The ISLA Project stands as a testament to the power of art and creativity in bridging gaps and celebrating diversity. From its inception in Manila to its current flourishing presence in Los Angeles, the brand has held steadfast to its mission of sharing the culture, stories, and way of life that have shaped its journey. "Influence" is the heart and soul of the ISLA Project. The brand draws inspiration from the Philippines' multifaceted heritage, channeling its essence into a stunning array of products that encapsulate the journey from ISLA's birthplace to its new home. Each product serves as a visual representation of this remarkable journey, a canvas that reflects the shared experiences of its creators and the vibrant culture that runs through their veins. "It's about celebrating who we are and where we come from," says one of ISLA Project's co-founders. "Our products are a tribute to the beauty of our heritage, and they also allow us to connect with others who share our roots." While artistic expression lies at the core of the ISLA Project, its commitment to giving back to its home communities is equally profound. The brand's ethos extends beyond commercial success, emphasizing the importance of community support and charitable contributions. ISLA Project's philanthropic endeavors include active participation in volunteer efforts and the allocation of charitable donations to uplift underserved communities in both the Philippines and Los Angeles. By intertwining business with social responsibility, ISLA Project sets an inspiring example of how enterprises can be a force for positive change. "Focus on the Tribe" is not just a catchy phrase; it's a mantra that encapsulates the spirit of ISLA Project. In a world that often emphasizes divisions, this brand encourages unity through shared experiences, cultural appreciation, and the acknowledgment of the interconnectedness of all human beings. As the ISLA Project continues to flourish, it is a living testament to the potential of creativity to transcend boundaries and inspire meaningful connections. With its products as the vessels of culture, and its actions as the embodiment of compassion, ISLA Project invites us all to turn our attention to the tribe - the global community that unites us all. In the vibrant landscapes of Los Angeles, the ISLA Project's journey continues, guided by its unwavering commitment to celebrating heritage, promoting unity, and leaving a lasting legacy of positive change. As we wear their creations and embrace their vision, we become part of a greater narrative that reminds us of the beauty of our shared human experience. https://www.theislaproject.com

Nature, observed closely, reveals its extraordinary peculiarity and forms that manifest a mystical presence. It is through the lens of art that this truth in natural things can be captured, and no artist does it better than Pablo Bermudez. His works represent a state of contemplation of nature, bringing humans in tune with the world and achieving a collective consciousness as a unique form of life. Tropical Gardem ( Mixed Media ) Bermudez's art transports us to a nirvana, an idyllic garden where nature and humans coexist harmoniously. In his masterpieces, there is no division between organic and inorganic matter; instead, they serve each other's existence. The seemingly abstract nature of his works arises from a naive creative act, where photography is undermined by abstract painting. It becomes a form of destruction and deconstruction of the real image, an act of aggression towards the tangible. The artist's gestural acts, almost ritualistic in nature, aim to free himself from the influence of mass media images he has always relied upon in his research. Liquefied nature engulfs the photographed subjects, creating a mesmerizing tangle of forms. Amidst vivid colors, glimpses of reddish masses emerge, resembling agglomerates of living flesh not yet covered with skin. Bermudez's alchemical vessel knows no barriers, allowing formless beings to float in natural space and merge with the universe in an orgiastic and carnal pleasure of totality. Humans have always imitated natural forms due to their inherent attractive force. Similarly, the artist perceives this gravitational pull towards nature, particularly the jungle he experienced in his native country, Colombia. Although he will miss it for much of his life, he finds solace in Negros, where the nature of both the jungle and sugarcane crops resembles his place of origin, establishing evident connections between the two countries. In his photographic shots, Bermudez showcases how the architecture of Balay ni Tana Dicang harmoniously coexists with nature. The forms of nature and architecture blend in a balanced manner, blurring the boundaries between them. Architecture becomes nature itself, and its role extends beyond mere shelter. It becomes a vessel for memory, mediating between the past, present, and future. Balay ni Tana Dicang holds the memories of its inhabitants, preserving the objects they used and loved. Bermudez emphasizes the importance of preserving the past as a precious legacy of previous centuries. He reminds us that nothing built by humans should be destined for destruction. There exists a fundamental relationship between nature and humanity's work, as well as between things and our memories of them. Architecture is an integral part of this relationship, allowing us to remember our past and appreciate the beauty of our collective history. Through his art, Bermudez expands our perception of the ecological system, transcending anthropocentric boundaries. He invites us to embrace a more interconnected vision of life on Earth, where all living beings coexist in harmony. In the face of the anthropocene era, art creates an emotional connection between people and the natural world. It renews our sense of wonder and respect for nature, compelling us to reflect on our role as stewards of the Earth. By