In the world of visual art, there are those who create, and then there are those who immerse themselves in the creative process to such an extent that it becomes an integral part of their existence. Archie Geotina, the Filipino visual artist whose work resonates with both local culture and international influences, falls firmly into the latter category. In this exclusive interview, we dive into the mind of Archie Geotina as he shares his journey as an artist, his relationship with the picturesque island of Siargao, and the influences that shape his unique brand of art. Can you tell us a bit about yourself and your journey as a visual artist? What drew you to Siargao as a place to create your art? Ever since I was a young kid, the first thing I really noticed about myself was the urge to make things. I would always be drawing , or picking up clay to shape or crayons to draw on walls. When I grew up , I would just always be drawing stuff on paper, stuff I see in my head. When I got into College me and my friends got into graffiti and from there i got heavily into street art. From there , it took a lot of years of teaching myself skills and techniques to create my own style. I was very much a product of the internet as well just being barraged with so much information , I took up all that information and slowly learned to sift through it and use it to work for inspiration. The move to Siargao wasn't really to find a place to create art. On the contrary it actually started as a place for me to step back from the noise and chaos and pressure it takes to be an artist. Although when I'm in Siargao , I always have ideas or projects in the back of my head, when i'm here, I really just want to surf and be at peace. How do you translate the feeling of living on an island into your visual creations? I don't think there is an active and conscious effort for me to translate the feeling of living on an island into my works. If anything I think the isolation, the sense of freedom and power in some of my works come from my subconscious and if the works ever translate some island vibrations I guess it's the influence of being here for such a long time.But it was never intentional to show or say that "i'm creating from an island". Could you describe the mediums and techniques you prefer to work with, and why they best convey your artistic vision? Siargao has a close-knit creative community. How has being a part of this community impacted your artistic growth and development? I work mainly now with photography although I don't consider myself as a photographer per se, using wheat pasting techniques I learned as a street - artist. It's just my ADHD works with and against me sometimes, so the faster I can create the image and artworks that have been in my head for months or years at a time , they will come into fruition with these techniques more consistently. I have done paintings before and other mediums but this is what I'm most comfortable with. In terms of the Siargao creative community , it's been pretty great. Most people are supportive of each other's endeavors. It's also a lot about the Surf community. The surf community in the Philippines is young but very strong and committed to uplifting each other in some way shape or form. Your art often features a blend of local culture and modern influences. Can you share some examples of how Siargao's traditional elements find their way into your artwork? Tradition is heavily respected and celebrated in Siargao, respecting the ones that came before you is a virtue in Surf culture, Siargao and in Philippine culture. Supporting locals and being proud of being local is a sense of pride shared in the island. So being surrounded with all of these, I've always wanted to show our culture albeit sometimes lost in translation, gentrified and mistranslated in a new way mixed with certain nuances. How do you navigate creating art that resonates with both this local community and a broader, international audience? When I make things now, I don't make it about myself anymore. It's not to prove something or my skills to anyone. It's about others. It's about a message. Taking myself out of the equation has allowed me to be more honest about my work and what I want to make resulting in a more fluid creative flow. To be given this platform and audience, that's a gift, a gift to take care of. So it's my responsibility to be aware of it and not take it for granted. For all the attention it's been getting I go with humility and gratefulness. It's not about you. I always remind myself that there was once a time when all I wanted was to be seen or heard. I think most artists will have that yearning right? Unless you want to just create for yourself which is also fine. Technology has changed the art world dramatically, from digital creative tools to Internet lenses. How do you incorporate technology into your art? I use it mainly to edit photos. But I've learned to use its power too, especially to show it to a broader audience. I guess it comes from having my roots in street art, why wait for a year to get your turn in a gallery , when you can instantly use public domain and have it presented the way you want it and get your message across. Are there new directions you'd like to explore or messages you hope to convey through your art? There are a few things im cooking up and a few solo shows next year :) Where can we contact you? you can contact me via instagram @chichimonsta

