maraming maka-relate na mga mamamayang Pilipino,” the lead actress points out. Her partner agrees, adding how today’s social status has significantly changed—for the worse. “Ang gustong iparating ng pelikula is kung hindi maayos ‘yung istado ng mga Pilipino, kailangan gawan naman natin ‘to ng paraan. Hindi pwede ‘yung ganito lang tayo palagi,” Carlo presses. It’s a message that calls to action—and not only in an individual sense. Collectively as a community, as a nation, the film shows a reflection of our reality, and it prompts questions and—hopefully—urgent measures that should be taken. On the flip side, “Third World Romance” is also a portrayal of hope. “Ang key takeaway, mas masaya ang buhay kung may kakampi ka,” Charlie notes. Within and outside the script, it’s one thing that made this pair succeed in this project, citing how this team up allowed them to be more comfortable as well as bring out their best foot forward. “Charlie Dizon is the challenge,” Carlo reveals, but is grateful for when moments when he needs a breather comes, he has his girlfriend on the set to put him back on track. And Charlie feels the same, with the young actress feeling more motivated than ever. She says, “Ayokong magkamali. Mas on my toes ako.” Personally, what did they learn from shooting the film? Apart from the realities that need checking and raising issues that matter, it also goes inward—a check up on one’s mindset in threading this thing we call life. Charlie emphasizes on the importance of being “palaban” and embracing oneself despite our mistakes and shortcomings. Carlo, on the other hand, highlights having someone by your side as essential in keeping your head above the water. “Ang importante, ‘yung may kinakapitan ka, saka ‘yung failure kasama talaga sa buhay—at dapat hindi ka susuko do’n. Okay lang mag-fail ka, pero dapat matutunan mo kung paano bumangon at lumaban ulit.” he muses. photography by Stephen Capuchino @stephencapuchino art direction by Jobo Nacpil @jobonacpil cover art by Matt Pingkian For Charlie Makeup: Janell Capuchino @janellcapuchino Hair: Christian Bojo @christianbojo.hair Styling: Drew Lacia @drewlacia For Carlo: Grooming Hernan Soriano @hernansoriano_ Styling: Abby Paulino @styledbyabbypaulino Special Thanks: Star Cinema @starcinema, Blacksheep @black_sheepph, @keiaamielle