challenging our perceptions, stimulating dialogue, and fostering awareness, art becomes a catalyst for a sustainable future. Pablo Bermudez's works serve as a poignant reminder of the importance of living in harmony with nature. They encourage us to cherish and protect the environment, as we recognize our place within the intricate web of life on this magnificent planet. ABungalow artists’ foundation presents: "Echoes of the jungle's sweet surrender" The end-of-residency exhibition by Pablo Bermudez curated by Alessia Terzaghi Opening: Friday, July 14th, 2023 from 4:00 pm at Balay ni Tana Dicang 36 Rizal Street, Talisay City, Philippines INFO AND CONTACTS: Mr. Adrian Lizares: campoman@yahoo.com Alessia Terzaghi: terzaghialessia@gmail.com about ABungalow project The ABungalow project is an artist residency that provides an alternative space in a different setting located in Negros Occidental, Philippines. It gives the artist in residence another point of view of life, culture and the arts that may give resonance to the works the artists create in the island. ABungalow project was created after several visiting artists realized the time and the space it offers can provide freedom and inspiration to create their new works. The ABungalow has been in existence since 2016, to this day it has helped its many artists in residence to create works that demonstrate how time and space contribute to renew and reinvigorate their creativity. In photos: Mr.AdrianLizares, PabloBermudez, AlessiaTerzaghi

In an exclusive interview with celebrated architect and fashion influencer Miko Carreon, we explore the fascinating connection between his profession and his unique sense of style. Known for his bold and vibrant fashion choices, Miko's personal style reflects his architectural background and serves as a source of inspiration for both his designs and his fashion ensembles. Join us as we delve into the mind of this creative visionary, uncovering his inspirations, challenges, and exciting future projects. As an architect, how do you find the connection between your profession and your personal style? -I feel like as an architect you get this certain style that inspires you to be creative and that personal style also resonates with my works. Honestly it’s also a mix of some days when I design I wear something I feel good in so I can be more inspired and there are some days when I need to go on site where I have to wear something comfortable. But most of the time it’s more of wearing something I feel good in to feel empowered and inspired. Both styles that I mentioned play around minimal and a little bit of fun with an accent of color or a statement piece. Your fashion choices are often described as bold and vibrant, filled with diverse colors and prints. What draws you to such daring combinations? -I actually love minimal fashion and I play around more with silhouettes, in lieu with the prints, these are the things I like to mix with my minimal fashion just be more fun and daring sometimes, maybe I add a printed neckerchief, a statement button down or pants, etc. just to make things more vibrant. Where do you find inspiration for your fashion ensembles, particularly when it comes to exploring colors and prints? - I find inspiration from everything! Places, things and people! If I find something interesting I would unconsciously dress up inspired by that thing. How do you balance architectural aesthetics with fashion trends to create unique and cohesive outfits? -I believe that I design a project with the word “timeless” in my mind and same goes with my personal style I invest on classic pieces and then sometimes add those little trendy things to be more playful just like how I do with my projects, I design a timeless space and style it and mix it up with trendy pieces. Can you share some of your favorite color and print combinations that you've experimented with and found successful? -OMG , If you raid my closet you’ll just see a lot of black, moss green and navy blue and some printed button downs and neckerchiefs. Many people tend to shy away from incorporating too many colors or prints into their outfits. What advice would you give to those who want to embrace more vibrant and daring fashion choices? - One technique that I try to imposed in mixing colors is the color wheel theory. xSo with that thing you’ll see colors that are in contrast with and what goes well together. Most of the time I stick with one color and stick with the same shade and then add up one accent color that is in contrast into that family of color. Have you faced any challenges or criticism in your journey as a stylish architect? How do you deal with it and stay true to your personal style? -Yeah that’s for sure, but you know in this age go ahead accept criticism but then at the end of the day just stay true to your style, you’ll know what’s good and what’s bad for you. You have a significant following on social media, where you showcase your fashion sense. How has social media influenced your style and connected you with like-minded individuals? -A lot of networking from these social media platforms, I get to meet a lot of creatives from the same industry and outside the industry and meeting people and these people inspire me to be more and do more Are there any specific fashion designers or artists who inspire you when it comes to exploring colors and prints? -I love Simon Porte Jacquemus because I love his sense of taste when it comes to colors and print. I also love Kim jones for playing around with silhouettes and the way he sees fashion and style. Apart from fashion, what other creative outlets do you enjoy exploring? -I like photography and I'm more drawn to movements so I like to create through dance as well. What role do you believe fashion plays in expressing one's personality and individuality? -personal style is like your second skin. Whatever personal style you have represents who you are as a person. Can you share