She's finally here! Lesha is on her way to becoming the rockstar of today's generation. In a short span of time, she'll be sharing her latest song that's about to hit the airwaves, and you're sure to love it. But apart from releasing her soon-to-be hits, Lesha has already achieved some remarkable milestones. The 26-year-old independent singer, songwriter, and music producer is thrilled and honored for all the opportunities coming her way. One noteworthy accomplishment is having her own billboard in the iconic New York Times Square, one of the dreamiest places on earth. Just imagine seeing her larger-than-life photo on a high-rise building in the heart of New York City. Lesha shared her excitement, saying, "I was overjoyed when I heard the news! I've always dreamed of having my name and face on a billboard, but I never imagined it would happen so quickly and on such a grand scale. It was truly a dream come true to see my face on a billboard representing The Philippines in the middle of New York Times Square for Spotify Equal." Recently, she received not one but two nominations for The New Hue PH awards, which celebrate creators and visionaries who push the boundaries of music videos. Lesha was ecstatic about the recognition and said, "I had no expectations when I got nominated, so I'm extremely grateful to New Hue PH for recognizing me at their awards this year for Best Female Artist and Best New Artist. Their platform showcases upcoming artists and uplifts the OPM scene, allowing us to come together as a community." Additionally, Lesha's song "Ciao Bella" recently reached the impressive milestone of one million streams on both Spotify and TikTok. It's no surprise that so many listeners are captivated by this emotionally charged anthem, thanks to its heart-touching melodies and lyrics. Lesha revealed her excitement, saying, "I honestly couldn't believe my eyes. Hitting 1 million streams on a song is a huge milestone for me. I wrote, produced, and filmed the music video for 'Ciao, Bella' in my bedroom during the peak of the pandemic, so it's a cool feeling to see how far I've come in my career, and it always reminds me of my humble beginnings." With so many positive developments in her career, Lesha remains optimistic about her future progress. She's also proud of being a game changer in the music industry, having had the opportunity to collaborate with world-class producers and writers. This has allowed her to experiment with her music, exploring different genres and vocal styles. Lesha shared some of her exciting experiences in music experimentation, mentioning a memorable session with LA producer Dela, singer-songwriter KAJO, and James Reid when they wrote "Skin2Skin." She described how they came up with the song's unique blend of danceable pop and melancholic chords, and it was a fast and creative process. Lesha also teased upcoming releases from her collaborations with Dela and other Careless artists. Expect Lesha to become even fiercer in her musical choices as she adopts a new approach to her music. She believes there's a significant evolution in her writing style and genre compared to her previous works. She's been experimenting with the Pop Punk genre and is naturally drawn to it as she writes new songs. Lesha's dark and edgy side is becoming more prominent in her new creations. Prepare to witness Lesha's fiercer and more direct style as she continues to navigate her musical journey in the coming months. She's sure to surprise you with her upcoming songs, set to be launched soon. To stay updated with Lesha's music, be sure to check her out on Spotify and follow her on Instagram, Facebook, and TikTok.

Words by: Mariel Abanes Many have known Kelvin Miranda for the roles he had taken up in the past, with viewers watching the actor grow up to his present self through the screen. However, in recent years, we’ve seen the 24-year-old in different light – probably in more challenging characters that present more layers of depth that he wants to show to the world. Kelvin Miranda is ready to leave behind his teenage cutesy image and dive deep into the stunning, sometimes overwhelming, but exciting adventure of adulthood. He may be young, but his words hold much weight than anyone would think. No, he’s no longer a child – it’s a skin he’s shed for quite some time. Shining through is a man wise for his age, ready to inspire and conquer the world of his own making. Beyond His Teen Roles Stepping out of his kid’s playground became evident when the actor entered his 20s. Taking on projects that reintroduced Kelvin as an actor, he lists down the likes of “Lost Recipe” and “Dead Kids” as the turning point of his career. “Actually, sa lahat naman ng nagiging work ko, committed naman talaga ako. Pero kasi dito [Lost Recipe and Dead Kids] talaga, as in nag-immerse ako para mag-benefit ‘yung character ko,” he says. He also adds how, as part of his preparations, he thinks ahead and readies himself holistically so he can transition well into the role. “Para ‘yung pagta-transition, hindi masyadong biglang-bigla. Mas madali mag-a-adjust ‘yung utak at katawan ko. Mahirap kasi ‘yung wala kang alam, e.” After getting a taste of giving life to such eccentric personas, the young star began his quest for more exploration. Case in point: his most recent Netflix film with Miles Ocampo called “Missed Connections”. A love story, on surface, as many people would think when they see the movie’s trailer; but there’s much more to the project than meets the eye. “Ang nagustuhan ko sa pelikula na ‘to is hindi sila natakot na iparamdam na ang bida nila is kontrabida rin,” the actor muses. “Bida siya sa sarili niyang mundo, pero kontrabida siya in reality.” For those who have seen the film, we know that it goes beyond the romance trope – more of a relatable coming-of-age tale that youth his age can definitely relate to, as Kelvin did. Millennials and Genz Zs are definitely guilty of overthinking, and how most of our experiences are determined by the workings of our minds. “’Yung mga ganitong klaseng tema, ito talaga ‘yung pinagdadaanan ng generation ngayon, e. Ako, na-experience ko din siya in the past. Na mismong ako, napangungunahan ko na ‘yung mga bagay kahit hindi pa nangyayari,” he admits. This piece is just a start for Kelvin – he’s opened his doors for projects that will put him on the edge and push him to give his all. Whether it’s the script that he just can’t get enough of or the pull of working with great thespians in the industry, he is willing to go outside the bounds of his comfort zone. “Kapag may gusto akong role talaga, ilalaban ko siya.” His persistence landed him more opportunities – and fans can expect a couple or more projects just before the year ends. Beyond His Teen Years Now in his mid-20s, the actor acknowledges the demands that come with being an adult. One way he’s keeping it real and steady is taking one thing from younger years: the aspect of respect that his parents taught him. He’s used this as his staying power in navigating his current life, whether he’s on taping or he’s simply being with himself and his other passions in life. He pairs respect with persistence; Kelvin has that hunger for learning that needs to be satiated. Kelvin describes it best, “Ako yung tipo ng tao na ayokong tumigil matuto. So gusto ko everyday, in every opportunity or chance na binibigay sakin, meron akong mapupulot na aral do’n.” Despite the appetite to make the most out of all the possibilities laid out in front of him, the actor doesn’t compete with anyone else but himself. It’s a sign of maturity that, least to say, gives him a stronghold of himself in the crazy world of show business. The “Missed Connections” leading man figured that competition leads to comparison, and comparison leads to insecurities. And these insecurities take out the fun in our passions, he believes. “Para sa’kin, iniisip ko lang na mag-enjoy ako. Hinahanap ko ‘yung sarili ko sa paraan na mag-e-enjoy at matututo ako. Kasi kapag inisip mo na isang malaking competition ito, talo ka na kaagad, e. Kasi makukumpara mo na ‘yung sarili mo kahit wala pa. So as long as binibigay mo ‘yung best mo, panalo ka,” he asserts. He applies the same mindset with his other pursuits – beyond acting, Kelvin reveals that he’s keen on learning how to play the saxophone as well as producing paintings and other artworks. Growth never ceases for him. Kelvin, Now One of the misconceptions about the actor that he would like to break is him being “suplado” (he blames his poor eyesight for this). Beyond a tough exterior, Kelvin is actually a man of calm and wise words – uncovering truths that, like anyone of us, give more meaning to our day to day life. When asked about how he manages adulating, he spills thoughts like rainshowers of gold, bringing up the struggles that everyone faces especially in this time of our lives. “Mararanasan mo rin talaga yung mid-life crisis, unknowingly, unconsciously,” the actor relates. If there’s anything that he wishes people his age would do, it’s to always look inward, consciously ask yourself the important questions, and actively seek solutions. “I-try mong hanapin agad ‘yung mga solusyon, alamin mo kung nasaan ka para hindi ka maliligaw. The mind creates thoughts, thoughts create feelings, and feelings create behavioural reality. Nama-manifest natin ‘yan, e – kung anong laman ng utak natin, na-e-encounter natin siya in reality,” Kelvin shares. This, as well as never losing your faith. “Basta meron kang faith, hindi ka matatalo.” Mind-boggling as steering the wheel of life can be, the actor grounds himself with the fact that living isn’t a one-away street. When asked about his mantra, he reads from his notes – he reveals that he often jots down his musings to look back on later – and offers a slice of reality tidbit. “Life is not all about happiness. Life is about experiences. When it comes to experiences, you’re supposed to learn and enjoy through suffering the same way you do in pleasure. Because suffering is undeniably part of life. And we have to acknowledge it and learn how to communicate with pain and mistakes so we can face the consequences of our choices,” he reflects. “At hindi natin kailangang mabuhay lang sa kaligayahan. Kailangan din nating mabuhay sa kalungkutan.” Bottomline? Kelvin encourages us to be brave and live through the ups and downs. Because eventually, that’s what sums up growing up – and the actor is all present to enjoy the rollercoaster ride we’re all mounted in. photo @stephencapuchino art direction @jobonacpil grooming @janellcapuchino hair @mycke.arcano assisted by @jam_jacobe styling @ardenstyleph Special Thanks @tyronneescalante @maemars_ @sparklegmaartistcenter