a memorable experience or achievement in your career as both an architect and a fashion influencer? -hmmm this is a tough one, honestly there’s a lot. Just getting recognition from people you look up to is already a cherry on top of all the things I work hard for but most the most memorable ones are when people approach me and thank me for inspiring them. That is more fulfilling for me. What advice would you give to aspiring architects or individuals looking to express their unique style in their chosen profession? -first and foremost before you enter into this industry you should know in yourself that you like design and you are passionate about it. The personal style will just come along as you grow into the feil and stumble upon new people. Lastly, what exciting projects or collaborations can we expect from you in the near future? -I'm designing destination places so watch out for that, retail stores and café and bars so I’m looking forward to that one also, bloggers united is back! Will be selling my preloved clothes next month! Save the date! Photo by @raphidalgo

Photography: EVGENYA KAYUMOVA Hair &- Make-up: ALEXANDRA VASILYEVA Model: EKATERINA TAMBOVTSEVA Agency: ROUGEMODELAGENCY Designer &- Stylist: OLESYA RUSAKOVICH Clothes: OTOCYON. YAUZA STORE

In the ever-evolving landscape of music, artists strive to push their boundaries and explore new dimensions of their artistry. Tala, the talented singer-songwriter, has gracefully accomplished this feat with her latest EP, 'honeymoon.' In this exclusive interview, Tala opens up about the evolution of her sound, the inspirations behind the project, and her aspirations for future endeavors. Evolution of Sound: A Reflection of Personal Growth Tala's previous works served as a time capsule, capturing the essence of her younger self. However, with 'honeymoon,' she presents an evolved version of herself that resonates with her current state. Through her songwriting, Tala reveals that her music now represents her growth and experiences, offering listeners a deeper insight into her artistic journey. How would you describe the evolution of your sound on this project compared to your previous works? My earlier work is a time capsule of a younger Tala, who still lives in me. Now that I'm older, I feel like my writing has evolved to represent me as I am today. This project aimed to embody that growth. The honeymoon EP is a collaboration between myself and crwn (King Puentespina), who did a fantastic job producing the project. Way before I met him, I was a huge fan. The title of your EP, 'honeymoon,' suggests themes of new love and exploration. Can you tell us more about the concept and inspirations behind this project? King and I were in really good places when we started working on ‘honeymoon,’ and we wanted to capture those emotions in the songs. We talked a lot about what it was like to have your feelings reciprocated for the first time, and explored the idea of the trust and surrender that comes with loving someone wholeheartedly – the intoxicating honeymoon stage of a new relationship. Our intention behind the project was to take the nuances of a fresh and new love and translate them into what would feel like three love letters in song form. In 'honeymoon,' you explore the nuances of a fresh and new love. Can you share some specific songs or lyrics that capture the pull, push, and surrender you mentioned earlier? “nothing i won’t do” opens the project. The first line sets the mindset for the rest of the EP - you run your hands all through my hair and I know you adore me. It's about that initial pull you feel in the honeymoon phase – the trust, the pursuit, and that eagerness to keep getting to know each other, even if you already feel connected. There’s nothing I won’t do to get close to you – break myself in two, nothing I won’t do. The second track, “again and again,” represents the push part of the honeymoon phase. We wanted this to feel like a flirty challenge, playfully pushing your partner away to see if they come back to you, and they do – over and over, again and again. While writing the song, clocks were a key element to capture the sense of time passing in an endless loop you never want to break out of – savoring the moment, not wanting it to end. The last track, “honesty (i’ll find you),” is about complete surrender. This song is special to me because it was the first song King and I wrote together. I wanted this to be a soulmate song – transcending boundaries of platonic or romantic relationships, recognizing that all forms of love are meaningful. I imagined two people standing in the same room, a hundred universes apart, but still knowing that they’d find each other. No matter what you do, know that I’ll find you. As a singer-songwriter, storytelling plays a significant role in your music. How do you approach lyricism and songwriting to effectively convey the emotions and narratives you want to express? I say this often, but I write lyrics in hopes that they sound and feel like a journal entry – a little too personal! I write the way I would tell my close friends stories. I don’t like putting too much thought into how I convey emotions or narratives. I genuinely just dump my thoughts out, and I try to do it through words that evoke an emotion. I really like the idea of someone else’s words making you feel something. It’s a theme I keep coming back to. Being honest in my songwriting is exactly how I get people to understand my music and the stories I want to tell. 