Words by Mariel Abanes It’s fitting, like great timing dictated by fate, that Carlo Aquino and Charlie Dizon finally came together to star in a film. Both recognized in the world of show business thanks to their superior acting skills, it’s safe to expect all good things from “Third World Romance”—the Dwein Baltazar-helmed project that depicts romance between a couple in the underprivileged sector. It could be far from what it’s actually like for them as a real-life couple, but this exactly is why they said yes to doing the film. More than the love story, it’s the reflection of the normal day to day lives of fellow Filipinos “na nasa laylayan”, as the two describe, that the artists want to highlight. “Kaya ko gustong gawin ‘tong movie na ‘to is para maraming maka-relate na mga mamamayang Pilipino,” the lead actress points out. Her partner agrees, adding how today’s social status has significantly changed—for the worse. “Ang gustong iparating ng pelikula is kung hindi maayos ‘yung istado ng mga Pilipino, kailangan gawan naman natin ‘to ng paraan. Hindi pwede ‘yung ganito lang tayo palagi,” Carlo presses. It’s a message that calls to action—and not only in an individual sense. Collectively as a community, as a nation, the film shows a reflection of our reality, and it prompts questions and—hopefully—urgent measures that should be taken. On the flip side, “Third World Romance” is also a portrayal of hope. “Ang key takeaway, mas masaya ang buhay kung may kakampi ka,” Charlie notes. Within and outside the script, it’s one thing that made this pair succeed in this project, citing how this team up allowed them to be more comfortable as well as bring out their best foot forward. “Charlie Dizon is the challenge,” Carlo reveals, but is grateful for when moments when he needs a breather comes, he has his girlfriend on the set to put him back on track. And Charlie feels the same, with the young actress feeling more motivated than ever. She says, “Ayokong magkamali. Mas on my toes ako.” Personally, what did they learn from shooting the film? Apart from the realities that need checking and raising issues that matter, it also goes inward—a check up on one’s mindset in threading this thing we call life. Charlie emphasizes on the importance of being “palaban” and embracing oneself despite our mistakes and shortcomings. Carlo, on the other hand, highlights having someone by your side as essential in keeping your head above the water. “Ang importante, ‘yung may kinakapitan ka, saka ‘yung failure kasama talaga sa buhay—at dapat hindi ka susuko do’n. Okay lang mag-fail ka, pero dapat matutunan mo kung paano bumangon at lumaban ulit.” he muses. photography by Stephen Capuchino @stephencapuchino art direction by Jobo Nacpil @jobonacpil cover art by Matt Pingkian For Charlie Makeup: Janell Capuchino @janellcapuchino Hair: Christian Bojo @christianbojo.hair Styling: Drew Lacia @drewlacia For Carlo: Grooming Hernan Soriano @hernansoriano_ Styling: Abby Paulino @styledbyabbypaulino Special Thanks: Star Cinema @starcinema, Blacksheep @black_sheepph, @keiaamielle

gallery. sort of is pleased to welcome Anton Villaruel this Sunday, August 13, 2023. Anton offers an indictment of invasive plant species that make their way onto Philippine shores, and insidiously make their home deep into native soil, infesting and uprooting indigenous species. Yes, at first blush, this is a statement on environmental purity, and the dangers of cross-border pollination. From 4:00 p.m. onwards, Gallery. Sort Of. will host this groundbreaking art show at its enchanting location on 37 Camaro St., Fairview Park, Quezon City. Anton Villaruel, a celebrated artist known for his ability to intertwine art with socio-political commentary, presents an indictment of invasive plant species, drawing a striking parallel to the numerous ways in which the Philippines has been invaded over the years. Colonialist powers, Hollywood's superficial allure, dictators' iron-fisted rule, the ever-present sway of social media—these external forces have permeated the Philippines, often beyond the country's control. Gradually, these influences accumulate, leaving the nation vulnerable to transformation, and in some cases, obliteration. Just like invasive plants, these foreign elements have taken root, upending the natural order and threatening indigenous facets. The exhibition doesn't shy away from contemporary examples of these invasions, showcasing the relentless bombardment of K-drama, the complex allure of crypto-currency, the captivating allure of Thai BL, the transformative power of artificial intelligence, the deceptive allure of scams, the disruptive force of hackers, and the controversial POGOS. We find ourselves amidst an invasion, an amalgamation of cultures, ideas, and technologies that shape our identity. Anton Villaruel's "IMBAYSIB" asks us to reflect on the roots that strangle our souls, raising questions about our survival, adaptation, and potential mutation. Will we, like resilient native species, weather this storm of influences and emerge stronger, or will we be replaced, our soil nourishing an entirely different kind of entity? Join us this Sunday, August 13, 2023, at Gallery. Sort Of. in Fairview Park, Quezon City, as we witness Anton Villaruel's thought-provoking artistry, a powerful reminder of the ongoing invasion within, while we contemplate the delicate balance between preserving our heritage and embracing the ever-evolving world. Don't miss this captivating exhibition that challenges our perspectives and encourages us to safeguard our roots in the face of relentless change. Be part of the dialogue, the transformation, and the exploration of what it truly means to be Filipino in the 21st century. gallery. sort of. is located at 37 Camaro St., Fairview Park, Quezon City. The show opens at 4:00 p.m. Anton Villaruel is a Filipino printmaker based in Biñan Laguna. He is a graduate of University of the Philippines Bachelor in Fine Arts and a member of the Association of Pinoyprintmakers Inc. His most recent works include: participation and contributions for 20/30 A Limited Edition Print Portfolio project for the Cultural Center of the Philippines, completion of a 2 month printmaking residency in Kuala Lumpur Malaysia under Chetak 12, a solo release by Cartellino titled “Mga Lamang Poste”, “Day One” a group show in Altro Mondo art gallery, “Perjalanan” a two-man exhibition in CCP, “Ukit” in the Bencab Museum and “Parched Earth Ardent Spring” in UP Vargas Museum.

The ISLA Project stands as a testament to the power of art and creativity in bridging gaps and celebrating diversity. From its inception in Manila to its current flourishing presence in Los Angeles, the brand has held steadfast to its mission of sharing the culture, stories, and way of life that have shaped its journey. "Influence" is the heart and soul of the ISLA Project. The brand draws inspiration from the Philippines' multifaceted heritage, channeling its essence into a stunning array of products that encapsulate the journey from ISLA's birthplace to its new home. Each product serves as a visual representation of this remarkable journey, a canvas that reflects the shared experiences of its creators and the vibrant culture that runs through their veins. "It's about celebrating who we are and where we come from," says one of ISLA Project's co-founders. "Our products are a tribute to the beauty of our heritage, and they also allow us to connect with others who share our roots." While artistic expression lies at the core of the ISLA Project, its commitment to giving back to its home communities is equally profound. The brand's ethos extends beyond commercial success, emphasizing the importance of community support and charitable contributions. ISLA Project's philanthropic endeavors include active participation in volunteer efforts and the allocation of charitable donations to uplift underserved communities in both the Philippines and Los Angeles. By intertwining business with social responsibility, ISLA Project sets an inspiring example of how enterprises can be a force for positive change. "Focus on the Tribe" is not just a catchy phrase; it's a mantra that encapsulates the spirit of ISLA Project. In a world that often emphasizes divisions, this brand encourages unity through shared experiences, cultural appreciation, and the acknowledgment of the interconnectedness of all human beings. As the ISLA Project continues to flourish, it is a living testament to the potential of creativity to transcend boundaries and inspire meaningful connections. With its products as the vessels of culture, and its actions as the embodiment of compassion, ISLA Project invites us all to turn our attention to the tribe - the global community that unites us all. In the vibrant landscapes of Los Angeles, the ISLA Project's journey continues, guided by its unwavering commitment to celebrating heritage, promoting unity, and leaving a lasting legacy of positive change. As we wear their creations and embrace their vision, we become part of a greater narrative that reminds us of the beauty of our shared human experience. https://www.theislaproject.com

Nature, observed closely, reveals its extraordinary peculiarity and forms that manifest a mystical presence. It is through the lens of art that this truth in natural things can be captured, and no artist does it better than Pablo Bermudez. His works represent a state of contemplation of nature, bringing humans in tune with the world and achieving a collective consciousness as a unique form of life. Tropical Gardem ( Mixed Media ) Bermudez's art transports us to a nirvana, an idyllic garden where nature and humans coexist harmoniously. In his masterpieces, there is no division between organic and inorganic matter; instead, they serve each other's existence. The seemingly abstract nature of his works arises from a naive creative act, where photography is undermined by abstract painting. It becomes a form of destruction and deconstruction of the real image, an act of aggression towards the tangible. The artist's gestural acts, almost ritualistic in nature, aim to free himself from the influence of mass media images he has always relied upon in his research. Liquefied nature engulfs the photographed subjects, creating a mesmerizing tangle of forms. Amidst vivid colors, glimpses of reddish masses emerge, resembling agglomerates of living flesh not yet covered with skin. Bermudez's alchemical vessel knows no barriers, allowing formless beings to float in natural space and merge with the universe in an orgiastic and carnal pleasure of totality. Humans have always imitated natural forms due to their inherent attractive force. Similarly, the artist perceives this gravitational pull towards nature, particularly the jungle he experienced in his native country, Colombia. Although he will miss it for much of his life, he finds solace in Negros, where the nature of both the jungle and sugarcane crops resembles his place of origin, establishing evident connections between the two countries. In his photographic shots, Bermudez showcases how the architecture of Balay ni Tana Dicang harmoniously coexists with nature. The forms of nature and architecture blend in a balanced manner, blurring the boundaries between them. Architecture becomes nature itself, and its role extends beyond mere shelter. It becomes a vessel for memory, mediating between the past, present, and future. Balay ni Tana Dicang holds the memories of its inhabitants, preserving the objects they used and loved. Bermudez emphasizes the importance of preserving the past as a precious legacy of previous centuries. He reminds us that nothing built by humans should be destined for destruction. There exists a fundamental relationship between nature and humanity's work, as well as between things and our memories of them. Architecture is an integral part of this relationship, allowing us to remember our past and appreciate the beauty of our collective history. Through his art, Bermudez expands our perception of the ecological system, transcending anthropocentric boundaries. He invites us to embrace a more interconnected vision of life on Earth, where all living beings coexist in harmony. In the face of the anthropocene era, art creates an emotional connection between people and the natural world. It renews our sense of wonder and respect for nature, compelling us to reflect on our role as stewards of the Earth. By