'honeymoon' marks an important milestone in your musical journey. How do you envision this EP shaping your artistic path moving forward, and what are your aspirations for future projects? The release of the 'honeymoon' EP signifies an important milestone as it marks my first project in collaboration with Pool Records, who have been incredibly supportive. This EP is the first installment of a trilogy of trilogies that I'm very excited to be working on and a prelude for what's to come. With the EP's release, your music will reach a wider audience. What message or feelings do you hope listeners will take away from 'honeymoon'? I was in a positive place when we were creating “honeymoon,” and King and I hoped that those feelings could be captured in the music. There was a lot of love behind the intention of the project’s creation and I hope listeners are able to feel that. I want them to be open to new love – all love in all forms, not limited to romance. There is so much love in the world, and we want people to embrace the idea that they can and will find love again and again. It is also my hope that this project opens people’s minds to celebrate Filipino creatives. There are so many who helped bring ‘honeymoon’ to life – designers, animators, photographers, producers, stylists. Witnessing their creative processes and the heartfelt dedication they poured into their respective roles to bring 'honeymoon' to life has left me deeply grateful. It has been an extraordinary privilege to see the love they infused into every aspect of the project. Looking back at the process of creating 'honeymoon,' were there any challenges or breakthrough moments that significantly impacted the final result? At first, King and I tried working on the project remotely. We'd send each other our own demos and go back and forth on them, but we both felt that something was still missing. When we finally got together, finishing the EP felt way easier. We started fresh and wrote the final songs in person. Being physically present and connecting with the project's intentions was a game changer for our process. The creative energy brought the EP to life, giving it that sense of completeness we were looking for. Finally, can you give us a sneak peek into what's next for you after 'honeymoon'? Are there any exciting projects or collaborations on the horizon? The ‘honeymoon’ EP is the first part of a trilogy of trilogies! So, people can look forward to the other two EPs to complete the trilogy. They will be thematic and I hope they connect with people. I’m also working on a collaboration with the Indonesian band Matter Halo. I love what we’ve been working on and can’t wait for the release. Other than that, I’ll continue to write and hope people are excited to hear my stuff as much as I am excited to create them. HEAR HER MUSIC: Spotify: Spotify/Tala YTubeMusic : MYtube/tala

PHOTOGRAPHY & EDIT: Silke Photo website: www.silkeschlotz.de facebook: www.facebook.com/SilkePhotography instagram: www.instagram.com/silkeschlotz email: mail@silkephoto.com Fashion Design: Lea Bürkert website: facebook: instagram: www.instagram.com/leaevab email: lea.buerkert@yahoo.de HAIR & MAKE-UP: Sinan Bilgi website: facebook: instagram: https://www.instagram.com/s.b.hair_makeup email: MODELS: Manuel Haas Katharina Klaube

In honor of Pride month, gallery.sort.of is delighted to present The Gaze of Longing, an exhibition that serves as a tribute to the LGBTQ+ community. This captivating showcase highlights the talent of ten emerging queer artists who come from diverse backgrounds and possess unique styles and aesthetics. Curated by JT Gonzales, this carefully curated collection represents the wide range of queer artistic expression. Among the featured artists are Justin Abrigado, whose delicate sketches capture attention, Deej Amago, known for his provocative bear-themed artwork, Paolo Dumlao, whose conceptual photography intrigues with its air of mystery, Mark Espuerta, a Bacolod-based artist renowned for his masculine torsos, Jasper Gomez, who mesmerizes with his dreamy watercolor creations, Mark Hernandez from Laguna, whose impressionist figurations captivate, Mark Tisado, whose emotive renderings strike a chord, Anton Villarreal, who draws inspiration from plants to create unique assemblages, Mark Weigh, whose pop-cartoon characters exude charisma, and Gelo Zarsuelo from Aklan, who showcases his spray-painted hunks. Just as there is pride in embracing one's identity, this exhibition also celebrates the pride associated with one's deepest desires. The artists explore the concept of the "gay gaze," fearlessly examining the sensuality of queer individuals through their artwork. You can find the gallery located at 37 Camaro St., Fairview Park, Quezon City. The exhibition will run from June 10 to July 1, 2023, and viewings will be available on Thursdays to Saturdays, from 2-7pm. For more information, please reach out to us on Instagram at gallery.sort.of or contact us at 0917 3214207. The Gaze of Longing JT Gonzales Admittedly, it was with some trepidation that this topic was broached. It was mulled over. Reflected on. And finally, approved. We know the “male gaze.” A concept much vilified for its objectification of women. That flat, inscrutable look. A look of many meanings and interpretations. A look that, often, boils down to naked desire. What then the justification for the gay gaze to turn its own hungry, grasping stare at the object of its “affection?” It makes a lot of men uncomfortable. The side glances. The frank, appraising look. The staring. The pure, unalloyed want. But that stare is triggered by many things not necessarily sexual. The undulation of muscles underneath a dress shirt. Jutting bones, a bared instep. The nape of a neck so smooth, it could rival any woman’s. Bristly chest hair peeking out from a tee. Yes, even an unconsciously confident swagger, the pitch and roll of a cocky gait. Desire. Perhaps, uncomfortable to some. To many. But desire is integral to existence. Why then, the shame? We asked a few queer artists to reveal their pleasure points. What stimulates them? What, in the universe of physicality, specifically turns them on? It’s Pride month in some places. And we choose to celebrate Pride this way. By an unapologetic admission of desire. A celebration of want. A feast of longing. Of seeing what we cannot have. And manifesting it. We look. And maybe, we can touch.