challenging our perceptions, stimulating dialogue, and fostering awareness, art becomes a catalyst for a sustainable future. Pablo Bermudez's works serve as a poignant reminder of the importance of living in harmony with nature. They encourage us to cherish and protect the environment, as we recognize our place within the intricate web of life on this magnificent planet. ABungalow artists’ foundation presents: "Echoes of the jungle's sweet surrender" The end-of-residency exhibition by Pablo Bermudez curated by Alessia Terzaghi Opening: Friday, July 14th, 2023 from 4:00 pm at Balay ni Tana Dicang 36 Rizal Street, Talisay City, Philippines INFO AND CONTACTS: Mr. Adrian Lizares: campoman@yahoo.com Alessia Terzaghi: terzaghialessia@gmail.com about ABungalow project The ABungalow project is an artist residency that provides an alternative space in a different setting located in Negros Occidental, Philippines. It gives the artist in residence another point of view of life, culture and the arts that may give resonance to the works the artists create in the island. ABungalow project was created after several visiting artists realized the time and the space it offers can provide freedom and inspiration to create their new works. The ABungalow has been in existence since 2016, to this day it has helped its many artists in residence to create works that demonstrate how time and space contribute to renew and reinvigorate their creativity. In photos: Mr.AdrianLizares, PabloBermudez, AlessiaTerzaghi

In an exclusive interview with celebrated architect and fashion influencer Miko Carreon, we explore the fascinating connection between his profession and his unique sense of style. Known for his bold and vibrant fashion choices, Miko's personal style reflects his architectural background and serves as a source of inspiration for both his designs and his fashion ensembles. Join us as we delve into the mind of this creative visionary, uncovering his inspirations, challenges, and exciting future projects. As an architect, how do you find the connection between your profession and your personal style? -I feel like as an architect you get this certain style that inspires you to be creative and that personal style also resonates with my works. Honestly it’s also a mix of some days when I design I wear something I feel good in so I can be more inspired and there are some days when I need to go on site where I have to wear something comfortable. But most of the time it’s more of wearing something I feel good in to feel empowered and inspired. Both styles that I mentioned play around minimal and a little bit of fun with an accent of color or a statement piece. Your fashion choices are often described as bold and vibrant, filled with diverse colors and prints. What draws you to such daring combinations? -I actually love minimal fashion and I play around more with silhouettes, in lieu with the prints, these are the things I like to mix with my minimal fashion just be more fun and daring sometimes, maybe I add a printed neckerchief, a statement button down or pants, etc. just to make things more vibrant. Where do you find inspiration for your fashion ensembles, particularly when it comes to exploring colors and prints? - I find inspiration from everything! Places, things and people! If I find something interesting I would unconsciously dress up inspired by that thing. How do you balance architectural aesthetics with fashion trends to create unique and cohesive outfits? -I believe that I design a project with the word “timeless” in my mind and same goes with my personal style I invest on classic pieces and then sometimes add those little trendy things to be more playful just like how I do with my projects, I design a timeless space and style it and mix it up with trendy pieces. Can you share some of your favorite color and print combinations that you've experimented with and found successful? -OMG , If you raid my closet you’ll just see a lot of black, moss green and navy blue and some printed button downs and neckerchiefs. Many people tend to shy away from incorporating too many colors or prints into their outfits. What advice would you give to those who want to embrace more vibrant and daring fashion choices? - One technique that I try to imposed in mixing colors is the color wheel theory. xSo with that thing you’ll see colors that are in contrast with and what goes well together. Most of the time I stick with one color and stick with the same shade and then add up one accent color that is in contrast into that family of color. Have you faced any challenges or criticism in your journey as a stylish architect? How do you deal with it and stay true to your personal style? -Yeah that’s for sure, but you know in this age go ahead accept criticism but then at the end of the day just stay true to your style, you’ll know what’s good and what’s bad for you. You have a significant following on social media, where you showcase your fashion sense. How has social media influenced your style and connected you with like-minded individuals? -A lot of networking from these social media platforms, I get to meet a lot of creatives from the same industry and outside the industry and meeting people and these people inspire me to be more and do more Are there any specific fashion designers or artists who inspire you when it comes to exploring colors and prints? -I love Simon Porte Jacquemus because I love his sense of taste when it comes to colors and print. I also love Kim jones for playing around with silhouettes and the way he sees fashion and style. Apart from fashion, what other creative outlets do you enjoy exploring? -I like photography and I'm more drawn to movements so I like to create through dance as well. What role do you believe fashion plays in expressing one's personality and individuality? -personal style is like your second skin. Whatever personal style you have represents who you are as a person. Can you share