Photography, as a medium, has the power to capture moments, convey emotions, and tell stories. For one photographer, their journey began not with a single defining moment but with a gradual immersion into the world of imagery and art. In this BLNC FACETS, we explore the personal experiences, inspirations, and projects of a passionate photographer who has dedicated themselves to the craft. From finding inspiration in fashion and sub-cultural art forms to championing women's empowerment, their work reflects a unique artistic vision and a commitment to storytelling. What first drew you to photography as a medium, and how did you get started in your career? -I don't think there was a singular moment that made me decide to pursue photography, it wasn't a sudden lightbulb moment. It was more of a slow realization brought about by my growing interest and gradual exposure to the world of photography--which I attribute to having signed up on Tumblr in 2008 and discovering a whole world of fashion, photography, and all sorts of sub-cultural artforms. It was what led me to picking up the camera for the first time. I started photographing everything and anything. So much so that it easily became a routine. It also didn't hurt that my best friend shared the same interest and convinced me to pursue it. I never stopped shooting from then on. Later, I realized photography has become a part of me. Can you talk about a specific project or series of photographs that you're particularly proud of, and what inspired it? - I have done a lot of projects that are close to my heart but my recent one, BULAWAN : A photo series, is pretty special to me. It's a photo series sharing my love for my province -- Northern Samar through fashion and photography. When I think of Northern Samar, I see gold (Bulawan). Its dreamy landscapes and beautiful beaches have always been my playground. It's a big part of who I am, especially in my creative journey. How do you approach the creative process of photography, from concept development to execution and editing? I don't have a certain approach when it comes to my process. But I usually start with an element. May it be a fashion trend, an experience, a person, or a song. Then I work around it. I plan everything -- the mood, the direction, and even the editing. Who are some photographers, either contemporary or historical, who have influenced your work or inspire you? I am inspired by a lot of artists both local & international. But Petra Collins' work is such a big inspiration and influence in what I do. Her dreamlike style and her take on femininity and womanhood are just some of the things I admire about her and her work. How do you stay inspired and motivated to continue pursuing photography, particularly in an increasingly competitive industry? What I usually do is stay curious and hungry for learning. I see photography as something that is constantly evolving. And I think being curious and adaptive to these changes can help you grow as an artist. I also try to surround myself with art and explore different art forms. And I think what keeps me doing what I do is my driving force: the need for more female representation. How do you navigate the balance between artistic vision and commercial viability in your work? Balancing between artistic vision and commercial viability in my work isn't the easiest thing. Aside from doing fashion and portraits, I am also an event and wedding photographer. And it's tough, especially when your clients' wants aren't exactly aligned with your artistic style. But over the years, I've learned how to navigate through it. I usually find a common ground. Find the styles that resonate with both my personal creative expression and what my clients want. It is also essential to establish your style with your clients and set expectations. There are times where I'd have to compromise my style to accommodate my clients' demands. And I think being flexible and being adaptive really helps. Can you talk about any upcoming projects or works that you're excited about? I have been planning some personal shoots in collaboration with local artists but I've been swamped with work lately so it's still in the works! How do you approach representation and diversity in your photography, particularly in terms of showcasing a range of perspectives and experiences? If there's one thing that has always pushed me to keep shooting, it's my advocacy for empowering women and giving them something to feel confident about. Women empowerment has always been a big part of my art. It’s the inspiration, the process, but mostly the end-goal. I would say it's the driving force behind my work: the need for representing women in my work in the ways I can. The nuances, the beauty, the struggles, and the strength of being a woman, it is an ever-present inspiration for me to keep creating. I like to constantly try to show the fragility of beauty standards in my photos. Physical beauty can be found everywhere, even in the most unexpected places and faces. I feel it's only right for me as an artist to direct my lens to underappreciated traits that we need to love more. Mostly because that's the kind of beauty I identify with. I've made it a mission to put the spotlight on local women in my photos, with minimal to no frills. What role do you see photography playing in capturing and documenting current events and social issues? For me, I believe photography plays a big role in storytelling, raising awareness, and sharing advocacies. It can initiate meaningful conversations and foster dialogue around social issues. Which I think is much needed now more than ever. It’s a platform where you can help in shining light and bring change to social issues. What advice do you have for other young photographers who are just starting out in their careers? The things I’d like to share to budding artists are: Develop your taste and find your own, unique aesthetic. Convey a message, create an artistic identity, and know what you want to say in your work. Build trust with everyone you work with. Learn to embrace criticism. And lastly, have fun!