a memorable experience or achievement in your career as both an architect and a fashion influencer? -hmmm this is a tough one, honestly there’s a lot. Just getting recognition from people you look up to is already a cherry on top of all the things I work hard for but most the most memorable ones are when people approach me and thank me for inspiring them. That is more fulfilling for me. What advice would you give to aspiring architects or individuals looking to express their unique style in their chosen profession? -first and foremost before you enter into this industry you should know in yourself that you like design and you are passionate about it. The personal style will just come along as you grow into the feil and stumble upon new people. Lastly, what exciting projects or collaborations can we expect from you in the near future? -I'm designing destination places so watch out for that, retail stores and café and bars so I’m looking forward to that one also, bloggers united is back! Will be selling my preloved clothes next month! Save the date! Photo by @raphidalgo

Photography: EVGENYA KAYUMOVA Hair &- Make-up: ALEXANDRA VASILYEVA Model: EKATERINA TAMBOVTSEVA Agency: ROUGEMODELAGENCY Designer &- Stylist: OLESYA RUSAKOVICH Clothes: OTOCYON. YAUZA STORE

In the ever-evolving landscape of music, artists strive to push their boundaries and explore new dimensions of their artistry. Tala, the talented singer-songwriter, has gracefully accomplished this feat with her latest EP, 'honeymoon.' In this exclusive interview, Tala opens up about the evolution of her sound, the inspirations behind the project, and her aspirations for future endeavors. Evolution of Sound: A Reflection of Personal Growth Tala's previous works served as a time capsule, capturing the essence of her younger self. However, with 'honeymoon,' she presents an evolved version of herself that resonates with her current state. Through her songwriting, Tala reveals that her music now represents her growth and experiences, offering listeners a deeper insight into her artistic journey. How would you describe the evolution of your sound on this project compared to your previous works? My earlier work is a time capsule of a younger Tala, who still lives in me. Now that I'm older, I feel like my writing has evolved to represent me as I am today. This project aimed to embody that growth. The honeymoon EP is a collaboration between myself and crwn (King Puentespina), who did a fantastic job producing the project. Way before I met him, I was a huge fan. The title of your EP, 'honeymoon,' suggests themes of new love and exploration. Can you tell us more about the concept and inspirations behind this project? King and I were in really good places when we started working on ‘honeymoon,’ and we wanted to capture those emotions in the songs. We talked a lot about what it was like to have your feelings reciprocated for the first time, and explored the idea of the trust and surrender that comes with loving someone wholeheartedly – the intoxicating honeymoon stage of a new relationship. Our intention behind the project was to take the nuances of a fresh and new love and translate them into what would feel like three love letters in song form. In 'honeymoon,' you explore the nuances of a fresh and new love. Can you share some specific songs or lyrics that capture the pull, push, and surrender you mentioned earlier? “nothing i won’t do” opens the project. The first line sets the mindset for the rest of the EP - you run your hands all through my hair and I know you adore me. It's about that initial pull you feel in the honeymoon phase – the trust, the pursuit, and that eagerness to keep getting to know each other, even if you already feel connected. There’s nothing I won’t do to get close to you – break myself in two, nothing I won’t do. The second track, “again and again,” represents the push part of the honeymoon phase. We wanted this to feel like a flirty challenge, playfully pushing your partner away to see if they come back to you, and they do – over and over, again and again. While writing the song, clocks were a key element to capture the sense of time passing in an endless loop you never want to break out of – savoring the moment, not wanting it to end. The last track, “honesty (i’ll find you),” is about complete surrender. This song is special to me because it was the first song King and I wrote together. I wanted this to be a soulmate song – transcending boundaries of platonic or romantic relationships, recognizing that all forms of love are meaningful. I imagined two people standing in the same room, a hundred universes apart, but still knowing that they’d find each other. No matter what you do, know that I’ll find you. As a singer-songwriter, storytelling plays a significant role in your music. How do you approach lyricism and songwriting to effectively convey the emotions and narratives you want to express? I say this often, but I write lyrics in hopes that they sound and feel like a journal entry – a little too personal! I write the way I would tell my close friends stories. I don’t like putting too much thought into how I convey emotions or narratives. I genuinely just dump my thoughts out, and I try to do it through words that evoke an emotion. I really like the idea of someone else’s words making you feel something. It’s a theme I keep coming back to. Being honest in my songwriting is exactly how I get people to understand my music and the stories I want to tell. 