In the world of jewelry design, Susanne Verallo stands out as an artist and maker who has embraced the rich tapestry of Filipino culture to craft exquisite pieces under her eponymous label, Susanne Verallo, and her evolving jewelry line, Una Artesana. Her creativity knows no bounds as she weaves stories from ancient myths and legends into wearable art that captures the essence of the Philippines. While metal smithing classes were part of Susanne's initial plan, the pandemic forced her to reimagine her journey as an artist. Undeterred, she turned to alternative jewelry-making techniques and found solace in bead weaving. Armed with an assortment of beads and an unwavering determination, she taught herself the intricacies of this craft through online tutorials, ultimately paving the way for her unique artistic expression. Drawing inspiration from her homeland, Susanne delved deep into the rich cultural heritage of the Philippines. She immersed herself in the world of precolonial myths and folklore, discovering a wealth of captivating stories passed down through generations. It was during this exploration that the seeds of Una Artesana were sown. The first volume of jewelry from Una Artesana, aptly named "Langit," emerged as a testament to Susanne's creativity and connection with her ancestors. Each piece in this collection is a visual manifestation of the captivating tales and legends she unearthed. Susanne skillfully weaves the essence of these stories into her jewelry, giving them a voice and a physical form that resonates with the wearer. Una Artesana has now evolved from a personal project into a full-fledged jewelry line, embracing the essence of Filipino culture in each creation. While Susanne remains open to exploring various mediums and techniques in jewelry-making, her unwavering focus will always be on her beloved Philippines—its vibrant culture, fascinating history, and resilient people. The artistry behind Una Artesana's jewelry lies in the meticulous and labor-intensive process of bead weaving. Susanne employs two primary techniques—loom weaving and off-loom weaving—depending on the design requirements. The intricate off-loom weaving technique, utilizing a combination of bead weaving stitches, forms the foundation of most jewelry pieces. However, some chokers come to life through the loom weaving technique. The dedication and patience required to complete a single piece are truly remarkable. Depending on the complexity of the design, the creation process can span anywhere from 2 to 12 hours. Each bead is meticulously placed by hand, with the artist pouring her heart and soul into every stitch. The result is a wearable work of art that embodies the spirit of Una Artesana—uniquely crafted, culturally infused, and visually captivating. As you embark on this journey with Una Artesana, Susanne Verallo invites you to explore the untold stories that lie at the heart of her jewelry. Through her creations, she breathes life into the myths and legends of the Philippines, ensuring their preservation and celebrating the profound beauty of her homeland. Join Susanne on this artistic odyssey and witness the remarkable fusion of craftsmanship, cultural heritage, and creative expression. Una Artesana's captivating jewelry pieces will transport you to a realm where tradition meets innovation, and Filipino mythology finds its place in contemporary artistry. To learn more about its origins and delve deeper into the artist's world, visit https://susanneverallo.com and embark on an enchanting exploration of Filipino-inspired

Abakada, named after the Filipino alphabet consisting of 20 letters, is not just a streetwear brand—it is a movement that passionately promotes Filipino culture and heritage. Embracing the essence of contemporary fashion and streetwear, Abakada seamlessly integrates traditional Filipino elements into their designs. With a mission to celebrate the country's rich heritage, Abakada is on a journey to redefine Filipino streetwear and showcase the beauty of the Philippines through its unique and culturally inspired collections. Abakada's designs embody a harmonious blend of tradition and modernity. By incorporating elements from the Filipino alphabet and culture, the brand creates a visual language that speaks volumes about the country's heritage. From bold graphics depicting indigenous patterns to cleverly designed garments featuring iconic Filipino symbols, Abakada crafts streetwear that proudly tells the story of the Philippines. With each piece, wearers become walking canvases, sparking conversations and igniting a sense of cultural pride. Rooted in their Filipino roots, Boyon and Calma sought to infuse their designs with elements that reflect the beauty and diversity of the Philippines. ABAKADA Clothing draws inspiration from traditional Filipino symbols, patterns, and cultural motifs, transforming them into contemporary streetwear aesthetics. By incorporating these elements, the brand pays homage to their heritage, creating a visual language that speaks to the pride and identity of Filipinos around the world. Since its inception, ABAKADA Clothing has captured the attention and admiration of streetwear enthusiasts around the world. Through an online presence and collaborations with influencers, the brand has gained recognition beyond the Filipino diaspora, spreading the message of Filipino pride and culture to diverse audiences. ABAKADA Clothing's global reach has allowed it to contribute to the broader dialogue of cultural representation in fashion and highlight the richness of the Filipino experience. ABAKADA Clothing, founded in 2018 by Arvin Boyon and Calvin Calma in Chicago, Illinois, has emerged as a formidable force in the world of Filipino streetwear. By blending Filipino cultural heritage with streetwear aesthetics, the brand has created a unique identity that resonates with individuals seeking fashionable self-expression while honoring their roots. Through their authentic designs, ABAKADA Clothing has cultivated a sense of pride and unity within the Filipino community and beyond. As the brand continues to evolve and expand its reach, it will undoubtedly leave an indelible mark on the streetwear landscape, proudly representing the Filipino culture to the world. INSTRAGRAM: https://www.instagram.com/abkdco/ WEBSITE: https://abkdco.com/en-ph

Photography and Art Direction by Charlie V Real

Art is often seen as an avenue for self-expression, and many artists draw from their own experiences to create meaningful pieces. For queer and disabled artists, their identity can play an even more significant role in their work. We sat down with a Cebuano artist to talk about their experiences as a queer and disabled artist, and how their identities intersect with their art. How does your queer and disabled identity influence your art, and how do these identities intersect in your work? When I was starting out in 2018 with my career, I thought representation was so uncool. I was 19 at the time. I felt as an artist, I shouldn’t be gendered, have a sexual identity or talk about my disability at all. I was committed to the idea that art wasn’t attached to any of those things. Skip to 5 years later, I believe my art is attached to my identity more than ever and it can never be separated. I love this one critic that said this about Georgia O’Keefe who said her art wasn’t in the category of “female art” but the person making it is a woman. I love what my friend and artist Victoria Tanquerido said, who said in an interview that she was happy to be called a woman artist. I’m at a point in my life where I have less conflicts with accepting who I am, but it took me more than a decade to get there. I’m proud to say I’m a queer artist, a disabled artist, a non-binary artist. But it’s also unfair that men don’t have the same standards - I mean, we would never call Picasso a “man artist”. My queerness and disability flows naturally in my art - as the feminist statement goes, the personal is political and the political is personal. What I’m trying to say is, my creativity takes roots in autobiography. If people look deep