'honeymoon' marks an important milestone in your musical journey. How do you envision this EP shaping your artistic path moving forward, and what are your aspirations for future projects? The release of the 'honeymoon' EP signifies an important milestone as it marks my first project in collaboration with Pool Records, who have been incredibly supportive. This EP is the first installment of a trilogy of trilogies that I'm very excited to be working on and a prelude for what's to come. With the EP's release, your music will reach a wider audience. What message or feelings do you hope listeners will take away from 'honeymoon'? I was in a positive place when we were creating “honeymoon,” and King and I hoped that those feelings could be captured in the music. There was a lot of love behind the intention of the project’s creation and I hope listeners are able to feel that. I want them to be open to new love – all love in all forms, not limited to romance. There is so much love in the world, and we want people to embrace the idea that they can and will find love again and again. It is also my hope that this project opens people’s minds to celebrate Filipino creatives. There are so many who helped bring ‘honeymoon’ to life – designers, animators, photographers, producers, stylists. Witnessing their creative processes and the heartfelt dedication they poured into their respective roles to bring 'honeymoon' to life has left me deeply grateful. It has been an extraordinary privilege to see the love they infused into every aspect of the project. Looking back at the process of creating 'honeymoon,' were there any challenges or breakthrough moments that significantly impacted the final result? At first, King and I tried working on the project remotely. We'd send each other our own demos and go back and forth on them, but we both felt that something was still missing. When we finally got together, finishing the EP felt way easier. We started fresh and wrote the final songs in person. Being physically present and connecting with the project's intentions was a game changer for our process. The creative energy brought the EP to life, giving it that sense of completeness we were looking for. Finally, can you give us a sneak peek into what's next for you after 'honeymoon'? Are there any exciting projects or collaborations on the horizon? The ‘honeymoon’ EP is the first part of a trilogy of trilogies! So, people can look forward to the other two EPs to complete the trilogy. They will be thematic and I hope they connect with people. I’m also working on a collaboration with the Indonesian band Matter Halo. I love what we’ve been working on and can’t wait for the release. Other than that, I’ll continue to write and hope people are excited to hear my stuff as much as I am excited to create them. HEAR HER MUSIC: Spotify: Spotify/Tala YTubeMusic : MYtube/tala

PHOTOGRAPHY & EDIT: Silke Photo website: www.silkeschlotz.de facebook: www.facebook.com/SilkePhotography instagram: www.instagram.com/silkeschlotz email: mail@silkephoto.com Fashion Design: Lea Bürkert website: facebook: instagram: www.instagram.com/leaevab email: lea.buerkert@yahoo.de HAIR & MAKE-UP: Sinan Bilgi website: facebook: instagram: https://www.instagram.com/s.b.hair_makeup email: MODELS: Manuel Haas Katharina Klaube

In honor of Pride month, gallery.sort.of is delighted to present The Gaze of Longing, an exhibition that serves as a tribute to the LGBTQ+ community. This captivating showcase highlights the talent of ten emerging queer artists who come from diverse backgrounds and possess unique styles and aesthetics. Curated by JT Gonzales, this carefully curated collection represents the wide range of queer artistic expression. Among the featured artists are Justin Abrigado, whose delicate sketches capture attention, Deej Amago, known for his provocative bear-themed artwork, Paolo Dumlao, whose conceptual photography intrigues with its air of mystery, Mark Espuerta, a Bacolod-based artist renowned for his masculine torsos, Jasper Gomez, who mesmerizes with his dreamy watercolor creations, Mark Hernandez from Laguna, whose impressionist figurations captivate, Mark Tisado, whose emotive renderings strike a chord, Anton Villarreal, who draws inspiration from plants to create unique assemblages, Mark Weigh, whose pop-cartoon characters exude charisma, and Gelo Zarsuelo from Aklan, who showcases his spray-painted hunks. Just as there is pride in embracing one's identity, this exhibition also celebrates the pride associated with one's deepest desires. The artists explore the concept of the "gay gaze," fearlessly examining the sensuality of queer individuals through their artwork. You can find the gallery located at 37 Camaro St., Fairview Park, Quezon City. The exhibition will run from June 10 to July 1, 2023, and viewings will be available on Thursdays to Saturdays, from 2-7pm. For more information, please reach out to us on Instagram at gallery.sort.of or contact us at 0917 3214207. The Gaze of Longing JT Gonzales Admittedly, it was with some trepidation that this topic was broached. It was mulled over. Reflected on. And finally, approved. We know the “male gaze.” A concept much vilified for its objectification of women. That flat, inscrutable look. A look of many meanings and interpretations. A look that, often, boils down to naked desire. What then the justification for the gay gaze to turn its own hungry, grasping stare at the object of its “affection?” It makes a lot of men uncomfortable. The side glances. The frank, appraising look. The staring. The pure, unalloyed want. But that stare is triggered by many things not necessarily sexual. The undulation of muscles underneath a dress shirt. Jutting bones, a bared instep. The nape of a neck so smooth, it could rival any woman’s. Bristly chest hair peeking out from a tee. Yes, even an unconsciously confident swagger, the pitch and roll of a cocky gait. Desire. Perhaps, uncomfortable to some. To many. But desire is integral to existence. Why then, the shame? We asked a few queer artists to reveal their pleasure points. What stimulates them? What, in the universe of physicality, specifically turns them on? It’s Pride month in some places. And we choose to celebrate Pride this way. By an unapologetic admission of desire. A celebration of want. A feast of longing. Of seeing what we cannot have. And manifesting it. We look. And maybe, we can touch.