inside themselves they will find themselves more interesting than who they think they are. If you’re an artist who works with similar subject matter like me, this flows out into the world organically. Painting Special No. 1, watercolor Can you talk about a specific piece of artwork that was inspired by your experiences? All my work is about my experiences - I’m fascinated with the idea of exploring them in many mediums. My advantage as a queer, disabled artist is that I really have nothing to be ashamed at this point. I use the shame and fear people have constantly imposed on me and use it to my advantage. I’ve seen a lot of artists in the queer category who do the same, but often times I can’t relate, with their art being so macho. When I see art like that, I’m happy - but there must be more to art than abled bodies having hot sex. I’d like to talk about my work for your magazine, a collection of works called “INCEST”. I chose these works because I’m currently in intense psychotherapy and we use analysis as our method for most of our sessions. The word incest is so heavy, and it is a feeling. It is a codependency, a mirror, an understanding of abuse. I grew up without a father, and I was thrown into a pack of wolves at an early age because of his death. When I was 12 to 15 years old, as I was experiencing cancer, two men sexually abused me from my family. This caused a lot of turmoil in my life as I grew up - a lot of humiliation and shame towards myself. I was constantly abused until I was 19 and people who were supposed to protect me swept this under the rug. There are many layers to this word, it can be about love too. I became sexually promiscuous as a young boy growing up, and it led me to many interesting experiences with men. Not all of them were painful, some of them were extremely pleasurable. But I still had shame, always this shame about my disability in regards to sex. Like my queerness, I had to hide it ever so often back then. Living in Cadiz, my hometown in Negros, felt like a glass bell from which you could never escape. You can stumble upon love and pain in the most extreme places. I’m currently very happy with the love of my life of 6 years and he loves all of me. I want passion, I want fire, I just want to be loved. Meanwhile, I can carry the rape, abuse, and incest with me everyday like little glass balls in a bag and make sure that they don’t break. I need my memories, they make me feel human - and they become material, prefaces in my life. The Destruction of The Father, acrylic You Are Always There, mono print What challenges have you faced as a queer and disabled artist in Cebu, and how have you overcome them? When I ran away from home and moved to Cebu 4 years ago, it was like another world. I couldn’t speak Bisaya, and could only understand bits and pieces of it. My mother tongue is Hiligaynon, which is more soft spoken and slow. Cebu was a strange land, where I had to constantly ask people to translate their words in English. Until now, I have a hard time speaking Bisaya - no matter how hard I try. I’ve also faced constant humiliation from artist communities not just in Cebu, but also in Negros. With some saying that my work was “pinataka” / *hiligaynon equivalent of “pinalagpat” (it means random) - a word that I actually find endearing. My professor, Raymund Fernandez has always found this word to be positive. I remember one of the best advices he gave me, he said “You must put yourself into a position when you paint where you actually don’t know what you’re doing.” I studied art for 5 years on my own with books, workshops and art school. Of course it hurts when I’m critiqued unfairly, especially when it comes to a point where my disability gets made fun of. I personally have been humiliated by a group of people in the art community publicly, as they shared photos of my work. They called me dumb and stupid, with their friends also joining in the fun, pointing out my disability. I asked myself, do I really deserve this? I overcame this by telling myself, “Christian, you’ve been through worse.. you’ve been through chemotherapy, amputation, rape and so much grief..” but the feeling of humiliation still rises up inside of me. I fought this through courage. The courage to move forward and do my work. How do you hope your art can contribute to greater understanding and acceptance? I think good art comes from pain. But you could also say nothing good ever comes out of pain. I think the fact that my work is out there and I’m given a platform raises awareness to so many things. I love Princess Diana, I could relate to her life in so many ways. When I was 5 years old, my mother had a couple documentaries on her laptop, one was about the Pyramids of Giza and the solar system. The other one was about the Princess of Wales. I admire her for her courage in helping the most marginalized people in society, and raising awareness to issues that were never addressed, like the AIDS epidemic and mental health issues. Here I am severely depressed in my room at times, but watching Diana’s interview about how she coped through self harm and how she conquered bulimia impacted me in a positive way. I wasn’t alone with my struggles. I think a public figure speaking out and being open with themselves can be a catalyst in society. But, it’s up to the artist, the poet, the politician, the writer or the influencer on how to exercise this power and to be careful with it. The Martyr, gouache My Man In Cadiz, glass work How do you approach representation and diversity in your art? I don’t approach representation. I just am who I am. My work flows with everything that I am. I just do, I do my work - and I want it to be good. I sometimes feel as if representation is not enough, and has become a trend, a fad. It’s like that scene from Mockingjay, where Katniss becomes a symbol for the rebellion. I love how she refused to do the regular propaganda, with all it’s glitz and glamour, but instead went out there to assist the wounded in District 5. I don’t believe art can change the world, but it can change how we think about things. It really is up to us all, when it comes down to it. Who are some artists, either in Cebu or more broadly, who have influenced your work or inspire you? In Cebu, Raymund Fernandez. My professor. I came here specifically for him. I was lucky enough to get all his last classes before he retired. But I think the teachers knew how much I adored his work and his teachings, that they had no choice but to place me in his classes. I’m inspired by artists such as Tracey Emin and Louise Bourgeois from a visual level. Egon Schiele and Edvard Munch, J.M.W Turner for my paintings and how I express my emotions. Haruki Murakami’s books, although controversial, became my friends during lockdown and his words have always spoken to me deeply. Anaïs Nin, for her surreal writing, diaries and letters. Arthur Rimbaud, the famous 17th century French surrealist poet, who also had cancer and had his right leg cut off, I could relate to him on a very personal level. Marina Abramovic, Amy Winehouse, Lady Gaga, David Bowie. Patti Smith, I’m so fascinated with her life, writing and art. I started reading again vigorously because of her and have emulated her sense of style, way of life as a journalist and a writer. Robert Mapplethorpe, Yukio Mishima, Maya Angelou, Joni Mitchell.. I could go on and on and on. The Musician, pen and ink Crucifixion, gouache Can you talk about any upcoming projects or works that you're excited about? I’m gonna talk about Drawing Class Foundation, our little art community here in Cebu. We hold classes and events monthly and try to make it fun, uplifting marginalized people through the metaphor of art. We talk about anything, no limits, and form friendships with each other. I’ve always said that Drawing Class was less about art and more about friendship. I’m talking about real friendship, not the “making connections” or climbing your way to the top of the dog-eat-dog art industry that we have here. Art should be enjoyed by everyone, not only by the upperclass, not only by those who buy paintings to make their walls pretty, not only by those who can afford a proper art education. Drawing Class aims to democratize art and I want to make it accessible, especially for queer artists and disabled artists. I’m excited for the future of Drawing Class and how it can change the way we look at art and experience it. We plan to have talks, exhibitions, collaborations and more and more classes and gatherings. I’m so grateful for our team and residency for believing in the spirit of togetherness and authenticity. I’m always working on my art. Day to day, and writing in my diary. I’ve had my slice of cake in the art world and found it to be not so interesting. What excites me the most right now is the work that I’m doing now, with BLNC magazine, Rappler, with Drawing Class, with psychotherapy. I’m part of commercial shows as well, but my goals are less about making it as an artist and more about how to be a more compassionate human being with myself and with others. How do you see the role of art in creating social change, particularly in terms of advancing the rights and visibility of marginalized communities like queer and disabled people? Art has always been a catalyst for great change in society. But I believe that good art really creates great change. Not all artists are out there to make impactful work, and would rather be happy painting by the sea like Turner. There’s nothing wrong with that. But it’s just not the artist that I am. You see, art doesn’t need to be political because it already is political enough. For example, my self portraits were just little drawings of me, but through the power of art they became meaningful to others, they became pregnant with meaning. I’m more concerned about the role of the artist in today’s world. I think artists should speak up about climate change more than ever because it affects us all. I made a piece for the Joya Awards speaking out about how disabled people and the elderly are the most vulnerable when it comes to climate disasters. I think this should be our main goal, especially in this country where typhoons, landslides and other extreme weather conditions continually face us. It only gets worse and worse every year. I also love this word.. “visible”. My psychologist told me, “You know Christian, there is a difference between being ‘seen’ and being ‘visible’..” being ‘seen’ implied that I was uncomfortable with people’s stares at my missing leg. I felt like a freak. But art made me ‘visible’. People had more compassion and understanding about who I am as a person, that I had many multitudes apart from my disability and queerness. Like Walt Whitman says, “we contain multitudes.” I have many.. How do you balance creating art that is personal to you and also resonates with a broader audience? I'm a musician, as well as a poet, as well as a writer, as well as a painter. I make little films, I take photographs with my polaroid camera. For me, being an artist isn't just about doing one thing. Like Louise Bourgeois, like Picasso, they expressed themselves in many, many ways. I think this is the advantage of the outsider artist. I don't think I'm ever gonna be part of the establishment, even though people think I am. They have it all wrong. When a gallery or the academe wants me to do one thing, I always do the opposite. It's just my nature. I don't have a style and I'm not interested in mastery. I think it's important to stand your ground as an artist and not be so enamored by the green disease of money and fame. The illusion of acceptance. I always found this to be tricky. I've always been displaced. I've always felt like a waif. I'm not like other artists who kneel before businessmen and lick their boots. My art has come all this way, my leg has been chopped off - do you think I'd still be interested in impressing people? If I died from my cancer before, if I didn't survive - would little Christian be happy in his coffin if I made art that made rich people's houses even more beautiful? Sometimes I get baffled by the nepotism in the art community, how some artists can get away with making fodder art while the good artists are set aside. I don't see much disabled artists or queer artists, where I come from and we're always in the corner. When establishments need us, it's always in the context of making them look good. Drawing Class would never treat people like that. We celebrate our identity every month, every class, and in everything that we do. I'm tired of conforming to a public that doesn't fully embrace me. What advice do you have for other young artists who may feel marginalized or overlooked in the art world? I love this quote by Marina Abramovic, "When people say 'no' to me, it's just the beginning." I think it's very difficult to be a human being these days, not only as an artist. You could get sick, run out of money, amongst other things. The best advice I could give to young, marginalized artists is so cliche, but you have to believe in what you're doing and don't let anyone tell you otherwise. Don't let life stop you in it's tracks. You have to keep going. I'm very lucky. I'm very privileged to still get to do what I love, which is art. But I'm also a hard worker and have a lot of discipline. But luck goes a long way, I believe. It's not just about hard work. Sometimes awful things in life really happen, and it can really give you no choice. Life can be cruel like that, but it doesn't mean that we shouldn't be grateful to be alive. I'm grateful, I'm so thankful that after all this time, I'm still here. I still get to enjoy what the world has to offer, a new book, new songs by my favorite artists, new films.. take care of your health. Take care of your work. Surround yourself with people who support you. Be a friend. Have some compassion, with yourself and with others. Always remember as an artist, you have the privilege and freedom to fail. Don't fall for the illusion of success. Have some discipline, I think this is understated.. you have to prioritise your work more than anything else. Because no matter how hard it was for me, my art has always, always been there to save me.